The Paris Review

In Memory of Stanley Cavell

While driving back from a party through the warm London night last Monday evening, I decided to tell my girlfriend about Stanley Cavell’s interpretation of . The story does not reflect any better on me, if you know the essay in question. It centers on a description of the Macbeths as a portrait of a marriage gone perfectly, metaphysically wrong, one where the sharing of thought and passion has become ghastly and vampiric. But the play was on my mind because I was due to see it the following night, so maybe I can be forgiven my conversational choice. The production felt strikingly close to Cavell’s account. So I was thinking the next day about emailing him about it; instead I heard the

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review1 min read
Hasten Slowly And You Shall Soon Arrive
hasten slowly and you shall soon arrivepriyanka said, quoting milarepa after all this timemy patience waned its wayinto the dipping sun with the pin-tailed onewhose knowledge was encyclopedic…. betelgeuse is turning on and offlike your love—everybody
The Paris Review1 min read
Tourmaline
is a stone some sayhelps put a feverish childto sleep and othersclaim it wakes actorsfrom the necessarytrance of illusion to become themselves again it comes in many colorslike the strange redstone set into the Russian imperial crowneveryone thoughtw
The Paris Review1 min read
Credits
Cover: Courtesy of Nicolas Party and the Modern Institute /Toby Webster Ltd. Page 12, courtesy of Alice Notley; pages 32, 36, 39, 42, 45, 48, 52, 55, 56, courtesy of Jhumpa Lahiri; page 59, photograph by Marco Delogu, courtesy of Jhumpa Lahiri; pages

Related