Artist Profile

PAUL BOSTON

WHEN DID YOU BEGIN MAKING ART?

I’d been in Guatemala and picked up hepatitis from food, by the time I’d reached London I ended up in an isolation room, in Coppetts Wood Hospital. As I got better, I started drawing a series of heads, and then I became fascinated with the marks, how the most minimal mark could mean so much to the mind, and how one could read so much meaning into something so slight. I became really fascinated with that, and it led to a whole lot of work I’m still playing with, like the head images. After my recovery I went to New York and saw a massive Picasso retrospective, it was 1981 by that stage. Then I ended up in San Francisco where I saw the Guston retrospective. I was struck by Picasso’s and Guston’s freedom, invention, the play of the imagination, and the power of the imagination. Those things gave me a new spirit to operate from. I felt

You’re reading a preview, subscribe to read more.

More from Artist Profile

Artist Profile4 min read
Lincoln Austin
Lincoln Austin’s recent success in winning the Art for Life category in the Queensland Regional Art Awards (QRAA) seems apt. The award’s focus on supporting “emerging and established artists outside the Brisbane City Council area,” and its aim to fos
Artist Profile5 min read
Georgia Lucy A Beautiful Mess
TAFE Newcastle Art School during 2007–2008 was a magical experience for Georgia Lucy. There she was taught by the late Peter Charles Read who was the head of sculpture. He was very hands on, teaching traditional skills such as woodcarving, welding, a
Artist Profile4 min read
Unpredictable In Its Predictable Unpredictability
On first impression, the ARNDT Collection is a Lewis Carroll mischmasch of international twentieth century big name European trophy artists sprinkled with known Australian artists. There are some edgy stunners presented and challenging gambles on yet

Related Books & Audiobooks