PleinAir Magazine


En Plein Air, inspired by the unique site of the High Line, examines and expands the tradition of outdoor painting. The title refers to the mid-19th-century practice of painting en plein air (French for “in the open air”). When pre-mixed paints became readily available in tubes, and thus could be easily transported along with canvases and easels, artists brought their studios outside. The act of painting outdoors became associated with the Impressionist movement, which emphasized capturing nature and the fleeting qualities of light while depicting new perceptual and social experiences accelerated by the Industrial Revolution. The inclination to paint outside was one reaction to the overwhelming transformations of life in urban centers, as nature and cities redefined each other under the pressure of modernization —

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