Stereophile

Parasound Halo A 21+

The components I needed to choose for my first system were never in doubt: a turntable or record changer, an integrated amplifier, and a speaker. One of each, please, in those mono days.

Today, even in stereo, that trinity would be regarded as rather traditional—or, if you prefer, purist. Digital has exploded the range of source options and loudspeaker options. Yet amplifiers have not changed much in how and what they do. They take an analog voltage signal from the source, increase it, and back it up with enough current so that the output can power a relatively insensitive device, the loudspeaker. Amps still do the heavy lifting, and that includes today’s popular class-A, class-AB, and class-D power amplifiers, none of which involve any digital operations. These being mature technologies, particularly for traditional-technologies amps, new power amplifiers inevitably compete with their predecessors as well as with their contemporaries. This is evident with the release of the new Parasound A 21+ stereo power amp ($3150), the successor to the A 21, which was originally launched in 2003.

Listening to the A 21+ was eminently delightful and satisfying from the first note.

Parasound was founded in 1981 by Richard Schram, and the company has been offering audio products under their own name as well as for OEM sales since then. Parasound has established close and long-term and, over the years, their circuits and technologies have migrated into other Parasound products.

You’re reading a preview, subscribe to read more.

More from Stereophile

Stereophile13 min read
Let The Right Brain In
In the months since I told my Lenco story in Gramophone Dreams #79, two of my friends have bought L75s, and now they’re enjoying them more than their shiny movie-star decks. One told me he has put more than $2000 into a Lenco L75 he bought online for
Stereophile10 min read
German Heavy Metal
I sometimes joke about how audio designers create products that resemble themselves, not just in how they look, but also in the design approach used, and especially the way they sound. So, we have tall, cool, pragmatic Scandinavians making gear like
Stereophile4 min read
Beyoncé, Tracy Chapman, And Country Music
One of my coolest radio-related experiences happened just a few months ago, when, churning through FM stations in my car, I encountered a country-inflected male voice singing “Fast Car,” the Tracy Chapman song. Rolling Stone dubbed “Fast Car” the 168

Related Books & Audiobooks