THE FIRST HUNDRED WORDS ARE THE HARDEST
This article is printed here in its original form, as it was first published in 1921. —Ed.
If you’re familiar with the current “gag,” “The first hundred years are the hardest,” this being a certain humorist’s ironic “crack” at married life, you’ll know what inspired the above title. But, in all seriousness, for the beginner in fiction writing, the first hundred words or so—they may represent the first paragraph, or the first two or three paragraphs—undoubtedly are the hardest, or, at any rate, decidedly the most important in the entire story.
“Rats!” remarks the “wise”—and slangy—beginner. He has read his O. Henry and all the other successful authors, and he knows much better than that. He is thinking of the 101 smashing, dramatic endings in stories he has enjoyed, and he is absolutely convinced that a bang-up, hit-’em-between-the-eyes “final curtain” is far and away the most important thing in any story, but especially in a short story.
Well, live and learn, profit by experience, collect the rejection slips until you are able to see the light, and know the value of carefully planned, “punchful”
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