ArtAsiaPacific

Sofu Teshigahara

The evolution of ikebana (the Japanese art of flower arranging), from its 7th-century application as religious offerings to the secularized decorative practice of the early 20th century, was subtle. Successive schools approached ikebana with unique aesthetic goals while retaining its fundamental expressive elegance.

Working as a young ikebana artist in the 1920s, Sofu Teshigahara began to find the practice stale, out of

You’re reading a preview, subscribe to read more.

More from ArtAsiaPacific

ArtAsiaPacific2 min read
Amar kanwar
Having become accustomed to consuming short-form content on social media, submerging oneself in long-duration video works can often induce a certain restlessness. But watching The Peacock’s Graveyard (2023) by New Delhi-born filmmaker Amar Kanwar, wh
ArtAsiaPacific3 min read
Scratching At The Moon
The Model Minority myth that arose in response to historical events surrounding Asians and Asian Americans during the Second World War has been hard to shake. Not only is the stereotype incorrect as applied against a wide-ranging category that includ
ArtAsiaPacific3 min read
Heman Chong Meditations on Shadow Libraries
Over the past two decades, Heman Chong has harbored a deep fascination with knowledge circulation through his multifaceted, conceptually driven practice. “Meditations on Shadow Libraries” at STPI gallery represented the Malaysian-born, Singapore-base

Related