Music and form
Feb 06, 2019
2 minutes
PHOTOGRAPHY VICTORIA BIRKINSHAW
IT’S HARD TO KNOW WHERE to begin with Andrew Thomas. Should we talk about his radical new sculpture, Lightwing, a 20-tonne steel piece that anchors a roundabout in an industrial suburb of Wellington?
Or should I ask him about the awardwinning sets and exhibition spaces he’s designed for the likes of the Royal New Zealand
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