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An Ordinary Dog
An Ordinary Dog
An Ordinary Dog
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An Ordinary Dog

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Both intimate and detached, this poetry compilation delves into the politics and aesthetics of desire—sacred and profane, frantic and serene, refined and grubby. Reflecting upon the comedy of human needs and the vanity of human wishes, these poems consider times of crisis when history is lived and reinvented, myth degenerates into faith, and reason falters. On this journey in which chance always prevails, the mood ranges from cheerful equanimity to gloomy desperation.

LanguageEnglish
Release dateJul 1, 2011
ISBN9781847779137
An Ordinary Dog
Author

Gregory Woods

Gregory Woods was born in Egypt in 1953, and brought up in Ghana. He is the author of Articulate Flesh: Male Homoeroticism and Modern Poetry (1987), A History of Gay Literature: The Male Tradition (1998) and Homintern: How Gay Culture Liberated the Modern World (2016), all from Yale University Press. His essay collection The Myth of the Last Taboo: Queer Subcultural Studies was published by Trent Editions (2016). In addition to his six main poetry collections, all with Carcanet, chapbooks of his have been published by Shoestring Press and Sow's Ear Press. Woods has two doctorates from the University of East Anglia (1983, 2006). He began his teaching career at the University of Salerno in 1980. In 1998 he became the first Professor of Gay & Lesbian Studies in the UK, at Nottingham Trent University, where he is now Professor Emeritus. He is a Founding Fellow of the English Association and has held two Hawthornden Fellowships (1999, 2008).

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    An Ordinary Dog - Gregory Woods

    GREGORY WOODS

    An Ordinary Dog

    Acknowledgements

    Earlier versions of these poems appeared in the journals Ganymede, Gay and Lesbian Review, PN Review, Poetry Salzburg Review, Polari Journal and Staple, as well as in the following anthologies: Amie M. Evans and Trebor Healey (eds.), Queer and Catholic (New York: Routledge, 2008), Jo Harding and Theresa Robson (eds.), Slip Through the Silence: Facing Adversity with Verse (Clitheroe: Clitheroe Books, 2008), Kapow: New Writing with Impact (Nottingham: Launderette, 2009), Gregory A. Kompes (ed.), The Queer Collection (Las Vegas: Fabulist Flash, 2007), Reflections: A Collection of Poetry for the Waiting Room (Derby: Reflections, 2007). ‘Echo’s Echoes’ was first publshed on Twitter. I was awarded a second Hawthornden Fellowship in 2008.

    Contents

    Title Page

    Acknowledgements

    One

    Invocation

    Figure of Enchantment

    Objective Disorder

    Age of Gold

    Landscape/Portrait

    The Best Medicine

    Faith Figure

    Scenes from Stendhal

    Scenes from Flaubert

    Wing Three-Quarter

    La Vie en Rose

    Strokes

    Action and Reaction

    Initiation

    Ah the Taste of a Stranger’s Mouth!

    The Picture with the Bear

    Figure with No Past

    Figure of Achievement

    Messages

    Trees or Fly-Fishing

    When You Go

    Scenes from Gautier

    The Sweet Life

    Last Resorts

    Figure of Opportunity

    End of Eternity

    Two

    Jerome

    Into Battle

    Newton at Woolsthorpe

    Interpreting Flaubert

    Death of Rimbaud

    Jean Genet in Norwich

    Lenin on the Thérémin

    E.M. Forster at Rockingham

    His Philosopher’s Voice

    To the Authorities

    Preoccupations

    Torso

    In Derby Cathedral

    On Derby Station

    Drive-By

    Mothers of Sons

    Priorities

    Indictment

    Three

    Penmanship

    First Rites

    The Thaw

    Chance Discoveries

    A Place on the Map

    Boulders

    Said and Done

    Rhapsodic Materialism

    Dream of the Future

    Making Myth

    Possibilities

    A Personal Vergil

    Beyond Progress

    Intersection

    The Vulnerable Bead

    Anomaly

    Displacement

    That Sweet

    Narrative Poem

    Rags, a Dog, Eternal People

    Gogol’s Guilt Complex

    Scenes from Balzac

    Echo’s Echoes

    Four

    An Ordinary Dog

    Theorem

    Her Hair Is her Religion

    Retribution

    Down to Earth

    Extinguishing

    Scenes from Hugo

    Empty Quarter

    Written After Swimming from There to Here

    The Lesson of History

    Around the Neck

    Butter-and-Eggs

    About the Author

    Also by Gregory Woods from Carcanet Press

    Copyright

    One

    Invocation

    Come, hungry Muses, sink your fangs

    into the rancid meat of things.

    Give us another of those songs

    that fizz the spittle on your tongues.

    Descend on us in raucous gangs,

    tattooed and sporting nipple rings.

    Evacuate those tarry lungs

    and goad us with your humour’s prongs.

    Conciliate your hunger pangs

    with scraps of life, the random slings

    and arrows felt by human throngs.

    Foregather where the tyrant hangs,

    and harry anyone who brings

    to human rights inhuman wrongs.

    Figure of Enchantment

    She wears red feathers

    but white ones on feast days

    and on her birthday scales.

    Her fingers have claws

    and black talons for shoplifting.

    When she swims she grows fins

    and on the verge of drowning gills.

    In her rump she hides a sting

    for any man who crosses her,

    but the stinging tastes of honey

    just before it hurts.

    The feathers she wears

    are as red as her hair

    and when anybody plucks them

    she shrieks as if winning a prize.

    Her annual ovulations

    bring the kids out on the streets,

    maidens waving bunches of mimosa

    and square-bashing boys

    with badges and berets.

    By night she hides from headlights

    as if running from the law.

    When it snows she weeps for all mankind

    (a colander) incontinently, out of earshot.

    Those who fall in love with her

    fall out again with broken hearts

    and grazed extremities.

    Nobody comes close. 

    Objective Disorder

    Propriety once segregated us from girls,

    and passion followed suit. No laws or papal bulls

    applied to adolescent guile within these walls.

    For all that we were rendered regular by bells,

    each body’s pulse subordinated to the school’s,

    mortality’s unsentimental chisel gnarls

    a boy’s credulity, and scepticism kills

    his faith. The gods he worships then are human pals,

    imperfect but more beautiful than bloodless souls.

    Beneath a plaster Virgin’s blindness, like a doll’s,

    a pair of us replace cold prayer with spattered vowels

    of inarticulate delight. Each of us feels

    himself, unlike the sheets our ecstasy defiles,

    unspoilt by the division of our bodies’ spoils.

    Age of Gold

    Philosophy relied on words for its account

    of love, but boys did well enough with groan and grunt.

    Theirs was a class of flesh so laudable, by dint

    of youth, that nothing but its semen should anoint.

    Once they had passed beyond the point of do and don’t,

    they were held back by nothing worse than can and can’t.

    Pragmatic passion knew no more severe restraint

    than the available, the possible – and want.

    Besides, the cornucopia was never spent.

    Landscape/Portrait

    Devise a composition, taking in

    the landscape, either as it stands or else

    adjusting it to suit a preconceived

    idea of how it might have looked if you

    could see it from a higher vantage point,

    or if a certain crag or tree were to

    be shifted left or right, and when you point

    your predatory telescope at it,

    like some conquistador confronted by

    the confirmation of a hunch that brought

    him to the distant beach on which he must

    find gold or die for having cost the crown

    more than it takes to raise an army to

    suppress a rebel province – take your time;

    enjoy the passive scene as much as it

    appears to be enjoying being seen.

    Like a boy’s body waiting to be kissed,

    impatient for the tickle of the lips

    or self-indulgent slaver of the tongue,

    the sweep of him exposed across the broad

    horizon of an unmade bed and crudely

    sun-lit underneath the open window,

    but hoarding shadow and a secret heat

    in inaccessible but dreamt-of parts

    unmapped by naked eye, still less explored

    by stealth of

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