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A Possible Life: A Novel in Five Love Stories
A Possible Life: A Novel in Five Love Stories
A Possible Life: A Novel in Five Love Stories
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A Possible Life: A Novel in Five Love Stories

Rating: 3.5 out of 5 stars

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From the critically acclaimed, bestselling author of Birdsong, new fiction about love and war—five transporting stories and five unforgettable lives, linked across centuries.

In Second World War Poland, a young prisoner closes his eyes and pictures going to bat on a sunlit English cricket ground.

Across the yard of a Victorian poorhouse, a man is too ashamed to acknowledge the son he gave away.

In a 19th-century French village, an old servant understands—suddenly and with awe—the meaning of the Bible story her master is reading to her.

On a summer evening in the Catskills in 1971, a skinny girl steps out of a Chevy with a guitar and with a song that will send shivers through her listeners' skulls.

A few years from now, in Italy, a gifted scientist discovers links between time and the human brain and between her lover's novel and his life.

Throughout the five masterpieces of fiction that make up A Possible Life, exquisitely drawn and unforgettable characters risk their bodies, hearts and minds in pursuit of the manna of human connection. Between soldier and lover, parent and child, servant and master, and artist and muse, important pleasures and pains are born of love, separations and missed opportunities. These interactions—whether successful or not—also affect the long trajectories of characters' lives.
Provocative and profound, Sebastian Faulks's dazzling new novel journeys across continents and centuries not only to entertain with superb old-fashioned storytelling but to show that occasions of understanding between humans are the one thing that defines us—and that those moments, however fluid, are the one thing that endures.

LanguageEnglish
Release dateDec 11, 2012
ISBN9780805097313
A Possible Life: A Novel in Five Love Stories
Author

Sebastian Faulks

Sebastian Faulks is the author of ten novels. They include the UK number one bestseller A Week in December; Charlotte Gray, which was made into a film starring Cate Blanchett; and the classic Birdsong, which was recently adapted for television. In 2008, he was invited to write a James Bond novel, Devil May Care, to mark the centenary of Ian Fleming. He lives in London with his wife and their three children.

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Reviews for A Possible Life

Rating: 3.4629630148148145 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    This was a very mixed collection of five short stories. I greatly enjoyed the first two stories, "Geoffrey, 1938" and "Billy, 1859", but the third one, "Elena, 2029", was rather horrible. "Jeanne, 1822" was okay (although the ending of it was weird), but the last one "Anya, 1971" was an execrable and nauseating "love" story.
  • Rating: 5 out of 5 stars
    5/5
    First, I have to say that this was a beautifully written book that will delight book clubs. I found at least three of the stories to be profound and still have me thinking about them. Through the five separate stories the characters all come to a peace with themselves and the life they are living. While they are fulfilled in their lives, the stories highlight a less than possible life because of life choices or circumstances beyond their control. However, there is an element of sadness across all three. I think this is common for all of us who have reached middle age and looking back on our choices. This book makes you think about what would have been possible. Overall, an excellent read. Reader received a complimentary copy from Good Reads First Reads.
  • Rating: 3 out of 5 stars
    3/5
    A collection of five seemingly separate but somewhat linked stories. All a in different times & places, & have connections based on the fragility of life, it's variability, & the patterns that individuals follow. Combining patterning & quantum physics with a populist touch, & engaging writing style, this should have been more involving than it was. This isn't as good as "Birdsong", "Charlotte Gray" or "Of Human Traces" but it is readable & complete able. Good ,but not his best.
  • Rating: 4 out of 5 stars
    4/5
    A novel in five sections where a similar cast of characters have contrasting lives in different historical contexts with different outcomes. Orphans prosper or go under betrayed. Lovers betray or are strongly independent of those who would hinder. Some objects and places are re seen in different stories with other meanings. I was reminded of Cloud Atlas in terms of structure and theme although that was a more ambitious book
  • Rating: 3 out of 5 stars
    3/5
    When I read "Geoffrey," the first of the five 'parts' of this 'novel,' I fully expected to be awed yet again by Sebastian Faulks. Sadly, this was not the case. I was awed by one part ("Geoffrey"), impressed by another ("Billy"), liked a third ("Jeanne") well enough, but two others ("Elena" and "Anya"), quite frankly, bored me to tears. Two great, one OK, two downright bad out of five--hence the two-and-a-half star rating."Geoffrey, 1938" is the story of a cricket-loving young man, somewhat of a loner, who falls into a position teaching French at a boys' school. As much out of boredom as a sense duty, he enlists soon after World War II begins. Faulks brilliantly describes the horrors of his war experience; the story haunted me for days. My only criticism would be that the book jacket implies that this is a love story. While there is a woman to whom Geoffrey is attracted who is the impetus of change in his life, this is no Birdsong.In "Billy, 1859" an impoverished family is forced to send one of their sons to the work house, where he befriends two sisters. The story follows Billy's hardscrabble life for the next 20 years or so. It's a story that was fairly common at the time, a story of struggle, poverty, better times, more poverty, illness, and secrets. What makes it work is the narrative voice, which is straightforward and never self-pitying."Elena, 2029." Well, here's where things start to go terribly wrong. Elena is a tomboy with an extensive imagination, a passion for bike-racing, and a gift for science. Her parents worry about her odd habit of spending time in a treehouse hideaway and about the fact that she has no friends. So one day her father brings home Bruno, his newly-adopted son. At first, Elena hates him; then she loves him. He goes away. She becomes a brilliant scientist who helps design a machine that analyzes human emotions in the brain. (A lot of scientific gobbledygook here). I just never connected with either of these characters, and I got incredibly bored with the science stuff, which read like Faulks showing off his research.In "Jeanne, 1822," we meet another impoverished person, an orphan who is taken into a wealthy household as a servant/nanny for nothing more than the cost of her bed and board. It's mostly another slice-of-life piece: Jeanne loves her charges, but Clémence becomes aloof as she ventures into society, and Marcel changes due to his war experiences."Anya, 1971." What can I say? I hated it. To me, it read like the author's middle-aged fantasy: commune-living hippie back-up band member/music producer Jack meets beautiful, mysterious (and, of course, extremely sexy and free-loving) folk rocker girl destined for stardom. Lots of drugs, sex, gin, and rock and roll, plus infidelity and burnout. These stereotypical characters struck me as insipid, self-centered, and foolish from the beginning, and I didn't care what happened to any of them. I felt like I was reading Faulks's indulgence in what he felt he missed out on in his now-fading youth. The inclusion of sappy lyrics that were supposed to be brilliant was equally irritating.So . . . how are these five stories linked to make, as the title claims, "a novel"? The connections are pretty slim. Yes, each of these main characters makes choices that change their lives--but is that a theme? Isn't that what life (not to mention novels) is all about? A few references recur: Cheeseman, one of Geoffrey's students, returns as a lawyer in "Anya"; a lunatic asylum goes through various reincarnations; the artist Egon Schiele gets mentions in two stories. There simply aren't enough interconnections between the five parts to call it a novel.Overall, a big disappointment, salvaged by the first two parts. I hope Faulks gets his game back for his next novel. I've read enough of his good ones that I'll give him another try.
  • Rating: 4 out of 5 stars
    4/5
    This is a book about confinement
  • Rating: 3 out of 5 stars
    3/5
    Probably my biggest literary disappointment this year! I expected so much from this novel and at first it seemed as if Faulks had delivered with his customary elegance.The book is broken down into five parts and the first, detailing Geoffrey Talbot's gruesome experiences during the Second World War was reminiscent of Faulks at his best: beautiful writing, enthralling plot and characters so real that one almost felt one knew them. The second part, chronicling the life, loves and exploits of Billy Webb in Victorian London, was a little weaker but still close to majestic.However, when the third part took us to Mantua in the near future (2029) I found myself simply incapable of summoning any interest in the story of Elena and Bruno. I never expected that I would feel that way about a Sebastian Faulks novel - his most recent offering, "A Week in December" is one if my favourite novels of the twenty-first century!
  • Rating: 4 out of 5 stars
    4/5
    The subtitle, "A Novel In Five Parts", is both misleading and spot on. Misleading because there are five different narratives that make up the book, not obviously related to each other. The times are different, the situations are different, the outcomes are different. It's only after you read them all that you see what the connections are. It has to do with possibilities, and choices, what we dream and what we become, our intentions and our actions. There are a lot of levels to this book, and I found myself pondering the characters' choices and outcomes for quite some time after closing the book. There really is a lot of craft and thought put into each of these stories, and sum of this book is far greater than that of each individual story.
  • Rating: 3 out of 5 stars
    3/5
    This book has made a very slight impression on me. It consists of 5 different stories, and if they are interconnected in any way it was lost on me. Oh, they all more or less deal with the fragility of human relationships, the awkwardness of trying to get it right, and the apparent randomness of how our lives turn out. The writing is top notch; each of the stories caught me up and propelled me along nicely (even those that I found distasteful or disturbing were so well-written that I didn't feel compelled to set them aside). But the whole is just not a sum here, and less than two weeks after finishing the book I'm struggling to recall details of any of the component parts.
  • Rating: 5 out of 5 stars
    5/5
    I LOVED LOVED LOVED this book. It reminded me a little bit of some stories by the Russian writer Lyudmila Ulitskaya in the way they look over a person's whole life or a big chunk of it, imbedding in the arc life details as well as philosophy. Very quickly, Faulks paints such different environments from Victorian England to 70s New York and California. And different voices. I bought it all. What is even more amazing are his characters: they felt like real people to me and their lives felt like real lives - sometimes ordinary, sometimes full of strange events. There is subtle character development, but never hinging on moralizing "growth". I thought these stories were sad and beautiful and full. The writing is economical where it needs to be and magnificently lyrical when the narrative slows down. Often, it plain took my breath away. I wouldn't really call this a novel in five parts, but rather a collection of 5 novellas, just because the parts don't seem to connect in any obvious way (or at least a way that we are used to in novels or linked story collections) except for a certain mood and style. And, of course, there is that little wink of a reference in the end. Perhaps, the main protagonist of this "novel" is not really all the characters, but life itself, hence the title of the book. You just want to say: "isn't it amazing how it happens sometimes…" I am a new Faulks convert and am looking forward to reading his other books. It's great to discover a writer mid-career, who has already published so many books.
  • Rating: 4 out of 5 stars
    4/5
    This is essentially five short stories presented as a novel. Faulks himself connects the five pieces through the thought that our lives persist in an elemental way though time: as human cells die they don't vanish but persist in the world as matter and energy, so that the smallest part of each of us has been recycled from those who've lived in the past, and will be reborn into still others into the future. So each person portrayed could represent a possible life for each of us, or for each of the other characters.I wasn't so deeply convinced of that myself as I read, perhaps because it's a little conceptual, or perhaps because that thought isn't made explicit until the third story and then again at the end of the fifth. But taking each story as a separate world, I still loved the book.Three of the stories are set in the 1800s and 1900s -- "Geoffrey," "Billy" and "Jeanne" -- and to me those were devastating pieces of historical fiction. A fourth story, "Elena," presents a character living in 2029, and it too was affecting, though its science fiction format was a little unexpected. "Anya" is the longest story, set principally in the 1970s. This one didn't ever fully capture me. It is presented as a portrait of Anya, but it's narrated entirely from the perspective of her feckless lover Jack, whom Anya calls Freddy. Neither character is very fleshed out, undoubtedly on purpose, but the result is that neither character is very affecting, and the story meanders, with very little at stake except the unhappiness of Jack's previous girlfriend. But "Anya" likely will be enjoyed by different readers for its portrayal of the 1970s and the music scene.At its best, I found the book powerful, and at its slightest it was still enjoyable. Not just a good read, this is the kind of book that will stick with you.
  • Rating: 2 out of 5 stars
    2/5
    Don' know about the book or what it was trying to achieve , very confusing, details about he concentration camp were interesting and brutal , but otherwise not sure at all.
  • Rating: 5 out of 5 stars
    5/5
    Possible LivesWhat if our life had turned out differently? So many turns, so many choices, yet we have lived out the life we have, only now and then wondering about other beginnings, other endings. Sebastian Faulks has written a remarkable novel, the first I have read by this successful novelist. It is described as “a novel in five parts” and is a collection of novellas each focused on one individual in a different setting and different time period. The novellas are very loosely linked and part of the pleasure is discovering those links.Geoffrey’s story begins in rural England in 1938 and takes him through his espionage work in WWII France and a horrific imprisonment in a concentration camp. The experience is shattering, yet Faulkes tells us the impact through what Geoffrey’s world and his daily life are like in his declining years, not in the immediate experience.Billy is the middle child of a family sinking into poverty in London in 1859 and it is he that the family selects to send to the workhouse to lighten the burden on the family. Billy narrates his own story and Faulkes beautifully evokes a child’s experience of this commonplace of 19th century London life. Billy survives to build a better life and his tale is heartwarming and bittersweet.Three more lives follow: Elena, a girl growing up in the post-economic collapse of Italy in 2029; Jeanne, a nearly mute housemaid raising two generations of children in early 19th century rural France; Anya, a fragile songwriter and singer in 1971 America whose rise to stardom takes a terrible toll.Faulkes finds a voice for each of these individuals and tells their stories in individual ways. These are lives so different from each other and yet all possess what we all possess, the necessity of finding our own way. I was deeply moved by these stories and found deep affirmation of that resiliency that gets us through each day. Well done Sebastian Faulkes!
  • Rating: 3 out of 5 stars
    3/5
    While some good writing, these 5 stories do not cohere into a novel and the stories are very uneven. Feels like an experiment in form that didn't really come off.
  • Rating: 4 out of 5 stars
    4/5
    audio 5 historical times...5 places...5 people.... I enjoyed the individual stories....but I failed to grasp it as an esoteric exploration. existential ....collective consciousness...metaphysical....(descriptions of Faulk's novel) " Occasions of understanding between humans are the one thing that defines us—and that those moments, however fluid, are the one thing that endures." “A Possible Life is an examination of human souls and the impact the decisions we make have on our lives and futures. Had any of these characters chosen a different road, the outcome of their lives may have been forever altered."—Bookreporter.com 4 ★ because I enjoyed the tales, even though I failed to experience a metaphysical revelation.
  • Rating: 4 out of 5 stars
    4/5
    Not for the faint hearted. This book contains five separate stories, I guess addressing the topic of how people live their lives, and particularly how they face and get beyond hardship. It traces the strange twists and turns that our lives go through, which are nothing like the perfect lives that we grow up believing we might have (or at least some of us do). I must confess that I hadn't realised they were love stories until I saw this title on LibraryThing, as my copy of the book just says 'A Novel in Five Parts', and I still don't think of them that way. I love the quote at the front (notwithstanding sexist language): 'If a man couldn't live a number of other lives, he wouldn't be able to live his own'.
  • Rating: 3 out of 5 stars
    3/5
    A Possible Life is is described as a "novel in five parts." It is true that there are five distinct stories. The first, set in 1938 is about an English school teacher who goes off to war and returns changed, but is somehow able to make peace with that change and carry on with his life, however lonely it may be. The second is set in 1859 and tells the story of a boy who is sent to the workhouse by his parents. He eventually makes his way out of the workhouse and becomes successful. This was my favorite story of the five. The third is set in 2029 and is not a bad depiction of a possible future. A young woman who struggles to have meaningful relationships with people, including her own parents, finds one person who she loves, but they can't be together. I didn't love the story, but it was still compelling. The fourth story was set in 1822 and was about a woman who spends her entire life caring for someone elses children. It was poignant because in many ways she seemed to be unappreciated, but in the end, she found a connection with the boy of the family who was wounded in war. He took care of her in her old age and her life didn't seem terribly pathetic to me, in the end. The last story was set in 1971 and followed the rise of a musical sensation through the eyes of her lover. I did not enjoy this story at all. The love story was a little nauseating and the main characters seemed to leave all their redeeming qualities behind when they got together.While each story was interesting and compelling in its way (excepting perhaps the last one) they failed to be truly cohesive as a novel. In spite of the faint connections that may be drawn between the stories, I did not find a strong enough thread to create a unifying theme. Even the title question of "How many possible lives?" did not seem to be answered by the stories. Not the author's best work, in my opinion.
  • Rating: 4 out of 5 stars
    4/5
    Despite being clearly labeled on its cover as a “novel in five parts,” A Possible Life could just as easily have been called a short story collection or a group of short novellas. Most readers, I suspect, will consider the book to be a collection of interrelated short stories. Each of the book’s five stories, or parts, is titled with the name and time period of its central character, and they are presented in this order: Geoffrey, 1938; Billy, 1859; Elena, 2029; Jeanne, 1822; and Anya, 1971. The first two stories are set in England, the others in Italy, France, and the United States. In each of his tales, Faulks takes his central character from relative youth to old age, describing a lifetime during which seemingly innocuous decisions made by them and others will determine which of their “possible lives” will become reality. Geoffrey Talbot, bored with his life after university, decides to enlist in the British Army, allowing him to cross paths with the French woman who will haunt the rest of his days. Given up by his family because they could not afford to feed all their children, Billy Webb spends his youth in an orphanage/poorhouse where he meets the two little girls with whom he will grow old. Decades after Elena’s father returns from a business trip with an orphan boy he wants to adopt, she finally learns the truth about the love of her life. Jeanne, said to be “the most ignorant person” in her rural French village, makes a difficult choice that will ultimately define who she is. And, finally, Anya, an extremely talented singer-songwriter must make painful decisions if she is to survive the 1970s American music scene.Faulks presents his premise that all human beings are connected, tenuous as those links might be, by referencing the tiniest of details. Sometimes a physical object moves from one story to another, at other times the descendent of an earlier character appears in a later story, or a reference to the future made in one story comes true in a second. The psychological impact of the connections is often increased by the very subtleness of the references.Novel, or not, A Possible Life is definitely memorable. Sebastian Faulks fans should be pleased with it, and readers new to the author’s work will likely want to read his earlier work after reading this one. They might even begin to wonder about their own possible lives – and which one they might end up with.Rated at: 4.0
  • Rating: 3 out of 5 stars
    3/5
    The subtitle of this newest offering from Sebastian Faulks is "A Novel in Five Parts". There's no question about the five parts; in separate sections Faulks tells the stories of five people who live in various places and eras. There's Geoffrey, a British schoolteacher who experiences the horrors of World War II up close and is never quite the same. There's Billy, who is a little boy in the mid-19th century when he is sent to a workhouse and ever after is on a desperate quest to fill the empty spaces in his heart and his soul. There's Elena, living in the Italy of the near-future, who makes a successful scientific career out of her natural inclination toward solitude, except for the one person she lets into her heart. There's Jeanne, an illiterate and orphaned woman in the early 19th century whose entire adult life is spent caring for someone else's children. And there's Anya, whose extraordinary songwriting and singing talent takes her to the pinnacle of success at the end of the 20th century, even as she leaves some shattered hearts in her wake.If reading that summary leaves you wondering how the five parts tie together into a novel, I can set your mind at ease. They don't. There are fleeting sentences here and there that imply a mystical connection between one or more of the stories, but nothing ever comes of them and the reader is left with five separate, good-tasting dishes that never come together into a satisfying meal. The closest Faulks comes to a unifying theory is in Elena's struggle to quantify scientifically where the human's sense of self comes from. There's a great deal of contemplating that we are all just clusters of cells and organic material and when we die we are again reduced to our most basic elements and eventually reformed again into another self. Perhaps we are meant to think of these five wildly different characters as all made from the same cells as they form and re-form through the ages. But that's just a guess, because Faulks doesn't offer anything in the way of explanation.There's absolutely nothing wrong with the writing of any of the individual pieces, and I found all them fairly engaging on their own merit. But when I turned the last page on Anya's story, the only emotion I felt was, "Huh. I guess that's that, then." And that doesn't seem like the emotions a successful project should evoke.
  • Rating: 4 out of 5 stars
    4/5
    Faulks' latest book is sub-titled "A Novel in Five Parts." It is made up of five distinct stories, set in distinct times with distinct characters; all are superbly written and compelling in their own right. What I could not let go of and which caused me to rate the book a bit lower than I otherwise might have was that sub-title. Calling it a novel led me to expect connections among the stories, even small threads that would weave together into something larger, and I spent too much time searching for that and thinking about that to just lose myself in the book. There are, of course, thematic connections - of fate, human connection, and loss - but story collections often have the same kind of over-arching theme. And there were small details that would appear in one story, only to reappear in another. But this is not a novel and calling it that weakened the book for me. A small quibble, perhaps, and the book is definitely worth reading - just try not to get hung up on the categorization!
  • Rating: 3 out of 5 stars
    3/5
    A Possible Life is described by its author and its publishers as 'a novel in five parts'.

    And they are welcome to describe it as that if it pleases them. But in reality, it's 5 short stories that have been tweaked to give them some hint of a connection.

    The 'theme' of the book, in so far as there is one, is that the life we live is just one of many possible lives, that a combination of luck and conscious decision leads us on a path that is but one of many; but that ultimately, to quote from the final story in the book, "if any of those bits of luck had fallen out a different way and I had had another life, it would in some odd way have been the same - my heart existing by another name." Each of the main characters in the five stories experiences a life-changing event that steers their lives one way, leaving us to ponder what might have been if those events had not happened.

    The links, though, are tenuous, and the stories are perhaps read better five separate stories, where the reader can have fun picking up the references in each story to any or all of the other 4, rather than trying to work out how the book is supposed to work as a 'novel'.

    Individually, the stories are all, in their own way, good; well-written, using a variety of styles, variously moving, amusing, touching. Group discussions show that everyone has their own favourite of the five, and their own view of which worked least well; none of the five is universally adored, nor are any universally disliked.

    The opener, A Different Man, tells the story of Geoffrey, a junior officer in the army inept enough to lose a man on a training mission. Faulks draws on his vast amount of research on military history to describe events in a World War II prisoner of war camp. The writing style is lean, covering much ground in a few pages, while also finding room for some humour. The lost man, Hill from Norfolk, an English county renowned for its flatness, is described as 'quite possibly the last Hill in Norfolk'.

    The Second Sister is written in the first person, from the point of view of a young boy sent to a Victorian workhouse, who pulls himself up from his poor start to become a property developer.

    Everything Can Be Explained, set in the near-future, followers Elena as she becomes a scientist seeking the answer to what makes us human, what synapse in our brains allows us the conscious thought that separates us from are simian relatives.

    A Door Into Heaven describes Jeanne's life as a servant in early 19th Century France.

    The book wraps up with You Next Time, another first-person story, this time of a 1970s musician and his affair with a famous folk singer.

    I found both A Different Man and Everything Can Be Explained enjoyable, well- written, moving, humorous at times. The Second Sister I could take or leave. A Door Into Heaven I did nothing for me. You Next Time I need to read again, in a few weeks. Reading it in the context if trying to find the connections that supposedly form the 'novel' resulted in me feeling frustrated and annoyed halfway though this one. I think it's probably a better story than I can give it credit for at the moment, and I will give it a re-read

Book preview

A Possible Life - Sebastian Faulks

PART ONE

GEOFFREY

1938

Geoffrey Talbot was supposed to be a linguist, but spent most of his time at university playing games. He appeared twice for the first eleven at cricket, but was not selected for the match at Lord’s, where his place was taken by Tiny Trembath, a slab of a man already on Lancashire’s books. At rugby, Geoffrey’s headlong tackling in college games had earned him a game for the university itself against Rosslyn Park, but at Twickenham the man chosen at openside wing-forward was a graduate Rhodesian.

It was no surprise to Geoffrey that he fell twice at the last. His Hampshire day school had told the pupils that their place in life would be the middle rank. Geoffrey’s father worked as a jobber on the London Stock Exchange and hoped that Geoffrey, with his knowledge of languages, might one day go into the Diplomatic Service. Geoffrey’s mother, who came from Limoges, had no ambition for Geoffrey; her main interest was in dog breeding, and the family house near Twyford Down was home to generations of yapping dachshunds.

After graduation, Geoffrey went to see the university appointments board, where a man with a pipe gave him some brochures from Shell and Imperial Tobacco. You’re a personable fellow, he said. I should think you’d do well in industry.

What about the Diplomatic Service?

They won’t mind your sportsman’s two-two—won’t even ask—but their own exam can be tricky.

In September 1938, after a series of rebuffs, Geoffrey found himself at a boys’ preparatory school in Nottinghamshire, where he was to teach French, Latin and elementary maths. He had been interviewed by the headmaster in London at the offices of an educational agency and hired on the spot.

The taxi from the station drove through the outskirts of a mining town before the road opened up on some wooded hills of oak and beech as they neared the village of Crampton. The school was set on high ground that overlooked a fast-flowing tributary of the Trent; it was a building whose elevated position and solitary brick tower gave it a commanding aspect; the gray stones were covered in creepers, and the stone-mullioned windows held leaded lights. The headmaster’s wife, Mrs. Little, showed him upstairs to his quarters. She was a woman in her sixties who smelled of lavender water and peppermints.

It’s not a large room, Mrs. Little said, but bachelors can’t be choosers. The boys come back tomorrow, but there’ll be tea in the dining hall today at six. You can meet your colleagues. After tea, you have to forage for yourself. We don’t allow drink on the premises, though the Head won’t mind if you occasionally go down to the Whitby Arms.

The room had a small sash window, with a view towards a wooded park. There was a chest, a shallow built-in cupboard with a hanging rail, a standing bookcase of four shelves and a single bed. When the house had belonged to a wealthy family, Geoffrey thought, this would have been a maid’s bedroom. The shape of it seemed somehow to dictate the sort of life he would lead. The bookcase would need filling and the evening sun would help him read in the armchair with its loose floral cover; he would send for his old books from university and might even get round to the plays of Schiller and Racine; presumably there would also be a lending library in the town. He had never imagined he would be a schoolmaster, but felt the role settle onto his shoulders as easily as the black gown he hung up on the door.

His interview with the headmaster of Crampton Abbey had been brief. Captain Little, a tall, gray-haired man whose horn-rimmed glasses had one blacked-out lens, had made it clear that Geoffrey’s principal job was to improve the performance of the sports teams. The parents do expect us to win a few matches, you know, he said. It’s more than twenty years since we beat Bearwood Hall at anything.

After Geoffrey had unpacked his single suit and spare tweed jacket, he decided to go for a walk in the grounds. Beneath an oak tree next to the cricket pitch, he came across a wooden bench with the inscription J. D. Farmington 1895–1915. The Battle of Loos, he thought. He wondered if Captain Little’s sad demeanor and sightless eye had had anything to do with the war. Geoffrey’s father had been in the infantry in France, but never spoke about it except if he had a coughing fit, when he muttered about the gas and made disparaging remarks about his wife’s German dogs.

Geoffrey looked to his right, where the ground rose to a wooden pavilion. He pictured the nervous opening batsmen making their way to the middle to be met by a barrage from the opening bowlers of Bearwood Hall. Only a few weeks earlier, he had himself gone in on a damp morning at Guildford to face Alf Gover and his brother-in-law Eddie Watts of Surrey; he had made only twelve and had been hit painfully on the forearm. He had no idea whether his knowledge of rugby and cricket would make him a good coach, but it could scarcely be difficult to motivate a group of energetic small boys.

There were wood pigeons and some noisy blackbirds in the trees that fringed a small football pitch behind him. Generations came and went in places like this, Geoffrey thought; they flickered through the huge front door with its iron bolts and bars, each new boy gripped by the conviction that he was alone in such straits—deprived of mother and home, beset by rules he didn’t understand, hoping the next hour might bring relief from new sensations. It must be hard for a child to believe that his experience, far from being unique, would in time dwindle into something no longer even individual, as his tears were taken up into the clouds. Geoffrey liked poetry and had a secret ambition to write verses in the style of Rupert Brooke, but he had never shown his undergraduate efforts to anyone, not even the fellow members of the Marvell, a weekly reading society.

A light wind blew as he set off back to the school to have tea; walking along the crazy-paved path back towards the terrace he felt apprehensive at the thought of meeting experienced members of his new profession. He pushed open the tall double oak doors of the dining hall and saw one of the two long trestles partly laid up with a red gingham cloth. There was no one else there; Geoffrey went in and sat down at an inconspicuous chair. Through swing doors from a kitchen came a woman in blue overalls with wild hair. She carried a plate that she set down in front of him without speaking; it had two warm sardines on a half slice of toast. She reached over and lifted the teapot to pour him a cupful of deep chestnut brown. Geoffrey, who was hungry after his journey up from Hampshire, disposed of the sardines quickly, wondering if he might need something else to eat later in the evening. As he was preparing to leave, the double doors swung open and a bald man in tweeds and brown brogues with thick rubber welts rolled into the room.

He held out his hand and introduced himself. Gerald Baxter. Classics and Under Eleven cricket.

The maid brought his sardines. Thank you, Elsie, Baxter said. When she had gone back into the kitchen, he lowered his voice. They get them from the bin. You probably saw it when you came from the station. The old county asylum. They’re all quite harmless. Apart from one who fell in love with the maths master and tried to stab him with the ceremonial sword above the fireplace. Before my time, though. Do you want to come to the pub?

Is that allowed?

Baxter smiled. He had yellowing teeth and one gruesome canine, colored almost black. Old Ma Little warn you off, did she? No, it’s perfectly all right. Just not meant to go to the Hare and Hounds in case we bump into Long John. Doesn’t booze with other ranks.

Long John?

The Head. After Long John Silver. Baxter covered one eye piratically.

The Whitby Arms was a fifteen-minute walk downhill. The saloon bar was a large featureless room with a few colored photographs of vintage cars and a small coke fire; through the servery Geoffrey could glimpse a dim public bar where men in caps were drinking flat, dark beer. He could see why Mr. Little might have preferred the Hare and Hounds with its bottle-bottom windows and colored lights.

Done any teaching before?

No, it’s my first job.

It’s not a bad life. Especially if you have a private income.

I’m afraid I haven’t.

Nor have I, said Baxter. A word of advice. Don’t try and become head of department or any of that nonsense. Then your life is all timetables and meetings. Stay a foot soldier. Teach the little buggers and knock off promptly when the bell goes. I’ll have the other half if you twist my arm.

Although Baxter insisted on drinking only half-pints, he managed to dispose of a dozen in two hours, most of which Geoffrey bought for him. Still your round, I think, Talbot. Just a freshener.

Baxter puffed loudly as they made their way back up the hill. I’d get a car if I could afford it. I don’t mind coming down, it’s the climb back I can’t manage. I was wounded, you know.

Where?

I was with the Sandpipers.

The Sandpipers?

The Thirteenth/Twenty-fifth. Won’t be called on to fight again, that’s for sure. Too bloody old.

They were walking into the school grounds and the clock was striking nine. Are you up by the sickroom? said Baxter.

Yes.

I thought so. My room’s at the end, down the half-flight. Breakfast’s at seven thirty. Why not look in afterwards? I generally have a dry martini before Prayers.

*   *   *

Geoffrey had been a schoolmaster for only a year when war broke out and he went to ask Long John Little’s permission to volunteer.

You could do well at this job, you know, said Little. You’re a natural. The boys listen to you.

I hope I’ll be back soon, said Geoffrey. He had really no idea how long the war would last. So long as the Russians and Americans were not involved, there would be, he imagined, an intense but brief struggle in Europe. The Scandinavians would offer little resistance, but the French could be relied on to hold out until British reinforcements came to help. Then he could return to coaching the first eleven, who had scraped a draw against Bearwood Hall in his first summer in charge, and see if he could get some games for the Nottinghamshire second eleven himself.

It’s going to be a devil of a job getting any young staff at all, said Little. During the last war, my father had to dig a lot of old men out of retirement. They were making it up as they went along, keeping one step ahead of the boys in the textbook. But I shall still have Baxter.

Yes. He did his bit, I suppose.

Oh, God, he didn’t give you all the ‘Sandpipers’ stuff, did he? said Mr. Little. I do wish he wouldn’t do that. He had a game leg and never got nearer to the fighting than Étaples. He was a quartermaster in charge of handing out kit. Not his fault.

What about you, sir? If ever there was a time to ask, Geoffrey thought, this was it.

Messpot.

I’m sorry?

Mesopotamia. I was happy to miss the Western Front. This was a small price to pay. He pointed at his eye. You’ll be all right, Talbot. No trenches this time. It’ll be all tanks and movement and high-level bombing. Write to us if you like. I know Mrs. Little would like to hear. She’s got quite a soft spot for you.

Thank you, sir. I will.

As a graduate from an ancient university, Geoffrey was expected to become an officer. Out of loyalty to the county of his birth, he offered his services to the Duke of Hampshire’s Regiment, whose honors included the Battle of Dettingen in 1743 during the War of the Austrian Succession (what on earth had that to do with Micheldever, Geoffrey wondered) and the siege of Havana in 1762, where it had suffered heavy losses owing to dysentery. Ejected and reabsorbed in countless infantry shake-ups since Waterloo, its members were by 1939 known simply as the Musketeers.

After four months at officer cadet school in Colchester, during which he learned the rudiments of leadership (Always let the men smoke during a briefing; The first thing that happens in action is that the radio breaks down), Geoffrey was sent to join the 1st Battalion in Norfolk. Looking through the window as the train left Swaffham, he noticed how the sandy pine forests started to give way to a different landscape, unchanged for centuries, dark, self-absorbed, as though its inhabitants had not often stirred themselves to make the journey to King’s Lynn, still less the odyssey to London. He took a notebook from his case and began one of his secret verses—in pencil, so an eraser would leave no trace of the clumsy first draft.

The hedgerow cannot hide where last the may

Like spring snow daubed it reckless white.

Now, flowers gone, the thorns assert their day

And this fair land is entering the night.

He wondered whether may—by which he meant hawthorn—should have a capital M or if that might make people think it referred to the month. Fair land sounded archaic, but it echoed what he felt—such true affection for a part of England he had never seen before, heightened by the fact that it might soon be under attack from the skies. There was also an irksome echo in reckless white—something secondhand, owing its existence perhaps to Shelley’s hectic red.

The six hundred and fifty men of the battalion were assembled at a shabby Queen Anne house that had been offered to them by its impoverished owner. The bedrooms were designated officers for the use of; the outbuildings, barns and stables were filled with bunks and makeshift beds for other ranks, while the Medical Officer set up his surgery in the old butler’s pantry. Geoffrey was instructed to present himself for dinner at the officers’ mess in what had been the library, a pleasant room with a large fireplace and marble surround, above which hung the Musketeer colors in magenta and gold. There were oak-fronted cupboards and double doors leading into a comfortable sitting area—the last room, it appeared, the owner had been able to afford to heat and keep habitable.

Geoffrey had just taken a cocktail from the mess servant and was trying to conceal his sense of being all at sea when he saw someone he recognized. Standing with his back to the fireplace, smoking a cigarette in a bluff, aggressive way, was the monumental figure of Tiny Trembath.

What on earth are you doing here, Talbot? he said.

The same as you, I presume.

It’s all a mistake, said Trembath. I meant to go into the Navy. Too late. Then the Gunners, but I failed the trigonometry. Now I’m in the bloody infantry. They look an absolute shambles, don’t you think?

Geoffrey found himself bristling a little, as though he had already developed a loyalty to the Musketeers. I expect we’ll be billeted together, he said in a neutral way.

Trembath looked Geoffrey up and down, as though imagining the prospect without relish.

I suppose so, he said eventually. I can’t wait to get the hell out of here.

On the fifth day there was a night op, the first time the junior officers were allowed out to take charge of some men without an NCO to keep an eye on them. They were meant to find their way, using compasses and a map reference but no torches, to a secret enemy position at Location X, where they would take possession of a Nazi flag to an accompaniment of blank rifle fire. This first part of the exercise was supposed to take only four hours, and from Point X they would receive their orders for the rest of the night, culminating in the safe transfer of the Nazi flag to Secret Position Y. Trembath and Geoffrey were in charge of A Section, but there was a second group, B Section, who would of course try to get there before them.

At five o’clock, when it was already almost dark, they started to black up their faces with burnt corks from wine bottles they had emptied the night before in the mess.

Rather a fitting end for such a disappointing hock, said Geoffrey, smearing his forehead.

Don’t be an arse, Talbot, said Trembath.

The section walked for three and a half hours through the Norfolk countryside towards the sea, the men toiling under the weight of their packs and complaining that they were not allowed to smoke.

You know damn well you can’t show a light after blackout, Trembath told them. Get a bloody move on or the other chaps’ll beat us to it.

Geoffrey had been put in charge of map reading, not something that was easy to do by the light of a winter moon. Eventually they found themselves by a village green.

For God’s sake, Talbot, said Trembath as the men sat on the grass. We’re supposed to be going across country, not on the bloody trunk roads.

It’s hardly a trunk road, it’s a village lane.

Here. Give me the map.

While Trembath wrestled with the outsize piece of paper, Geoffrey looked about him. On the other side of the road he thought he could make out the shape of an inn sign swinging gently in the breeze; and while Trembath struggled to get the map laid out to his satisfaction on the grass, he walked quietly over to it. Through the blacked-out windows came the sound of glasses chinking and low, contented conversation. Geoffrey checked the luminous hands of his watch: 20.45 hours. He eased up the latch of the front door and went down a short flagged corridor into a room with wooden settles and a small serving hatch. Silence fell in the room as Geoffrey asked for a pint of best bitter and the barman bent over the tap on a wooden barrel.

As he put down the glass on the counter, he said, Do you want a Lord Nelson with that?

Yes, please, said Geoffrey. He hoped it might be a sandwich, or a pie, but it turned out to be a small tot of something that smelled of cloves. The beer, though still, was fresh; the Lord Nelson was sweetly aromatic. Two minutes later, Geoffrey was back with Trembath on the grass, ready for the battle ahead.

Sorry. Call of nature. What do you think?

I think we should follow this path here. Trembath prodded his forefinger against the map. Then we go across country.

Jolly good, said Geoffrey. You take over the map reading, I’ll push along the stragglers from behind.

I say, Talbot, I—

No, I don’t mind. It’s your turn. Off we go. Fall in, please, men. Come along.

Trembath’s route took them through a field behind the pub, then into a copse, where he consulted his compass by the light of a match.

He sucked in his breath. I think the enemy will be well dug in. They’ll have a bunker in some deeply wooded area, a natural fortification. That’s my guess. I think if we follow this bearing, north by northwest, and just about here…

There followed an hour of walking over fields, climbing fences, regrouping, head counting and grumbling. The ground was becoming marshy and hard to walk through. Geoffrey, who was now beside Trembath at the head of the section, wondered what it must be like for the men who hadn’t had the chance to play as much sport as he had; some of them were clearly city types on whom a ten-mile hike must be starting to take its toll. By now they were all knee-deep in water. Geoffrey trailed his fingers through it for a moment and licked them: salt.

Then the going underfoot seemed suddenly to change again; it was becoming drier, then sandy. Ahead of him Geoffrey could make out undulations—not hills exactly, but mounds or rises that stood out in the dark winter countryside.

And now there was something odd—yet familiar—about the soil beneath his boots, and in a moment, it came to him. He was walking on a seaside golf course. There were no flags to confirm his suspicion, the ground staff having doubtless taken them down for the night, but he could see where the cropped grass on which they were walking gave way to rough on either side of a fairway. Geoffrey had no doubt that two hundred yards or so ahead, among the dunes, they would come to an even more close-cut area: the green.

Trembath?

Yes?

Do you know where we are?

Yes, we’re heading north-northwest on a bearing of—

No. More exactly. More colloquially.

What the hell are you talking about, Talbot?

We’re on the eighth hole at Burnham.

The Royal North Norfolk?

Yes.

Trembath said nothing, though he grunted a good deal.

Can you make out that shape in the distance? said Geoffrey. The one that looks as though it’s built up with railway sleepers and filled with sand?

Just about, said Trembath, noncommittally.

I was just wondering. Do you think that might be the enemy bunker? said Geoffrey. A natural fortifica—

Pipe down, Talbot. If we don’t get a move on, B Section’s going to beat us to it.

At that moment, there came the sound of rifle fire about a half mile east of where they were standing.

Too late, I think, said Geoffrey.

Quick, said Trembath, let’s get our men over there and ambush them.

We can’t go forward onto the beach, said Geoffrey. They’ll have patrols there.

You sure?

Yes. Sergeant Turnbull said, ‘Stay off the beach, Mr. Talbot.’

Did he really call you ‘mister’?

Yes. Look, we’ll have to go back the way we came, then pick up the coast road towards Wells. The guns weren’t far away.

Come on then, said Trembath. Let’s get a bloody move on.

We’re on the ninth fairway now, so if we cut back through—

I don’t want a lesson in course management. I played here in the varsity match.

Don’t tell me you got a golf blue as well, said Geoffrey.

Halved my match at the eighteenth. The race is to the swift, Talbot. Come on.

The men fell in and began to walk back the way they had come, but before they reached the seventh tee, they came to a halt. Ground that had earlier been marshy, then knee-deep in water, was now submerged by the sea.

We’re cut off, sir, said Hill, one of the other ranks; known as Puffer, he was a tobacconist in civilian life. Tide comes in here at a hell of a lick. It’ll be six feet deep in places.

How do you know? said Trembath.

Used to come here on holidays, sir.

Well, we’ll just have to wade through it.

Can’t wade, sir. It’ll be too deep. And some of us can’t swim.

Don’t be so bloody ridiculous, man. It’s only a few yards across. Come on. Get going. All of you.

Reluctantly, holding their rifles above their heads, the Musketeers entered the icy tidal waters that cut off the eighth hole from the mainland.

Geoffrey felt his feet slip from beneath him. He was swimming—a clumsy breaststroke towards the higher ground he could make out just in front of them. He had never been much of a sea bather and was finding the water almost unbearably cold. He was not alone in feeling the chill; a good deal of shouting and groaning came from the section as it half swam, half splashed its way towards the out-of-bounds beside the seventh.

To warm his drenched and freezing troops, Trembath told them to proceed at the double back to the coast road between Brancaster and Wells. As soon as they got there, they would be allowed to smoke; he had seen them stick their cigarette packets beneath their forage caps as they went into the water, like householders saving their most valued item from a natural disaster.

This order seemed to Geoffrey an idea of near genius. He had thought the extent of Trembath’s cunning might be to make sure his batting partner faced the fast bowler while he enjoyed the youthful leg-break lobber at the other end; he had never thought old Tiny might be capable of such insight into the mind of the soldier. A few minutes later, smoking and steaming by the side of the road, the section caught its breath.

Geoffrey resumed map-reading duties, and shortly afterwards A Section, chilly but in good spirits, arrived at Location X—a telephone box set back between the road and the staithe, as the locals called the area of jetties and moorings by the sea. Here they were rewarded with hot chocolate, pork pies and more cigarettes before pressing on towards Location Y.

The bracing tidal water and the nicotine had left the men exhilarated, eager to outflank B Section and attentive to all commands. They went at the double through the grounds of a stately house that looked, in the darkness, like a lunatic asylum, lacking only a water tower to set off its grim west façade. At one o’clock they found Location Y in a cherry orchard in the grounds of the Shrine of Our Lady of Walsingham, and an hour later they ambushed a complacent B Section on a country lane with thunder flashes and vigorous hand-to-hand fighting, resulting in the capture of the Nazi flag. It was not until they were back at battalion headquarters just after dawn that they saw that one of their number was missing at roll call. A. J. Puffer Hill did not answer his name.

After breakfast, a search party was assembled to leave by lorry and retrace their steps, but was told to stand down when a telephone call reached battalion headquarters. An early-morning golfer, searching for his ball in the rough beside the par-five seventh, had come across the drowned body of a soldier, evidently beached some hours earlier by the retreating tide. Geoffrey was dispatched with the Medical Officer to fetch him back as discreetly as possible; the course prided itself on rapid play (four-balls were banned) and the secretary was anxious not to disrupt the progress of the monthly medal.

I suppose there’ll be a dreadful stink about this, said Geoffrey.

I rather think there will, said the MO, a man inured to disaster. You can say good-bye to any hopes of getting a company. You and Trembath will probably be put on a charge.

Oh, God. Someone’ll have to write to his wife.

They certainly will. He was probably the last Hill in Norfolk.

*   *   *

Owing to their inexperience and to a plea in mitigation entered to brigade staff by their commanding officer, the guilty pair escaped court-martial, though it was made clear to them that their lapse had put them into the slowest of slow lanes as far as advancement in the Musketeers was concerned. If there were distant lands to be invaded or glamorous staff colleges to attend, others would be chosen; if there was a gas works to be guarded, theirs would be the first names put forward.

In the meantime, the battalion, like all the infantry who had not been out to the Low Countries and back through Dunkirk, bided their time. They trained and trained; they became good at what they did, but still they waited; in Lincolnshire, Norfolk, the Scottish Highlands, they sat frustrated, like athletes ready for a race that was endlessly postponed. They watched with envy when a small group of commandos was dispatched to create havoc in Vichy French possessions in West Africa; but the mass of soldiery twiddled its well-trained thumbs, drilled, exercised and fed; and for Geoffrey the wait was made worse for the fact that he knew that when the balloon went up he would be given only a secondary job. Europe was entirely under Nazi occupation; France had not put up the resistance that Geoffrey, raised on stories of heroic resistance on the Marne, had expected. The glorious nation of Pétain’s Verdun—even with old Pétain himself back in charge—had fallen in a few days. Britain was under a total blockade by German ships and its main cities were being bombed every

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