Memories That Smell Like Gasoline
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About this ebook
For most of his life, David Wojnarowicz considered himself the ultimate outsider and a true invisible man. “I’m a blank spot in a hectic civilization,” he writes in this fierce and unforgettable collection of four blistering autobiographical pieces, illustrated with his own arresting ink drawings. Wojnarowicz, who died of AIDS in New York City at the age of thirty-seven, left behind a body of work that was staggering in its variety and originality. Painter, writer, photographer, performance artist, and filmmaker, he made an indelible mark on virtually every stage of the national arts scene. Yet nowhere does his anger, love, or compassion show itself as strongly as in his writing, which earned a Lambda Literary Award and prompted critics to call him the Jack Kerouac of his generation.
The horrors of Wojnarowicz’s past inform his literature—his years spent as a child prostitute and living homeless on the New York streets, his outspoken, very public battle against the disease that would eventually take his life, and the entrenched government bureaucracy that sat by and did nothing. The world as seen through Wojnarowicz’s eyes in these four masterful short works is stark, cruel, and cold—and yet gloriously alive, ennobled by surprising acts of heartrending humanity. Memories That Smell Like Gasoline is a celebration of sorts: of sex, of love, of art, and of having truly lived.
David Wojnarowicz
David Wojnarowicz was born in Red Bank, New Jersey, in 1954, and first gained notice in New York’s East Village art scene in the 1970s. He rose to fame for his exceptional range, intelligence, and passion, and by the 1980s had become one of the most provocative artists of his generation. In the years before his death in 1992 from AIDS-related complications, he worked tirelessly as an AIDS activist and anticensorship advocate. In 1985, Wojnarowicz brought his fight for freedom of expression to the case of David Wojnarowicz v. American Family Association, in which Donald E. Wildmon claimed that Wojnarowicz’s work was pornographic and undermined family values. Wojnarowicz won and was awarded a symbolic dollar. He was thrust back into the spotlight in 2010, at the center of a censorship battle over the National Portrait Gallery’s exhibition Hide/Seek: Difference and Desire in American Portraiture. In 2012, Cynthia Carr published the critically acclaimed biography Fire in the Belly: The Life and Times of David Wojnarowicz.
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