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Flora: A Novel
Flora: A Novel
Flora: A Novel
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Flora: A Novel

Rating: 3.5 out of 5 stars

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From award-winning, New York Times bestselling author Gail Godwin, "a luminously written, heartbreaking book" (John Irving).

Ten-year-old Helen and her summer guardian, Flora, are isolated together in Helen's decaying family house while her father is doing secret war work in Oak Ridge during the final months of World War II. At three, Helen lost her mother, and the beloved grandmother who raised her has just died. A fiercely imaginative child, Helen is desperate to keep her house intact with all its ghosts and stories. Flora, her late mother's twenty-two-year-old first cousin, who cries at the drop of a hat, is ardently determined to do her best for Helen. Their relationship and its fallout, played against a backdrop of a lost America, will haunt Helen for the rest of her life.

This darkly beautiful novel about a child and a caretaker in isolation evokes shades of The Turn of the Screw and also harks back to Godwin's memorable novel of growing up The Finishing School. With a house on top of a mountain and a child who may be a bomb that will one day go off, Flora tells a story of love, regret, and the things we can't undo.
LanguageEnglish
Release dateMay 7, 2013
ISBN9781620401217
Flora: A Novel
Author

Gail Godwin

Gail Godwin is a three-time National Book Award finalist and the bestselling author of twelve critically acclaimed novels, including Violet Clay, Father Melancholy's Daughter, Evensong, The Good Husband and Evenings at Five. She is also the author of The Making of a Writer, her journal in two volumes (ed. Rob Neufeld). She has received a Guggenheim Fellowship, National Endowment for the Arts grants for both fiction and libretto writing, and the Award in Literature from the American Academy of Arts and Letters. Gail Godwin lives in Woodstock, New York. Visit her website at www.gailgodwin.com

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Reviews for Flora

Rating: 3.7087378291262136 out of 5 stars
3.5/5

103 ratings23 reviews

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  • Rating: 5 out of 5 stars
    5/5
    This novel is striking in it's ability to immerse you squarely in the world as it was during WW II. The very precocious main character is very good at observing adult behavior but not as acute at interpreting it.
  • Rating: 3 out of 5 stars
    3/5
    Comfortable, absorbing, quick read. Good for the beach.
  • Rating: 4 out of 5 stars
    4/5
    Flora is a story told from the point of a young girl. As most young girls, she is self centered and adults are puzzles or caricatures to figure out. She has not yet learned to give back to adults or her friends. She has a secret life that she keeps to herself.The author does a great job describing the inner life of Helen, ten years old. But who is Flora? A self absorbed ten year old is unlikely to tell you all you want to know about Flora,I just reread the "To Kill a Mockingbird" with my July bookclub, so reading Flora seems to be comparisons with this famous and popularly read book. I don't think it is a fair comparison and Flora should be read all on it own. It is a simple story and well told. Gail Godwin is a skilled writer. I will likely reread this book and pay more attention to details and less to plot. It is that kind of book.If I have something to pick on about the book -- the books cover and reviews reveal too much. I should not have read the cover blurbs! Why do publishers do this?
  • Rating: 4 out of 5 stars
    4/5
    Beautifully written.
  • Rating: 5 out of 5 stars
    5/5
    Loved this book!
  • Rating: 4 out of 5 stars
    4/5
    This is a novel about regret. a woman looking back at a summer, when she was ten, that had a horrible end. Helen's mother had died when she was three, so she was raised by her father and his mother, Nonnie. They live in a small town in North Carolina in a house the had once been a home for people with physical or mental injuries that were not quite ready to face the world. They called them the recoverers and Helen had grown up with these stories and others. When her beloved Nonnie dies, and her father decides to take a job at Oak Ridge, twenty -two yr. old Flora, a distant cousin, comes to take care of Helen in the house.Helen, who has lost almost everything she loved shows a decided lack of compassion for others, at one point I thought she might be a sociopath, but she was just a ten yr. old girl who has suffered losses and had existed mostly in an adult world. I loved how Godwin uses an internal monologue to let the reader know what Helen is thinking. She also does a wonderful job of evoking the time and place, radio dramas, the racism and snobbery, the making of the bomb and the end of the war. This is a novel about the mistakes we make in our youth that can follow us and change one in ways we cannot know. A quiet novel, with vivid characters and the life of a girl over one summer.
  • Rating: 5 out of 5 stars
    5/5
    Gail Godwin has long been one of my favorite authors and Flora is a fine example of why. All the main characters seem so real it's hard to imagine they're actually fictional, but instead of making them prosaic their fullness, including their flaws, makes them both fascinating and sympathetic, and it's a tense pleasure inhabiting their world. The story's time and place--an isolated mountain home during the final months of WWII--are also well realized and the book held me enthralled.The story is told by Helen, an older woman looking back on a summer from her childhood when she was in the care of her twenty-two year old cousin Flora, an open-hearted, unreserved woman who embodies everything Helen has been taught to look down her nose at by her dignified grandmother and her cynical father. Both Helen's mother and grandmother are dead, so when her father leaves their once grand, now dilapidated, house to do secret war work Flora volunteers to help. Flora's emotional outbursts embarrass and irritate Helen, but a polio outbreak means their only company is the family's longtime maid, the young man who delivers groceries, and the local priest. With her grandmother dead and her father away, times are changing, but there is a lot of history in the house and Helen is desperate to hold onto the way of life she has always known. The book hints at tragedy from its early pages, but that's a distant storm not yet on the horizon and most of the story deals with the captivating day to day schemes and struggles of Helen as she tries to make the best of her situation.
  • Rating: 4 out of 5 stars
    4/5
    Flora is a novel which you will invest time in comtemplating the characters. The lead characters of the story are polar opposites but cousins. Helen is the child who believes she is more adult than her 22 years old cousin who has been offered the job of "looking after" Helen for the summer.Helen's father, a high school principal, had agreed to do work in Tennesse as a carpenter during his summer school break. The year bfore Helen stayed home with her Grandmother who owned the house we they reside. Unfortunately Helen's Grandmother died at Easter time. Flora was very close to Helen's mother growing-up in Alabama and was the ideal candidate to nanny for the summer.I loved the character of Flora because of her sweetness but Helen thought of her as simpleminded. Helen was too old for her age of 10 and thought she was above Flora intellectly. Helen was what one call a spoiled brat and very unlikable. Alice, a friend of Helen, told her that she should take a good look at herself in the mirror because she was difficult. The time period of this book is at the tail end of WWII and the place in Tennesse where Helen's father is working is Oak Ridge. All students of history will know what secret project that was created in Oak Ridge.I do enjoy a book which has strong character development. This is a sorry of remorse but never once will say that Helen's remorse was not earned.
  • Rating: 1 out of 5 stars
    1/5
    Where do I begin with Flora? A coming-of-age story where the protagonist (Helen, not Flora) never comes of age. A spoiled, arrogant, snobbish bore of a girl who spends her entire 1945 summer believing everyone is beneath her - especially her 20s cousin who has the misfortune of having to take care of Helen. Not only does Helen never evolve in the story, she is a boring kind of unpleasant. Even when her arrogance is pointed out, she thinks it is a good thing. The rest of the characters just wander around the page for Helen's amusement and criticism. Godwin makes no effort to flesh out any of the other characters. The writing is mediocre at best and the story abruptly ends with no resolution to anything - not that there was much to resolve. If I were going to graph the story arc, it would be a flat line. Diary of a Self-Absorbed Girl would have been a more fitting title. Frankly, it was a lazy kind of storytelling. I wish I had those hours back.
  • Rating: 4 out of 5 stars
    4/5
    The summer Helen is 11, her father leaves her in the care of a cousin of her late mother's. Flora is only ten years older than Helen, "simple-hearted" and therefore scorned by Helen. The war in Europe is over, but the fighting still continues against the Japanese, and Helen's father is working construction for the Manhattan Project. Meanwhile, Finn is a soldier who has been discharged for medical reasons, and befriends Helen and Flora, leading to complicated emotions on Helen's part. A "grievous" ending is forecast in the telling of the summer spent together, and a few times the author advances the story to a much later time in Helen's life. The novel would have been stronger if there were more of these sections or none at all until the very end.
  • Rating: 4 out of 5 stars
    4/5
    I thought the voice of the 10 year old was much "older". Otherwise a good book.
  • Rating: 5 out of 5 stars
    5/5
    This nicely told coming of age novel is about a almost twelve-year-old girl living in North Carolina who is put under the guardianship of her older cousin for part of one summer (1945). I've read Ms. Godwin's fiction and heard her give a reading and talk. Her Southern characters and settings appeal to me since I'm also from the region. There is a historic subplot of the Manhattan Project and Oak Ridge, TN. The narrator is the snarky type of young girl who still has a lot of things to learn about life. Her lessons begin that summer. It's an easy read and worked just fine for me on this cold wintry day.
  • Rating: 4 out of 5 stars
    4/5
    Eleven-year old Helen is left in the care of her deceased mother’s twenty-two year-old cousin for the summer while her father is away doing secret war work at Oak Ridge. Helen is too precocious for her own good, and Flora a bit too naïve. This is an eventful summer for them both. With a polio outbreak in town, they are confined to their house rather out of town up a mountainside. Their groceries are delivered on motorcycle by a vet on medical leave, who is befriended by both girls. During their mundane daily life, they each get to know the other. ”Embarrassingly ready to spill her shortcomings, she was the first older person I felt superior to. This had its gratifying moments but also its worrisome side. She was less restrained in her emotions than some children I knew. She was an instant crier. My grandmother Nonie, that mistress of layered language, had often remarked that Flora possessed “the gift of tears.” As far as I could tell, layers had been left out of Flora. All of her seemed to be on the same level, for anyone to see.”I enjoyed the way the author opened up both girls’ characters very realistically as the story progressed. The setting of their home, an old consumption hospital which had been built and run by Helen’s grandfather, added an interesting back story. The very first sentence carries the word “remorse” and that is wrapped up in every thread of the story. I found another new (to me) author to enjoy.
  • Rating: 3 out of 5 stars
    3/5
    “Remorse went out of fashion around the same time that “Stop feeling guilty,” and “You’re too hard on yourself,” and “You need to love yourself more” came into fashion.” This is the older Helen clearly reflecting back on the summer in 1945 spent with her cousin Flora. It is one of the best quotes in the book and it certainly struck a chord with me. We spend most of our time with Helen as the ten year old she is with her petulance and anger, but as the book progresses we see glimpses of the older Helen's reflections on the summer as we build toward the inevitable tragedy.Gail Goodwin provides Helen with a realistic voice and the plot moves languidly like the summer interspersed with radio dramas retold through Helen's voice and lots of dinners cooked by Flora. Helen's Aunt Flora is a young girl of 22 who has an open heart and can't help but see the best in everyone - even Helen. Flora comes to take care of Helen while her father does "important war work" over the the summer. The book is a good summer read. The story is not too painful or shocking, but with just enough lessons to remind us to look beyond ourselves more often.
  • Rating: 4 out of 5 stars
    4/5
    This is a coming of age novel set in North Carolina in the summer of 1945. The narrator, Helen Anstruther, from the vantage point of old age, tells the story of that formative summer when she was approaching her eleventh birthday on August 6. Helen’s mother died seven years earlier and she was left in the care of her father and paternal grandmother (Nonie); however, Nonie’s recent death and the departure of her father for war work in Oak Ridge, Tennessee, result in Helen’s being left in the care of Flora, her 22-year-old second cousin. Except for Finn, a young man who delivers groceries, Helen and Flora are isolated in their mountain-top home because of a polio outbreak in the community. This novel is very much a character study. Helen is a very precocious and imaginative pre-teen. Flora is preparing for her first teaching position in the fall, and she and Helen play a game of school for which Helen creates and acts out the roles of ten students in a fifth-grade class. She is not, however, always a likeable person. She tends to be moody and has an attitude of superiority; a friend tells her, “’your trouble is you think you’re better than other people.’” Typical of her age group, Helen is very self-centred; again, her friend tells her, “Other people don’t exist when you’re not with them. We’re like toys or something. You play with them and examine them and then you put them on a shelf and go away.’” Indeed, Helen’s behaviour attests to the accuracy of these observations: she doesn’t even write notes to friends unless she is guilted in doing so, and her interest in her grandmother’s old letters is largely restricted to looking for references to herself. Helen also demonstrates the youthful tendency to view the world in terms of black and white; she doesn’t see Flora’s positive traits or her grandmother’s negative traits. Helen’s judgmental attitude comes to the fore in her actions towards Flora. At various times, she describes Flora as simple-minded and a backward country bumpkin. She derides her willingness to engage others in conversation and her tendency to display emotion which Helen mocks as her “gift of tears.” In her naivety, Helen describes Flora as “prosaic, [and] unimaginative” and focuses on her “eagerness and disregard for what should be left unsaid” and does not see that Flora has “no deceit or malice.” What is wonderful about the book is that the reader will both dislike Helen and sympathize with her. She is motherless and her father chooses to leave her despite the very recent death of her beloved grandmother. One friend is diagnosed with polio and another is moving away with her family, so she is obviously lonely. She speaks of “times when I felt I had to fight to keep from losing the little I had been left with, including my sense of myself.” It is heartbreaking to read about Helen’s attempts to keep her grandmother’s spirit close to her; she moves into her bedroom and models herself after Nonie, even slavishly repeating her harsh judgments of others: “I seemed to merge with Nonie and came out thinking and speaking more like her.” The only stability in Helen’s life is provided by Mrs. Jones, the woman who for many years has been coming to clean the house once a week, and the large rambling house in which she grew up but which is slowly falling apart around her. Most readers will not have difficulty empathizing because they will have experienced loss and will see something of their youthful selves in her.I loved the hints throughout that there is much more going on than Helen perceives or misunderstands because of her naivety and inexperience. Helen misses her father and wants him to return; she doesn’t fully understand his comment that his true calling “had been thwarted by the social expectations of others” and doesn’t see the unhappiness evidenced in his behaviour. Tragedies in Flora’s life are hinted at in Nonie’s letters, but Helen is blind to them. Likewise, she interprets Finn’s visits to the house as proof of his feelings for her. Reading between the lines and realizing what Helen does not is one of the pleasures of this book. Furthermore, anyone with knowledge of Oak Ridge, Tennessee, and August 6, 1945, will also understand some historical significance to events outside Helen’s immediate world.There is suspense in the book of course. The reader knows that something will happen; the opening clearly indicates something tragic will occur: “There are things we can’t undo, but perhaps there is a kind of constructive remorse that could transform regrettable acts into something of service in life.” What does happen causes Helen to lose her innocence. In this regard, the novel reminded me of "Atonement" by Ian McEwan. There are certainly similarities between Helen and Briony; they share a talent for writing and their childish reactions trigger events that can’t be undone, actions for which they feel remorse and a need to atone.The plot of this novel is not action-packed, but there is much to ponder in its examination of human experience. It is a wonderful example of interpretive literature.Note: I received an advance reading copy of the book from the publisher via NetGalley.
  • Rating: 4 out of 5 stars
    4/5
    Gail Godwin creates complex, realistic women characters and makes a special study of women’s relationships with each other. Her latest is very similar in tone to her earlier Finishing School and Unfinished Desires. In 1940s Georgia, ten-year-old Helen, is mourning the loss of her beloved grandmother, her mother having died when she was three. Her father abandons her for the summer to work for the war effort , and leaves her in the care of Flora, her slightly oddball, earnest, emotional cousin. Helen is contemptuous of Flora, and often comes across as mean and selfish, reminding me a little of Briony in Ian McEwan’s Atonement. We know from page one that things won’t end well.The tone is claustrophobic and very little "happens" until the very end of the book, yet it was impossible to put down, because the characters are so perfectly drawn, with the caveat that Helen’s voice seemed older than a 10-year-old’s. Is there a fiction genre called “slow-moving, psychologically acute page turner?” There is now.
  • Rating: 4 out of 5 stars
    4/5
    Gail Godwin's new novel, "Flora," deals with Helen as an adult looking back at a summer set in the 1940’s in southern city in North Carolina when she was a ten-years old. During that summer, certain events lead her to be remorseful.After Helen’s mother dies, she is raised by beloved grandmother, Nonnie but she too dies as the story begins. Her father takes a mysterious position with the war office in Oak Ridge and he leaves her in the care of her twenty-two year old cousin, Flora. Helen regards Flora as a simple minded person who runs between irritating her and needing her protection. Because of a polio outbreak, Helen and Flora are quarantined by her father to the remote family home with a horrendous driveway that keeps people from visiting. Enter Finn, a young veteran who brings them their food supplies and strikes up a friendship with Helen and Flora.Because of her upbringing by her grandmother, Helen does have some sophistication for a girl her age but is still full of childish self-absorption and can sometimes be unfeeling when writing to her friend with polio complaining about her summer. But she turns around and assists Flora with play acting to practice for her teaching job in the fall.The consequences of the characters' actions were unjustly harsh and exaggerated; the book does advance intriguing questions about forgiveness, family ties and remorse.This is a novel that delves with the errors we make in our youth that can follow us and change one in some many ways. This understated tale, with colorful characters draws you in and takes back to the life of one ten-year-old girl over one summer.I recommend this book and have chosen it for our local book club for a discussion in 2014.
  • Rating: 5 out of 5 stars
    5/5
    It’s hard to say which element of Gail Godwin’s Flora is the most intriguing—the tension that arises in Helen’s isolation with her high-strung governess, the curious nature of this precocious young narrator, or the salacious details of family history that are hinted at through story and letter—but it’s the delightful mix of haunting goodness that readers will consider long after they have turned the last page
  • Rating: 4 out of 5 stars
    4/5
    The story of Helen (age 10) and summer guardian, Flora (age 22) during the final months of WW2.The story takes place in a rambling, decaying house that was once a sanatorium for folks she calls the Recoverers."The backdrop is the North Carolina hills.The plot revolves around the intertwining lives of "motherless, precocious" Helen and guileless, simple-hearted Flora.I have to admit that my interest intensified as the narrative was winding to a close.3.5 ★
  • Rating: 4 out of 5 stars
    4/5
    I seem to be finding myself reading Southern novels these days. Could it be in answer to the dreary cold weather we've been having here in the Midwest? Gail Godwin's latest novel is beautifully written. Her attention to detail is amazing. I loved the fact that this story is narrated by an older woman looking back on a very eventful summer when she was eleven in North Carolina toward the end of World War II. Yes, some might call young Helen a spoiled brat. And her treatment of Flora her dead mother's cousin and live in babysitter is at times atrocious. Add to this the appearance of a handsome wounded war veteran who befriends both of these haunted people. In fact, all of the characters in the novel are haunted in some way. Gail Godwin makes this story absolutely compelling. This will make a great reading group selection.
  • Rating: 4 out of 5 stars
    4/5
    In a not totally unfamiliar preamble, I received this book through the courtesy of the publisher, Bloomsbury, by simply responding to an advert in the Shelf Awareness newsletter. Despite this kind consideration, my candid thoughts appear below.To summarize, it's 1944 and Helen, our protagonist, has recently lost her grandmother and so her cousin Flora has come for the summer to watch over her while her father goes off to do secret work for the government. In those two short months much is learned on both sides as two very different people figure out how to get along.Flora isn't a narrative so much as it is a character sketch. Events in the book creep past but until the end there's not really any pivotal moment or any plot to speak of. The author simply paints a picture of these two personalities trapped in a fishbowl, isolated from the rest of their small-town universe. Flora, who comes from a somewhat disregarded and backward side of the family, is looked down upon by the much younger Helen. Yet Helen fails to realize just how naive and inexperienced she is despite her judgmental attitude toward her cousin.Readers looking for a dramatic storyline are sure to be disappointed, but I don't really think that's the point of Flora at all. Godwin portrays her characters from the viewpoint of her naive narrator in a uniquely realistic way. Reading closely one can almost remember making some of the same misjudgments about people as our young Helen. Our author writes with such clarity that one thinks she must be simply copying from her own diary from her youth. While Helen is so clearly fleshed out within, Flora remains mysteriously simple and one cannot help but wonder what complexities lie beneath the facade.As I said though, Flora is no narrative wonder. It can take a while to connect with and readers must accept it for what it is. Flora does, however, provide an insightful look at the pre-teen psyche of the 40s and a bit of history with its mentions of polio and listening to evening mysteries on the wireless. Additionally, the story is narrated simultaneously by young Helen and old Helen as she looks back on these events with broader perspective. It can sometimes be hard to tell when these transitions of viewpoint occur so readers should be alert for them.In summary, Flora is an interesting though not outstanding novel. Godwin's writing is superb and she paints a colorful view on her main characters but in sum total the book seems to be lacking a bit. Readers who manage to finish will be well rewarded but I anticipate some foot-tapping from those expecting more of a narrative thread along the way.
  • Rating: 1 out of 5 stars
    1/5
    Boring dribble about a series of unfortunate events generated in a work of fiction. The story is placed in historical perspective around the events at the end of the second world war. Is there not enough misery in real life? What would one want to read this pathetic story for? The author is quite capable in her writing and evidently has a large vocabulary. It unclear if she likes using obscure vocabulary to impress the reader or whether she actually thinks it helps the story in some way. I suspect the writer is someone I would have no interest in meeting. I am primarily a scientist and find this type of story a waste of my time. Life is too short to waste reading this type of dribble. I see that others truly like this kind of writing. Good for them.
  • Rating: 4 out of 5 stars
    4/5
    enjoyable, but not great book about a young woman who is watched by her cousin for a summer and the tragic ending. Quick read

Book preview

Flora - Gail Godwin

Contents

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Acknowledgements

In memory of John Hawkins, agent and friend

I.

There are things we can’t undo, but perhaps there is a kind of constructive remorse that could transform regrettable acts into something of service to life.

That summer, Flora and I were together every day and night for three weeks in June, all of July, and the first six days of August. I was ten, going on eleven, and she was twenty-two. I thought I knew her intimately, I thought I knew everything there was to know about her, but she has since become a profound study for me, more intensely so in recent years. Styles have come and gone in storytelling, psychologizing, theologizing, but Flora keeps providing me with something as enigmatic as it is basic to life, as timeless as it is fresh.

At the beginning of that summer with her, I seesawed between bored complacency and serious misgivings. She was an easy companion, quick to praise me and willing to do what I liked. My father had asked her to stay with me so he could cross over the mountain from North Carolina into Tennessee while the public schools were not in session and do more secret work for World War II. This would be his second year at Oak Ridge. The summer before, my grandmother had still been alive to stay with me.

Flora had just finished her training to become a teacher like my late mother. She was my mother’s first cousin. Embarrassingly ready to spill her shortcomings, she was the first older person I felt superior to. This had its gratifying moments but also its worrisome side. She was less restrained in her emotions than some children I knew. She was an instant crier. My grandmother Nonie, that mistress of layered language, had often remarked that Flora possessed the gift of tears. As far as I could tell, layers had been left out of Flora. All of her seemed to be on the same level, for anyone to see.

Nonie, who had died suddenly just before Easter, had been a completely different kind of grown-up. Nonie had a surface, but it was a surface created by her, then checked from all angles in her three-way mirror before she presented it to others. Below that surface I knew her love for me resided, but below that were seams and shelves of private knowledge, portions of which would be doled out like playing cards, each in its turn, if and when she deemed the time was ripe.

My father, who was principal of Mountain City High School, was described as exacting or particular when people wanted to say something nice about him. If they were being politely critical, they might say, Harry Anstruther can be very acerbic and he doesn’t suffer fools gladly. His social mode was a laconic reserve, but at home, after a couple of drinks, he stripped down to his comfortable mordant sarcasm. His usually controlled limp, from a bout with polio in his teens, became more like a bad actor’s exaggeration of a limp.

He married my mother when he was in his early thirties. He was assistant principal of the high school at the time and also taught the shop classes for the boys. He had learned carpentry when he was convalescing from polio. My mother-to-be, a new teacher in her early twenties, came to his office to protest her new assignment. She had been hired to teach English, and after she got there they had added Home Economics, which she felt she had to swallow, she said, because new teachers couldn’t be picky. But now the public school curriculum had introduced something called Girls’ Hygiene into the Home Economics hour. I cannot stand up in front of a class and teach this, she told my father. She held the little booklet apart from her body like a piece of garbage. Her disdain along with the cannot impressed my father. Though she was from Alabama, she spoke like someone trained for the theater. The girls would be shocked and disgusted, she told him. Or they would laugh me out of the room.

My father took the booklet home, and after dinner he and Nonie took turns reading aloud from Social Hygiene for Girls. As I got older, Nonie would recall hilarious examples from this booklet. It became her way of imparting the facts of life to me without the hush-hush solemnity. (I’ll tell you one thing, darling. It made me glad I was brought up on a farm and saw animals go about their natural business without all the clumsy language.)

My grandmother asked if the well-spoken new teacher was the kind of person we’d like to invite to dinner. She probably wouldn’t come, my father said, because she was a chilly sort and hadn’t seemed to like him very much. But Nonie insisted on asking her and she came. Her name was Elizabeth Waring, but by the end of the evening she had asked them to call her Lisbeth. She had been orphaned at eight and raised by two uncles and a live-in maid. The first thing she said when she walked into our house was how wonderful it must be to live in such a house. I fell in love with her first, Nonie liked to recall. And then, one night, when the three of us were playing cards, Harry finally looked across the table and realized what he could have.

FLORA CAME WITH her father, Fritz Waring, to my mother’s funeral. They rode on passes because he worked for the railroad. My mother had caught pneumonia during a stay in the hospital. There was a lot of it that year—if only they could have gotten sulfa in time they might have saved her. When I was older Nonie explained that it had started with a miscarriage. They’d been trying to get you a little brother or sister, but I guess you were meant to be one of a kind, Helen.

I was three when my mother died and have no recollection of the funeral, or of fifteen-year-old Flora, though Nonie told me Flora would sit me on her lap at meals and try to feed me little morsels from her plate, which I refused. "One time she cried into your hair. She had been telling us how, since she was a small child, she and your mother slept in the same bed. She confided to us she had always slept with one leg over Lisbeth to keep her from going away. At this point your father rolled his eyes and left the table.

"It was a very strange week for us. This was the first time we had met any of your mother’s people. This little man with shaggy eyebrows and a bulldog face steps down from the train with his arm around a sobbing young girl in a black coat way too old for her. ‘She feels things’ were Fritz Waring’s first words to us. Immediately after the funeral, he apologized for having to ask us to drive him back to the train station. He had to be on duty next day. ‘But we’ve hardly even spoken to the two of you,’ I said. ‘Oh, Flora can stay on with you awhile,’ he said, ‘if she won’t be any trouble.’

"I was pretty surprised but I tried to hide it. I told him we would love to have her stay on for a little while. After all, this was your mother’s own first cousin. Shouldn’t we want to know her better? And, as a student of human nature, I have to say I found Flora’s visit eye-opening. It was interesting to observe how very different two girls could be who had grown up in the same house. Though of course there was the big age difference: Lisbeth was twelve when the infant Flora came to live with them. Even their speech! Whereas Lisbeth spoke like a stage actress and held herself back in speech and person, Flora’s southern accent was so thick you could cut it with a knife and she burbled and spilled herself out like an overflowing brook. She asked us the most intimate questions and offered disconcerting tidbits about her people in Alabama. She wanted to know why your mother was in the hospital in the first place and where everyone slept, and she would stand in the open door of the wardrobe where your mother kept her clothes and snuffle into her dresses. She told us proudly that the black coat she wore had been borrowed from the Negro woman who lived with them. One time when she was retelling how she had slept with her leg over your mother ‘so she wouldn’t abandon her,’ she went on to explain that her own mother had left town as soon as she was born. Your poor father found more and more excuses to go out on errands, and by the end of Flora’s visit he was taking his cocktails up to his room."

The year after my mother’s funeral, Fritz Waring was shot during a high-stakes poker game and Flora and Nonie’s great correspondence began. The sixteen-year-old Flora had written Nonie a long, emotional letter with the gory details (he had been shot between the eyes) and Nonie had answered back. Immediately came a second letter and Nonie felt it was her duty to reply, and this went on until her death. Flora always started her letters Dear Mrs. Anstruther, and signed them, Your Friend, Flora Waring.

The poor child thinks I am her diary, Nonie would remark, reading Flora’s latest letter. Sometimes she would shake her head and murmur, Gracious! The letters disappeared before anyone else could read them. Young people shouldn’t write down personal things they might regret later, Nonie said.

FLORA RODE THE train to Nonie’s funeral in the spring of 1945. She was in her last year of teachers’ college in Birmingham and hoped to begin teaching in the fall.

Flora’s turned into a looker, said my father, making it sound like something short of a compliment. Though not in your mother’s style.

When friends came back to our house after the funeral, Flora greeted them and passed platters and refilled glasses like she was part of the family, which I suppose she felt she was. After the crowd had thinned, we noticed that a cluster of people had gathered around Nonie’s wing chair and then we saw that Flora was sitting in it—the first person to do so since Nonie’s death. She appeared to be telling a story. Everyone was rapt, even Father McFall, the circumspect rector of Our Lady’s, though he was careful to register a degree of separateness by the quizzical twist of his brow. Flora, softly weeping, was reading from something in her lap. When my father and I edged closer we saw that she was reading aloud from Nonie’s letters.

I can still see Flora, the way her large, moonlike face floated out at you from the frame of the wing chair. She wore her dark hair swept back from a middle parting, then falling in soft waves over the ears and pinned up loosely at the nape of the neck, a style you often see in movies and television dramas being faithful to the late 1930s and early ’40s. Her forehead was spacious, though not high, and her wide-apart brown eyes, when they were not silky with tears, conveyed an ardent eagerness to be impressed.

What she was reading from my grandmother’s letters seemed to be snippets of the kind of soldierly counsel Nonie loved to dispense to everyone. About taking control of your life and making something of yourself. But after listening for a minute, my father sent me over to tell Flora he wanted to speak with her in the kitchen and that was the end of the performance.

I have often wondered if that was when he broached the idea of her staying with me while he went back for his second summer to the construction job in Oak Ridge, where they were making something highly secret for the war effort. This would have been in character. My father loathed displays of emotion and he may have decided to offer me up, since he needed someone anyway, rather than to reprimand Flora about the letters and evoke her gift of tears.

II.

My grandmother died while choosing her Easter hat. She was downtown in Blum’s department store and had just pinned on a Stetson trilby with a dashing black plume that had tiny seed pearls sewn into it like random raindrops. You’re coming home with me, handsome, she addressed the hat in the mirror. Her last words were Mrs. Grimes, could I trouble you for a glass of water? When the saleslady returned with the water, Nonie was pitched forward, her hand deep in her purse. She had been reaching for her vial of nitroglycerin tablets. Mr. Blum insisted we were under no obligation when my father said he wanted to buy the hat. But my daughter wants it, you see, my father explained. It was Helen’s idea. In that case, allow me to make a gift of it to her, said Mr. Blum. It’s a becoming hat that will never go out of style. She can wear it herself someday.

This exchange was reported to me by my father. Just as Nonie’s last moments were reported by others to him. Yet I saw both scenes as though I had been there. I was also achingly present at an alternative scene in which I had been standing right behind her, watching her try on the hats in the three-way mirror.

This one suits me, doesn’t it, Helen?

Oh, it really does.

Whereupon she would have addressed the handsome hat. And then: a sudden widening of the eyes, a hand slapped to her chest: Quick, darling, go in my purse and fetch me … She trusted my nimble fingers to do the rest: root in the bag, twist open the familiar vial, hand over the doll’s-size pill.

(And if I should have already fainted, Helen, you know what to do. Open your mouth and slip it under your tongue. That’s right, darling, like a baby bird feeding the mama bird.)

We had rehearsed it.

Later, when I had attained an age she never reached, there was a television commercial that never failed to choke me up. A man and his son are walking in the country when suddenly the father clutches his chest, the landscape turns a sickly sepia, and the father falls. But the son whips out a Bayer aspirin, the father rises to his feet, embraces the son, and Technicolor is restored to their lives.

Don’t worry, I have every intention of sticking around till I’ve finished raising you, Nonie always assured me after one of her episodes, and I could hear her saying it again that day—the day we never had. If only she had waited till my school was out so I could have been there to whip out the little vial in Blum’s and save the day.

The day after Nonie’s funeral, my father and I drove Flora to the train station. She had to return to her teachers’ college and finish the semester. For the rest of my life, whenever I see or hear a locomotive, I’ll miss Daddy, she said, starting to weep as the Birmingham train pulled in. My father rolled his eyes and handed over his handkerchief. Keep it, he said. We’ll see you in June.

Why did you say that about June? I demanded as soon as we were alone.

I’ve asked Flora to stay with you this summer while I’m at Oak Ridge. I can’t pay her a whole lot, but she’ll be saving on her expenses, and she wants to do it.

I was stung. All the more so because this had been decided between them behind my back. You mean, like a babysitter?

Ten is not old enough to stay alone, Helen.

I’ll be eleven in August.

Even if you were going to be sixteen in August, that still wouldn’t be old enough. I thought you and Flora got on.

We were driving across the bridge that arched above the railroad yards. The put-upon voice that my father always employed with Nonie when she was backing him into a corner was now being directed at me. Did Flora and I get on? It was more like Flora praised and deferred to me and I tolerated her because she was my mother’s first cousin and showed up at family funerals. Until now, I had assumed both my father and I considered her somewhat awkward and childlike. Yet here he was putting her in charge for the summer.

This is such a strange time for me, he said in the same keep-clear-of-me voice he’d used when he picked me up at school on the day of Nonie’s death. Mother is gone, he had said. Just like that, in Blum’s. Don’t ask me what we’re going to do next because I don’t know.

EASTER THAT YEAR fell on April first, only a few days after Nonie’s funeral. I felt self-conscious in church. I had gone everywhere with Nonie, and I could hear people silently wondering how I was ever going to manage without her. Those who hadn’t known us well enough to come to the house for the funeral reception gathered round after church to offer condolences. My father and I were worn out by the time we got home. He made us grilled pimento cheese sandwiches in the skillet, letting them get too dark, and washed his down with Jack Daniel’s in an iced tea glass. Then we sat side by side at the dining room table and answered more sympathy letters. He wrote the messages and I addressed the envelopes and licked the flaps and put on the stamps. When I pointed out that the recipients would notice our different handwritings, he said, Fine. They’ll be all the more charmed and touched. His voice had edged over into sarcasm by then.

Then came a letter that made him swear.

Who’s it from?

That old mongrel we saw crying at the funeral home.

"What does he want? I knew my father was referring to the old man who had shown up at Swann’s funeral home demanding to see" Honora and had broken down and cried when we told him she had stipulated that her casket remain closed. It was Nonie’s hated stepbrother, brought to her father’s farm by the housekeeper who would become her father’s second wife. His name was Earl Quarles and he had inherited all the property that should have gone to Nonie.

He says he wants to keep in touch, my father sneered. Get to know us better before he meets his Maker. Swann told me he came back to the funeral home after we left and tried to bribe him to open the casket.

Fat chance, I said.

Most people have their price, said my father.

But if Mr. Swann had taken the bribe he wouldn’t have told you about it, would he?

I probably shouldn’t say this, Helen, but I look forward to the day when you can spot the unsavory truths about human nature for yourself. He crumpled the letter in his fist and to my disappointment shoved the whole wad, envelope included, into his jacket pocket. No chance now of my fishing it out of the wastebasket. Without bothering to put in fresh ice, he sloshed more Jack Daniel’s into his iced tea glass and lurched upstairs.

I wandered into Nonie’s room, which was on the ground floor, next to mine, and climbed up on her bed. I turned down the spread and buried my face in her pillows. Her smell was markedly fainter than yesterday. The insidious Sunday afternoon light pushed at me through the drawn curtains. Nonie, who could bend time to her purposes, was no longer here to protect me from emptiness. Even when she had closed her door to lie on her three pillows and take her appointed afternoon rest, the connection between us had been maintained. It always felt like she was in there refueling for us all.

Desperate to burrow back to that connection, I ground my face and body into her bedclothes. This time last Sunday she would have been lying here. The sheets had not yet been changed. She had died on Monday, and Mrs. Jones, whose day was Tuesday, had been postponed for a week. Nonie’s black satchel purse presided aloofly from the top of the dresser. Inside was the little vial of nitroglycerin, useless now. Handsome languished, unseen on Easter Day, in its hatbox on her closet shelf.

How could she be so here and not here? I tried to make myself cry into her pillows before the smell of her cold cream vanished altogether. If she was gone, what parts of me had she taken with her? The parts she talked to, taught things to, told her stories to, would never again be addressed by her. And yet her way of saying things was all around me, they were inside of me.

All around me was our house, which pulsed with her stories of it. Old One Thousand she called it, because that was its number; it was the last house at the top of Sunset Drive. She and my grandfather and their young son had shared its rooms and porches with the Recoverers, back in the days when it catered to a few well-paying convalescent tuberculars or inebriates, and occasional souls whose nerves weren’t yet up to going back to ordinary life.

If Nonie were still here, lying on her raised pillows on this Sunday afternoon, I would likely be upstairs on the Recoverers’ south porch, reading or daydreaming on the faded horsehair cushions of a chaise longue. Back when Old One Thousand had also been Dr. Anstruther’s Lodge, there was a view of the town below and the ranges of mountains encircling it, but now the view was blocked by a hectic tangle of branches just beginning to leaf out. The Recoverers would sit on this porch playing cards and sharing the news of their latest clean X-rays or sobriety day-counts or sessions with the local psychiatrist until the sun had moved over the roof; then they would gather their things and move over to the west porch. They were all just figments now, the real people departed long before I was born, but Nonie had told me about them and also about the grandfather I hadn’t known, Doctor Cam, a man thirty years older than herself. How she as an eighteen-year-old girl had been walking to town carrying her valise, running away from the farm

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