The Saggar Maker's Bottom Knocker, or The Story of Pottery in a Box
By LJ Gormley and Nat Kemp
()
About this ebook
“What?!” My next door neighbor, who knew I was interested in lost and sometimes weird crafts and trades, had just exhaled a few garbled syllables, totally unintelligible, in my direction. Now my friend is a great lover of jokes and riddles so I thought this was his way of amusing himself, sending me on a wild goose chase after an imaginary activity. “I said, saggar maker’s bottom knocker. I’m serious. It was an actual job.” Just to be on the safe side, I did a quick web search. And sure enough, not only was there (and is there) such a thing as a saggar, but there was also something or someone known as a saggar maker’s bottom knocker. And the route to the saggar bottom knocking starts with ancient China and takes in a few alchemists, white gold, Marco Polo, missionaries, house arrest, and even a wallaby along the way. I had to know more.
Of course, it is easy to make fun of the job title. It very literally explains the activity, perhaps too literally. Its simplicity conceals the importance of what would on the surface seem to be an inconsequential object, namely a box to hold ceramic ware in kilns, moreover only one part of that box. It also provokes a number of questions. Why not put the saggar and all its constituent parts together at the same time? Why does the saggar need two people to assemble it? Why can’t the saggar maker do all of it? Indeed, why is a saggar necessary at all?
What I learned is how an art, craft, industry can depend upon not just a simple, purely functional object, but also the bottom of that simple object. Now that does sound like a punch line....
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The Saggar Maker's Bottom Knocker, or The Story of Pottery in a Box - LJ Gormley
The Saggar Maker’s Bottom Knocker: or the Story of Pottery in a Box
By LJ Gormley and Nat Kemp
PUBLISHED BY:
Black Morning Marsh Press on Smashwords
As part of the FastTracks to Heritage Craft series
Copyright 2014 LJ Gormley and Nat Kemp
Smashwords Edition License Notes
This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person you share it with. If you're reading this book and did not purchase it, or it was not purchased for your use only, then you should return to Smashwords.com and purchase your own copy. Thank you for respecting the author's work.
* * * * *
Table of Contents
About the Series
Foreword
Image Table
Introduction
Pottery, from Pit to Kiln by Way of Saggar
What is a saggar?
Into the pit fire
Glazes
Kilns and Saggars
China: the discovery of kaolin clay and the creation of porcelain
Europe: in search of the magical formula for porcelain
English Pottery Comes of Age
The English discover the magical formula and ingredient
Of clay and coalfields: the rise of English pottery
Made of sturdy stuff: saggar marl and other clays
The making of an industry: Josiah Wedgwood
Assembly line production: such machines of men as cannot err
Saggars on the Assembly Line
Preparation of the clay for the saggar
Making the saggar sides and bottoms
From Bottom Knocker to Master Potter
Putting it all together: making the saggar
Packing the Saggars
Placing the Saggars
Does Anyone Still Use Saggars?
"A Ruined Empire"
So, no more saggars then?
Conclusion
References and Further Reading
Acknowledgements
Other Books in the Series
About the Series
Have you ever approached the web brimming with enthusiasm for a new hobby or activity only to be overwhelmed by all the information? Maybe so overwhelmed that you put aside your search, and your enthusiasm, for another day, a day in all likelihood that never comes.
Black Morning Marsh Press is pleased to introduce a new e-book series, FastTracks to Heritage Craft, in which our authors explore lost, or disappearing, trades and tradecraft, drawing together print and digital resources alike to give you a concise consideration of all possible aspects of the subject in an easy-to-read format.
FastTracks because our readers are reading and learning increasingly while on the go, oftentimes on the train on their way into work
Each e-book provides an informal introduction to a trade or trade craft, primarily through the eyes of someone approaching the subject for the first time. This fresh approach as well as a list of resources at the end puts the reader onto the fast track to further exploration, knowledge, and experience.
Back to the Table of Contents
You probably think of the orchestra as a heterogeneous mass of instruments producing a confused agreeable mass of sound. You do not listen for details because you have never trained your ears to listen to details.
Arnold Bennett, How to Live on 24 Hours a Day
English writer known for his novels of the Potteries
In this operation the workman imitates Nature, who to ripen the fruit and bring it to perfection, puts it into a case so that the heat of the sun gets at it little by little, and its action inside is not too much interfered with by the air that comes from outside during the fresh nights.
Selected Passages from the Letters of Pere D’Entrecolles on the use of saggars for the making of porcelain in China
Foreword
What?!
My next door neighbor, who knew I was interested in lost and sometimes weird crafts and trades, had just exhaled a few garbled syllables, totally unintelligible, in my direction. Now my friend is a great lover of jokes and riddles so I thought this was his way of amusing himself, sending me on a wild goose chase after an imaginary activity. I said, saggar maker’s bottom knocker. I’m serious. It was an actual job.
Just to be on the safe side, I did a quick web search. And sure enough, not only was there (and is there) such a thing as a saggar, but there was also something or someone known as a saggar maker’s bottom knocker. And the route to the saggar bottom knocking starts with ancient China and takes in a few alchemists, Marco Polo, missionaries, house arrest, and even a wallaby along the way. I had to know more.
Of course, it is easy to make fun of the job title. It very literally explains the activity, perhaps too literally. Its simplicity conceals the importance of what would on the surface seem to be an inconsequential object, namely a box to hold ceramic ware in kilns, moreover only one part of that box. It also provokes a number of questions. Why