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Blue-Tail Fly
Blue-Tail Fly
Blue-Tail Fly
Ebook105 pages35 minutes

Blue-Tail Fly

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A poetic treatment of the period of American history between the beginning of the Mexican War and the end of the Civil War, by Michigan poet Vievee Francis.
LanguageEnglish
Release dateMar 21, 2006
ISBN9780814335215
Blue-Tail Fly
Author

Vievee Francis

Vievee Francis is a well-known poet in the Detroit area whose poems have appeared in numerous journals. This is her first full-length book of poetry.

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    Book preview

    Blue-Tail Fly - Vievee Francis

    Way

    BLUE - TAIL FLY

    VIEVEE FRANCIS

    © 2006 by Wayne State University Press, Detroit, Michigan 48201. All rights reserved. No part of this book may be reproduced without formal permission. Manufactured in the United States of America.

    15  14  13  12  11   7  6  5  4  3

    Library of Congress Cataloging-in-Publication Data

    Francis, Vievee.

    Blue-tail fly / Vievee Francis.

    p. cm. — (Made in Michigan writers series)

    ISBN 0-8143-3323-0 (pbk. : alk. paper)

    1. African American soldiers—Poetry. 2. Mexican War, 1846–1848—Poetry.

    3. United States—History—Civil War, 1861–1865—Poetry. I. Title. II. Series.

    PS3606.R3653B68 2006

    811’.6—dc22

    2005035890

    ISBN-13: 978-0-8143-3323-5   ISBN-10: 0-8143-3323-0

    Names of slaves and infantrymen are both fictional and/or historical compilations.

    This book is supported by the Michigan Council for Arts and Cultural Affairs.

    ∞ The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984.

    Design by Kachergis Book Design

    Typeset by Maya Rhodes

    Composed in 8.75/13 Walbaum LT

    E-book ISBN: 978-0-8143-3521-5

    This book is dedicated to

    George F. Francis III

    And not till then saw he the Other Side

    Or would accept the shade.

    Sidney Lanier

    The Dying Words of Stonewall Jackson

    Contents

    The Scale of Empire

    AFTERMATH

    1880, The Binding Tie

    The Finishing Thoughts of Festus Spencer as He Looks into the Camera

    I

    Frederick Douglass Speaks before the Anti–Mexican War Abolitionists

    Ample Cause of War

    General Taylor Convinces Himself That He Is for War

    Doubt

    Letter to the Governor of Texas

    Notes from Officer Hitchcock’s Lost Leather Journal

    Liberation

    By the end

    Three Hundred and Seventy-Two Miles from Home

    Pokagon Accepts Colonel Taylor’s Invitation

    Colonel Zachary Taylor Has Pokagon for Tea

    The Escarpment

    In Private Conversation: Buchanan to Like Minds

    The Book Speaks of Pretenders

    South of Houston

    II

    Civil Beginnings

    Darling Wife

    Grey Jebediah

    The Bone Boiler

    Shadows

    1864, Fragments of a Camp near Yorktown

    1864, A Pocket Full of Rye

    Snake Swamp

    1863, Walt Whitman Reads to the Limbless, Dying

    Linsey-Woolsey

    1864, Dear Mother

    Gettysburg: Blue and Grey

    A Singular Dispersion over Franklin, Tennessee

    Lincoln Dreams of Sarah, the Servant

    If Not for You

    1863, Detroit Riots, Again

    1864, Dear Son

    III

    Private Athens Descries

    Hannibal of Athens, Georgia

    White Glove Test

    Private Smith’s Primer

    Br’er Rabbit in Chickamauga

    Drummer Boy

    Interview: Survivor, Fort Pillow

    A Second Dream of Sarah

    Nigger Pine

    Lincoln Speaks after the Bones Are Thrown

    The White Immensities

    Notes on the Poems

    Credits and Acknowledgments

    The Scale of Empire

    Yet the most distinctive, and perhaps the most impressive, characteristic of American scenery is its wildness.

    Thomas Cole, founder, Hudson River School

    The wood that engulfs

    an empire of stone

    cares only to maintain itself,

    to green again the decadent

    progressions—discovery,

    desperation. Our delusion:

    digging into the earth

    that submits only temporarily.

    Eventually, the vine creeps across

    the well-swept patio, up the walls,

    then through, under the iron rails.

    The overwrought towers

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