Kursk: A Study In Operational Art
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The Russian decision to defend first against an expected German offensive is an excellent example of the use of operational art. Acting on the information of the LUCY espionage network, Zhukov constructed his campaign around an unprecedented tactical defensive system in an effort to destroy the German armored formations as they attacked toward Kursk. He intended to initiate his counteroffensive at the point where the German panzer corps had been so attrited that they would not be able to prevent a Russian onslaught which would expel all German forces from the Donetz Basin. German operational flexibility, which had been the hallmark of their previous campaigns, was eliminated by Hitler’s centrally devised and executed plan, reducing commanders such as Manstein and Model to mere tactical actors. In the end the Russian victory was a complete one: tactical, operational and strategic.
Major Kerry K. Pierce
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Kursk - Major Kerry K. Pierce
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Text originally published in 1987 under the same title.
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Publisher’s Note
Although in most cases we have retained the Author’s original spelling and grammar to authentically reproduce the work of the Author and the original intent of such material, some additional notes and clarifications have been added for the modern reader’s benefit.
We have also made every effort to include all maps and illustrations of the original edition the limitations of formatting do not allow of including larger maps, we will upload as many of these maps as possible.
KURSK: A STUDY IN OPERATIONAL ART.
By
Maj Kerry K. Pierce, USA.
TABLE OF CONTENTS
Contents
TABLE OF CONTENTS 4
Figures: 5
ABSTRACT 6
SECTION I: INTRODUCTION 7
SECTION II: STRATEGIC SITUATION 8
SECTION III: THE CAMPAIGN PLANS 12
SECTION IV: PREPARATION - THE MEANS AVAILABLE 15
SECTION V: THE GERMAN OFFENSIVE 18
SECTION VI: THE FLASHING SWORD OF VENGEANCE 24
SECTION VII: CONCLUSIONS 27
MAPS 29
REQUEST FROM THE PUBLISHER 37
BIBLIOGRAPHY 38
Books 38
Journals and Periodicals 38
Manuscripts 39
Figures:
1. — Eastern Theater of War -March 1943
2. — Army Group South situation -March 1943
3. — Russian defenses at Kursk
4. — German offensive plan (ZITADELLE)
5. — Ninth Army’s attack
6. — Fourth Panzer Army‘s attack
7. — Operation KUTUZOV
8. — Operation RUMYANTSEV
ABSTRACT
KURSK: A STUDY IN OPERATIONAL ART. By MAJ Kerry K. Pierce, USA.
This monograph examines the practice of operational art from the perspective of the Kursk Campaign of July-October, 1943. The study begins by presenting the German and Russian campaign plans as examples of two different methods of achieving a desired end state. Each plan’s vision of the future was heavily influenced by the nature of the strategic situation and the personalities of the two principal artists: Adolph Hitler and Marshal Georgii Zhukov. These two leaders had vastly different understandings of strategic possibilities, time-space dimensions of the battlefield, and the means required to achieve their desired end states. The success of Zhukov’s campaign plan was directly related to his linkage of appropriate means and methods toward a desired end state, while Hitler’s failure represented a failure to do likewise. The monograph also uses Kursk to examine several theoretical concepts of war. These include the relative strength of offense and defense, culminating points, the art of combinations, use of reserves, and the center of gravity.
The Russian decision to defend first against an expected German offensive is an excellent example of the use of operational art. Acting on the information of the LUCY espionage network, Zhukov constructed his campaign around an unprecedented tactical defensive system in an effort to destroy the German armored formations as they attacked toward Kursk. He intended to initiate his counteroffensive at the point where the German panzer corps had been so attrited that they would not be able to prevent