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The Adventures of Pinocchio

The Adventures of Pinocchio

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The Adventures of Pinocchio

évaluations:
3.5/5 (18 évaluations)
Longueur:
174 pages
8 heures
Sortie:
Jun 10, 2015
ISBN:
9781627556873
Format:
Livre

Description

Join Pinnocchio as he learns what it means to be a real boy. Often his adventures are as harrowing and dangerous as real life. This is not the gentle world of Walt Disney, but a darker, richer world in which the good guy doesn't win just by showing up.
Sortie:
Jun 10, 2015
ISBN:
9781627556873
Format:
Livre

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Aperçu du livre

The Adventures of Pinocchio - C. Collodi

36

Chapter 1

How it happened that Mastro Cherry, carpenter, found a piece of wood that wept and laughed like a child.

Centuries ago there lived—

A king! my little readers will say immediately.

No, children, you are mistaken. Once upon a time there was a piece of wood. It was not an expensive piece of wood. Far from it. Just a common block of firewood, one of those thick, solid logs that are put on the fire in winter to make cold rooms cozy and warm.

I do not know how this really happened, yet the fact remains that one fine day this piece of wood found itself in the shop of an old carpenter. His real name was Mastro Antonio, but everyone called him Mastro Cherry, for the tip of his nose was so round and red and shiny that it looked like a ripe cherry.

As soon as he saw that piece of wood, Mastro Cherry was filled with joy. Rubbing his hands together happily, he mumbled half to himself:

This has come in the nick of time. I shall use it to make the leg of a table.

He grasped the hatchet quickly to peel off the bark and shape the wood. But as he was about to give it the first blow, he stood still with arm uplifted, for he had heard a wee, little voice say in a beseeching tone: Please be careful! Do not hit me so hard!

What a look of surprise shone on Mastro Cherry’s face! His funny face became still funnier.

He turned frightened eyes about the room to find out where that wee, little voice had come from and he saw no one! He looked under the bench—no one! He peeped inside the closet—no one! He searched among the shavings— no one! He opened the door to look up and down the street—and still no one!

Oh, I see! he then said, laughing and scratching his Wig. It can easily be seen that I only thought I heard the tiny voice say the words! Well, well—to work once more.

He struck a most solemn blow upon the piece of wood.

Oh, oh! You hurt! cried the same far-away little voice.

Mastro Cherry grew dumb, his eyes popped out of his head, his mouth opened wide, and his tongue hung down on his chin.

As soon as he regained the use of his senses, he said, trembling and stuttering from fright:

Where did that voice come from, when there is no one around? Might it be that this piece of wood has learned to weep and cry like a child? I can hardly believe it. Here it is—a piece of common firewood, good only to burn in the stove, the same as any other. Yet— might someone be hidden in it? If so, the worse for him. I’ll fix him!

With these words, he grabbed the log with both hands and started to knock it about unmercifully. He threw it to the floor, against the walls of the room, and even up to the ceiling.

He listened for the tiny voice to moan and cry. He waited two minutes—nothing; five minutes—nothing; ten minutes—nothing.

Oh, I see, he said, trying bravely to laugh and ruffling up his wig with his hand. It can easily be seen I only imagined I heard the tiny voice! Well, well—to work once more!

The poor fellow was scared half to death, so he tried to sing a gay song in order to gain courage.

He set aside the hatchet and picked up the plane to make the wood smooth and even, but as he drew it to and fro, he heard the same tiny voice. This time it giggled as it spoke:

Stop it! Oh, stop it! Ha, ha, ha! You tickle my stomach.

This time poor Mastro Cherry fell as if shot. When he opened his eyes, he found himself sitting on the floor.

His face had changed; fright had turned even the tip of his nose from red to deepest purple.

Chapter 2

Mastro Cherry gives the piece of wood to his friend Geppetto, who takes it to make himself a Marionette that will dance, fence, and turn somersaults.

In that very instant, a loud knock sounded on the door. Come in, said the carpenter, not having an atom of strength left with which to stand up.

At the words, the door opened and a dapper little old man came in. His name was Geppetto, but to the boys of the neighborhood he was Polendina,on account of the wig he always wore which was just the color of yellow corn.

Geppetto had a very bad temper. Woe to the one who called him Polendina! He became as wild as a beast and no one could soothe him.

Good day, Mastro Antonio, said Geppetto. What are you doing on the floor?

I am teaching the ants their A B C’s.

Good luck to you!

What brought you here, friend Geppetto?

My legs. And it may flatter you to know, Mastro Antonio, that I have come to you to beg for a favor.

Here I am, at your service, answered the carpenter, raising himself on to his knees.

This morning a fine idea came to me.

Let’s hear it.

I thought of making myself a beautiful wooden Marionette. It must be wonderful, one that will be able to dance, fence, and turn somersaults. With it I intend to go around the world, to earn my crust of bread and cup of wine. What do you think of it?

Bravo, Polendina! cried the same tiny voice which came from no one knew where.

On hearing himself called Polendina, Mastro Geppetto turned the color of a red pepper and, facing the carpenter, said to him angrily:

Why do you insult me?

Who is insulting you?

You called me Polendina.

I did not.

"I suppose you think I did! Yet I know it was you."

No!

Yes!

No!

Yes!

And growing angrier each moment, they went from words to blows, and finally began to scratch and bite and slap each other.

When the fight was over, Mastro Antonio had Geppetto’s yellow wig in his hands and Geppetto found the carpenter’s curly wig in his mouth.

Give me back my wig! shouted Mastro Antonio in a surly voice.

You return mine and we’ll be friends.

The two little old men, each with his own wig back on his own head, shook hands and swore to be good friends for the rest of their lives.

Well then, Mastro Geppetto, said the carpenter, to show he bore him no ill will, what is it you want?

I want a piece of wood to make a Marionette. Will you give it to me?

Mastro Antonio, very glad indeed, went immediately to his bench to get the piece of wood which had frightened him so much. But as he was about to give it to his friend, with a violent jerk it slipped out of his hands and hit against poor Geppetto’s thin legs.

Ah! Is this the gentle way, Mastro Antonio, in which you make your gifts? You have made me almost lame!

I swear to you I did not do it!

It was _I_, of course!

It’s the fault of this piece of wood.

You’re right; but remember you were the one to throw it at my legs.

I did not throw it!

Liar!

Geppetto, do not insult me or I shall call you Polendina.

Idiot.

Polendina!

Donkey!

Polendina!

Ugly monkey!

Polendina!

On hearing himself called Polendina for the third time, Geppetto lost his head with rage and threw himself upon the carpenter. Then and there they gave each other a sound thrashing.

After this fight, Mastro Antonio had two more scratches on his nose, and Geppetto had two buttons missing from his coat. Thus having settled their accounts, they shook hands and swore to be good friends for the rest of their lives.

Then Geppetto took the fine piece of wood, thanked Mastro Antonio, and limped away toward home.

Chapter 3

As soon as he gets home, Geppetto fashions the Marionette and calls it Pinocchio. The first pranks of the Marionette.

Little as Geppetto’s house was, it was neat and comfortable. It was a small room on the ground floor, with a tiny window under the stairway. The furniture could not have been much simpler: a very old chair, a rickety old bed, and a tumble-down table. A fireplace full of burning logs was painted on the wall opposite the door. Over the fire, there was painted a pot full of something which kept boiling happily away and sending up clouds of what looked like real steam.

As soon as he reached home, Geppetto took his tools and began to cut and shape the wood into a Marionette.

What shall I call him? he said to himself. "I think I’ll call him Pinocchio. This name will make his fortune. I knew a whole family of Pinocchi once—Pinocchio the father, Pinocchia the mother, and Pinocchi the children— and they were all lucky. The richest of them begged for his living."

After choosing the name for his Marionette, Geppetto set seriously to work to make the hair, the forehead, the eyes. Fancy his surprise when he noticed that these eyes moved and then stared fixedly at him. Geppetto, seeing this, felt insulted and said in a grieved tone:

Ugly wooden eyes, why do you stare so?

There was no answer.

After the eyes, Geppetto made the nose, which began to stretch as soon as finished. It stretched and stretched and stretched till it became so long, it seemed endless.

Poor Geppetto kept cutting it and cutting it, but the more he cut, the longer grew that impertinent nose. In despair he let it alone.

Next he made the mouth.

No sooner was it finished than it began to laugh and poke fun at him.

Stop laughing! said Geppetto angrily; but he might as well have spoken to the wall.

Stop laughing, I say! he roared in a voice of thunder.

The mouth stopped laughing, but it stuck out a long tongue.

Not wishing to start an argument, Geppetto made believe he saw nothing and went on with his work. After the mouth, he made the chin, then the neck, the shoulders, the stomach, the arms, and the hands.

As he was about to put the last touches on the finger tips, Geppetto felt his wig being pulled off. He glanced up and what did he see? His yellow wig was in the Marionette’s hand. Pinocchio, give me my wig!

But instead of giving it back, Pinocchio put it on his own head, which was half swallowed up in it.

At that unexpected trick, Geppetto became very sad and downcast, more so than he had ever been before.

Pinocchio, you wicked boy! he cried out. You are not yet finished, and you start out by being impudent to your poor old father. Very bad, my son, very bad!

And he wiped away a tear.

The legs and feet still had to be made. As soon as they were done, Geppetto felt a sharp kick on the tip of his nose.

I deserve it! he said to himself. I should have thought of this before I made him. Now it’s too late!

He took hold of the Marionette under the arms and put him on the floor to teach him to walk.

Pinocchio’s legs were so stiff that he could not move them, and Geppetto held his hand and showed him how to put out one foot after the other.

When his legs were limbered up, Pinocchio started walking by himself and ran all around the room. He came to the open door, and with one leap he was out into the street. Away he flew!

Poor Geppetto ran after him but was unable to catch him, for Pinocchio ran in leaps and bounds, his two wooden feet, as

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Ce que les gens pensent de The Adventures of Pinocchio

3.6
18 évaluations / 43 Avis
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  • (3/5)
    (Original Review, 1981-05-20)I am reading the English version of Pinocchio; I read it, obviously many times in my language and the other day I found a small book with this title and I was curious to see how it was in a different language from mine. I also want to "invite him for dinner" as it is the title of a context of a famous Italian newspaper (writing an invitation for a character of a book at your choice) but I have not yet written a word. I am not too keen on inviting to meals, it means extra work and I did it enough. But maybe by reading it I’ll get inspired.I read Pinocchio in a dual English/Italian text. My Italian is pretty much limited to what I have gleaned from endless listening to the Mozart/da Ponte operas, so I only occasionally referred to the original language. I did come away with the word (and concept) “tornagusto”, a kind of appetizer taken mid-meal, between courses. The word occurs in the scene in which the Fox buys an elaborate meal with Pinocchio’s gold. I’ve since learned that it isn’t a common word in Italian and may be a Collodi coinage. It’s likely that a tornagusto is only needed for overindulged appetites, which definitely happens in my reading from time to time. That’s proven a useful concept in my reading life – having temporarily exhausted my interest in a particular branch of reading, I turn to a short work or essay collection as a kind of mental “tornagusto.”The peculiarity of Pinocchio is that his nose grows when he tells lies (I bet you didn’t know this…); imagine what would happen if it was so also for us? Particularly politicians...there would be real fun, I suppose.[2018 EDIT: Tornagusto is a sort of" feel the taste again", the flavour and the pleasure of life, of reading and of many things, in the end. Nice, I think that from time to time we all need a tornagusto. But the pleasure of music do not need one : it is all over, I can hear the chirping chirping sound of a bird conversation in the garden through my open window and I do not need tornagusto to appreciate the beauty of spring, here again after a long period of cold and rain. And Mozart...I love, I adore him. Since I was a little boy, I always found him absolutely marvellous, and it helped me in several life instances...tornagusto listening to the serenata in sol magggiore opera etc., and it’ll all melt into that fascinating air.]
  • (5/5)
    From the moment Geppetto first carves him out of a piece of wood, the puppet Pinocchio is a trouble-maker. He doesn’t want to go to school or learn a trade. It is only after many zany misadventures—involving trickster cats, giant snails, and a cricket whom Pinocchio attacks with a wooden mallet—that Pinocchio begins to realize that being a puppet isn’t enough.The Adventures of Pinocchio is an unforgettable classic. Collodi's novel includes a rich commentary on growing-up and taking responsibility completely overlooked in the Disney story with which most of us are more familiar. In his slow quest to become a real boy, the puppet Pinocchio learns what it truly means to be free.
  • (5/5)
    Reason for Reading: Read aloud to the ds. This is actually my third attempt at reading this book to him. Pinocchio is one of my favourite children's classics. The first time was when he was five and was my edition that I had read, an old Rainbow Classics, but I think he was just too young. The second time, he was older and at that time I had a different edition, don't remember which, but it was an awful translation and we gave that up as well. So my hopes of reading him Pinocchio were put on the shelf until I saw this edition, which noted it was a brand new translation and I was taken right away with the collaged/mixed media artwork which I used to dabble in myself.Starting with the art, the book is beautiful. I love this collage, mixed media art style and each page was a visual delight to me and my son, who has seen me dabbling in the art myself. An extremely gorgeous book. A square, softcover with french flaps make for easy handling and browsing. Ds would often pick the book up between reads and just look at the pictures. There's no need to give a summary, I think everyone is acquainted with the story of the wooden puppet who wants to become a real boy. But if you've only been exposed to the Disney version, then just let me tell you that you do not really know the true story of Pinocchio, which is rather moralistic in teaching boys to be good boys and quite violent along way. One part that always makes me smile (because I hate Disney's Jiminy Cricket character) is that in the book when Pinocchio meets the cricket (no name, btw) who moralizes with him to annoyance is that Pinocchio's final response is to pick up a mallet and throw it at him, squashing the irritating bug against the wall. LOL. The cricket's ghost does return to annoy Pinocchio some more. DS thoroughly enjoyed the story as he wasn't familiar with it. He saw the Disney movie as a little kid but it had too much slow singing in it so he didn't like it, or pay much attention to it. He loved when anyone got what they deserved, even Pinocchio, and he found it fun when he could see it coming. The whole story is a lot of fun. With the modern translation and the new illustrations, this edition is entirely whimsical and doesn't come off as moralistic as earlier translations I've read do. Oh, it hasn't been left out, but Pinocchio is such a rude, naughty boy that he needs to be taught a lesson and eventually even he knows when he is doing the wrong thing. I highly recommend this translation, especially for reading aloud.
  • (4/5)
    I really enjoyed reading this to my daughter, it was the first time for both of us. Yes, there is a talking cricket, but thankfully his name is not Jiminy. The Blue Fairy has a very prominent role in the original story, she is whimsical, complex character.

    This edition, in particular, is utterly enchanting. The illustrations by Italian illustrator Roberto Innocenti are beautiful.

    I personally believe that children should not only be exposed to sugar-coated stories, so we always aim to read fairy tales in their original form. Pinocchio was no exception, and this was a delightful read.
  • (2/5)
    This is a classically Grimm-violent story. It's like a bunch of little vignettes, really. And pleasantly bizarro, just as a kid's tale should be. I like that it opens with a talking piece of wood. No explanations necessary, really. There's just this log that is sentient. Whatevs, am I right?
  • (4/5)
    Enjoyable, if a little repetitive. It's hard to read it through anything other than the Disney version, but it is reasonably different--including a Pinocchio who is meaner and more problem ridden (e.g., within the first few pages he hits the cricket with a hammer), a cat/wolf that are more persistent and interesting than the Disney ones, and an even more moving ending about how Pinocchio finally becomes a boy.
  • (3/5)
    Ok, longer than others by Powell and it has chapters. Like illustrator Alfonso Ruiz. Good for ESL.
  • (4/5)
    As everyone knows, Pinocchio is a Liar who is penalized (or possibly rewarded in length of nose) every time he lies, very like the current US President, whose silk tie grows longer with every lie.Here's another, my second comparison to our President Pinocchio, Liar-in-Chief. The carpenter who fashioned Pinocchio, Gepetto, forgot to give him ears; nor does the President listen to anyone. Comparison three: neither the President nor Pinocchio reads, but Pinocchio sacrifices to purchase an Abecedario in order to learn to read. And in fact, Pinocchio admires books, later becomes the best student in his class, so good that he will be turned into a real human boy in one day, but a friend leads him away to where there are no books or schools, and Pinocchio and his friend first grow donkey's ears, and eventually get all grey skins, asses. Pinocchio becomes a donkey in a circus.(Ch.11)Comparison four: both Pin and Prez are puppets, who have torn away from their puppeteers, Gepetto and Putin. Or maybe only Pinocchio has left his puppeteer.Comparison five: at one point, Pinocchio limps, and of course the Trumpster has trouble with steps, tries grabbing his wife's hand, who doesn't want to support a 300 lb man going down steps.For comparison six, see my penulitimate paragraph below.The first carpenter who started carving the wood into the puppet was called Maestro Ciliegia/ Cherry because his nose was red as one. As in Dr Seuss, several characters share nasal distinctions.Pinocchio is convinced to bury his five pieces of gold into the Campo dei miracoli, to result in thousands the next day according to a Limping Wolf and a Blind Cat (both faked, though later in the story they become what they faked). When he tries to dig up his treasure, thieves approach and he runs and runs. Several references to thieves, "ceffi" or "ladri."Towards the end Pinocchio turns back from an over-worked donkey to himself, when he swims in the sea and is swallowed by a (whale?) shark, where he finds his Gepetto, old and frail. He escapes with his babbo, who cannot swim, and carries him on his back to shore. When he needs money in Ch 9 (2/3 the way through), he doesn't dare ask for charity, because his Dad Gepetto always said only two kinds of people have the right to beg charity: "i vecchi e i malatti," the old and the sick (p. 61, Aschehoug, 1972). So Collodi in the 19C moralizes directly, didactically.His book ends with Pinocchio turning from a wooden puppet into a real boy, and his babbo is healed, through Pinocchio's reform: Babbo tells him, "When bad boys become good, they give an entirely new and joyful aspect to their house, their entire family." (p.96) Would that the Prez had learned this from his Dad.I recall thinking it has fairly small vocabulary, but it's much longer than Seuss. Theodor Seuss Geisel lived in my hometown of Springfield, MA, on Mulberry St, and set a goal of books with 225-240 different words. Turns out, Easy Reader (Mondadori) edition sorts Pinocchio under 1200 word vocabulary as Collodi (Carlo Lorenzini) wrote it.
  • (5/5)
    It's about Pinocchio's life from when he was carved to when he becomes a real boy. However, this disobedient little puppet goes from misfortune to misfortune as he must decide between things like school and a puppet show and school and Playland. He is also hung from a tree, swallowed by a giant shark, robbed and chased by assassins. Thanks to help from his father and his friend the fairy he mends his ways and his dream comes true.Even though I grew up with the Disney movie version of Pinocchio I quite liked this novel version because the storyline is a little different and it gives a little more depth to Pinocchio's character. All in all a cute, rewarding story.
  • (4/5)
    Although it is an old story, it still catching and a good read. I sometimes had some problems, since some of the sentences had a (to me) strange structure, but all in all I had no problems reading the book.Maybe not for smaller children (in newer edition it should be better), but for everyone else this is a nice book, especially with the illustrations, that run along nicely with the story.
  • (4/5)
    I borrowed this one from the library to have a look at Roberto Innocenti's work, which I've admired in another book called Rose Blanche. His highly detailed watercolour illustrations are a thing to behold, and imbued with both a sense of realism and real poetry, a combination very rarely achieved successfully in visual arts. The story itself was filled with surprises. I must have only been exposed to the Disney version in my childhood, because the original by Carlo Collodi was so filled with twist and turns, violence, unfortunate adventures, and reversals of fate, that it stretched credulity beyond the limit. At times the didactic aspect of the story that the author never fails to drive home became truly annoying, but there's no denying the tale of a puppet who wished more than anything to become a boy is highly original.
  • (2/5)
    This is book is awesome. In the first 13 pages, Gepetto gets into a fist fight, Pinocchio gets Gepetto sent to prison, then he kills Jiminy Cricket with a hammer. This is great!As you can tell this book is far removed from the Disney version. Everybody's a jerk. Must be an Italian thing. I'm not sure who this book was audienced to -- little boys maybe? -- but the language still holds up. The culture does not. It's super easy to read, but the plot is not terribly coherent, and there's no unifying force. It seems like 65% of the book is just Pinocchio being bad, then, when he realizes he's about to get burnt or hanged or shot, he suddenly cries, "oh no, I'll never be bad again", and he is saved. Then he goes and does it again. Reminds me of the American prison system. Must be required reading for lawyers. The storytelling is terribly unpolished and jagged. There's no unifying story, just Pinocchio running around getting into trouble. After about halfway, it starts getting obnoxious, because he has no real goal. He has nothing he wants.I'm really on the fence about the value of this book in terms of today. Would I recommend it for anyone? Would they get anything out of it? Maybe, since the chapters are short and the characters dynamic, they'd get more out of it than I did.
  • (5/5)
    Great translation of a wonderful story that is as bleak as it is amazing! Who says fairy tales cannot be brutal? Grimm right...
  • (4/5)
    The Adventures of Pinocchio is a novel for children by Italian author Carlo Collodi. It is about the mischievous adventures of Pinocchio a marionette; and his poor father, a woodcarver named Geppetto. Pinocchio was created as a wooden puppet but dreamed of becoming a real boy. Its main theme is that of a naughty child who must learn to be good, not just for his own sake but for the sake of others around him too. The thing to keep in mind is that this is not your Disney’s Pinocchio. This classic flirts with death and disasters that Pinocchio can’t seem to stay away from. At various points in the story Pinocchio is hung from a tree until he dies, he bites a cat's paw off, his leg is caught in a bear trap, he gets arrested and he is turned into a donkey. Oh My! Despite this and the moral lessons being “taught”—the adventures are really quite fun. Despite some of moralizing and the gruesomeness of the story I found myself really liking this tale. 4 out of 5 stars.
  • (5/5)
    This is among the more existential works in children's literature, and should make us all reconsider what children's literature can be. I was turned on to reading the Collodi version by Auster's analysis of it in The Invention of Solitude.
  • (3/5)
    I've read the Collodi novel once before when I was a teenager and I remember being put off by both by Pinocchio's arrogance and the surrealism of the world in which the marionette lives. Were it not for Roberto Innocenti's gorgeous illustrations I would have set Collodi's story aside without finishing it.Like so many of the classics from the late 1800s, Pinocchio was serialized in Il Giornale dei Bambini (Children's Journal), starting in 1880. Each installment was a short allegory to teach children how to be independent thinkers (Wiki). Keeping in mind the method of publication and the reason behind it helps to put the disjointed nature of the chapters and the surreal world into perspective. Innocenti's illustrations then bring this world to life.
  • (5/5)
    I first wanted to read Pinocchio after seeing the 1970’s Italian animated movie A Puppet Named Pinocchio. It was much more faithful to the book than the Disney movie we are all most familiar with, much darker than what Disney showed me (not that I'm dumping on Disney's classic movie).I think it's safe to say that everyone is familiar with Pinocchio: Gepetto, an old wood-carver creates a puppet that is alive. Pinocchio (which, the book explains, stands for ‘pine cone’) is a willful, mischievous and naughty child, but he has a good heart and wants to become a real boy.His adventures are varied and always interesting and surprisingly dark. Pinocchio is a true a children’s book. While Disney was very good at giving parents what they think their children want: colorful characters, singing, magic and a puppet that was a clean-cut all-American boy. Carlo Collodi gives kids what they really want: very scary, life-threatening situations, shady characters and a puppet who starts off as a very bad and selfish boy. There are important lessons to be learned here and it is the journey that does the teaching. Though the ending is the same, in the book the reward feels more genuine and deserved rather than saccharine.As an adult reader, I did have a number of issues with the book. It was originally written as a series of short stories, published in a children's newspaper. It might be better to think of them as 'episodes'. There's a certain formula that many of the chapters follow: This time, Pinocchio has learned his lesson. Then an opportunity comes up. Pinocchio follows it. A character (often an animal) will appear and warn Pinocchio. He ignores the advice and trouble ensues. Pinocchio doesn't seem to grow as a character. Also from time-to-time, the book will stop to summarize everything that has happened before. As a result the 'chapters' tend to feel repetitive after a while. It also makes the book feel overly preachy (though I suppose that was part of the point of the book).However, I do remember reading and loving the book as a child. I did notice some of those issues even then, but they don't drag the book down. I think more kids should read the book today. Parents will feel hesitant because of the book's at times unrelentingly dark tone, but realistically, that helps draw the reader in. While following Pinocchio on his scary adventures, they will also learn to respect their parents, not to take what they have for granted and the value of both a good education and hard work. Not a bad thing for kids to read if you don't want them to turn in to donkeys.
  • (2/5)
    On the whole, this has to be the least satisfying classic I've read over the past couple of months. I genuinely disliked nearly every character in the book, with special emphasis on Pinocchio. I was rooting for the fireplace rather than the real boy angle.
  • (4/5)
    I have to say, my only previous experience with the story of Pinocchio is through the Disney classic cartoon…and boy is this a LOT different than the Disney version! I’m not saying that’s a bad thing…far from it in fact, I was just surprised at how selfish and, well…disobedient this little wooden boy was. In this book, Pinnochio isn’t a naive boy who gets led astray; he’s a selfish, lying, bad-tempered puppet who (for the most part) can’t see past his own immediate wants and needs. He constantly makes bad decisions based on spur of the moment desires without thinking about any long term implications. Naturally, he’s apologetic and supremely sorry when he gets caught or something bad happens to himself or others as a result of his actions, but he doesn’t seem to learn very quickly from these lessons and must repeat them many, many times before he finally “gets it.” Similarly, Geppetto isn’t 100% of the time a kindly old man; he too has his moments of anger with Pinocchio’s behavior. Even the Blue Fairy isn’t as kindly and beneficent as Disney made her…she too isn’t above pulling a nasty prank or two to show Pinnochio the error of his ways. I think these personality elements resonate with young readers…I think we can all admit that most children push the limits, do things they know they are not supposed to and generally find disobeying to be more fun than obeying (at least at times)…and in that way, Pinocchio is the embodiment childhood. He does all the things they’ve been told not to and reaps the rewards or pays the price for it! I think that is what makes this a timeless classic that has been loved for generations. I think that there are a lot of dark humor and plot points in this book (the blue fairy’s death, Geppetto’s getting lost as sea, the attempted assassination of Pinocchio, etc.), that it’s effective and riveting (especially for young readers) and enjoyable…it also makes his final transformation into a real boy all the more rewarding when it finally happens. I have to admit I enjoyed reading this far more than ever enjoyed watching the Disney cartoon version. Overall, it’s a rich, dark, and sometimes humorous tale that is illustrated wonderfully in this version by Gus Grimly. I would recommend it for anyone who enjoys reading the non-sanitized versions of Grimm’s Fairy Tales (and other similar stories). It has all the familiar plot elements of the one we grew up watching (in America, at least) but is a much darker story than Disney gave us. I give it 4 stars and I would definitely buy it for my permanent library.
  • (3/5)
    A little inaccessible for children. I think it has become a children's story over the years, rather than a moral tale for adults.
  • (4/5)
    Pinocchio! (said with an Italian accent and lots of hand waiving). It is considered a "novel of education", a fun childrens story with values communicated through allegory. The values are very "middle class" as Italy became a nation-state in the 19th century: do not follow schemes of the fox and cat to get rich (ie. thieving upper class) but instead work honestly for your money; get an education so you are not treated like an ass (mule working class). Like the "Decameron", it follows the Florentine, Italy tradition of folk novella's -- like a hybred of the "Decameron", "Alice in Wonderland" and "Mother Goose". Disney made a film in 1940 that is considered a masterpiece of animation and is part of the National Film Registery, although only loosely based on the novel, the image of "Jiminy Cricket" and "Blue Fairy" are now a part of modern mythology.
  • (3/5)
    Classic tale.
  • (2/5)
    What a bratty whiner. I might be glad to have read it. But right now I'm just disappointed that Pinocchio was such a whiner.
  • (3/5)
     I had mixed feelings about this book after reading it. I enjoyed the description used throughout the chapters however in the beginning of the book some details seemed too straight forward. Depending on the student's maturity level and ability to handle such concepts as death and greed this book could be tough for some readers. Although the ending is a pleasant one with Pinocchio and his father being reunited once more, the many adventures Pinocchio endures are scary at times. In addition there is a scene depicted in the text describing the burning off of Pinocchio's feet, the attempted murder of a marionette because of lack of obedience, and the trickery of the fox and cat. These scenes show some very cruel aspects of the world we live in although not many readers would pick up on this at first glance. Overall the message of this story is to follow your inner voice when deciding to do something which may be good or bad. In the end telling the truth is the best policy even if feelings get hurt.
  • (4/5)
    The book is better than the Disney movie -- which was still a good movie. I've also seen a wonderful theatrical production at the Children's Theatre Company in Minneapolis. Another one I ought to reread.
  • (5/5)
    demented, wonderful, awesome art. Pinocchio is not the story that Disney told you. Chapter titles like "Pinocchio" gets hanged abound.
  • (5/5)
    PINOCCHIO. THE ADVENTURES OF A MARIONETTE (2013 : 220 PAGES. LARGE PRINT FOR EASY READING - Original edition)Anyone interested in the role of education and a child’s place in society will be well-served to read or reread this timeless classic. As Umberto Eco has argued, although it is written in simple language, Pinocchio is not a simple book. It doesn’t limit itself to one simple, basic moral, but rather deals with many meanings and it is, thus, not only moving and beautiful, but profoundly educational.WHO IS PINOCCHIO?Pinocchio is a fictional character and the main protagonist of the children's novel The Adventures of Pinocchio (1883), by the Italian writer Carlo Collodi. Carved by a woodcarver named Geppetto in a small Italian village, he was created as a wooden puppet, but dreamed of becoming a real boy. Pinocchio refers to a character who is prone to telling lies and fabricating stories for various reasons. Pinocchio learns to control his impulsive personality and shows moral and intellectual growth. Collodi's "Pinocchio", as a fable, doesn’t impose answers on the readers, but rather poses stimulating questions. Non simply a children’s book, "Pinocchio" helps readers to reflect on issues of freedom vs. authoritarianism, what system of education is most effective, how young people can be helped to develop their vocations, and how should we approach adolescent development. Pinocchio has become an icon of modern culture, and one of the most re-imagined characters in the pantheon of children's literature. Pinocchio is known for having a nose that becomes longer when he tells lies (chapter 3). His clothes are made of flowered paper, his shoes are made of wood and his hat is made of bread. Aspects of Pinocchio's character vary, depending on the interpretation, although basic aspects such as his creation as a puppet by Geppetto and the size of his nose changing due to his lies or stress remain present across the various formats. In Collodi's original tale, "Le Avventure di Pinocchio" (1883), Pinocchio, as a child, exhibits obnoxious, bratty, and selfish traits, which will eventually change after being exposed to his father Geppetto's love, the Blue Fairy's benevolent guidance, public education and, most of all, to his direct experience of good and evil.“It must be said that, though written in the nineteenth century, the original children's novel, "Pinocchio", remains as readable as if it had been written in our century, so limpid and simple in its prose, and so musical in its simplicity.” (Umberto Eco)
  • (1/5)
    I was extremely disappointed with this book. This is a book written with the sole purpose of scaring naughty boys and girls into behaving. There was a lot of violence for no reason--the opening scene has two grown men disagreeing about something and solving it by getting into a fistfight (twice in the same conversation!). Even disregarding the fighting, this book held no interest for me whatsoever.
  • (4/5)
    Enjoyable, if a little repetitive. It's hard to read it through anything other than the Disney version, but it is reasonably different--including a Pinocchio who is meaner and more problem ridden (e.g., within the first few pages he hits the cricket with a hammer), a cat/wolf that are more persistent and interesting than the Disney ones, and an even more moving ending about how Pinocchio finally becomes a boy.
  • (4/5)
    New version of a classic tale: I enjoyed the rereading of this story as much as my first reading as a child. Pinocchio is such a typical "bratty" little boy until he has his adventures, that it is a delight when he gets his wish to be a real boy.