A Picture History of the Brooklyn Bridge
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Book preview
A Picture History of the Brooklyn Bridge - Mary J. Shapiro
A PICTURE HISTORY OF THE
BROOKLYN BRIDGE
With 167 Prints and Photographs
Mary J. Shapiro
DOVER PUBLICATIONS, INC, New York
ACKNOWLEDGMENTS
It would be difficult indeed to write anything about the Brooklyn Bridge without referring to David McCullough’s exhaustive and highly acclaimed book The Great Bridge The Epic Story of the Building of the Brooklyn Bridge His superb and thoroughly documented study was of inestimable value in guiding my research and selection of prints and photographs.
I am also deeply indebted to the many archivists and librarians upon whose expert and cheerful assistance I greatly relied In particular I owe much to: the staffs of the Museum of the City of New York, the New-York Historical Society, the New York Public Library; Elizabeth Stewart, Head of Special Collections and Frieda Gray, Assistant Archivist of the Library of Rensselaer Polytechnic Institute, Troy, New York, Clark Beck, Assistant Curator of the Special Collections Department of the Alexander Library at Rutgers University, New Brunswick, New Jersey; Patricia Flavin, Acting Director of the Long Island Historical Society; Norman Brouwer of the South Street Seaport Museum; and David Wooters of George Eastman House in Rochester, New York.
Blair Birdsall, who was Chief Engineer of John A Roebling’s Sons Company frohn 1934 to 1964, very generously allowed me to select many photographs and prints from his own personal collection. Also, Hugh Dunne of the Metropolitan Transit Authority made available some very crucial pictorial material as did Steve Gera of the New York City Department of Transportation. I would also like to thank Paul O’Dwyer, Mary Herrington, Ralph Greenhill and Robert Vogel for their advice and help.
I am especially grateful to Hayward Cirker, whose idea it was to do this book, and to my editor, James Spero, for his invaluable advice and expertise.
To thank my husband Barry and sons Michael and Eben for their long-suffering forbearance and greatly needed assistance, would be to acknowledge only the least of my debts to them
For Margaret and Peter J. Crotty
with love.
Copyright © 1983 by Dover Publications, Inc
All rights reserved under Pan American and International Copyright Conventions
A Picture History of the Brooklyn Bridge. With 167 Prints and Photographs is a new work, first published by Dover Publications, Inc, in 1983.
Book design by Carol Belanger Grafton
Manufactured in the United States of America
Dover Publications, Inc.
31 East 2nd Street, Mineola, N.Y. 11501
Library of Congress Cataloging in Publication Data
Shapiro, Mary J.
A picture history of the Brooklyn Bridge
1. Brooklyn Bridge (New York, N.Y)—History I. Title. TG25N53S5 1983 388 1′32′097471 82-9506
ISBN 0-486-24403-2 AACR2
CONTENTS
Introduction
Brooklyn Bridge Illustrated History
Credits
INTRODUCTION
All that the age had just cause for pride in—its advances in science, its skill in handling iron, its personal heroism in the face of dangerous industrial processes, its willingness to attempt the untried and the impossible—came to a head in Brooklyn Bridge.
Lewis Mumford, 1924.
Today, in an age when we can land a man on the moon and explore the outermost planets of the solar system by satellite, it is difficult to imagine the impact that the completion of the Brooklyn Bridge had just 100 years ago. For its time, it was an engineering achievement of almost miraculous proportions. Its long sweep of steel, etching a gentle arch across the sky, created a futuristic backdrop for nineteenth-century New York, where most buildings were a mere four or five stories high and the chief means of transportation was the horse and buggy. It was by far the largest single-span suspension bridge in the world, a technological giant step in the development of suspended structures.
The suspension bridge has been in man’s building repertoire for thousands of years. Primitive suspension bridges consisted of two parallel ropes supporting a wooden walkway fastened at either end to a rock, tree or whatever else happened to be available. The first modern suspension bridge, however, was comparatively recent. Consisting of a wooden-plank roadway suspended from cables of iron chains, it was invented by James Finley, a Pennsylvania preacher, in 1796. By 1810, 50 bridges with hand-forged chains had been built according to his patent. Finley’s first bridge had a span of only 70′, but one of his later bridges was 306′ long, a considerable achievement.
In 1825, the first great suspension bridge was built by Thomas Telford across the Menai Straits in Wales. The main span, suspended from iron chains, was 579′ from tower to tower. In 1834, the Grand Pont at Fribourg, Switzerland, a suspension bridge with a main span of 870′, was opened. In 1849, Charles Ellet completed his Wheeling Bridge in West Virginia, a single span of 1,010′.
This rapid development of the modern suspension bridge during the nineteenth century was unfortunately marred by some spectacular failures due to mistaken theories and simple lack of technical information. With disturbing regularity, suspended structures collapsed under loads they were calculated to support or were blown apart by winds they were designed to withstand.
In 1839, a raging wind and rain storm tore up the deck of Thomas Telford’s Menai Straits Bridge. The bridgekeeper had to row across the straits in the middle of the night to stop the driver of the London mail coach from galloping to his death. In 1830, over 200 people were watching a boat race from the deck of a suspension bridge in Montrose, England. As they ran from one side to the other, one of the chains broke, causing the platform to plunge into the river. Many of the people drowned. In 1850, in Angers, France, a whole battalion of marching soldiers were drowned when a suspension bridge collapsed beneath them. In 1854, Charles Ellet’s Wheeling Bridge collapsed in a gale, just five years after it was completed. A newspaper report of the failure described the rolling undulation of the bridge floor and the momentum of the thrashing deck finally wrenching loose from its cables. The picture created is very much like a wood engraving of the Bridge of Constantine across the Seine, which collapsed in a high wind in 1872. And a modern disaster occurred in 1940 when the Tacoma Narrows Bridge, a span of 2,800′ dubbed Galloping Gertie,
plunged into Puget Sound in a wind of only 42 mph. (The Brooklyn Bridge has withstood winds of over 70 mph.)
During