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The Children’s Writer’s Guide
The Children’s Writer’s Guide
The Children’s Writer’s Guide
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The Children’s Writer’s Guide

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The Children’s Writer’s Guide examines how you can get started as a writer, create time and space to pursue your craft and deal with lack of motivation and writers block. Topics covered include where ideas come from and how writers turn them into stories, choosing names for characters that are appropriate to the story, the importance of historical research if your novel is set in a different era, writing science fiction and fantasy, and the use of magic in stories for children.

The author examines the role of editing and revision and how to deal with what is often the inevitable process of rejection, at least until good fortune comes your way. The author also recounts some of his experiences with marketing and promotion, such as book launches and in-store signings, websites, blogs, and social media, and discusses presentations, workshops and author-in-residence programs at schools and libraries.

LanguageEnglish
PublisherSimon Rose
Release dateJan 7, 2016
ISBN9781310700811
The Children’s Writer’s Guide
Author

Simon Rose

Simon Rose is the author of The Alchemist's Portrait, The Sorcerer's Letterbox, The Clone Conspiracy, The Emerald Curse, The Heretic's Tomb, The Doomsday Mask, The Time Camera, The Sphere of Septimus, Flashback, Future Imperfect, Twisted Fate, Parallel Destiny, the Shadowzone series, and the Stone of the Seer series. He is also the author of The Children's Writer's Guide, The Time Traveler's Guide, The Working Writer's Guide, The Social Media Writer's Guide, a contributor to The Complete Guide to Writing Science Fiction and has written many non-fiction books with Crabtree Publishing, Beech Street Books, Weigl Publishers, and Capstone.Simon offers a number of services for writers, including editing, coaching, mentoring, consulting, manuscript evaluation, and writing workshops. He has provided substantive and copy editing services for many other writers over the years. This has been for novels, short stories, fiction, nonfiction, biographies, inspirational books, and many other genres. He also offers copywriting services for business, including website and social media content. Full details can be found on his website at simon-rose.com. He is the founder of Children’s Authors and Illustrators on Facebook, served as the Writer-in Residence with the Canadian Authors Association, is a member of the Calgary Association of Freelance Editors, and served as the Assistant Regional Advisor for SCBWI Western Canada.Simon offers a wide variety of presentations, workshops, and author in residence programs for schools, along with virtual author visits. He is an instructor for adults with the University of Calgary and offers a variety of workshops and writing courses for both children and adults.You may also follow him on Twitter or Instagram, connect on Facebook, or visit his channel on YouTube.

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    The Children’s Writer’s Guide - Simon Rose

    The

    Children’s Writer’s Guide

    The Children’s Writer’s Guide

    Copyright © 2014 by Simon Rose

    All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the publisher, except for the use of brief quotations for the purpose of a book review. For information about permission to reproduce selections from this book, please contact Simon Rose at sorcerersletterbox@gmail.com

    Published by Sorcerer's Letterbox Publishing, Calgary, Alberta

    www.simon-rose.com

    Editing by Ricki Ewings, Trail, British Columbia

    Table of Contents

    Title Page

    Introduction

    Chapter One Starting Out as a Writer

    Getting Started

    Creating the Spark

    In the Beginning

    Kick-start Your Creativity

    No Happily Ever After

    Alternate History

    Inspiration in Daily Life

    Create Something from Nothing

    Chapter Two Creating Time and Space for Your Writing

    The Home Office

    Time for Writing

    Night and Day

    Chapter Three The Curse of Writer’s Block

    Planning Ahead

    Switch Projects

    Take a Break

    Chapter Four Where Do Ideas Come From?

    What If?

    Influences and Imagination

    Historical Parallels

    Turning Ideas into Stories

    Chapter Five Writing for Children

    Time Travel Tales

    Adult Characters

    Chapter Six In the Beginning: Hooking the Reader

    Grabbing Attention

    Creating Intrigue

    People and Places

    Chapter Seven Naming Characters

    Choosing the Right Name

    Historical Considerations

    Creating Impressions

    Chapter Eight Historical Research

    Medieval Mysteries

    Historical Resources

    Maintaining Focus

    Chapter Nine Magic in Stories for Younger Readers

    Familiar Faces

    The Roots of Magic

    Mystical Powers and Mythological Creatures

    The Fantasy Realm

    Magic and Time Travel

    Magic and Reality

    The Limits of Magic

    Fatal Weaknesses

    Themes in Magical Tales

    Magical Objects

    Secret Languages and Mysterious Books

    Chapter Ten The Importance of Editing and Revision

    The Editing Process

    Planning and Outlines

    Checking Your Progress

    Ready for Submission

    Chapter Eleven Dealing with Rejection

    Taking It Personally

    Reasons for Rejection

    The Rejection Letter

    Constructive Rejection

    The Next Step

    The Numbers Game

    Remember, Everyone Gets Rejected

    Chapter Twelve Book Signings and Promotional Events

    Choosing Locations

    Building Relationships

    Do Your Homework

    Promotional Material

    Autographed Copies

    Chapter Thirteen Author Visits and Workshops

    Books as Classroom Resources

    School Tours

    Creating Presentations

    Advance Planning

    Money Matters

    Book Sales

    Author-in-Residence

    Virtual Author Visits

    Staying Connected

    Chapter Fourteen Virtually Famous: Websites for Authors and Writers

    Creating Quality Content

    Keeping it Current

    Generating Traffic

    The Value of Statistics

    Conclusion

    About the Author

    Books by Simon Rose

    Fiction

    Non-fiction

    Anthologies

    Introduction

    This book talks about getting started as a writer, creating time and space to pursue your craft and dealing with lack of motivation and writer’s block. It also looks at where ideas come from and how writers turn them into stories, choosing names for characters that are appropriate to the story, the importance of historical research if your novel is set in a different era, writing science fiction and fantasy and at the use of magic in stories for children. It examines the role of editing and revision and how to deal with what is often the inevitable process of rejection, at least until good fortune comes your way. I also recount some of my experiences with marketing and promotion, such as book launches and in-store signings, websites, blogs, and social media, and presentations, workshops and author-in-residence programs at schools and libraries.

    Chapter One

    Starting Out as a Writer

    Getting Started

    There appears to be an endless number of sites on the web offering advice on writing, concerning where to get ideas, character development, point of view, working in different genres, story structure, the editing process, how to capture the attention of publishers and agents and so on. And yet one of the most frequently asked questions, especially for beginners, is How do I actually get started with my writing? It may seem like a very simple question, but if you can’t get started, how can you ever make use of all these great tips that published writers, or at least very knowledgeable and prolific ones, offer all the time? Let’s examine some of the ways you can kick-start your creativity, then stay motivated in your quest to get your writing career not only on track, but into the fast lane as well. And don’t forget, even established writers sometimes have problems starting a particular project.

    Creating the Spark

    Free writing, sometimes referred to as stream-of-consciousness writing, involves writing continuously for a set period of time. Spelling, grammar, punctuation, and even a topic are largely irrelevant. Although the process may appear to result in mostly unusable material, it can help writers get to grips with their subject matter or to overcome the dreaded writer’s block. If you’re a regular writer, whether of stories for children, magazine articles, non-fiction pieces or something else entirely, you most likely already have a topic in mind. But you can certainly adapt the free writing method to suit your own purposes. It can be a good exercise to see if you can write a certain number of words in a day, but don’t be too concerned with the quality of the ideas. Nor do you need to think too much about editing and revising at this stage, since you can do that later. When you’re engaged in the exercise, the objective is to write as much as possible in the time you have allotted. You may decide to complete a certain word count completed that day or set yourself a time limit. Working against the clock may give you the incentive you need to get the job done. Writing a thousand words, for example, may seem daunting, but is very achievable. Even if you end up deleting a lot of this text afterwards, you still have the material to work on, no matter how irrelevant some of it may turn out to be. You’ll have to review the material before you decide which parts to get rid of, and in the process, you might get some new ideas for the project or take it in a completely new direction as you discover that much sought after inspiration.

    In the Beginning

    Even if you’re determined to work on your writing and have set time aside for it, there will be days when nothing seems to work to get you started. An interesting exercise to get a story moving is to use a collection of random objects drawn from a bag. The idea is then to create a story, in which these objects must all be used as a significant part of the narrative. For example, you could place a set of keys, a hairbrush, a pen, a cellphone, an apple, a sock, a postcard from the Caribbean, a teddy bear, an address book, a broken pair of sunglasses, a Post-it note, a watch, or indeed any collection of unrelated items in a bag. You then draw out four or five at random and use them to create your story. This type of exercise always sparks the imagination of children and you’d be surprised at what you come up with when confronted with a group of seemingly unconnected objects. You could even set a time limit to force yourself to devise the beginning, middle, and end of the story. The final result may not be bestseller material, but the process will stimulate your imagination and might be just enough to get your creativity moving again.

    Kick-start Your Creativity

    A great way to get started is to consider an overheard conversation and where it might lead. How about I’ll never forgive him for as long as I live, or I didn’t mean to set the laboratory on fire, it just kind of happened, or After that incident last year, her family will never be the same again? Any of these could be overheard in a supermarket, at a store checkout or on a bus or train journey. You could even find a mysterious note or a cellphone with a text message containing tantalizingly vague details from someone who may be in serious danger. Maybe you receive a letter and immediately recognize the name above the return address as belonging to someone you thought was dead. All

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