Sharp Blue Search of Flame
By Zilka Joseph
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About this ebook
Joseph’s poems, while dark and brooding in subject matter—bride burnings and infanticide in her native country, the loss of Eden, mourning for a beloved mother—offer a tactile insight into life in India and the United States. Through a flurry of sounds and smells, the reader learns an interpretation of the history of the sari, witnesses the horror of attacks on women, and wrestles with death, whether it be that of an elephant, an extinct frog, honey bees, humans, or goddesses. Her poems dig deep and aspire for something beyond. Colored by fire, blood, ash, and rain, these poems present images of great joy and deep loss in a complex harmony.
Sharp Blue Search of Flame embraces worlds within worlds and worlds between worlds, which is not only intrinsic to the fabric of the poems but to the life of the poet as well. Readers of poetry will savor this sensory collection.
Zilka Joseph
Zilka Joseph teaches creative writing and is an independent editor and manuscript coach. Her chapbooks, Lands I Live In and What Dread, were nominated for a PEN America and a Pushcart award, respectively. She was awarded a Zell Fellowship, a Hopwood Prize, and the Elsie Choi Lee Scholarship (Center for the Education of Women) from the University of Michigan.
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Sharp Blue Search of Flame - Zilka Joseph
Apples and Oranges
There never were any apples in Eden.
Only oranges—vibrant suns shining,
fruit of dust and heat that warmed to her pulse
beating stronger and brighter,
fruit of earth itself. She was ripe like the sun
before she even thirsted, reached and opened
her petals to the radiance fragrant in her palm,
before the lush fire licked her tongue
and before the coiled serpent of Creation
threw her into subterranean shadow.
She knew she would always be the sun
even when the gates closed behind her
and though History would try new tricks,
twist orange to apple,
the men with missing bones,
the snakes, would stay the same.
Consider the Sari,
all nine long yards of it, or even six,
and cherish every inch. Understand
the language of the loom,
hands, art, the blood and body
of cotton, of silk,
the secret of draping its serpentine grace
so you can look like a goddess.
They wound it around us,
let it wrap us in its womb,
its mother-love of woven fabric. We laughed
as we tripped on the petticoat’s web,
got caught in tassel traps, saw how
it teased, seduced, learned to tame it. The pallavs
flowed over our shoulders, the cloth
sweeping around and behind us
like a river dyed the color of peacocks,
or spring rice, or godhuli—shades of dusk
and dust when the cows came home. Imagining
we were starlets, or queens
in boardrooms, courts, and parliament,
we grew vain. But forbidden to think
beyond the walls
built by the patriarchs, we inherit
the destiny
of our mothers, and Draupadi’s
sorrow. The folds fall heavy
around our ankles. Smoothing pleats,
we hide our navels, cover
midriffs. The red marriage sari
has zari embroidery, sindur fills
the parting of our hair, and when
our husbands come to us at night
they throw the gold-red swirls over our heads,
our cries muffled in its unraveling
thread. Pallavs must hang low
for no one should see our faces,
and we fear to look beyond its fringe,
the border’s hemmed edge,
for we are flesh of the air
wrapped in woven shells,
live briefly. Like silkworms
inside cocoons
dropped in boiling water,
we give our lives
to ageless hands
who weave patterns
dreamed by the fathers,
and dress our sweet brides,
swathe our sisters,
swaddle our girl-children,
shroud our own silent bones
in its weft of darkness.
Something Falls
Something falls
silent
the night we return
from the chariot festival
to celebrate Lord Jagannath;
the last time I’ll come home
with the face of a flushed and happy
six-year-old just back from a street fair,
the smell of cigarette smoke and sweaty crowds
pressed on my flesh like perfume
when pushing my way
like a mole through soil
for a seat on the small wooden Ferris wheel—
tumbling-boxes we called them,
painted a lurid red and yellow, tilting dangerously,
overloaded, and moaning like an animal
in pain. It is late when we walk home,
a long way. Running to keep up with my neighbors
and a friend of my father’s who
has never witnessed this lavish Hindu festival,
a sailor called Salvador from Bombay
and whose ship is in town. I am in love
with him, all three and a half feet of me—
in love with his name, his beaked nose,
his stories of dogs, the sea, Jesus. How I blush
when he visits. Everyone teases me
as he blows me a kiss when he leaves. I never
sleep that night. Neither do my father,
mother, or grandmother. Holding me
in turn, they knead my aching thighs and calves,
as wave after wave breaks within me, my muscles
convulsing. My father curses the neighbors
who made a child of six walk such a distance;
my mother’s high voice says, she has fever,
wipes my sweat, lays her soft lips on my forehead;
granny mutters, girls shouldn’t be
roaming around like this anyway …; and I
writhe on the bed,
suck in their terror like a black hole
while some wrathful angel
leaps off nightmare’s ladder
to wrestle my flailing limbs to the