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Black Amber
Black Amber
Black Amber
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Black Amber

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A Manhattan editor investigates her sister’s suspicious death in Istanbul in this novel by the New York Times–bestselling “queen of the American gothics” (TheNew York Times).
 
Tracy Hubbard, an up-and-comer at a prestigious New York City publisher, has arrived at a sprawling villa on the Bosporus strait in Istanbul for an enviable arrangement. She’s come to assist celebrated artist Miles Radburn with his new book on the history of Turkish art. Everything Tracy has heard about the man turns out to be true: He’s brooding, handsome, brilliant, short-tempered, and loath to discuss the tragic secrets of his past. But the young editor is keeping a secret of her own . . .
 
Tracy’s position at the villa is a charade. It was here, six months ago, that her sister, Anabel, spent the last days of her life. Somewhere, among the conspiratorial staff, nocturnal visits from furtive strangers, and cold dark corridors, is hidden the mystery of Anabel’s death. And as each new clue leads Tracy closer to Miles, a man she has come to both love and fear, she realizes she could be heading toward the same inevitable and chilling fate.
 
Hailed by Time magazine as “one of the best” in the gothic romance field that included Mary Stewart and Victoria Holt, Phyllis A. Whitney was the recipient of the Mystery Writers of America Grand Master Award for lifetime achievement.
 
This ebook features an illustrated biography of Phyllis A. Whitney including rare images from the author’s estate.
 
 
LanguageEnglish
Release dateJul 4, 2017
ISBN9781504043915
Black Amber
Author

Phyllis A. Whitney

Born in Yokohama, Japan, on September 9, 1903, Phyllis A. Whitney was a prolific author of award-winning adult and children’s fiction. Her sixty-year writing career and the publication of seventy-six books, which together sold over fifty million copies worldwide, established her as one of the most successful mystery and romantic suspense writers of the twentieth century and earned her the title “The Queen of the American Gothics.” Whitney resided in several places, including New Jersey. She traveled to every location mentioned in her books in order to better depict the settings of her stories. She earned the Mystery Writers of America Grand Master award in 1988, the Agatha in 1990, and the lifetime achievement award from the Society of Midland Authors in 1995. Whitney was working on her autobiography at the time of her passing at the age of 104.  

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    Black Amber - Phyllis A. Whitney

    1

    Below high balconies that formed a veneer for the huge American hotel, the newer part of the city dropped steeply away to the shores of the Bosporus. A mosque at the water’s edge, its whiteness diluted by gray March rain, pointed minarets into the sky—an indication of Istanbul. Otherwise the view was blandly modern and bore little resemblance to the Turkey of Tracy’s lively imagination.

    She stood on her private balcony, looking down through driving rain at the city she had been trying to reach. Now, all in one breath, she found herself both eager for the encounter and a little fearful over what it might hold for her. Where once her coming might have been a simple, joyful thing, now there were too many troubling questions in her mind. Whether she wished it or not, they removed her from the casual objectivity of the tourist, and brought with them an involvement she could not avoid.

    An involvement, in fact, that she had deliberately chosen. She had moved quickly to seize the opportunity that had brought her here and she must not be turned back by the first obstacle.

    With a quick, impatient gesture she pulled off the blue suede beret she had bought for this trip and let wind from the strait ruffle her shining fringe of brown bangs. That the wind carried with it a splash of rain, she did not mind. She raised her face to the cold drops as if they might quench her angry reaction to the letter she held in her hand. Clearly a cool head would be needed if she was to deal with the man who had written it. She was curious about him and not at all certain how many of the tales she had heard about him were true, but she did not mean to be summarily dismissed by his letter.

    She had waited three months to get here. Waited because there was no way for her to come at once. Now that she was here—arrived at the airport this very afternoon—she was to be sent home ignominiously and without a hearing. The sheet of notepaper crackled sharply as she straightened it and read for the third time the strongly formed masculine handwriting.

    DEAR MISS HUBBARD:

    The arrangement I agreed to with Mr. Hornwright of Views was to the effect that Miss Janet Baker would be sent here to assist me in preparing the manuscript of my book for publication. Her years in the Middle East, her well-established background and knowledge of Turkish mosaics, have made her a suitable person for this work.

    Now I have a cable informing me that she will not be free for another six months and that a temporary assistant is being sent in her place: A young woman who has been doing excellent work for us during the past years.

    I can only assure you that this substitution is not acceptable to me. I prefer to wait for Miss Baker. While there is nothing of personal criticism implied on my part, I can only suggest that you take the next plane back to New York.

    Sincerely yours,

    MILES RADBURN

    Tracy folded the stiff sheet of paper. One part of her mind whispered that it would be easy enough to accept this edict. Surely no one in the home office could blame her for a defeat which was so clearly not of her own making. If she went straight home she could turn her back on all she might find disturbing about Istanbul—simply go home and forget the plea and the warning that had come to her, forget the persistent questions that presented themselves to her mind. Let the past keep its unhappy secrets, since she could not now affect the course of destiny.

    Yet even as she considered the cajoling voice, she knew that if she turned and ran she would never forgive herself later. Again she folded the paper, creasing it emphatically. She would not permit the letter to anger her. She would keep an open mind about Miles Radburn. She could not know what was true about him and what was not until she had met him herself. His reaction to her coming was, of course, not unexpected. And in all fairness, it might even be justified.

    Mr. Hornwright had been thoroughly upset when he came home from Turkey. Miles Radburn’s book on the history of Turkish tiles and mosaics would be an expensive art number for the book publishing venture on which Views was recently embarked. The tremendous resources that had made the magazine one of the foremost in the country were behind the venture, and the name of Miles Radburn would bring prestige to the list. While it was true that Radburn, after a conspicuous rise to success in his younger years, had done little painting in his late thirties, nevertheless his portraits were in museums and art galleries around the country, and there was still a distinction to his name that spelled good publicity for Views. Unfortunately, artists were seldom skilled organizers. Mr. Hornwright, on his visit to Istanbul, had been appalled by the welter in which a possibly important book was buried.

    Radburn had reluctantly agreed to accept assistance if he could have the help of Miss Baker, whose work he knew. Mr. Hornwright, procrastinating and treading water, had promised to see what could be managed. In her work as a researcher trainee, Tracy was in a position to hear the rumors going around. Mr. Hornwright had known very well that Miss Baker was otherwise occupied, and he knew as well that Miles Radburn was not ready for her at this point. What Radburn needed was not an expert on Turkish mosaics, but someone efficient enough to straighten out the general confusion in which he seemed to be working.

    Once she knew what was in the wind, Tracy had not hesitated. She had gone to see Mr. Hornwright, plunging at once to the heart of the matter. She had pointed out that she was more expendable than almost anyone else in the department. Yet she felt herself equipped to do the job he wanted done. By good chance she had already completed two or three minor assignments for Mr. Hornwright, and he at least knew of her existence.

    He smiled at her eagerness, not without sympathy. How old are you, Miss Hubbard?

    I’ll be twenty-three this month, she told him with dignity.

    Hmm. Still young enough not to know the impossible when you see it. An advantage, perhaps. Though it’s quite likely Radburn will decide to send you home the moment he lays eyes on you. What will you do then?

    If I can get there, I’ll stay, Tracy promised resolutely. Because nothing had ever come to her easily, there was an intensity about her that could be persuasive when she threw herself into something she really wanted.

    Mr. Hornwright must have sensed this, for he considered her thoughtfully. At least you’re anxious to go. But if I send you, we’ll have to move fast. We need to get you out there before he has time to oppose the plan. In fact, we won’t let him know you’re coming till you’re on your way.

    I can leave as soon as you like, she said. I already have an up-to-date passport. She did not add that it was unused and only a few months old.

    There was still hesitation on Mr. Hornwright’s part. I don’t know … Radburn won’t like the switch. His mother was an American and he’s lived here a good part of his life, but all the stubborn British half of him will rise up in protest. He has a remarkable trick of putting himself on the far side of a stone wall—with the other fellow out in the cold.

    If I can get there, I’ll stay, Tracy repeated. She could be stubborn too. There were times when she thought that was the only reliable quality she possessed—a perverse stubbornness. She would reserve judgment about Miles Radburn, and she would not let him frighten her. She would hook her thumbs into her belt, dig in her toes—and stay.

    Good, said Mr. Hornwright. I like that kind of dogged spirit. But don’t come crying to me if you run into that wall. If you go out there, you can’t afford to fail. You might lose us the book altogether. A contract isn’t enough to assure that he’ll come up with the finished product. He’s dragging his heels and you can ride herd on him, for one thing. You understand?

    I understand, said Tracy.

    Then get started, Mr. Hornwright told her. She flew to the door, but he stopped her as she went through. One more thing. If you know anything about Radburn’s work, go easy on the painting angle. He’s touchy about not working. He hasn’t painted since a year or so before the death of his wife. You know, of course, about his recent tragedy?

    I know, Tracy said. I’ll be careful, and she went down the corridor as if a stormy wind blew at her heels, whirling her along like a leaf.

    The same wind whirled her breathlessly through two or three crowded days of preparation and briefing. It had whirled her into quick shopping for necessities and the suffering of shots. It had, at length, hurled her at headlong rate over ocean and continent, and set her down on this high, windy balcony, where she stood with Miles Radburn’s dismissal in her hands—his decree that she was to turn around at once and go straight home before she had so much as caught her breath upon arrival.

    She left the balcony and retreated to her room. On the bed table the telephone sat silent, waiting. She went instead to the full-length mirror on the bathroom door and regarded herself critically. What would Miles Radburn see if she presented herself to him?

    There were five feet, one inch of girl in the mirror. A girl with glossy, well-brushed brown hair worn in a smooth twist at the back of her head. Only the bang fringe went loose and unpinned. Her mouth was too big and her nose doubtful. Her eyes, beneath thick lashes, were warm-gray, not cold-gray, and their expression always betrayed any intensity of inner feeling, of eagerness and excitement, or sometimes indignation that she might be experiencing. The charcoal-gray wool dress she wore was severe of line and simple of cut, and Tracy cocked one dark eyebrow in mocking amusement as she considered it. She had made that dress herself, as she made most of her own clothes. She was good at this sort of thing—very good. Some of the smart women at Views had even asked where she shopped.

    Someday, she thought, staring at her image rebelliously; she was going to break that plain neckline with loops of wildly colored beads. She was going to run amok with bright scarves and jewelry and furbelows to her heart’s content and be as thoroughly fussy and feminine as she pleased. Today just two ornaments broke the overall severity—a stitched leather belt with a gold buckle, and a simple pin near the neckline. The pin curved gracefully in the shape of a golden feather and she touched it now for reassurance before she once more hooked her thumbs into her belt. The pin was an old friend.

    At least she recognized her slightly defiant, toes-in stance and smiled because it went with the gesture of thumbs hooked into the leather belt. She knew what it meant. The stubbornness and determination she could count on were there. She had dug in her toes. She was staying.

    Having accepted the fact, the next step was to get herself to where Miles Radburn was. She went to the telephone and lifted the receiver. The switchboard operator spoke English. Tracy gave her the name of Mrs. Sylvana Erim, and spelled out a town full of y’s and k’s that she could not pronounce. The Erim name seemed to mean something and before long a distant ringing began.

    A widow, Mr. Hornwright had told her. A Frenchwoman in spite of her Italian first name, who married a Turk and still makes her home in Turkey. Quite wealthy and socially prominent. Radburn and his wife first met her on their honeymoon in Turkey some years ago. Apparently she has furnished a haven for him while he works on this book. He’s staying at her villa in a suburb across the Bosporus. If anything goes wrong, talk to Mrs. Erim. She’s a civilized woman in the European sense. Very charming. And she gets things done. Remarkably unexcitable for a Frenchwoman.

    A voice came on the wire, the words Turkish.

    I wish to speak to Mrs. Erim, Tracy said.

    There was a silence that lasted so long Tracy began to think she had been cut off. Then a feminine voice spoke in her ear. A not unfriendly voice, pronouncing English with a French accent.

    This is Sylvana Erim.

    Tracy identified herself.

    Ah, yes—you have been sent from the American publisher to assist with Mr. Radburn’s book?

    That’s right, Tracy said. I would like to see Mr. Radburn as soon as it can be arranged.

    But I have understood that a letter has been sent to your hotel, the cultured voice went on.

    I have the letter, Tracy admitted. It tells me to go home. But I don’t want to leave without at least speaking with Mr. Radburn.

    There was a thoughtful pause and then a regretful, slightly amused sound. But of course you wish to see him after coming such a distance. Sometimes he is like a bear—that one. Let us see what we can do. I will consider for a moment.

    Again there was silence while Mrs. Erim considered and Tracy relaxed a little. She had a feeling that if this woman chose to help, her way would be smoothed.

    The wait was not long. As it happens, you have come at an opportune moment, Mrs. Erim continued. "My sister-in-law, Nursel—Miss Erim—is in the city this afternoon. I know where to reach her. I will ask her to pick you up at your hotel in an hour and drive you here to the yali. Bring a suitcase—you must stay for the night."

    Mrs. Erim waited for no thanks, waited hardly for agreement, before ringing off. One had the impression of calm force and authority at work. Mr. Hornwright had been correct.

    Tracy put down the telephone and proceeded to tear Miles Radburn’s letter into very small scraps and drop them into the wastebasket. The small violent movement did her good. He was not going to send her home. There was more at stake than Mr. Hornwright had any knowledge of. In fact, if he had guessed her own concern in this, he might not have let her come. She could only hope that no one else would guess it either. In an odd way she would be incognito here, while using her own name. It was better to have no one suspect her real secret. She could find out more this way, with no one on guard against her.

    What a long way Turkey seemed from the Midwestern town where she had grown up. Though not as far as New York had been a few years ago when she had taken matters into her own hands, opposing the wishes of her parents. What warnings of disaster had rung in her ears! But she had found a job in New York. Then another job. There had been sadness over her mother’s death, but not deep sorrow. She had lost all real touch with her mother long before. An estrangement with her father had continued and could not be helped.

    Two years ago she had found this most fascinating of all places to work—Views. She had always wanted a finger in the creation of magazines and books. So far, it was a very small finger, but if she made good at this assignment with Miles Radburn, there was no end to the possibilities. Even more important, if she succeeded, she would be able to prove that Tracy Hubbard was someone in her own right, after all. Prove it to her father, to the world—and most of all to herself.

    But she did not want to dredge up the past now. Not when she had just reached Istanbul. First she must see Mrs. Erim. One deliberate step at a time would keep her here.

    She returned to the balcony and stood for a while looking down at the city that bore slight resemblance to the Istanbul she had read about. She had seen only a little more of it on the drive from the airport through the old city. Once within crumbling Roman walls, rain had obscured its outlines. She had been aware of the tight, cobbled streets of the old Stamboul section, slippery with mud; of erratic traffic in the narrow ways, and crowds of pedestrians, rainy-day-shabby, not unlike such crowds in any city anywhere. Of course Istanbul was not Turkey, any more than New York was America, she reminded herself. It was an entity in its own right, and not easily to be learned in all its complexities.

    The hour was difficult to pass. She powdered her nose and repaired her lipstick. One step at a time was all she needed to manage.

    Then the phone rang, announcing that Nursel Erim awaited her in the lobby. Tracy threw her gray coat about her shoulders, picked up her suitcase and handbag, and walked the miles of soft-carpeted corridor to the elevator bank.

    Downstairs near the revolving doors of the entrance, the woman waited for her. She was young—perhaps only a year or two older than Tracy, and she had the great dark eyes, the beauty of feature that belonged to a Turkish background of wealth and family. She was dressed as faultlessly, as smartly as Paris or New York at their best, and while she wore no hat, her black hair was fashionably coiffed. A fur-trimmed coat hung open over her black dress. Around her throat several strands of pearls gleamed against the black, and one knew their luster was real. Standing beside all this elaborate elegance, Tracy felt herself painfully simple and unadorned.

    The vision came toward her with one graceful hand outstretched. You are Miss—Miss Tracy Hubbard? She faltered slightly over the name. I am Nursel Erim. If you will come with me, please. As usual I am parked against the law. Tracy gained the impression that small lawbreakings did not in the least disturb Miss Erim.

    Outside they hurried through the rain to a small sleek car that was already blocking passage on the drive. The doorman shook his head despairingly, but he held an umbrella over them as Miss Erim opened the door. She laughed as she gestured Tracy into the front seat and went around to get in beside her.

    In his heart, she said as she turned the car out of the hotel driveway, no Turkish man believes that a Turkish woman should drive an automobile. Mustapha Kemal rid us of the veil, but human nature takes more than half a century to change.

    They drove through rain-swept streets, downhill toward the waterfront, where they lined up for the car ferry. Nursel Erim, busy with a need for careful driving in late afternoon traffic, said little until they were on board the boat. Then they left the car and went upstairs to a dry, warm cabin for the short crossing from Europe to Asia. Here she became the courteous hostess, pointing out what little could be seen of the gray vista. Yet, for all her effort, there seemed a constraint upon her, as though she were not yet sure exactly how. Tracy fitted into the scheme of things.

    This is the place where the Bosporus begins its course between the Sea of Marmara and the Black Sea. Miss Erim indicated roiling gray waters. If you look closely in that direction, you can see Seraglio Point and the walls of the old palace showing through the mist. The site of ancient Byzantium was up there.

    Tracy stood in the door of the cabin and gazed with interest upon the Marmara and the dividing protrusion of the famous point of land they were leaving behind as the boat moved toward the opposite shore. Crumbling stone walls ran down to the water, while in the mists far above rose palace roofs and windows.

    Of course visitors are always interested in the Seraglio and its stories, Miss Erim said. It was just off that point that ladies of the harem who happened to be in disfavor were put into sacks and dropped into the Bosporus.

    Tracy glanced at the girl beside her. Nursel Erim was regarding her with a somewhat sly amusement, as though she had told the story with deliberate intent to shock an American visitor and now awaited her reaction.

    At least it’s a custom—you’ve discontinued, Tracy said dryly.

    The Turkish girl shrugged. The Bosporus has always invited tragedy.

    Do you live very far from Istanbul? Tracy had no desire to think about Bosporus waters at this moment.

    "Not too far. Our yali is in Anatolia, the area which makes up the Asian side of the strait. It is a very old house which has been in the family for more than a hundred years. You know the word yali? It means a villa on the water. There were many such villas on the Bosporus occupied by wealthy pashas in the old days."

    You live there with your sister-in-law? Tracy wanted to bring the talk around to Miles Radburn, but she dared not plunge too hurriedly.

    My brother Murat and I live in the yali. Sylvana—Mrs. Erim, the wife of our older brother who is dead—has built a kiosk for herself, a land house, on the hill above. Thus we keep separate households, though my brother has his laboratory on the lower floor of the kiosk, where he can work in undisturbed quiet. He is a doctor but he does not practice medicine. He is well known for his contributions to medical research, she added proudly.

    Where does Miles Radburn stay? Tracy ventured.

    Mr. Radburn’s rooms are in the yali also, Nursel Erim said. There was the faintest change of tone in her voice as she spoke the name, but Tracy could not tell what it portended. The girl was on guard in some way and far from openly friendly.

    By now the boat had slipped past Leander’s Light—a squat white tower that rose near the entrance to the Bosporus. Oddly named, since Leander had drowned in the Hellespont, at the other end of the Sea of Marmara. As the boat swung wide with the swift current and nosed into shore at the town of Üsküdar, several small mosques with their attendant minarets were visible through the rain and the aspect looked more like the Turkey of Tracy’s imagining.

    They left the boat and the car followed a road that ran north along low hills above the water. Small villages clustered along the way, with snatches of open country between, and now her companion drove faster as if she were impatient to end the journey. There was a half hour more of winding road before they stopped beside a grilled iron gate set into a stone wall. It was opened for them by a gateman who flashed white teeth in a smile beneath his thick black mustache. From the gate a private road dipped steeply toward the water, then straightened around a curve, ending before the door of a square, three-storied wooden house. The house had weathered to a soft silvery gray and its veranda rows were broken by a repetition of curved Turkish arches.

    They left the car for a servant to put away, and Nursel Erim ushered Tracy into a long marble-floored passageway. A little maid bobbed into view, dressed surprisingly in a bright red skirt and darker red sweater, a red kerchief, flowered in white, covering her head.

    Miss Erim spoke to her in Turkish and the girl answered, ducking her head shyly as she spoke.

    Halide says your room is ready, Miss Erim explained, turning toward the stairs. Come, please—I will take you up. We do not live down here. The kitchens and storage rooms are here, and some quarters for the servants.

    The stairs ran upward against the wall in a single graceful curve, a wrought-iron railing of fanciful design winding beside them as they climbed. Overhead, two stories above, an old-fashioned chandelier shed a pale glow upon dim stairs.

    As they reached the second floor, a man suddenly confronted them. He wore a black, somewhat shabby European suit with a dark gray sweater and white collar showing beneath the jacket. His olive-skinned face was notable for its flourishing black mustache and eyes that were darkly vital and observant. No welcoming smile broke the somber quality of his expression, but Tracy felt that she was being weighed and assessed.

    "This is Ahmet Effendi, our kahya—that is to say, our house man, who is in charge of all the details of our lives. If you wish anything, Ahmet Effendi will procure it for you."

    There was a note of fondness in her voice and she spoke to him respectfully in Turkish before they went on. To Tracy she explained further as they mounted the second flight of stairs.

    My brother and I have our apartments on the second floor. Mine is over the water, his at the back. I have suggested to Mrs. Erim that we give you our third-floor room, since it is a pleasant one—and empty at present.

    Again Tracy caught the odd, sidelong glance, as though the Turkish girl awaited some reaction.

    The stairs ended in a large bare salon, drafty and gloomy, serving perhaps more as a vast hall than as a room in itself. A tall blue porcelain stove which sent out a glow of warmth soon lost in the wide reaches stood against a wall. A few stiff chairs were drawn up about a round table covered with red velvet that dripped silken bobbles toward the floor. At either end of the salon were closed doors, and along the side opposite the stairs French doors opened upon an arched veranda.

    In the old days, Tracy’s guide explained, the haremlik, the women’s quarters, was up here. The selamlik was in the more convenient rooms on the floor below—where the men stayed. Of course women had the run of the house, except when male visitors outside the family appeared. Then they retired to their rooms up here.

    She turned toward the end of the house that overlooked the water, pausing before a vast wooden door with an ornamental brass doorknob. This knob was apparently a stationary handle. The latch was near the floor and Nursel Erim operated it with a quick flick of her toe.

    She saw Tracy’s interest and smiled. "We are very old-fashioned

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