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The Complete Works of Robert Burns: Containing His Poems, Songs, and Correspondence
The Complete Works of Robert Burns: Containing His Poems, Songs, and Correspondence
The Complete Works of Robert Burns: Containing His Poems, Songs, and Correspondence
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The Complete Works of Robert Burns: Containing His Poems, Songs, and Correspondence

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Edition of 1855. According to Wikipedia: "Robert Burns (25 January 1759 - 21 July 1796) (also known as Rabbie Burns, Scotland's favourite son, the Ploughman Poet, the Bard of Ayrshire and in Scotland as simply The Bard) was a poet and a lyricist. He is widely regarded as the national poet of Scotland, and is celebrated worldwide. He is the best-known of the poets who have written in the Scots language, although much of his writing is also in English and a 'light' Scots dialect, accessible to an audience beyond Scotland. He also wrote in standard English, and in these pieces, his political or civil commentary is often at its most blunt. He is regarded as a pioneer of the Romantic movement..."
LanguageEnglish
PublisherSeltzer Books
Release dateMar 1, 2018
ISBN9781455364855
The Complete Works of Robert Burns: Containing His Poems, Songs, and Correspondence
Author

Robert Burns

Robert Burns has been involved in the areas of self improvement and assisting people in becoming who they were meant to be from birth. He knows that stories play a significant role in our life's choices and future accomplishments. This short story has a wealth of information concerning friendship so I hope you enjoy the book as much as I enjoyed writing it.

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    The Complete Works of Robert Burns - Robert Burns

    THE  COMPLETE WORKS OF ROBERT BURNS

    CONTAINING HIS POEMS, SONGS, AND CORRESPONDENCE. WITH A NEW LIFE OF THE POET, AND NOTICES, CRITICAL AND BIOGRAPHICAL, BY ALLAN CUNNINGHAM.

    published by Samizdat Express, Orange, CT, USA

    established in 1974, offering over 14,000 books

    Books about Scotland:

    The Waverley Novels by Sir Walter Scott

    Complete Works of Robert Burns

    Edinburgh by Robert Louis Stevenson

    Recollections of a Tour Made in Scotland by Dorothy Wordsworth

    A Journey to the Western Islands of Scotland by Samuel Johnson

    The Journal of a Tour to the Hebrides by James Boswell

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    feedback welcome: info@samizdat.com

    visit us at samizdat.com

    BOSTON:

    PHILLIPS, SAMPSON, AND COMPANY.

    NEW YORK: J.C. DERBY.

    1855

    TABLE OF CONTENTS.

    Dedication

    Preface

    THE LIFE OF ROBERT BURNS

    Preface to the Kilmarnock Edition of 1786

    POEMS.

    Winter. A Dirge

    The Death and dying Words of poor Mailie

    Poor Mailie's Elegy

    First Epistle to Davie, a brother Poet

    Second

    Address to the Deil

    The auld Farmer's New-year Morning Salutation to his auld Mare Maggie

    To a Haggis

    A Prayer under the pressure of violent Anguish

    A Prayer in the prospect of Death

    Stanzas on the same occasion

    A Winter Night

    Remorse. A Fragment

    The Jolly Beggars. A Cantata

    Death and Dr. Hornbook. A True Story

    The Twa Herds; or, the Holy Tulzie

    Holy Willie's Prayer

    Epitaph to Holy Willie

    The Inventory; in answer to a mandate by the surveyor of taxes

    The Holy Fair

    The Ordination

    The Calf

    To James Smith

    The Vision

    Halloween

    Man was made to Mourn. A Dirge

    To Ruin

    To John Goudie of Kilmarnock, on the publication of his Essays

    To J. Lapraik, an old Scottish Bard. First Epistle

    To J. Lapraik. Second Epistle

    To J. Lapraik. Third Epistle

    To William Simpson, Ochiltree

    Address to an illegitimate Child

    Nature's Law. A Poem humbly inscribed to G.H., Esq.

    To the Rev. John M'Math

    To a Mouse

    Scotch Drink

    The Author's earnest Cry and Prayer to the Scotch Representatives of

    the House of Commons

    Address to the unco Guid, or the rigidly Righteous

    Tam Samson's Elegy

    Lament, occasioned by the unfortunate issue of a Friend's Amour

    Despondency. An Ode

    The Cotter's Saturday Night

    The first Psalm

    The first six Verses of the ninetieth Psalm

    To a Mountain Daisy

    Epistle to a young Friend

    To a Louse, on seeing one on a Lady's Bonnet at Church

    Epistle to J. Rankine, enclosing some Poems

    On a Scotch Bard, gone to the West Indies

    The Farewell

    Written on the blank leaf of my Poems, presented to an old Sweetheart

    then married

    A Dedication to Gavin Hamilton, Esq.

    Elegy on the Death of Robert Ruisseaux

    Letter to James Tennant of Glenconner

    On the Birth of a posthumous Child

    To Miss Cruikshank

    Willie Chalmers

    Verses left in the room where he slept

    To Gavin Hamilton, Esq., recommending a boy

    To Mr. M'Adam, of Craigen-gillan

    Answer to a Poetical Epistle sent to the Author by a Tailor

    To J. Rankine. I am a keeper of the law.

    Lines written on a Bank-note

    A Dream

    A Bard's Epitaph

    The Twa Dogs. A Tale

    Lines on meeting with Lord Daer

    Address to Edinburgh

    Epistle to Major Logan

    The Brigs of Ayr

    On the Death of Robert Dundas, Esq., of Arniston, late Lord President

    of the Court of Session

    On reading in a Newspaper the Death of John M'Leod, Esq.

    To Miss Logan, with Beattie's Poems

    The American War, A fragment

    The Dean of Faculty. A new Ballad

    To a Lady, with a Present of a Pair of Drinking-glasses

    To Clarinda

    Verses written under the Portrait of the Poet Fergusson

    Prologue spoken by Mr. Woods, on his Benefit-night, Monday, April 16,

    1787

    Sketch. A Character

    To Mr. Scott, of Wauchope

    Epistle to William Creech

    The humble Petition of Bruar-Water, to the noble Duke of Athole

    On scaring some Water-fowl in Loch Turit

    Written with a pencil, over the chimney-piece, in the parlour of the

    Inn at Kenmore, Taymouth

    Written with a pencil, standing by the Fall of Fyers, near Loch Ness

    To Mr. William Tytler, with the present of the Bard's picture

    Written in Friars-Carse Hermitage, on the banks of Nith, June, 1780.

    First Copy

    The same. December, 1788. Second Copy

    To Captain Riddel, of Glenriddel. Extempore lines on returning a

    Newspaper

    A Mother's Lament for the Death of her Son

    First Epistle to Robert Graham, Esq., of Fintray

    On the Death of Sir James Hunter Blair

    Epistle to Hugh Parker

    Lines, intended to be written under a Noble Earl's Picture

    Elegy on the year 1788. A Sketch

    Address to the Toothache

    Ode. Sacred to the memory of Mrs. Oswald, of Auchencruive

    Fragment inscribed to the Right Hon. C.J. Fox

    On seeing a wounded Hare limp by me, which a Fellow had just shot

    To Dr. Blacklock. In answer to a Letter

    Delia. An Ode

    To John M'Murdo, Esq.

    Prologue, spoken at the Theatre, Dumfries, 1st January, 1790

    Scots Prologue, for Mr. Sutherland's Benefit-night, Dumfries

    Sketch. New-year's Day. To Mrs. Dunlop

    To a Gentleman who had sent him a Newspaper, and offered to continue

    it free of expense

    The Kirk's Alarm. A Satire. First Version

    The Kirk's Alarm. A Ballad. Second Version

    Peg Nicholson

    On Captain Matthew Henderson, a gentleman who held the patent for his

    honours immediately from Almighty God

    The Five Carlins. A Scots Ballad

    The Laddies by the Banks o' Nith

    Epistle to Robert Graham, Esq., of Fintray, on the close of the

    disputed Election between Sir James Johnstone, and Captain Miller, for

    the Dumfries district of Boroughs

    On Captain Grose's Peregrination through Scotland, collecting the

    Antiquities of that kingdom

    Written in a wrapper, enclosing a letter to Captain Grose

    Tam O' Shanter. A Tale

    Address of Beelzebub to the President of the Highland Society

    To John Taylor

    Lament of Mary Queen of Scots, on the approach of Spring

    The Whistle

    Elegy on Miss Burnet of Monboddo

    Lament for James, Earl of Glencairn

    Lines sent to Sir John Whitefoord, Bart., of Whitefoord, with the

    foregoing Poem

    Address to the Shade of Thomson, on crowning his Bust at Ednam with

    bays

    To Robert Graham, Esq., of Fintray

    To Robert Graham, Esq., of Fintray, on receiving a favour

    A Vision

    To John Maxwell, of Terraughty, on his birthday

    The Rights of Women, an occasional Address spoken by Miss Fontenelle,

    on her benefit-night, Nov. 26, 1792

    Monody on a Lady famed for her caprice

    Epistle from Esopus to Maria

    Poem on Pastoral Poetry

    Sonnet, written on the 25th January, 1793, the birthday of the Author,

    on hearing a thrush sing in a morning walk

    Sonnet on the death of Robert Riddel, Esq., of Glenriddel, April, 1794

    Impromptu on Mrs. Riddel's birthday

    Liberty. A Fragment

    Verses to a young Lady

    The Vowels. A Tale

    Verses to John Rankine

    On Sensibility. To my dear and much-honoured friend, Mrs. Dunlop, of

    Dunlop

    Lines sent to a Gentleman whom he had offended Address spoken by Miss

    Fontenelle on her Benefit-night

    On seeing Miss Fontenelle in a favourite character

    To Chloris

    Poetical Inscription for an Altar to Independence

    The Heron Ballads. Balled First

    The Heron Ballads. Ballad Second

    The Heron Ballads. Ballad Third

    Poem addressed to Mr. Mitchell, Collector of Excise, Dumfries, 1796

    To Miss Jessy Lewars, Dumfries, with Johnson's

    Musical Museum

    Poem on Life, addressed to Colonel de Peyster, Dumfries, 1796

    EPITAPHS, EPIGRAMS, FRAGMENTS, &c.

    On the Author's Father

    On R.A., Esq.

    On a Friend

    For Gavin Hamilton

    On wee Johnny

    On John Dove, Innkeeper, Mauchline

    On a Wag in Mauchline

    On a celebrated ruling Elder

    On a noisy Polemic

    On Miss Jean Scott

    On a henpecked Country Squire

    On the same

    On the same

    The Highland Welcome

    On William Smellie

    Written on a window of the Inn at Carron

    The Book-worms

    Lines on Stirling

    The Reproof

    The Reply

    Lines written under the Picture of the celebrated Miss Burns

    Extempore in the Court of Session

    The henpecked Husband

    Written at Inverary

    On Elphinston's Translation of Martial's Epigrams

    Inscription on the Head-stone of Fergusson

    On a Schoolmaster

    A Grace before Dinner

    A Grace before Meat

    On Wat

    On Captain Francis Grose

    Impromptu to Miss Ainslie

    The Kirk of Lamington

    The League and Covenant

    Written on a pane of glass in the Inn at Moffat

    Spoken on being appointed to the Excise

    Lines on Mrs. Kemble

    To Mr. Syme

    To Mr. Syme, with a present of a dozen of porter

    A Grace

    Inscription on a goblet

    The Invitation

    The Creed of Poverty

    Written in a Lady's pocket-book

    The Parson's Looks

    The Toad-eater

    On Robert Riddel

    The Toast

    On a Person nicknamed the Marquis

    Lines written on a window

    Lines written on a window of the Globe Tavern, Dumfries

    The Selkirk Grace

    To Dr. Maxwell, on Jessie Staig's Recovery

    Epitaph

    Epitaph on William Nicol

    On the Death of a Lapdog, named Echo

    On a noted Coxcomb

    On seeing the beautiful Seat of Lord Galloway

    On the same

    On the same

    To the same, on the Author being threatened with his resentment

    On a Country Laird

    On John Bushby

    The true loyal Natives

    On a Suicide

    Extempore, pinned on a Lady's coach

    Lines to John Rankine

    Jessy Lewars

    The Toast

    On Miss Jessy Lewars

    On the recovery of Jessy Lewars

    Tam the Chapman

    Here's a bottle and an honest friend

    Tho' fickle fortune has deceived me

    To John Kennedy

    To the same

    There's naethin' like the honest nappy

    On the blank leaf of a work by Hannah More, presented by Mrs. C

    To the Men and Brethren of the Masonic Lodge at Tarbolton

    Impromptu

    Prayer for Adam Armour

    SONGS AND BALLADS.

    Handsome Nell

    Luckless Fortune

    I dream'd I lay where flowers were springing

    Tibbie, I hae seen the day

    My father was a farmer upon the Carrick border

    John Barleycorn. A Ballad

    The Rigs o' Barley

    Montgomery's Peggy

    The Mauchline Lady

    The Highland Lassie

    Peggy

    The rantin' Dog the Daddie o't

    My heart was ance as blithe and free

    My Nannie O

    A Fragment. One night as I did wander

    Bonnie Peggy Alison

    Green grow the Rashes, O

    My Jean

    Robin

    Her flowing locks, the raven's wing

    O leave novels, ye Mauchline belles

    Young Peggy

    The Cure for all Care

    Eliza

    The Sons of Old Killie

    And maun I still on Menie doat

    The Farewell to the Brethren of St. James's Lodge, Tarbolton

    On Cessnock Banks

    Mary

    The Lass of Ballochmyle

    The gloomy night is gathering fast

    O whar did ye get that hauver meal bannock?

    The Joyful Widower

    O Whistle, and I'll come to you, my lad

    I am my mammy's ae bairn

    The Birks of Aberfeldy

    Macpherson's Farewell

    Braw, braw Lads of Galla Water

    Stay, my charmer, can you leave me?

    Strathallan's Lament

    My Hoggie

    Her Daddie forbad, her Minnie forbad

    Up in the Morning early

    The young Highland Rover

    Hey the dusty Miller

    Duncan Davison

    Theniel Menzies' bonnie Mary

    The Banks of the Devon

    Weary fa' you, Duncan Gray

    The Ploughman

    Landlady, count the Lawin

    Raving winds around her blowing

    How long and dreary is the night

    Musing on the roaring Ocean

    Blithe, blithe and merry was she

    The blude red rose at Yule may blaw

    O'er the Water to Charlie

    A Rose-bud by my early walk

    Rattlin', roarin' Willie

    Where braving angry Winter's Storms

    Tibbie Dunbar

    Bonnie Castle Gordon

    My Harry was a gallant gay

    The Tailor fell through the bed, thimbles an' a'

    Ay Waukin O!

    Beware o' Bonnie Ann

    The Gardener wi' his paidle

    Blooming Nelly

    The day returns, my bosom burns

    My Love she's but a lassie yet

    Jamie, come try me

    Go fetch to me a Pint O' Wine

    The Lazy Mist

    O mount and go

    Of a' the airts the wind can blaw

    Whistle o'er the lave o't

    O were I on Parnassus' Hill

    There's a youth in this city

    My heart's in the Highlands

    John Anderson, my Jo

    Awa, Whigs, awa

    Ca' the Ewes to the Knowes

    Merry hae I been teethin' a heckle

    The Braes of Ballochmyle

    To Mary in Heaven

    Eppie Adair

    The Battle of Sherriff-muir

    Young Jockey was the blithest lad

    O Willie brewed a peck o' maut

    The braes o' Killiecrankie, O

    I gaed a waefu' gate yestreen

    The Banks of Nith

    Tam Glen

    Frae the friends and land I love

    Craigie-burn Wood

    Cock up your Beaver

    O meikle thinks my luve o' my beauty

    Gudewife, count the Lawin

    There'll never be peace till Jamie comes hame

    The bonnie lad that's far awa

    I do confess thou art sae fair

    Yon wild mossy mountains sae lofty and wide

    It is na, Jean, thy bonnie face

    When I think on the happy days

    Whan I sleep I dream

    I murder hate by field or flood

    O gude ale comes and gude ale goes

    Robin shure in hairst

    Bonnie Peg

    Gudeen to you, Kimmer

    Ah, Chloris, since it may na be

    Eppie M'Nab

    Wha is that at my bower-door

    What can a young lassie do wi' an auld man

    Bonnie wee thing, cannie wee thing

    The tither morn when I forlorn

    Ae fond kiss, and then we sever

    Lovely Davies

    The weary Pond o' Tow

    Naebody

    An O for ane and twenty, Tam

    O Kenmure's on and awa, Willie

    The Collier Laddie

    Nithsdale's Welcome Hame

    As I was a-wand'ring ae Midsummer e'enin

    Bessy and her Spinning-wheel

    The Posie

    The Country Lass

    Turn again, thou fair Eliza

    Ye Jacobites by name

    Ye flowery banks o'bonnie Doon

    Ye banks and braes o' bonnie Doon

    Willie Wastle

    O Lady Mary Ann

    Such a parcel of rogues in a nation

    The Carle of Kellyburn braes

    Jockey's ta'en the parting kiss

    Lady Onlie

    The Chevalier's Lament

    Song of Death

    Flow gently, sweet Afton

    Bonnie Bell

    Hey ca' thro', ca' thro'

    The Gallant weaver

    The deuks dang o'er my Daddie

    She's fair and fause

    The Deil cam' fiddling thro' the town

    The lovely Lass of Inverness

    O my luve's like a red, red rose

    Louis, what reck I by thee

    Had I the wyte she bade me

    Coming through the rye

    Young Jamie, pride of a' the plain

    Out over the Forth I look to the north

    The Lass of Ecclefechan

    The Cooper o' Cuddie

    For the sake of somebody

    I coft a stane o' haslock woo

    The lass that made the bed for me

    Sae far awa

    I'll ay ca' in by yon town

    O wat ye wha's in yon town

    O May, thy morn

    Lovely Polly Stewart

    Bonnie laddie, Highland laddie

    Anna, thy charms my bosom fire

    Cassilis' Banks

    To thee, lov'd Nith

    Bannocks o' Barley

    Hee Balou! my sweet wee Donald

    Wae is my heart, and the tear's in my e'e

    Here's his health in water

    My Peggy's face, my Peggy's form

    Gloomy December

    My lady's gown, there's gairs upon 't

    Amang the trees, where humming bees

    The gowden locks of Anna

    My ain kind dearie, O

    Will ye go to the Indies, my Mary

    She is a winsome wee thing

    Bonny Leslie

    Highland Mary

    Auld Rob Morris

    Duncan Gray

    O poortith cauld, and restless love

    Galla Water

    Lord Gregory

    Mary Morison

    Wandering Willie. First Version

    Wandering Willie. Last Version

    Oh, open the door to me, oh!

    Jessie

    The poor and honest sodger

    Meg o' the Mill

    Blithe hae I been on yon hill

    Logan Water

    O were my love yon lilac fair

    Bonnie Jean

    Phillis the fair

    Had I a cave on some wild distant shore

    By Allan stream

    O Whistle, and I'll come to you, my lad

    Adown winding Nith I did wander

    Come, let me take thee to my breast

    Daintie Davie

    Scots wha hae wi' Wallace bled. First Version

    Scots wha hae wi' Wallace bled. Second Version

    Behold the hour, the boat arrives

    Thou hast left me ever, Jamie

    Auld lang syne

    Where are the joys I have met in the morning

    Deluded swain, the pleasure

    Nancy

    Husband, husband, cease your strife

    Wilt thou be my dearie?

    But lately seen in gladsome green

    Could aught of song declare my pains

    Here's to thy health, my bonnie lass

    It was a' for our rightfu' king

    O steer her up and haud her gaun

    O ay my wife she dang me

    O wert thou in the cauld blast

    The Banks of Cree

    On the seas and far away

    Ca' the Yowes to the Knowes

    Sae flaxen were her ringlets

    O saw ye my dear, my Phely?

    How lang and dreary is the night

    Let not woman e'er complain

    The Lover's Morning Salute to his Mistress

    My Chloris, mark how green the groves

    Youthful Chloe, charming Chloe

    Lassie wi' the lint-white locks

    Farewell, thou stream, that winding flows

    O Philly, happy be the day

    Contented wi' little and cantie wi' mair

    Canst thou leave me thus, my Katy

    My Nannie's awa

    O wha is she that lo'es me

    Caledonia

    O lay thy loof in mine, lass

    The Fete Champetre

    Here's a health to them that's awa

    For a' that, and a' that

    Craigieburn Wood

    O lassie, art thou sleeping yet

    O tell na me o' wind and rain

    The Dumfries Volunteers

    Address to the Wood-lark

    On Chloris being ill

    Their groves o' sweet myrtle let foreign lands reckon

    'Twas na her bonnie blue een was my ruin

    How cruel are the parents

    Mark yonder pomp of costly fashion

    O this is no my ain lassie

    Now Spring has clad the grove in green

    O bonnie was yon rosy brier

    Forlorn my love, no comfort near

    Last May a braw wooer cam down the lang glen

    Chloris

    The Highland Widow's Lament

    To General Dumourier

    Peg-a-Ramsey

    There was a bonnie lass

    O Mally's meek, Mally's sweet

    Hey for a lass wi' a tocher

    Jessy. Here's a health to ane I lo'e dear

    Fairest Maid on Devon banks

    GENERAL CORRESPONDENCE.

    1781.

    No. I. To William Burness. His health a little better, but tired of

    life. The Revelations

    1783.

    II. To Mr. John Murdoch. His present studies and temper of mind

    III. To Mr. James Burness. His father's illness, and sad state of the

    country

    IV. To Miss E. Love

    V. To Miss E. Love

    VI. To Miss E. Love

    VII. To Miss E. On her refusal of his hand

    VIII. To Robert Riddel, Esq. Observations on poetry and human life

    1784.

    IX. To Mr. James Burness. On the death of his father

    X. To Mr. James Burness. Account of the Buchanites

    XI. To Miss ----. With a book

    1786.

    XII. To Mr. John Richmond. His progress in poetic composition

    XIII. To Mr. John Kennedy. The Cotter's Saturday Night

    XIV. To Mr. Robert Muir. Enclosing his Scotch Drink

    XV. To Mr. Aiken. Enclosing a stanza on the blank leaf of a book by

    Hannah More

    XVI. To Mr. M'Whinnie, Subscriptions

    XVII. To Mr. John Kennedy. Enclosing The Gowan

    XVIII. To Mon. James Smith. His voyage to the West Indies

    XIX. To Mr. John Kennedy. His poems in the press. Subscriptions

    XX. To Mr. David Brice. Jean Armour's return,--printing his poems

    XXI. To Mr. Robert Aiken. Distress of mind

    XXII. To Mr. John Richmond. Jean Armour

    XXIII. To John Ballantyne, Esq. Aiken's coldness. His marriage-lines

    destroyed

    XXIV. To Mr. David Brice. Jean Armour. West Indies

    XXV. To Mr. John Richmond. West Indies The Armours

    XXVI. To Mr. Robert Muir. Enclosing The Calf

    XXVII. To Mrs. Dunlop. Thanks for her notice. Sir William Wallace

    XXVIII. To Mr. John Kennedy. Jamaica

    XXIX. To Mr. James Burness. His departure uncertain

    XXX. To Miss Alexander. The Lass of Ballochmyle

    XXXI. To Mrs. Stewart, of Stair and Afton. Enclosing some songs. Miss

    Alexander

    XXXII. Proclamation in the name of the Muses

    XXXIII. To Mr. Robert Muir. Enclosing Tam Samson. His Edinburgh

    expedition

    XXXIV. To Dr. Mackenzie. Enclosing the verses on dining with Lord Daer

    XXXV. To Gavin Hamilton, Esq. Rising fame. Patronage

    XXXVI. To John Ballantyne, Esq. His patrons and patronesses. The

    Lounger

    XXXVII. To Mr. Robert Muir. A note of thanks. Talks of sketching the

    history of his life

    XXXVIII. To Mr. William Chalmers. A humorous sally

    1787.

    XXXIX. To the Earl of Eglinton. Thanks for his patronage

    XL. To Gavin Hamilton, Esq. Love

    XLI. To John Ballantyne, Esq. Mr. Miller's offer of a farm

    XLII. To John Ballantyne, Esq. Enclosing The Banks o' Doon. First

    Copy

    XLIII. To Mrs. Dunlop. Dr. Moore and Lord Eglinton. His situation in

    Edinburgh

    XLIV. To Dr. Moore. Acknowledgments for his notice

    XLV. To the Rev. G. Lowrie. Reflections on his situation in life. Dr.

    Blacklock, Mackenzie

    XLVI. To Dr. Moore. Miss Williams

    XLVII. To John Ballantyne, Esq. His portrait engraving

    XLVIII. To the Earl of Glencairn. Enclosing "Lines intended to be

    written under a noble Earl's picture"

    XLIX. To the Earl of Buchan. In reply to a letter of advice

    L. To Mr. James Candlish. Still the old man with his deeds

    LI. To ----. On Fergusson's headstone

    LII. To Mrs. Dunlop. His prospects on leaving Edinburgh 341

    LIII. To Mrs. Dunlop. A letter of acknowledgment for the payment of

    the subscription

    LIV. To Mr. Sibbald. Thanks for his notice in the magazine

    LV. To Dr. Moore. Acknowledging the present of his View of Society

    LVI. To Mr. Dunlop. Reply to criticisms

    LVII. To the Rev. Dr. Hugh Blair. On leaving Edinburgh. Thanks for his

    kindness

    LVIII. To the Earl of Glencairn. On leaving Edinburgh

    LIX. To Mr. William Dunbar. Thanking him for the present of Spenser's

    poems

    LX. To Mr. James Johnson. Sending a song to the Scots Musical Museum

    LXI. To Mr. William Creech. His tour on the Border. Epistle in verse

    to Creech

    LXII. To Mr. Patison. Business

    LXIII. To Mr. W. Nicol. A ride described in broad Scotch

    LXIV. To Mr. James Smith. Unsettled in life. Jamaica

    LXV. To Mr. W. Nicol. Mr. Miller, Mr. Burnside. Bought a pocket Milton

    LXVI. To Mr. James Candlish. Seeking a copy of Lowe's poem of

    Pompey's Ghost

    LXVII. To Robert Ainslie, Esq. His tour

    LXVIII. To Mr. W. Nicol. Auchtertyre

    LXIX. To Mr. Wm. Cruikshank. Auchtertyre

    LXX. To Mr. James Smith. An adventure

    LXXI. To Mr. John Richmond. His rambles

    LXXII. To Mr. Robert Ainslie. Sets high value on his friendship

    LXXIII. To the same. Nithsdale and Edinburgh

    LXXIV. To Dr. Moore. Account of his own life

    LXXV. To Mr. Robert Ainslie. A humorous letter

    LXXVI. To Mr. Robert Muir. Stirling, Bannockburn

    LXXVII. To Gavin Hamilton, Esq. Of Mr. Hamilton's own family

    LXXVIII. To Mr. Walker. Bruar Water. The Athole family

    LXXIX. To Mr. Gilbert Burns. Account of his Highland tour

    LXXX. To Miss Margaret Chalmers. Charlotte Hamilton. Skinner.

    Nithsdale

    LXXXI. To the same. Charlotte Hamilton, and The Banks of the Devon

    LXXXII. To James Hoy, Esq. Mr. Nicol. Johnson's Musical Museum

    LXXXIII. To Rev. John Skinner. Thanking him for his poetic compliment

    LXXXIV. To James Hoy, Esq. Song by the Duke of Gordon

    LXXXV. To Mr. Robert Ainslie. His friendship for him

    LXXXVI. To the Earl of Glencairn. Requesting his aid in obtaining an

    excise appointment

    LXXXVII. To James Dalrymple, Esq. Rhyme. Lord Glencairn

    LXXXVIII. To Charles Hay, Esq. Enclosing his poem on the death of the

    Lord President Dundas

    LXXXIX. To Miss M----n. Compliments

    XC. To Miss Chalmers. Charlotte Hamilton

    XCI. To the same. His bruised limb. The Bible. The Ochel Hills

    XCII. To the same. His motto--I dare. His own worst enemy

    XCIII. To Sir John Whitefoord. Thanks for his friendship. Of poets

    XCIV. To Miss Williams. Comments on her poem of the Slave Trade

    XCV. To Mr. Richard Brown. Recollections of early life. Clarinda

    XCVI. To Gavin Hamilton, Esq. Prayer for his health

    XCVII. To Miss Chalmers. Complimentary poems. Creech

    1788.

    XCVIII. To Mrs. Dunlop. Lowness of spirits. Leaving Edinburgh

    XCIX. To the same. Religion

    C. To the Rev. John Skinner. Tullochgorum. Skinner's Latin

    CI. To Mr. Richard Brown. His arrival in Glasgow

    CII. To Mrs. Rose of Kilravock. Recollections of Kilravock

    CIII. To Mr. Richard Brown. Friendship. The pleasures of the present

    CIV. To Mr. William Cruikshank. Ellisland. Plans in life

    CV. To Mr. Robert Ainslie. Ellisland. Edinburgh. Clarinda

    CVI. To Mr. Richard Brown. Idleness. Farming

    CVII. To Mr. Robert Muir. His offer for Ellisland. The close of life

    CVIII. To Miss Chalmers. Taken Ellisland. Miss Kennedy

    CIX. To Mrs. Dunlop. Coila's robe

    CX. To Mr. Richard Brown. Apologies. On his way to Dumfries from

    Glasgow

    CXI. To Mr. Robert Cleghorn. Poet and fame. The air of Captain O'Kean

    CXII. To Mr. William Dunbar. Foregoing poetry and wit for farming and

    business

    CXIII. To Miss Chalmers. Miss Kennedy. Jean Armour

    CXIV. To the same. Creech's rumoured bankruptcy

    CXV. To the same. His entering the Excise

    CXVI. To Mrs. Dunlop. Fanning and the Excise. Thanks for the loan of

    Dryden and Tasso

    CXVII. To Mr. James Smith. Jocularity. Jean Armour

    CXVIII. To Professor Dugald Stewart. Enclosing some poetic trifles

    CXIX. To Mrs. Dunlop. Dryden's Virgil. His preference of Dryden to

    Pope

    CXX. To Mr. Robert Ainslie. His marriage.

    CXXI. To Mrs. Dunlop. On the treatment of servants

    CXXII. To the same. The merits of Mrs. Burns

    CXXIII. To Mr. Robert Ainslie. The warfare of life. Books. Religion

    CXXIV. To the same. Miers' profiles

    CXXV. To the same. Of the folly of talking of one's private affairs

    CXXVI. To Mr. George Lockhart. The Miss Baillies. Bruar Water

    CXXVII. To Mr. Peter Hill. With the present of a cheese

    CXXVIII. To Robert Graham Esq., of Fintray. The Excise

    CXXIX. To Mr. William Cruikshank. Creech. Lines written in Friar's

    Carse Hermitage

    CXXX. To Mrs. Dunlop. Lines written at Friar's Carse. Graham of

    Fintray

    CXXXI. To the same. Mrs. Burns. Of accomplished young ladies

    CXXXII. To the same. Mrs. Miller, of Dalswinton. "The Life and Age of

    Man."

    CXXXIII. To Mr. Beugo. Ross and The Fortunate Shepherdess.

    CXXXIV. To Miss Chalmers. Recollections. Mrs. Burns. Poetry

    CXXXV. To Mr. Morison. Urging expedition with his clock and other

    furniture for Ellisland

    CXXXVI. To Mrs. Dunlop. Mr. Graham. Her criticisms

    CXXXVII. To Mr. Peter Hill. Criticism on an Address to Loch Lomond.

    CXXXVIII. To the Editor of the Star. Pleading for the line of the

    Stuarts

    CXXXIX. To Mrs. Dunlop. The present of a heifer from the Dunlops

    CXL. To Mr. James Johnson. Scots Musical Museum

    CXLI. To Dr. Blacklock. Poetical progress. His marriage

    CXLII. To Mrs. Dunlop. Enclosing Auld Lang Syne

    CXLIII. To Miss Davies. Enclosing the song of "Charming, lovely

    Davies"

    CXLIV. To Mr. John Tennant. Praise of his whiskey

    1789.

    CXLV. To Mrs. Dunlop. Reflections suggested by the day

    CXLVI. To Dr. Moore. His situation and prospects

    CXLVII. To Mr. Robert Ainslie. His favourite quotations. Musical

    Museum

    CXLVIII. To Professor Dugald Stewart. Enclosing some poems for his

    comments upon

    CXLIX. To Bishop Geddes. His situation and prospects

    CL. To Mr. James Burness. His wife and farm. Profit from his poems.

    Fanny Burns

    CLI. To Mrs. Dunlop. Reflections. His success in song encouraged a

    shoal of bardlings

    CLII. To the Rev. Peter Carfrae. Mr. Mylne's poem

    CLIII. To Dr. Moore. Introduction. His ode to Mrs. Oswald

    CLIV. To Mr. William Burns. Remembrance

    CLV. To Mr. Peter Hill. Economy and frugality. Purchase of books

    CLVI. To Mrs. Dunlop. Sketch inscribed to the Right Hon. C.J. Fox

    CLVII. To Mr. William Burns. Asking him to make his house his home

    CLVIII. To Mrs. M'Murdo. With the song of Bonnie Jean

    CLIX. To Mr. Cunningham. With the poem of The Wounded Hare

    CLX. To Mr. Samuel Brown. His farm. Ailsa fowling

    CLXI. To Mr. Richard Brown. Kind wishes

    CLXII. To Mr. James Hamilton. Sympathy

    CLXIII. To William Creech, Esq. Toothache. Good wishes

    CLXIV. To Mr. M'Auley. His own welfare

    CLXV. To Mr. Robert Ainslie. Overwhelmed with incessant toil

    CLXVI. To Mr. M'Murdo. Enclosing his newest song

    CLXVII. To Mrs. Dunlop. Reflections on religion

    CLXVIII. To Mr. ----. Fergusson the poet

    CLXIX. To Miss Williams. Enclosing criticisms on her poems

    CLXX. To Mr. John Logan. With The Kirk's Alarm

    CLXXI. To Mrs. Dunlop. Religion. Dr. Moore's Zeluco

    CLXXII. To Captain Riddel. The Whistle

    CLXXIII. To the same. With some of his MS. poems

    CLXXIV. To Mr. Robert Ainslie. His Excise employment

    CLXXV. To Mr. Richard Brown. His Excise duties

    CLXXVI. To Robert Graham, Esq., of Fintray. The Excise. Captain Grose.

    Dr. M'Gill

    CLXXVII. To Mrs. Dunlop. Reflections on immortality

    CLXXVIII. To Lady M.W. Constable. Jacobitism

    CLXXIX. To Provost Maxwell. At a loss for a subject

    1790.

    CLXXX. To Sir John Sinclair. Account of a book-society in Nithsdale

    CLXXXI. To Charles Sharpe, Esq. A letter with a fictitious signature

    CLXXXII. To Mr. Gilburt Burns. His farm a ruinous affair. Players

    CLXXXIII. To Mr. Sutherland. Enclosing a Prologue

    CLXXXIV. To Mr. William Dunbar. Excise. His children. Another world

    CLXXXV. To Mrs. Dunlop. Falconer the poet. Old Scottish songs

    CLXXXVI. To Mr. Peter Hill. Mademoiselle Burns. Hurdis. Smollett and

    Cowper

    CLXXXVII. To Mr. W. Nicol. The death of Nicol's mare Peg Nicholson

    CLXXXVIII. To Mr. W. Cunningham. What strange beings we are

    CLXXXIX. To Mr. Peter Hill. Orders for books. Mankind

    CXC. To Mrs. Dunlop. Mackenzie and the Mirror and Lounger

    CXCI. To Collector Mitchell. A county meeting

    CXCII. To Dr. Moore. Zeluco. Charlotte Smith

    CXCIII. To Mr. Murdoch. William Burns

    CXCIV. To Mr. M'Murdo. With the Elegy on Matthew Henderson

    CXCV. To Mrs. Dunlop. His pride wounded

    CXCVI. To Mr. Cunningham. Independence

    CXCVII. To Dr. Anderson. The Bee.

    CXCVIII. To William Tytler, Esq. With some West-country ballads

    CXCIX. To Crauford Tait, Esq. Introducing Mr. William Duncan

    CC. To Crauford Tait, Esq. The Kirk's Alarm

    CCI. To Mrs. Dunlop. On the birth of her grandchild. Tam O' Shanter

    1791.

    CCII. To Lady M.W. Constable. Thanks for the present of a gold

    snuff-box

    CCIII. To Mr. William Dunbar. Not gone to Elysium. Sending a poem

    CCIV. To Mr. Peter Mill. Apostrophe to Poverty

    CCV. To Mr. Cunningham. Tam O' Shanter. Elegy on Miss Burnet

    CCVI. To A.F. Tytler, Esq. Tam O' Shanter

    CCVII. To Mrs. Dunlop. Miss Burnet. Elegy writing

    CCVIII. To Rev. Arch. Alison. Thanking him for his Essay on Taste

    CCIX. To Dr. Moore. Tam O' Shanter. Elegy on Henderson. Zeluco. Lord

    Glencairn

    CCX. To Mr. Cunningham. Songs

    CCXI. To Mr. Alex. Dalzel. The death of the Earl of Glencairn

    CCXII. To Mrs. Graham, of Fintray. With Queen Mary's Lament

    CCXIII. To the same. With his printed Poems

    CCXIV. To the Rev. G. Baird. Michael Bruce

    CCXV. To Mrs. Dunlop. Birth of a son

    CCXVI. To the same. Apology for delay

    CCXVII. To the same. Quaint invective on a pedantic critic

    CCXVIII. To Mr. Cunningham. The case of Mr. Clarke of Moffat,

    Schoolmaster

    CCXIX. To the Earl of Buchan. With the Address to the shade of Thomson

    CCXX. To Mr. Thomas Sloan. Apologies. His crop sold well

    CCXXI. To Lady E. Cunningham. With the Lament for the Earl of

    Glencairn

    CCXXII. To Mr. Robert Ainslie. State of mind. His income

    CCXXIII. To Col. Fullarton. With some Poems. His anxiety for

    Fullarton's friendship

    CCXXIV. To Miss Davis. Lethargy, Indolence, and Remorse. Our wishes

    and our powers

    CCXXV. To Mrs. Dunlop. Mrs. Henri. The Song of Death

    1792.

    CCXXVI. To Mrs. Dunlop. The animadversions of the Board of Excise

    CCXXVII. To Mr. William Smellie. Introducing Mrs. Riddel

    CCXXVIII. To Mr. W. Nicol. Ironical reply to a letter of counsel and

    reproof

    CCXXIX. To Francis Grose, Esq. Dugald Stewart

    CCXXX. To the same. Witch stories

    CCXXXI. To Mr. S. Clarke. Humorous invitation to teach music to the

    M'Murdo family

    CCXXXII. To Mrs. Dunlop. Love and Lesley Baillie

    CCXXXIII. To Mr. Cunningham. Lesley Baillie

    CCXXXIV. To Mr. Thomson. Promising his assistance to his collection of

    songs and airs

    CCXXXV. To Mrs. Dunlop. Situation of Mrs. Henri

    CCXXXVI. To the same. On the death of Mrs. Henri

    CCXXXVII. To Mr. Thomson. Thomson's fastidiousness. My Nannie O, &c.

    CCXXXVIII. To the same. With My wife's a winsome wee thing, and

    Lesley Baillie

    CCXXXIX. To the same. With Highland Mary. The air of Katherine Ogie

    CCXL. To the same. Thomson's alterations and observations

    CCXLI. To the same. With Auld Rob Morris, and Duncan Gray

    CCXLII. To Mrs. Dunlop. Birth of a daughter. The poet Thomson's dramas

    CCXLIII. To Robert Graham, Esq., of Fintray. The Excise inquiry into

    his political conduct

    CCXLIV. To Mrs. Dunlop. Hurry of business. Excise inquiry

    1793.

    CCXLV. To Mr. Thomson. With Poortith cauld and Galla Water

    CCXLVI. To the same. William Tytler, Peter Pindar

    CCXLVII. To Mr. Cunningham. The poet's seal. David Allan

    CCXLVIII. To Thomson. With Mary Morison

    CCCXLIX. To the same. With Wandering Willie

    CCL. To Miss Benson. Pleasure he had in meeting her

    CCLI. To Patrick Miller, Esq. With the present of his printed poems

    CCLII. To Mr. Thomson. Review of Scottish song. Crawfurd and Ramsay

    CCLIII. To the same. Criticism. Allan Ramsay

    CCLIV. To the same. The last time I came o'er the moor

    CCLV. To John Francis Erskine, Esq. Self-justification. The Excise

    inquiry

    CCLVI. To Mr. Robert Ainslie. Answering letters. Scholar-craft

    CCLVII. To Miss Kennedy. A letter of compliment

    CCLVIII. To Mr. Thomson. Frazer. Blithe had I been on yon hill

    CCLIX. To Mr. Thomson. Logan Water. "O gin my love were yon red

    rose"

    CCLX. To the same. With the song of Bonnie Jean

    CCLXI. To the same. Hurt at the idea of pecuniary recompense. Remarks

    on song

    CCLXII. To the same. Note written in the name of Stephen Clarke

    CCLXIII. To the same. With Phillis the fair

    CCLXIV. To the same. With Had I a cave on some wild distant shore

    CCLXV. To the same. With Allan Water

    CCLXVI. To the same. With O whistle, and I'll come to you, my lad,

    &c.

    CCLXVII. To the same. With Come, let me take thee to my breast

    CCLXVIII. To the same. With Dainty Davie

    CCLXIX. To Miss Craik. Wretchedness of poets

    CCLXX. To Lady Glencairn. Gratitude. Excise. Dramatic composition

    CCLXXI. To Mr. Thomson. With Scots wha hae wi' Wallace bled

    CCLXXII. To the same. With Behold the hour, the boat arrive

    CCLXXIII. To the same. Crawfurd and Scottish song

    CCLXXIV. To the same. Alterations in Scots wha hae wi' Wallace bled

    CCLXXV. To the same. Further suggested alterations in Scots wha hae

    rejected.

    CCLXXVI. To the same. With Deluded swain, the pleasure, and "Raving

    winds around her blowing"

    CCLXXVII. To the same. Erskine and Gavin Turnbull

    CCLXXVIII. To John M'Murdo, Esq. Payment of a debt. The Merry Muses

    CCLXXIX. To the same. With his printed poems

    CCLXXX. To Captain ----. Anxiety for his acquaintance. "Scots wha hae

    wi' Wallace bled"

    CCLXXXI. To Mrs. Riddel. The Dumfries Theatre

    1794.

    CCLXXXII. To a Lady. In favour of a player's benefit

    CCLXXXIII. To the Earl of Buchan. With a copy of Scots wha hae

    CCLXXXIV. To Captain Miller. With a copy of Scots wha hae

    CCLXXXV. To Mrs. Riddel. Lobster-coated puppies

    CCLXXXVI. To the same. The gin-horse class of the human genus

    CCLXXXVII. To the same. With Werter. Her reception of him

    CCLXXXVIII. To Mrs. Riddel. Her caprice

    CCLXXXIX. To the same. Her neglect and unkindness

    CCXC. To John Syme, Esq. Mrs. Oswald, and O wat ye wha's in yon town

    CCXCI. To Miss ----. Obscure allusions to a friend's death. His

    personal and poetic fame

    CCXCII. To Mr. Cunningham. Hypochondria. Requests consolation

    CCXCIII. To the Earl of Glencairn. With his printed poems

    CCXCIV. To Mr. Thomson. David Allan. The banks of Cree

    CCXCV. To David M'Culloch, Esq. Arrangements for a trip in Galloway

    CCXCVI. To Mrs. Dunlop. Threatened with flying gout. Ode on

    Washington's birthday

    CCXCVII. To Mr. James Johnson. Low spirits. The Museum. Balmerino's

    dirk

    CCXCVIII. To Mr. Thomson. Lines written in "Thomson's Collection of

    songs"

    CCXCIX. To the same. With How can my poor heart be glad

    CCC. To the same. With Ca' the yowes to the knowes

    CCCI. To the same. With Sae flaxen were her ringlets. Epigram to Dr.

    Maxwell.

    CCCII. To the same. The charms of Miss Lorimer. "O saw ye my dear, my

    Phely," &c.

    CCCIII. To the same. Ritson's Scottish Songs. Love and song

    CCCIV. To the same. English songs. The air of "Ye banks and braes o'

    bonnie Doon"

    CCCV. To the same. With O Philly, happy be the day, and "Contented

    wi' little"

    CCCVI. To the same. With Canst thou leave me thus, my Katy

    CCCVII. To Peter Miller, jun., Esq. Excise. Perry's offer to write for

    the Morning Chronicle

    CCCVIII. To Mr. Samuel Clarke, jun. A political and personal quarrel.

    Regret

    CCCIX. To Mr. Thomson. With "Now in her green mantle blithe nature

    arrays"

    1795.

    CCCX. To Mr. Thomson. With For a' that and a' that

    CCCXI. To the same. Abuse of Ecclefechan

    CCCXII. To the same. With O stay, sweet warbling woodlark, stay, and

    The groves of sweet myrtle

    CCCXIII. To the same. With How cruel are the parents and "Mark

    yonder pomp of costly fashion"

    CCCXIV. To the same. Praise of David Allan's Cotter's Saturday Night

    CCCXV. To the same. With This is no my ain Lassie. Mrs. Riddel

    CCCXVI. To Mr. Thomson. With Forlorn, my love, no comfort near

    CCCXVII. To the same. With Last May a braw wooer, and "Why tell thy

    lover"

    CCCXVIII. To Mrs. Riddel. A letter from the grave

    CCCXIX. To the same. A letter of compliment. Anacharsis' Travels

    CCCXX. To Miss Louisa Fontenelle. With a Prologue for her

    benefit-night

    CCCXXI. To Mrs. Dunlop. His family. Miss Fontenelle. Cowper's Task

    CCCXXII. To Mr. Alexander Findlater. Excise schemes

    CCCXXIII. To the Editor of the Morning Chronicle. Written for a

    friend. A complaint

    CCCXXIV. To Mr. Heron, of Heron. With two political ballads

    CCCXXV. To Mrs. Dunlop. Thomson's Collection. Acting as Supervisor of

    Excise

    CCCXXVI. To the Right Hon. William Pitt. Address of the Scottish

    Distillers

    CCCXXVII. To the Provost, Bailies, and Town Council of Dumfries.

    Request to be made a freeman of the town

    1796.

    CCCXXVIII. To Mrs. Riddel. Anarcharsis' Travels. The muses

    CCCXXIX. To Mrs. Dunlop. His ill-health.

    CCCXXX. To Mr. Thomson. Acknowledging his present to Mrs. Burns of a

    worsted shawl

    CCCXXXI. To the same. Ill-health. Mrs. Hyslop. Allan's etchings.

    Cleghorn

    CCCXXXII. To the same. Here's a health to ane I loe dear

    CCCXXXIII. To the same. His anxiety to review his songs, asking for

    copies

    CCCXXXIV. To Mrs. Riddel. His increasing ill-health

    CCCXXXV. To Mr. Clarke, acknowledging money and requesting the loan of

    a further sum

    CCCXXXVI. To Mr. James Johnson. The Scots Musical Museum. Request for

    a copy of the collection

    CCCXXXVII. To Mr. Cunningham. Illness and poverty, anticipation of

    death

    CCCXXXVIII. To Mr. Gilbert Burns. His ill-health and debts

    CCCXXXIX. To Mr. James Armour. Entreating Mrs. Armour to come to her

    daughter's confinement

    CCCXL. To Mrs. Burns. Sea-bathing affords little relief

    CCCXLI. To Mrs. Dunlop. Her friendship. A farewell

    CCCXLII. To Mr. Thomson. Solicits the sum of five pounds. "Fairest

    Maid on Devon Banks"

    CCCXLIII. To Mr. James Burness. Soliciting the sum of ten pounds

    CCCXLIV. To James Gracie, Esq. His rheumatism, &c. &c.--his loss of

    appetite

    Remarks on Scottish Songs and Ballads

    The Border Tour

    The Highland Tour

    Burns's Assignment of his Works

    Glossary

    __________

    TO

    ARCHIBALD HASTIE, ESQ., MEMBER OF PARLIAMENT FOR PAISLEY,  THIS EDITION OF THE WORKS AND MEMOIRS OF A GREAT POET, IN WHOSE SENTIMENTS OF FREEDOM HE SHARES, AND WHOSE PICTURES OF SOCIAL AND DOMESTIC LIFE HE LOVES, IS RESPECTFULLY AND GRATEFULLY INSCRIBED BY ALLAN CUNNINGHAM.

    DEDICATION. TO THE NOBLEMEN AND GENTLEMEN OF THE CALEDONIAN HUNT.

    [On the title-page of the second or Edinburgh edition, were these words: Poems, chiefly in the Scottish Dialect, by Robert Burns, printed for the Author, and sold by William Creech, 1787. The motto of the Kilmarnock edition was omitted; a very numerous list of

    subscribers followed: the volume was printed by the celebrated Smellie.]

    MY LORDS AND GENTLEMEN:

    A Scottish Bard, proud of the name, and whose highest ambition is to sing in his country's service, where shall he so properly look for patronage as to the illustrious names of his native land: those who bear the honours and inherit the virtues of their ancestors? The poetic genius of my country found me, as the prophetic bard Elijah did

    Elisha--at the PLOUGH, and threw her inspiring mantle over me. She bade me sing the loves, the joys, the rural scenes and rural pleasures of my native soil, in my native tongue; I tuned my wild, artless notes as she inspired. She whispered me to come to this

    ancient metropolis of Caledonia, and lay my songs under your honoured protection: I now obey her dictates.

    Though much indebted to your goodness, I do not approach you, my Lords and Gentlemen, in the usual style of dedication, to thank you for past favours: that path is so hackneyed by prostituted learning that honest rusticity is ashamed of it. Nor do I present this address with the venal soul of a servile author, looking for a continuation of those favours: I was bred to the plough, and am independent. I come to claim the common Scottish name with you, my illustrious countrymen; and to tell the world that I glory in the title. I come to congratulate my country that the blood of her ancient heroes still runs

    uncontaminated, and that from your courage, knowledge, and public spirit, she may expect protection, wealth, and liberty. In the last place, I come to proffer my warmest wishes to the great fountain of honour, the Monarch of the universe, for your welfare and happiness.

    When you go forth to waken the echoes, in the ancient and favourite amusement of your forefathers, may Pleasure ever be of your party: and may social joy await your return! When harassed in courts or camps with the jostlings of bad men and bad measures, may the honest consciousness of injured worth attend your return to your native seats; and may domestic happiness, with a smiling welcome, meet you at your gates! May corruption shrink at your kindling indignant glance; and may tyranny in the ruler, and licentiousness in the people, equally find you an inexorable foe!

    I have the honour to be,

    With the sincerest gratitude and highest respect,

    My Lords and Gentlemen,

    Your most devoted humble servant,

    ROBERT BURNS.

    EDINBURGH, _April 4, 1787._

    PREFACE.

    I cannot give to my country this edition of one of its favourite poets, without stating that I have deliberately omitted several pieces of verse ascribed to Burns by other editors, who too hastily, and I think on insufficient testimony, admitted them among his works. If I am unable to share in the hesitation expressed by one of them on the authorship of the stanzas on Pastoral Poetry, I can as little share in the feelings with which they have intruded into the charmed circle of his poetry such compositions as Lines on the Ruins of Lincluden College, Verses on the Destruction of the Woods of Drumlanrig, Verses written on a Marble Slab in the Woods of Aberfeldy, and those entitled The Tree of Liberty. These productions, with the exception of the last, were never seen by any one even in the handwriting of Burns, and are one and all wanting in that original vigour of language and manliness of sentiment which distinguish his poetry. With respect to The Tree of Liberty in particular, a subject dear to the heart of the Bard, can any one conversant with his genius imagine that he welcomed its growth or celebrated its fruit with such capon craws as these?

        "Upo' this tree there grows sic fruit,

           Its virtues a' can tell, man;

         It raises man aboon the brute,

           It mak's him ken himsel', man.

         Gif ance the peasant taste a bit,

           He's greater than a lord, man,

         An' wi' a beggar shares a mite

           O' a' he can afford, man."

    There are eleven stanzas, of which the best, compared with the A man's a man for a' that of Burns, sounds like a cracked pipkin against the heroic clang of a Damascus blade. That it is extant in the handwriting of the poet cannot be taken as a proof that it is his own composition, against the internal testimony of utter want of all the marks by which we know him--the Burns-stamp, so to speak, which is visible on all that ever came from his pen. Misled by his handwriting, I inserted in my former edition of his works an epitaph, beginning

        Here lies a rose, a budding rose,

    the composition of Shenstone, and which is to be found in the church-yard of Hales-Owen: as it is not included in every edition of that poet's acknowledged works, Burns, who was an admirer of his genius, had, it seems, copied it with his own hand, and hence  my error. If I hesitated about the exclusion of The Tree of Liberty, and its three false brethren, I could have no scruples regarding the fine song of Evan Banks, claimed and justly for Miss Williams by Sir Walter Scott, or the humorous song called Shelah O'Neal, composed by the late Sir Alexander Boswell. When I have stated that I have arranged the Poems, the Songs, and the Letters of Burns, as nearly as possible in the order in which they were written; that I have omitted no piece of either verse or prose which bore the impress of his hand, nor included any by which his high reputation would likely be impaired, I have said all that seems necessary to be said, save that the following letter came too late for insertion in its proper place: it is characteristic and worth a place anywhere.

    ALLAN CUNNINGHAM.

           *       *       *       *       *

    TO DR. ARCHIBALD LAURIE.

    _Mossgiel, 13th Nov. 1786._

    DEAR SIR,

    I have along with this sent the two volumes of Ossian, with the remaining volume of the Songs. Ossian I am not in such a hurry about; but I wish the Songs, with the volume of the Scotch Poets, returned as soon as they can conveniently be dispatched. If they are left at Mr. Wilson, the bookseller's shop, Kilmarnock, they will easily reach me.

    My most respectful compliments to Mr. and Mrs. Laurie; and a Poet's warmest wishes for their happiness to the young ladies; particularly the fair musician, whom I think much better qualified than ever David was, or could be, to charm an evil spirit out of a Saul.

    Indeed, it needs not the Feelings of a poet to be interested in the welfare of one of the sweetest scenes of domestic peace and kindred love that ever I saw; as I think the peaceful unity of St. Margaret's Hill can only be excelled by the harmonious concord of the Apocalyptic Zion.

    I am, dear Sir, yours sincerely,

    ROBERT BURNS.

    ______________

    LIFE OF ROBERT BURNS.

    Robert Burns, the chief of the peasant poets of Scotland, was born in a little mud-walled cottage on the banks of Doon, near Alloway's auld haunted kirk, in the shire of Ayr, on the 25th day of January, 1759. As a natural mark of the event, a sudden storm at the same moment swept the land: the gabel-wall of the frail dwelling gave way, and the babe-bard was hurried through a tempest of wind and sleet to the shelter of a securer hovel. He was the eldest born of three sons and three daughters; his father, William, who in his native Kincardineshire wrote his name Burness, was bred a gardener, and sought for work in the West; but coming from the lands of the noble family of the Keiths, a suspicion accompanied him that he had been out--as rebellion was softly called--in the forty-five: a suspicion fatal to his hopes of rest and bread, in so loyal a district; and it was only when the clergyman of his native parish certified his loyalty that he was permitted to toil. This suspicion of Jacobitism, revived by Burns himself, when he rose into fame, seems not to have influenced either the feelings, or the tastes of Agnes Brown, a young woman on the Doon, whom he wooed and married in December, 1757, when he was thirty-six years old. To support her, he leased a small piece of ground, which he converted into a nursery and garden, and to shelter her, he raised with his own hands that humble abode where she gave birth to her eldest son.

    The elder Burns was a well-informed, silent, austere man, who endured no idle gaiety, nor indecorous language: while he relaxed somewhat the hard, stern creed of the Covenanting times, he enforced all the work-day, as well as sabbath-day observances, which the Calvinistic kirk requires, and scrupled at promiscuous dancing, as the staid of our own day scruple at the waltz. His wife was of a milder mood: she was blest with a singular fortitude of temper; was as devout of heart, as she was calm of mind; and loved, while busied in her household concerns, to sweeten the bitterer moments of life, by chanting the songs and ballads of her country, of which her store was great. The garden and nursery prospered so much, that he was induced to widen his views, and by the help of his kind landlord, the laird of Doonholm, and the more questionable aid of borrowed money, he entered upon a neighbouring farm, named Mount Oliphant, extending to an hundred acres. This was in 1765; but the land was hungry and sterile; the seasons proved rainy and rough; the toil was certain, the reward unsure; when to his sorrow, the laird of Doonholm--a generous Ferguson,--died: the strict terms of the lease, as well as the rent, were exacted by a harsh factor, and with his wife and children, he was obliged, after a losing struggle of six years, to relinquish the farm, and seek shelter on the grounds of Lochlea, some ten miles off, in the parish of Tarbolton. When, in after-days, men's characters were in the hands of his eldest son, the scoundrel factor sat for that lasting portrait of insolence and wrong, in the Twa Dogs.

    In this new farm William Burns seemed to strike root, and thrive. He was strong of body and ardent of mind: every day brought increase of vigour to his three sons, who, though very young, already put their hands to the plough, the reap-hook, and the flail. But it seemed that nothing which he undertook was decreed in the end to prosper: after four seasons of prosperity a change ensued: the farm was far from cheap; the gains under any lease were then so little, that the loss of a few pounds was ruinous to a farmer: bad seed and wet seasons had their usual influence: The gloom of hermits and the moil of galley-slaves, as the poet, alluding to those days, said, were endured to no purpose; when, to crown all, a difference arose between the landlord and the tenant, as to the terms of the lease; and the early days of the poet, and the declining years of his father, were harassed by disputes, in which sensitive minds are sure to suffer.

    Amid these labours and disputes, the poet's father remembered the worth of religious and moral instruction: he took part of this upon himself. A week-day in Lochlea wore the sober looks of a Sunday: he read the Bible and explained, as intelligent peasants are accustomed to do, the sense, when dark or difficult; he loved to discuss the spiritual meanings, and gaze on the mystical splendours of the Revelations. He was aided in these labours, first, by the schoolmaster of Alloway-mill, near the Doon; secondly, by John Murdoch, student of divinity, who undertook to teach arithmetic, grammar, French, and Latin, to the boys of Lochlea, and the sons of five neighboring farmers. Murdoch, who was an enthusiast in learning, much of a pedant, and such a judge of genius that he thought wit should always be laughing, and poetry wear an eternal smile, performed his task well: he found Robert to be quick in apprehension, and not afraid to study when knowledge was the reward. He taught him to turn verse into its natural prose order; to supply all the ellipses, and not to desist till the sense was clear and plain: he also, in their walks, told him the names of different objects both in Latin and French; and though his knowledge of these languages never amounted to much, he approached the grammar of the English tongue, through the former, which was of material use to him, in his poetic compositions. Burns was, even in those early days, a sort of enthusiast in all that concerned the glory of Scotland; he used to fancy himself a soldier of the days of the Wallace and the Bruce: loved to strut after the bag-pipe and the drum, and read of the bloody struggles of his country for freedom and existence, till a Scottish prejudice, he says, was poured into my veins, which will boil there till the flood-gates of life are shut in eternal rest.

    In this mood of mind Burns was unconsciously approaching the land of poesie. In addition to the histories of the Wallace and the Bruce, he found, on the shelves of his neighbours, not only whole bodies of divinity, and sermons without limit, but the works of some of the best English, as well as Scottish poets, together with songs and ballads innumerable. On these he loved to pore whenever a moment of leisure came; nor was verse his sole favourite; he desired to drink knowledge at any fountain, and Guthrie's Grammar, Dickson on Agriculture, Addison's Spectator, Locke on the Human Understanding, and Taylor's Scripture Doctrine of Original Sin, were as welcome to his heart as Shakspeare, Milton, Pope, Thomson, and Young. There is a mystery in the workings of genius: with these poets in his head and hand, we see not that he has advanced one step in the way in which he was soon to walk, Highland Mary and Tam O' Shanter sprang from other inspirations.

    Burns lifts up the veil himself, from the studies which made him a poet. In my boyish days, he says to Moore, I owed much to an old woman (Jenny Wilson) who resided in the family, remarkable for her credulity and superstition. She had, I suppose, the largest collection in the country of tales and songs, concerning devils, ghosts, fairies, brownies, witches, warlocks, spunkies, kelpies, elf-candles, dead-lights, wraiths, apparitions, cantraips, giants, enchanted towers, dragons, and other trumpery. This cultivated the latent seeds of poesie; but had so strong an effect upon my imagination that to this hour, in my nocturnal rambles, I sometimes keep a look-out on suspicious places. Here we have the young poet taking lessons in the classic lore of his native land: in the school of Janet Wilson he profited largely; her tales gave a hue, all their own, to many noble effusions. But her teaching was at the hearth-stone: when he was in the fields, either driving a cart or walking to labour, he had ever in his hand a collection of songs, such as any stall in the land could supply him with; and over these he pored, ballad by ballad, and verse by verse, noting the true, tender, and the natural sublime from affectation and fustian. To this, he said, I am convinced that I owe much of my critic craft, such as it is. His mother, too, unconsciously led him in the ways of the muse: she loved to recite or sing to him a strange, but clever ballad, called the Life and Age of Man: this strain of piety and imagination was in his mind when he wrote Man was made to Mourn.

    He found other teachers--of a tenderer nature and softer influence. You know, he says to Moore, our country custom of coupling a man and woman together as partners in the labours of harvest. In my fifteenth autumn my partner was a bewitching creature, a year younger than myself: she was in truth a bonnie, sweet, sonsie lass, and unwittingly to herself, initiated me in that delicious passion, which, in spite of acid disappointment, gin-horse prudence, and bookworm philosophy, I hold to be the first of human joys. How she caught the contagion I cannot tell; I never expressly said I loved her: indeed I did not know myself why I liked so much to loiter behind with her, when returning in the evenings from our labours; why the tones of her voice made my heart strings thrill like an AEolian harp, and particularly why my pulse beat such a furious ratan, when I looked and fingered over her little hand, to pick out the cruel nettle-stings and thistles. Among other love-inspiring qualities, she sang sweetly, and it was her favourite reel to which I attempted to give an embodied vehicle in rhyme; thus with me began love and verse. This intercourse with the fair part of the creation, was to his slumbering emotions, a voice from heaven to call them into life and poetry.

    From the school of traditionary lore and love, Burns now went to a rougher academy. Lochlea, though not producing fine crops of corn, was considered excellent for flax; and while the cultivation of this commodity was committed to his father and his brother Gilbert, he was sent to Irvine at Midsummer, 1781, to learn the trade of a flax-dresser, under one Peacock, kinsman to his mother. Some time before, he had spent a portion of a summer at a school in Kirkoswald, learning mensuration and land-surveying, where he had mingled in scenes of sociality with smugglers, and enjoyed the pleasure of a silent walk, under the moon, with the young and the beautiful. At Irvine he laboured by day to acquire a knowledge of his business, and at night he associated with the gay and the thoughtless, with whom he learnt to empty his glass, and indulge in free discourse on topics forbidden at Lochlea. He had one small room for a lodging, for which he gave a shilling a week: meat he seldom tasted, and his food consisted chiefly of oatmeal and potatoes sent from his father's house. In a letter to his father, written with great purity and simplicity of style, he thus gives a picture of himself, mental and bodily: Honoured Sir, I have purposely delayed writing, in the hope that I should have the pleasure of seeing you on new years' day, but work comes so hard upon us that I do not choose to be absent on that account. My health is nearly the same as when you were here, only my sleep is a little sounder, and on the whole, I am rather better than otherwise, though I mend by very slow degrees: the weakness of my nerves had so debilitated my mind that I dare neither review past wants nor look forward into futurity, for the least anxiety or perturbation in my breast produces most unhappy effects on my whole frame. Sometimes indeed, when for an hour or two my spirits are a little lightened, I _glimmer_ a little into futurity; but my principal and indeed my only pleasurable employment is looking backwards and forwards in a moral and religious way. I am quite transported at the thought that ere long, perhaps very soon, I shall bid an eternal adieu to all the pains and uneasinesses, and disquietudes of this weary life. As for the world, I despair of ever making a figure in it: I am not formed for the bustle of the busy, nor the flutter of the gay. I foresee that poverty and obscurity probably await me, and I am in some measure prepared and daily preparing to meet them. I have but just time and paper to return you my grateful thanks for the lessons of virtue and piety you have given me, which were but too much neglected at the time of giving them, but which, I hope, have been remembered ere it is yet too late. This remarkable letter was written in the twenty-second year of his age; it alludes to the illness which seems

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