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Woodlands: Knitting Patterns Inspired by Designers on the North Coast of California
Woodlands: Knitting Patterns Inspired by Designers on the North Coast of California
Woodlands: Knitting Patterns Inspired by Designers on the North Coast of California
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Woodlands: Knitting Patterns Inspired by Designers on the North Coast of California

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Inspired community collaborates to create beauty.
LanguageEnglish
PublisherAuthorHouse
Release dateMay 24, 2013
ISBN9781481753234
Woodlands: Knitting Patterns Inspired by Designers on the North Coast of California
Author

Laura Lamers

Laura Lamers owner of NorthCoast Knittery was inspired by her customers creativity and love of knitting. Laura reached out to her customers and created a designers group, from which our first book "Woodlands" was born. Laura is an entrepreneur, technology consultant and owner of NorthCoast Knittery. Suzanne Ross-Kohl has been knitting forever and tweaking or creating patterns for nearly as long. Sherry Lisby works in financial services and taught herself how to knit five years ago and has not looked back since. Corrie Daer grew up in Chicago studied art & design and has been knitting for forty plus years. Catherine Brown works as a costume designer and is responsible for the HSU costume shop. Catherine rediscovered her love for knitting ten years ago. Connie Anderholm A knitter for 50 years, she loves all things fiber. Connie spins and weaves as well. Barbara Benedict is a Clinical Laboratory Scientist and has been knitting for forty plus years. Harry Wells retired professor and Associate Dean at Humboldt State University knitted as a hobby. Now Harry's hobby is his passion published in several knitting magazines and shop manager for NorthCoast Knittery. Sara Williamson has been knitting for over 20 years and cannot get enough of it. She is happiest with needles in hands. Becky Salstrom was a former school teacher. Becky loves the fiber arts and explores all aspects.

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    Book preview

    Woodlands - Laura Lamers

    AuthorHouse™

    1663 Liberty Drive

    Bloomington, IN 47403

    www.authorhouse.com

    Phone: 1-800-839-8640

    © 2013 . All rights reserved.

    No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.

    Published by AuthorHouse 5/21/2013

    ISBN: 978-1-4817-5322-7 (sc)

    ISBN: 978-1-4817-5323-4 (e)

    Library of Congress Control Number: 2013908842

    Photography by E. Christian Wisner.

    www.ecwisner.com

    Garments provided by:

    Alirose Boutique, Eureka, Ca

    www.alirosebotique.com

    Edited By:

    Bethany Wells

    Harry Wells

    Laura Lamers

    Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid.

    The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

    missing image file

    Contents

    Abbreviations

    Liana

    Ainsley

    Culley

    Haslett

    Renshaw

    Colburn

    Arden

    Eira

    Gerbera

    Abbreviations

    BO = bind off

    CO = cast on

    CC = Constrasting color

    dpn = double pointed needle

    k = knit

    kfb = Knit in front and back of stitch (increase)

    kw = knitwise

    k2tog = knit two stitiches together (decrease)

    LH = left hand (as in needle)

    MC = Main Color

    M1 = make 1 stitch (increase)

    M1L = make one left slanting

    M1R = make one right slanting

    P = purl

    P2 tog = purl 2 stitches together

    pm = place marker

    psso = pass slipped st over

    rd = round

    RH = right hand (as in needle)

    RS = right side of knitting

    sl = slip

    sl m = slip marker

    ssk = slip, slip, knit (decrease)

    st = stitch

    st st = stockinette stitch

    tbl = through back loop

    WS = wrong side of knitting

    wyib = with yarn in back

    wyif = with yarn in front

    yo = yarn over

    9781481753234.pdf

    Liana

    Designer: Catherine L. Brown

    Wood_0423_cc-2.jpg

    The idea for this pattern came from the old-fashioned needlework or embroidery samplers that children used to do to learn their stitches. It features 4 different lace patterns, one border pattern and one edging pattern. This pattern looks complicated at first glance because of the various lace patterns. Nothing could be further from the truth. It is simplicity itself. The four lace patterns are all lace knitting, meaning the wrong side rows are purl. A class by Franklin Habit inspired the pattern, where he kindly demystified the process of knitting lace. This pattern is dedicated to him.

    Skill Level: Intermediate

    Size: As written, fits L/XL with bust measurement of 38-44. By eliminating the 2 edging stitches placed on both sides of each panel, it will decrease the total measurement by approx. 4 ½ to fit a 34-38 bust. The garment is not intended to close in the front but to fall smoothly from the shoulders with no front neck shaping.

    Materials:

    Rowan CashSoft 4 ply (Cashmere 10%, Merino Wool Extra Fine 57%, Acrylic Microfiber 33%), 175 yds/50g, Color #444, Amethyst, 7 balls

    US size 6/4mm – or size to obtain gauge.

    Gauge: 23 sts =4" unblocked in st st.

    Notes:

    Blocking: All pieces are wet blocked. Body pieces – i.e. back, sides and side fronts and side backs – shape and pin. Let dry. Sleeves and bobble border, shape but do not pin.

    Binding Off: Use the following stretchy bind off. Go up 1 needle size for bind off. K2tog the back loop. Slip stitch back to left needle. Repeat to end. Break yarn leaving long tail. Pull through last loop. Weave in end.

    Seaming: The object of knitting into the back loop of the last stitch of each row and then slipping the first stitch of the next row with yarn in front is to create a chain edge that makes the sewing together clean and easy. I love construction. I love seeing the bones of a garment. It is up to you whether you choose to emphasize the seams or hide them.

    Size: If wearer has a short/petite or long torso, the number of rows can be adjusted so that back line of border frill hits at the back waist point. The adjustments should take place in the lace panels and will have to be done for all 7 body panels. The sleeves are knit to be ¾ length. If the wearer wishes long sleeves

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