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The Binding

The Binding

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The Binding

évaluations:
4/5 (47 évaluations)
Longueur:
546 pages
9 heures
Éditeur:
Sortie:
Apr 9, 2019
ISBN:
9780062838117
Format:
Livre

Description

NATIONAL BESTSELLER

A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE

Proclaimed as “truly spellbinding,” a “great fable” that “functions as transporting romance” by the Guardian, the runaway #1 international bestseller

"A rich, gothic entertainment that explores what books have trapped inside them and reminds us of the power of storytelling. Spellbinding.” — TRACY CHEVALIER

Imagine you could erase grief.
Imagine you could remove pain.
Imagine you could hide the darkest, most horrifying secret.
Forever.

Young Emmett Farmer is working in the fields when a strange letter arrives summoning him away from his family. He is to begin an apprenticeship as a Bookbinder—a vocation that arouses fear, superstition, and prejudice amongst their small community, but one neither he nor his parents can afford to refuse.

For as long as he can recall, Emmett has been drawn to books, even though they are strictly forbidden. Bookbinding is a sacred calling, Seredith informs her new apprentice, and he is a binder born. Under the old woman’s watchful eye, Emmett learns to hand-craft the elegant leather-bound volumes. Within each one they will capture something unique and extraordinary: a memory. If there’s something you want to forget, a binder can help. If there’s something you need to erase, they can assist. Within the pages of the books they create, secrets are concealed and the past is locked away. In a vault under his mentor’s workshop rows upon rows of books are meticulously stored.

But while Seredith is an artisan, there are others of their kind, avaricious and amoral tradesman who use their talents for dark ends—and just as Emmett begins to settle into his new circumstances, he makes an astonishing discovery: one of the books has his name on it. Soon, everything he thought he understood about his life will be dramatically rewritten.

An unforgettable novel of enchantment, mystery, memory, and forbidden love, The Binding is a beautiful homage to the allure and life-changing power of books—and a reminder to us all that knowledge can be its own kind of magic.

Éditeur:
Sortie:
Apr 9, 2019
ISBN:
9780062838117
Format:
Livre

À propos de l'auteur

Bridget Collins trained as an actor at the London Academy of Music and Dramatic Art after reading English at King's College, Cambridge. She is the author of seven acclaimed books for young adults and has had two plays produced, one at the Edinburgh Festival Fringe. THE BINDING is her first adult novel.

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The Binding - Bridget Collins

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Part I

One

WHEN THE LETTER came, I was out in the fields, binding up my last sheaf of wheat with hands that were shaking so much I could hardly tie the knot. It was my fault we’d had to do it the old-fashioned way, and I’d be damned if I was going to give up now; I had battled through the heat of the afternoon, blinking away the patches of darkness that flickered at the sides of my vision, and now it was nightfall and I was almost finished. The others had left when the sun set, calling goodbyes over their shoulders, and I was glad. At least now I was alone I didn’t have to pretend I could work at the same pace as them. I kept going, trying not to think about how easy it would have been with the reaping machine. I’d been too ill to check the machinery—not that I remembered much; between the flashes of lucidity, the summer was nothing but echoes and ghosts and dark aching gaps—and no one else had thought to do it, either. Every day I stumbled on some chore that hadn’t been done; Pa had done his best, but he couldn’t do everything. Because of me, we’d be behind all year.

I pulled the stems tight round the waist of the sheaf and stacked it against the others. Done. I could go home now . . . But there were shadows pulsing and spinning around me, deeper than the blue-violet dusk, and my knees were trembling. I dropped into a crouch, catching my breath at the pain in my bones. Better than it had been—better than the splintery, sickening spasms that had come unpredictably for months—but still I felt as brittle as an old man. I clenched my jaw. I was so weak I wanted to cry; but I wasn’t going to, I’d die first, even if the only eye on me was the full, fat harvest moon.

Emmett? Emmett!

It was only Alta, winding her way through the stooks towards me, but I pushed myself to my feet and tried to blink the giddiness away. Above me the sparse stars slid one way and then the other. I cleared my throat. Here.

Why didn’t you get one of the others to finish? Ma was worried when they came back down the lane and you weren’t with—

She didn’t need to be worried. I’m not a child. My thumb was bleeding where a sharp stalk had pierced the skin. The blood tasted of dust and fever.

Alta hesitated. A year ago I’d been as strong as any of them. Now she was looking at me with her head on one side, as if I was younger than she was. No, but—

I wanted to watch the moon rise.

’Course you did. The twilight softened her features, but I could still see the shrewdness in her gaze. We can’t make you rest. If you don’t care about getting well—

You sound like her. Like Ma.

Because she’s right! You can’t expect to snap back as if nothing’s happened, not when you were as ill as you were.

Ill. As if I’d been languishing in bed with a cough, or vomiting, or covered with pustules. Even through the haze of nightmares I could remember more than they realized; I knew about the screaming and the hallucinations, the days when I couldn’t stop crying or didn’t know who anyone was, the night when I broke the window with my bare hands. I wished I had spent days shitting my guts helplessly into a pot; it would have been better than still having marks on my wrists where they’d had to tie me down. I turned away from her and concentrated on sucking the cut at the base of my thumb, worrying at it with my tongue until I couldn’t taste blood anymore.

Please, Emmett, Alta said, and brushed the collar of my shirt with her fingers. You’ve done as good a day’s work as anyone. Now will you come home?

All right. A breeze lifted the hairs on the back of my neck. Alta saw me shiver and dropped her eyes. What’s for dinner, then?

She flashed her gappy teeth in a grin. Nothing, if you don’t hurry up.

Fine. I’ll race you back.

Challenge me again when I’m not wearing stays. She turned away, her dusty skirts flaring about her ankles. When she laughed she still looked like a child, but the farmhands had already started sniffing round her; in some lights now she looked like a woman.

I trudged beside her, so exhausted I felt drunk. The darkness thickened, pooling under trees and in hedges, while the moonlight bleached the stars out of the sky. I thought of cold well water, clear as glass, with tiny green flecks gathering at the bottom—or, no, beer, grassy and bitter, the color of amber, flavored with Pa’s special blend of herbs. It would send me straight to sleep, but that was good: all I wanted was to go out like a candle, into dreamless unconsciousness. No nightmares, no night terrors, and to wake in the morning to clean new sunlight.

The clock in the village struck nine as we went through the gate in the yard. I’m famished, Alta said, they sent me out to find you before I could—

My mother’s voice cut her off. She was shouting.

Alta paused, while the gate swung closed behind us. Our eyes met. A few fragments of words drifted across the yard: How can you say . . . we can’t, we simply can’t . . .

The muscles in my legs were shaking from standing still. I reached out and steadied myself against the wall, wishing my heart would slow down. A wedge of lamplight was shining through a gap in the kitchen curtains; as I watched, a shadow crossed and crossed again. My father, pacing.

We can’t stay out here all night, Alta said, the words almost a whisper.

It’s probably nothing. They’d quarreled all week about the reaping machine, and why no one had checked it earlier. Neither of them mentioned that it should have been my job.

A thud: fists on the kitchen table. Pa raised his voice. What do you expect me to do? Say no? That bloody witch will put a curse on us quick as—

She already has! Look at him, Robert—what if he never gets better? It’s her fault—

His own fault, you mean—if he— For a second a high note rang in my ears, drowning out Pa’s voice. The world slipped and righted itself, as if it had juddered on its axis. I swallowed a bubble of nausea. When I could concentrate again, there was silence.

We don’t know that, Pa said at last, just loud enough for us to hear. She might help him. All those weeks she wrote to ask how he was doing.

"Because she wanted him! No, Robert, no, I won’t let it happen, his place is here with us, whatever he’s done, he’s still our son—and her, she gives me the creeps—"

You’ve never met her. It wasn’t you that had to go out there and—

I don’t care! She’s done enough. She can’t have him.

Alta glanced at me. Something changed in her face, and she took hold of my wrist and pulled me forward. We’re going inside, she said, in the high, self-conscious voice she used to call to the chickens. "It’s been a long day, you must be ravenous, I know I am. There better be some pie left, or I will kill someone. With a fork through the heart. And eat them. She paused in front of the door and added, With mustard." Then she flung it open.

My parents were standing at either end of the kitchen: Pa by the window, his back turned to us, Ma at the fireplace with red blotches on her face like rouge. Between them, on the table, was a sheet of thick, creamy paper and an open envelope. Ma looked swiftly from Alta to me and took a half step towards it.

Dinner, Alta said. Emmett, sit down, you look like you’re about to faint. Heavens, no one’s even laid the table. I hope the pie’s in the oven. She put a pile of plates down beside me. Bread? Beer? Honestly, I might as well be a scullery maid . . . She disappeared into the pantry.

Emmett, Pa said, without turning round. There’s a letter on the table. You’d better read it.

I slid it towards me. The writing blurred into a shapeless stain on the paper. My eyes are too dusty. Tell me what it says.

Pa bowed his head, the muscles bunching in his neck as if he was dragging something heavy. The binder wants an apprentice.

Ma made a sound like a bitten-off word.

I said, An apprentice?

There was silence. A slice of moon shone through the gap in the curtains, covering everything in its path with silver. It made Pa’s hair look greasy and gray. You, he said.

Alta was standing in the pantry doorway, cradling a jar of pickles. For a second I thought she was going to drop it, but she set it down carefully on the dresser. The knock of glass on wood was louder than the smash would have been.

I’m too old to be an apprentice.

Not according to her.

I thought . . . My hand flattened on the table: a thin white hand that I hardly recognized. A hand that couldn’t do an honest day’s work. I’m getting better. Soon . . . I stopped, because my voice was as unfamiliar as my fingers.

It’s not that, son.

I know I’m no use now—

Oh, sweetheart, Ma said. It’s not your fault—it’s not because you’ve been ill. Soon you’ll be back to your old self again. If that was all . . . You know we always thought you’d run the farm with your father. And you could have done, you still could—but . . . Her eyes went to Pa’s. We’re not sending you away. She’s asking for you.

I don’t know who she is.

Binding’s . . . a good craft. An honest craft. It’s nothing to be afraid of. Alta knocked against the dresser, and Ma glanced over her shoulder as she swung her arm out swiftly to stop a plate from slipping to the floor. Alta, be careful.

My heart skipped and drummed. But . . . you hate books. They’re wrong. You’ve always told me—when I brought that book home from Wakening Fair—

A look passed between them, too quick to interpret. Pa said, Never mind about that now.

But . . . I turned back to Ma. I couldn’t put it into words: the swift change of subject if someone even mentioned a book, the shiver of distaste at the word, the look on their faces . . . The way she’d dragged me grimly past a sordid shopfront—A. Fogatini, Pawnbroker and Licens’d Bookseller—one day when I was small and we got lost in Castleford. "What do you mean, it’s a good craft?"

It’s not . . . Ma drew in her breath. Maybe it’s not what I would have wanted, before—

Hilda. Pa dug his fingers into the side of his neck, kneading the muscle as though it ached. You don’t have a choice, lad. It’ll be a steady life. It’s a long way from anywhere, but that’s not a bad thing. Quiet. No hard labor, no one to tempt you off the straight and narrow . . . He cleared his throat. And they’re not all like her. You settle down and learn the trade, and then . . . Well. There’re binders in town who have their own carriages.

A tiny silence. Alta tapped the top of a jar with her fingernail and glanced at me.

But I don’t—I’ve never—what makes her think that I—? Now none of them would meet my eyes. What do you mean, I’ve got no choice?

No one answered. Finally Alta strode across the room and picked up the letter. ‘As soon as he is able to travel,’ she read out. ‘The bindery can be very cold in winter. Please make sure he has warm clothes.’ Why did she write to you and not Emmett? Doesn’t she know he can read?

It’s the way they all do it, Pa said. You ask the parents for an apprentice, that’s how it works.

It didn’t matter. My hands on the table were all tendons and bones. A year ago they’d been brown and muscled, almost a man’s hands; now they were no one’s. Fit for nothing but a craft my parents despised. But why would she have chosen me, unless they’d asked her to? I spread my fingers and pressed, as if I could absorb the strength of the wood through the skin of my palms.

What if I say no?

Pa clumped across to the cupboard, bent down, and pulled out a bottle of blackberry gin. It was fierce, sweet stuff that Ma doled out for festivals or medicinal purposes, but he poured himself half a mug of it and she didn’t say a word. There’s no place for you here. Maybe you should be grateful. This’ll be something you can do. He tossed half the gin down his throat and coughed.

I drew in my breath, determined not to let my voice crack. When I’m better, I’ll be just as strong as—

Make the best of it, he said.

But I don’t—

Emmett, Ma said, please . . . it’s the right thing. She’ll know what to do with you.

"What to do with me?"

I only mean—if you get ill again, she’ll—

Like in a lunatic asylum? Is that it? You’re packing me off to somewhere miles from anywhere because I might lose my wits again at any moment?

"She wants you, Ma said, clutching her skirts as if she was trying to squeeze water out of them. I wish you didn’t have to go."

Then I won’t go!

You’ll go, boy, Pa said. Heaven knows you’ve brought enough trouble on this house.

Robert, don’t—

You’ll go. If I have to truss you up and leave you on her doorstep, you’ll go. Be ready tomorrow.

Tomorrow? Alta spun round so fast her plait swung out like a rope. He can’t go tomorrow, he’ll need time to pack—and there’s the harvest, the harvest supper . . . Please, Pa.

"Shut up!"

Silence.

Tomorrow? The blotches on Ma’s cheeks had spread into a flush of scarlet. We never said . . . Her voice trailed off. My father finished his gin, swallowing with a grimace as if his mouth was full of stones.

I opened my mouth to tell her it was all right, I’d go, they wouldn’t have to worry about me anymore; but my throat was too dry from the reaping.

A few more days. Robert, the other apprentices don’t go until after the harvest—and he’s still not well, a couple of days . . .

They’re younger than he is. And he’s well enough to travel, if he did a day in the fields.

Yes, but . . . She moved towards him and caught his arm so that he couldn’t turn away. A little more time.

For pity’s sake, Hilda! He made a choking sound and tried to wrench himself away. Don’t make this any harder. You think I want to let him go? You think that after we tried so hard—fought to keep a pure house—you think I’m proud of it, when my own father lost an eye marching in the Crusade?

Ma glanced at Alta and me. Not in front of—

What does it matter now? He wiped his forearm across his face; then with a helpless gesture he flung the mug to the floor. It didn’t break. Alta watched it roll towards her and stop. Pa turned his back on us and bent over the dresser as if he was trying to catch his breath. There was a silence.

I’ll go, I said, I’ll go tomorrow. I couldn’t look at any of them. I got up, hitting my knee against the corner of the table as I pushed back my chair. I struggled to the door. The latch seemed smaller and stiffer than it usually was, and the clunk as it opened echoed off the walls.

Outside, the moon divided the world into deep blue and silver. The air was warm and as soft as cream, scented with hay and summer dust. An owl chuckled in the near field.

I reeled across to the far side of the yard and leant against the wall. It was hard to breathe. Ma’s voice hung in my ears: That bloody witch will put a curse on us. And Pa, answering: She already has.

They were right; I was good for nothing. Misery rose inside me, as strong as the stabbing pains in my legs. Before this, I’d never been ill in my life. I never knew that my body could betray me, that my mind could go out like a lamp and leave nothing but darkness. I couldn’t remember getting sick; if I tried, all I saw was a mess of nightmare-scorched fragments. Even my memories of my life before that—last spring, last winter—were tinged with the same gangrenous shadow, as if nothing was healthy anymore. I knew that I’d collapsed after midsummer, because Ma had told me so, and that I’d been on the way home from Castleford; but no one had explained where I’d been, or what had happened. I must have been driving the cart—without a hat, under a hot sun, probably—but when I tried to think back there was nothing but a rippling mirage, a last vertiginous glimpse of sunlight before the blackness swallowed me. For weeks afterwards, I’d only surfaced to scream and struggle and beg them to untie me. No wonder they wanted to get rid of me.

I closed my eyes. I could still see the three of them, their arms round one another. Something whispered behind me, scratching in the wall like dry claws. It wasn’t real, but it drowned out the owl and the rustle of trees. I rested my head on my arms and pretended I couldn’t hear it.

* * *

I MUST HAVE drawn back instinctively into the deepest corner of darkness, because when I opened my eyes Alta was in the middle of the yard, calling my name without looking in my direction. The moon had moved; now it was over the gable of the farmhouse and all the shadows were short and squat.

Emmett?

Yes, I said. Alta jumped and took a step forward to peer at me.

What are you doing there? Were you asleep?

No.

She hesitated. Behind her the light from a lamp crossed the upper window as someone went to bed. I started to pull myself to my feet and paused, wincing, as pain stabbed into my joints.

She watched me get up, without offering to help. Did you mean it? That you’d go? Tomorrow?

Pa meant it when he said I didn’t have any choice.

I waited for her to disagree. Alta was clever like that, finding new paths or different ways of doing things, picking locks. But she only tilted her face upwards as if she wanted the moonlight to bleach her skin. I swallowed. The stupid dizziness had come back—suddenly, dragging me one way and then another—and I swayed against the wall and tried to catch my breath.

Emmett? Are you all right? She bit her lip. No, of course not. Sit down.

I didn’t want to obey her, but my knees folded of their own accord. I closed my eyes and inhaled the night smells of hay and cooling earth, the overripe sweetness of crushed weeds and a rank hint of manure. Alta’s skirts billowed and rustled as she sank down beside me.

I wish you didn’t have to go.

I raised one shoulder without looking at her and let it drop again.

But . . . maybe it’s the best thing . . .

How can it be? I swallowed, trying to fill the crack in my voice. All right, I understand. I’m no use here. You’ll all be better off when I’m—wherever she is, this binder.

Out on the marshes, on the Castleford road.

Right. What would the marshes smell of? Stagnant water, rotting reeds. Mud. Mud that swallowed you alive if you went too far from the road, and never spat you back . . . How do you know so much about it?

Ma and Pa are only thinking about you. After everything that’s happened . . . You’ll be safe there.

That’s what Ma said.

A pause. She began to gnaw at her thumbnail. In the orchard below the stables a nightingale gurgled and then gave up.

You don’t know what it’s been like for them, Emmett. Always afraid. You owe them some peace.

It’s not my fault I was ill!

It’s your fault you— She huffed out her breath. No, I know, I didn’t mean . . . just that we all need . . . please don’t be angry. It’s a good thing. You’ll learn a trade.

Yes. Making books.

She flinched. She chose you. That must mean—

What does it mean? How can she have chosen me, when she’s never even seen me? I thought Alta started to speak, but when I turned my head, she was staring up at the moon, her face expressionless. Her cheeks were thinner than they had been before I got ill, and the skin under her eyes looked as if it had been smudged with ash. She was a stranger, out of reach.

She said, as if it was an answer, I’ll come and see you whenever I can . . .

I let my head roll back until I felt the stone wall against my skull. They talked you round, didn’t they?

I’ve never seen Pa like that, she said. So angry.

I have, I said. He hit me, once.

Yes, she said, well, I suppose you— She stopped.

When I was small, I said. You weren’t old enough to remember. It was the day of Wakening Fair.

Oh. When I glanced up, her eyes flickered away. No. I don’t remember that.

I bought . . . there was a man, selling books. I could recall the clink of my errand money in my pocket that day—sixpence in farthings, so bulky they bulged through my trousers—and the heady, carefree feeling of going to Wakening Fair and slipping away from the others, wondering what I’d buy. I’d wandered past the meat and chickens, the fish from Coldwater and the patterned cottons from Castleford, paused at the sweetmeat stall and then turned towards another a little farther away, where I’d caught a glimpse of gold and rich colors. It was hardly a stall at all, only a trestle table guarded by a man with restless eyes, but it was piled high with books. It was the first time I’d seen them. I didn’t know what they were.

That curious, wary expression was on Alta’s face again. You mean . . . ?

Forget it. I didn’t know why I was telling her; I didn’t want to remember. But now I couldn’t stop the memory unfolding. I’d thought they were boxes, small gilt-and-leather chests to hold things like Ma’s best silver or Pa’s chessmen. I’d sauntered over, jingling my money, and the man had glanced over both shoulders before he grinned at me. Ah, what a golden-haired little prince! Come for a story, young sir? A tale of murder or incest, shame or glory, a love so piercing it was best forgotten, or a deed of darkness? You’ve come to the right man, young sir, these are the crème de la crème, these will tell you true and harrowing tales, violent and passionate and exciting—or if it’s comedy you’re after, I have some of those too, rarest of all, the things people get rid of! Have a look, young sir, cast your eyes over this one . . . Bound by a master in Castleford, years ago.

I hated the way he called me young sir, but the book fell open as he passed it to me and I couldn’t give it back. As soon as I saw the writing on the pages I understood: this was lots of pages all squashed together—like letters, lots of letters, only in a better box—and a story that went on and on. How much is it?

Ah, that one, young sir. You have wonderful taste for a young’un, that’s a special one, a real adventure story, sweeps you off your feet like a cavalry charge. Ninepence for it. Or two for a shilling.

I wanted it. I didn’t know why, except that my fingertips were prickling. I only have sixpence.

I’ll take that, he said, clicking his fingers at me. The wide smile had gone; when I followed his darting gaze I saw a knot of men gathering a little way off, muttering.

Here. I emptied my pocketful of farthings into his palm. He let one drop, but he was still staring at the men and didn’t stoop to pick it up. Thank you.

I took the book and hurried away, triumphant and uneasy. When I reached the bustle of the main market I stopped and turned to look: the group of men was advancing on the man’s stall as he threw the books frantically into the battered little cart behind him.

Something warned me not to stare. I ran home, holding the book through my shirt cuff so that I didn’t stain the cover with my sweaty fingers. I sat on the barn steps in the sun—no one would see me, they were still at the fair—and examined it. It wasn’t like anything I’d ever seen. It was a deep, heavy red, patterned with gold, and it was as soft to the touch as skin. When I opened the cover, the scent of must and wood rose up as though it hadn’t been touched for years.

It sucked me in.

It was set in an army camp in a foreign country, and at first it was confusing: full of captains and majors and colonels, arguments about military tactics and a threat of court-martial. But something made me go on reading: I could see it, every detail, I could hear the horses and the snap of wind against the canvas, feel my own heart quicken at the smell of gunpowder . . . I stumbled on, absorbed in spite of myself, and slowly I understood that they were on the eve of a battle, that the man in the book was a hero. When the sun rose, he was going to lead them to a glorious victory—and I could feel his excitement, his anticipation, I felt it myself—

What in hell’s name are you doing?

It broke the spell. I clambered instinctively to my feet, blinking through the haze. Pa—and the others behind him, Ma with Alta on her hip, everyone back from the fair already. Already . . . but it was getting dark.

Emmett, I asked what you were doing! But he didn’t wait for an answer before he plucked the book away from me. When he saw what it was, his face hardened. Where did you get this?

A man, I wanted to say, just a man at the fair, he had dozens and they looked like boxes of jewels, in leather and gold . . . But when I saw Pa’s expression, something shriveled in my voice box and I couldn’t speak.

Robert? What . . . ? Ma reached for it and then pulled away as if it had bitten her.

I’ll burn it.

No! Ma let Alta slip staggering to the ground, and stumbled forward to catch Pa’s arm. No, how could you? Bury it!

It’s old, Hilda. They’d all be dead, years ago.

You mustn’t. Just in case. Get rid of it. Throw it away.

For someone else to find?

You know you can’t burn it. For a moment they stared at each other, their faces strained. Bury it. Somewhere safe.

At last Pa gave a brief, curt nod. Alta gave a hiccup and started to whimper. Pa shoved the book at one of the farmhands. Here. Package this up. I’ll give it to the gravedigger. Then he turned back to me. Emmett, he said, don’t ever let me see you with a book again. You understand?

I didn’t. What had happened? I’d bought it, I hadn’t stolen it, but somehow I had done something unforgivable. I nodded, still reeling from the visions I’d seen. I’d been somewhere else, in another world.

Good. You remember that, Pa said.

Then he hit me.

Don’t ever let me see you with a book again.

But now they were sending me to the binder; as though whatever danger Pa had warned me against had been replaced by something worse. As though now I was the danger.

I looked sideways. Alta was staring down at her feet. No, she didn’t remember that day. No one had ever spoken about it again. No one had ever explained why books were shameful. Once, at school, someone had muttered something about old Lord Kent having a library; but when everyone snickered and rolled their eyes I didn’t ask why that was so bad. I’d read a book: whatever was wrong with him, I was the same. Under everything, deep inside me, the shame was still there.

And I was afraid. It was a creeping, formless fear, like the mist that came off the river. It slid chilly tendrils round me and into my lungs. I didn’t want to go anywhere near the binder; but I had to.

Alta—

I have to go in, she said, leaping to her feet. You’d better go up too, Em, you have to pack and it’s a long way to go tomorrow, isn’t it? Good night. She scampered away across the yard, fiddling with her plait all the way so I couldn’t glimpse her face. By the door she called again, See you tomorrow, without looking round. Maybe it was the echo off the stable wall that made it sound so false.

Tomorrow.

I watched the moon until the fear grew too big for me. Then I went to my room and packed my things.

Two

FROM THE ROAD, the bindery looked as if it was burning. The sun was setting behind us, and the red-gold blaze of the last sunlight was reflected in the windows. Under the dark thatch every pane was like a rectangle of flame, too steady to be fire but so bright I thought I could feel my palms prickle with the heat. It set off a shiver in my bones, as if I’d seen it in a dream.

I clutched the shabby sack in my lap and looked away. On the other side of us, under the setting sun, the marshes lay flat and endless: green speckled with bronze and brown, glinting with water. I could smell sodden grass and the day’s warmth evaporating. There was a rank moldering note under the scent of moisture, and the vast dying sky above us was paler than it should have been. My eyes ached, and my body was a map of stinging scratches from yesterday’s work in the fields. I should have been there now, helping with the harvest, but instead Pa and I were bouncing along this rough, sticky road, in silence. We hadn’t spoken since we set off before dawn, and there was still nothing to say. Words rose in my throat, but they burst like marsh bubbles, leaving nothing on my tongue but a faint taste of rot.

As we jolted along the final stretch of track to where it petered out in the long grass in front of the house, I sneaked a look at Pa’s face. The stubble on his chin was salted with white, and his eyes were sunken deeper than they’d been last spring. Everyone had grown older while I was ill; as if I’d woken up and found I’d slept for years.

We drew to a halt. We’re here.

A shudder went through me: I was either going to vomit or plead with Pa to take me home. I snatched the sack from my lap and jumped down, my knees nearly buckling when my feet hit the ground. There was a well-trodden path through the tufts of the grass to the front door of the house. I’d never been here before, but the off-key jangle of the bell was as familiar as a dream. I waited, so determined not to look back at Pa that the door shimmered and swayed.

Emmett. It was open, suddenly. For a moment all I took in was a pair of pale brown eyes, so pale the pupils were startlingly black. Welcome.

I swallowed. She was old—painfully, skeletally old—and white-haired, her face as creased as paper and her lips almost the same color as her cheeks; but she was as tall as me, and her eyes were as clear as Alta’s. She wore a leather apron, and a shirt and trousers, like a man. The hand that beckoned me inside was thin but muscular, the veins looped across the tendons in blue strings.

Seredith, she said. Come in.

I hesitated. It took me two heartbeats to understand that she’d told me her name.

Come in. She added, looking past me, Thank you, Robert.

I hadn’t heard Pa get down, but when I turned, he was there at my shoulder. He coughed and muttered, We’ll see you soon, Emmett, all right?

Pa—

He didn’t even glance in my direction. He gave the binder a long, helpless look; then he touched his forelock as if he didn’t know what else to do, and strode back to the cart. I started to call out, but a gust of wind snatched the words away, and he didn’t turn. I watched him clamber up to his seat and click to the mare.

Emmett. Her voice dragged me back to her. Come in. I could see that she wasn’t used to saying anything three times.

Yes. I was holding my sack of belongings so tightly my fingers ached. She’d called Pa Robert as if she knew him. I took one step and then another. Now I was over the threshold and in a dark-paneled hall, with a staircase rising in front of me. A tall clock ticked. On the left, there was a half-open door and a glimpse of the kitchen beyond; on the right, another door led to—

My knees went weak, like my hamstrings had been cut. The nausea widened and expanded, chewing on my insides. I was feverish and freezing, struggling to keep my balance as the world spun. I’d been here before—only I hadn’t—

Oh, damn it, the binder said, and reached out to take hold of me. All right, boy, breathe.

I’m fine, I said, and was proud of how distinctly I’d shaped the consonants. Then it all went black.

* * *

WHEN I WOKE, there was sunlight dancing on the ceiling in a billowing net, water wrinkles that overlapped the narrow rectangle of brightness that spilt between the curtains. The whitewashed walls looked faintly green, like the flesh of an apple, marred here and there with the solid froth of damp. Outside a bird whistled over and over again as if it was calling a name.

The binder’s house. I sat up, my heart suddenly thumping. But there was nothing to be afraid of, not yet—nothing here but myself and the room and the reflected sunshine. I found myself listening for the sounds of animals, the constant restlessness of a farmyard, but all I heard was the bird and the soft rattle of wind in the thatch. The faded curtains billowed and a wider band of light flared across the ceiling. The pillows smelt of lavender.

Last night . . .

I let my eyes rest on the opposite wall, following the bump and curve of a crack in the plaster. After I’d fainted, all I could remember was shadows and fear. Nightmares. In this clean daylight they seemed a long time ago; but they’d been bad, dragging me over and under the surface of sleep. I’d almost fought clear of them, once or twice, but then the weight of my own limbs had pulled me under again, into a choking black blindness like tar. A faint taste like burnt oil still lingered in the back of my mouth. They hadn’t been as bad as that for days. The draft raised goose pimples on my skin. Fainting like that, into Seredith’s arms . . . It must have been the fatigue of the journey, the headache, the sun in my eyes, and the sight of Pa driving away without a backwards glance.

My trousers and shirt were hanging on the back of a single chair. I got up and dragged them on with clumsy fingers, trying not to imagine Seredith undressing me. At least I was still wearing drawers. Apart from the chair and the bed, the room was mostly bare: a chest at the foot of the bed, a table next to the window, and the pale, flapping curtains. There were no pictures, and there was no looking glass. I didn’t mind that. At home I’d looked away when I walked past my reflection in the hall. Here I was invisible; here I could be part of the emptiness.

The whole house was quiet. When I walked out onto the landing, I could hear the birds calling across the marsh, and the tick of the clock in the hall below, and a dull banging from somewhere else; but underneath it all was a silence so deep that the sounds skittered over it like pebbles on ice. The breeze stroked the back of my neck and I caught myself glancing over my shoulder, as if there was someone there. The bare room dipped into gloom for a second as a cloud crossed the sun; then it shone brighter than ever, and the corner of one curtain snapped in the breeze like a flag.

I almost turned and climbed back into bed, like a child. But this house was where I lived, now. I couldn’t stay in my room for the rest of my life.

The stairs creaked under my feet. The banister was polished by years of use, but the dust spun thickly in the sunlight and the whitewashed plaster was bubbling off the wall. Older than our farmhouse, older than our village. How many binders had lived here? And when this binder—Seredith—died . . . One day, would this house be mine? I walked down the stairs slowly, as if I was afraid they’d give way.

The banging stopped, and I heard footsteps. Seredith opened one of the doors into the hall. Ah, Emmett. She didn’t ask me if I’d slept well. Come into the workshop.

I followed her. Something about the way she’d said my name made me clench my jaw, but she was my master now—no, my mistress; no, my master—and I had to obey her.

At the door of the workshop she paused. For an instant I thought she’d step back to let me go first; but then she strode across the room and bundled something swiftly into a cloth before I could see what it was. Come in, boy.

I stepped over the doorsill. It was a long, low room, full of morning light from the row of tall windows. Workbenches ran along both sides of the room, and between them were other things that I didn’t have names for yet. I took in the battered shine of old wood, the sharp glint of a blade, metal handles dark with grease . . . but there was too much to look at, and my eyes couldn’t stay on one thing for long. There was a stove at the far end of the room, surrounded by tiles in russet and ocher and green. Above my head papers hung over a wire, rich plain colors interspersed with pages patterned like stone or feathers or leaves. I caught myself reaching up to touch the nearest one: there was something about those vivid kingfisher-blue wings hanging above my head . . .

The binder put her bundle down and came towards me, pointing at things. Lay press. Nipping press. Finishing press. Plan chest—behind you, boy—tools in that cupboard and the next one along, leather and cloth next to that. Waste paper in that basket, ready for use. Brushes on that shelf, glue in there.

I couldn’t take it all in. After the first effort to remember, I gave up and waited for her to finish. At last she narrowed her eyes at me and said, Sit.

I felt strange. But not sick, exactly, and not afraid. It was as if something inside me was waking up and moving. The looping grain of the bench in front of me was like a map of somewhere I used to know.

It’s a funny feeling, isn’t it, boy?

What?

She squinted at me, one of her milky-tea eyes bleached almost white by the sun on the side of her face. It gets you, all this. When you’re a binder born—which you are, boy.

I didn’t know what she meant. At least . . . There was something right about this room, something that—unexpectedly—made my heart lift. As if, after a heat wave, I could smell rain coming—or like glimpsing my old self, from before I got ill. I hadn’t belonged anywhere for so long, and now this room, with its smell of leather and glue, welcomed me.

You don’t know much about books, do you? Seredith said.

No.

Think I’m a witch?

I stammered, What? Of course n— but she waved me to silence, while a smile tugged at the corner of her mouth.

It’s all right. Think I’ve got this old without knowing what people say about me? About us. I looked away, but she went on as if she hadn’t noticed. Your parents kept books away from you, didn’t they? And now you don’t know what you’re doing here.

You asked for me. Didn’t you?

She seemed not to hear. Don’t worry, lad. It’s a craft like any other. And a good one. Binding’s as old as the alphabet—older. People don’t understand it, but why should they? She grimaced. At least the Crusade’s over. You’re too young to remember that. Your good fortune.

There was a silence. I didn’t understand how binding could be older than books, but she was staring into the middle distance as if I wasn’t there. A breeze set the wire swinging, and the colored papers flapped. She blinked and scratched her chin, and her eyes came back to mine. Tomorrow I’ll start you on some chores. Tidying, cleaning the brushes, that sort of thing. Maybe get you paring leather.

I nodded. I wanted to be alone here. I wanted to have time to look properly at the colors, to go through the cupboards and heft the weight of the tools. The whole room was singing to me, inviting me in.

You have a look round if you want. But when I started to get to my feet, she gestured at me as if I’d disobeyed her. Not now. Later. She picked up her bundle and turned to a little door in the corner that I hadn’t noticed. It took three keys in three locks to open it. I glimpsed stairs going down into the dark before she put the bundle on a shelf just inside the doorway, turned back into the room, and pulled the door shut behind her. She locked it without looking at me, shielding the keys with her body. You won’t go down there for a long while, boy. I didn’t know if she was warning or reassuring me. Don’t go near anything that’s locked, and you’ll be all right.

I took a deep breath. The room was still singing to me, but the sweetness had a shrill note now. Under this tidy, sunlit workshop, those steep steps led down into darkness. I could feel that hollowness under my feet, as if the floor was starting to give. A second ago I’d felt safe. No. I’d felt . . . enticed. It had turned sour with that glimpse of the dark; like the moment a dream turns into a nightmare.

Don’t fight it, boy.

She knew, then. It was real, I wasn’t imagining it. I looked up, half scared to meet her gaze; but she was staring across the marsh, her eyes slitted against the glare. She

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Ce que les gens pensent de The Binding

3.8
47 évaluations / 36 Avis
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Avis des lecteurs

  • (4/5)
    A fine disquisition on the nature of and meaning of memory, tied up in a love story and set against a Dickensian style background. I really enjoyed this book.
  • (4/5)
    I received a free copy of this book in exchange for my honest review.It took me a while to get this book to the top of my TBR pile, so this isn't the early review it should have been. Having said that, once I started reading the book, I didn't want to put it down.The premise of the book is that there are magical people who are able to bind memories into books. You are either born a binder or you are not. The book does not get into the background of this at all, so I'm not sure how the first person realized that they could bind memories into a book, but somehow they did.It was a pretty obvious track when we learn that some binders are "good" - they help people forget terrible things that have happened to them, while others are "bad" and they make people forget terrible things that were done to them so that they could be abused over and over again. While that may have made a great story to really delve into the two types of binders, that wasn't really the focus of the book.The focus is the story between Emmett and Lucian. Emmett is from a very poor farming family. Lucian is from a very wealthy family. The majority of the story is about the two of them. Emmett learns that he is a binder. Lucian learns, among other things, that his father uses a binder to wipe the memory of his servants so that he can abuse them over and over again.The two reasons that I gave this a 4-star rather than 5-star review are as follows:1 - I wanted this to be more about the world of binding and where that could lead, ethically and morally, and less of a love story2 - The book is written in three parts. This may be an issue that is fixed in the final version, but in my version, it doesn't give a timeline for each part. So, when I started part 2, I really wasn't sure for quite a few pages if this was after part 1, or if it was before part 1. Then when part 3 started, I wasn't sure where to fit that in until I got quite a few pages in as well. Also, part 1 and 2 are told with Emmett as the narrator. Part 3 switches so that Lucian is the narrator. That also really threw me for a loop for some reason. Hopefully, that is more clear in the final version?
  • (3/5)
    Emmett Farmer is apprenticed to a bookbinder, a profession looked on with disdain since books are forbidden. But as Seredith, the bookbinder, teaches Emmett her craft, he learns to create the books that will capture peoples’ memories. But when Seredith becomes ill and dies, will the new bookbinder hold to the same high principles, or will he teach Emmett to turn to the amoral side of bookbinding?Strong characters populate this well-drawn but bleak fantasy world in which people can truly forget the memories that cause them pain by being bound into a book. The intriguing premise unfolds with a few unexpected twists; readers are kept guessing as the narrative enchants them with its spellbinding power of books.
  • (5/5)
    The Binding (Borough Press) is Bridget Collins’ first adult book and the first number 1 for Borough Press, HarperFiction’s literary imprint. The premise is wonderful: an apprentice binder works with an aged professional and discovers that the books they craft are actually repositories for people’s unwanted memories. My chapter last night ended with a real jolt and I’m only about quarter of the way through so I am guessing that this is not a major plot spoiler – I suspect there is much more to come and I am really looking forward to galloping on. I would recommend reading the beautiful hardback for this story rather than the digital version, but read it nonetheless !
  • (3/5)
    First offering from a YA author and it’s very easy to see the join.
  • (4/5)
    i did not see this book coming. there was not enough info on the back to hint at the plot, so all i knew about it was that it has a beautiful cover and my bookseller highly recommends it.needles to say, it took me by surprise. it was for me a difficult read, every page an effort for some reason. at times i even found the story cruel. but the beauty of the prose drove me forward, and it had touched something in me like no other book had in a while. by the end, i knew i'm going to read this book again. but not yet.
  • (4/5)
    Lately there has been a Gothic/macabre streak in one's reading. Sample this beautiful cover- irises with gold leaves, no less- and I shall tell of what lies within. And that grandiose introduction illustrates overall what feeling I was left with after having read this book: a sort of anti-climax, if you will. A slight sense of having been misled in some small way. See, the thing is, this story is a love-story and no mistake. All right, it's in an unidentified age somewhere in England where exists an art called binding. Binders are gifted individuals who are capable of extracting a person's most awful memories and capturing those in a book, thus leaving the actual person a clean slate. Hence, no trauma, life back to normal, etc. etc. There are also those who would use this art for nefarious purposes- steal someone's book, for instance, and sell it. Or, worse, abuse a person again and again because after all, you just send them off to a binder and bing bang boom, all bad memories erased, you can get back to messing them up again...Even with all that, THAT is not the crux of this story. Sigh. See what I mean? The actual crux was the love story, one of a forbidden attraction, heartbreaking in its own way to be sure. But why not tell the reader that straightaway instead of mentioning it as if it were merely one thread of this fascinating world? The other thing that bothered me was the switch in point-of-view. The first two sections in one voice. Third and last section, bang, the other character narrates, to no great effect. One can't even at times keep it straight if it's Emmett or bloody Lucian. What was the point of this? (And while I am at it, the title too is extremely weak. Which binding exactly are we discussing here? They happen an awful lot you know, and would you kindly tell us which one was the most important?)Not to sound like a bitter critic. In fact let me hasten to add that the novel was immersive and the author is a talent. In fact I wish she were better served by the publicity for her own work, and also better served by an editor who forced her to stick with the same narrative voice throughout. I'll look for you again, Bridget Collins! Fare thee well, and ere long we shall share a pint whilst I listen enraptured to your plans for your next offering.
  • (3/5)
    I loved the concept, the plotting, and the romance of this book. I hated that all the women in the book were just there to provide impetus for the actions and development of the men—particularly that their trauma and abuse was used in this way while so little personailty, agency, or characterization was given to them.
  • (5/5)
    What if books were not meant to be read for pleasure but were instead a place to hide (and forget) your secrets?Emmett Farmer is apprenticed to an elderly lady to train as a binder, a person who is both destined and trained to capture people’s secrets and hide them away in a book. Emmett - and the reader - slowly discover that there is much more to his story than a simple apprenticeship. He also has secrets and there are powerful people who are very invested in keeping those secrets locked away forever. The Binding is a story about choices and consequences and, unexpectedly, love. It is a mesmerizing book, beautifully written and brilliantly executed. One of my Top Ten in 2018, I recommend it wholeheartedly to those who enjoy speculative fiction and/or historical fiction.
  • (5/5)
    Oh, this wonderful, wonderful book. Where to begin. If I'm completely honest, I wasn't sure what to expect or whether it was going to be a book that was my thing or not. But the whole bookbinding element was most definitely enough to tempt me into trying it and I was bowled over by the complexity and the cleverness of this story.The Binding begins with us following Emmett Farmer as he becomes the apprentice to a very old bookbinder called Seredith. She lives in the marshes, well away from the farm where Emmett's parents and sister, Alta, live and where Emmett works the land. These are no ordinary books though. These are people's memories, sucked out of them so they can no longer remember. Ultimately, the idea is to take away the bad memories and the guilt but it can be misused, memories stolen for titillation, for the amusement of others. There are even fake books called novels. However, those with a true vocation, like Emmett, do it right, not for profit. The catalyst for parts two and three of the book is when Emmett finds a book with his own name on. From there we remember Emmett's past along with him and I must admit that I found that section the most beguiling.The whole of The Binding is most beautifully written. The prose is perfect and I was thoroughly absorbed by it. I loved Emmett as he's such a kind and strong person, struggling with his feelings at first. All of the characterisations are fabulous. I hated the people I was meant to hate and loved the ones I was meant to love. All are so well-drawn, so perfectly formed.And that story. It's so incredibly clever. I am in awe of Bridget Collins and the story that her mind has conjured up. It has a slight hint of fantasy (obviously, people can't really take your memories and bind them up into books) but it has such plausibility, such possibility. It's a little bit frightening too - imagine your deepest, darkest secrets getting into the wrong hands.The most powerful part of this book is a love story though and it's stunning in every way. I experienced it all along with the characters: the realisation, the denial, the highs and lows, the intensity, the loss, the joy.The Binding is something special, a book that will stay with me. If I didn't have masses of other books to read I would be tempted to go back to the beginning and read it again. It's going to be huge in 2019.
  • (4/5)
    I received this book as part of the LT early reviewer program. While this may not be the book for everyone, I found it to be written in such a lovely way, that it was hard to put down. The author is able to weave a wonderful fresh story. It is the story of what happens if you are given the power to wipe your worst memories clean by placing them in a book. Told in 3 parts, form different perspectives, it keeps a good pace and has a unique view of magic, love and the power of both over us. I recommend giving it a go.
  • (4/5)
    In an indeterminate time, in a place called Castleford, England, books were feared because they could be used to remove memories, and essentially, a piece of a life. For some, memory removal was voluntary, as it was meant to be. Disturbing memories that could no longer be tolerated were removed and bound into books bearing their name. Memories that haunted them disappeared. For some, however, the memories were removed so that they could be abused over and over again by disreputable people. Others sold their memories for enough money to purchase the bare necessities of their lives, simply to survive. Although it was forbidden to sell the stories of people still living, to prevent their pain or shame from getting out into the light of day, a black market had developed by unscrupulous book dealers for those very books. Like voyeurs, there were those who enjoyed reading about the suffering of others or of causing suffering which they could then wipe from the memory of their victims and subsequently abuse them again and again. Victims were often needy and coerced to be bound by their betters. As more and more memories were removed, they became empty vessels. However, there were certain people who were entertained by reading about the lives of those less fortunate and their rather sordid experiences. There existed a great divide between the common folk and those who were well-to-do, in both class and education.Although, books were feared and forbidden in some families, bookbinding was considered to be an art by the more scrupulous book dealers. They were covered in beautiful fabrics with carefully hand-drawn, artistic designs. However, the cheaper versions were less well made and were mass produced for those able to afford to purchase them. The stories of the dead who had been bound could be more widely circulated. Emmett Farmer and his sister Alta, lived happily on their farm with their parents until the day that Lucian Darnay became their neighbor. Darnay was a young lad of considerable charm, and both Farmer children were smitten by him, although Emmett’s feelings about Darnay confused him and caused him considerable angst. His sister Alta immediately fell head over heels in love. Darnay came from wealth, and he could even be her ticket out of poverty, if he loved her and married her. It was rare, but sometimes the wealthy did cross class lines and marry someone “beneath” their stature in life. The wealthy had all the power and they wielded it mercilessly. Soon, Darnay’s presence in the lives of the Farmer family created chaos and upheaval, causing great suffering. Emmett, forced to become a bookbinder, is sent away, probably to never see his family again. It is a task to which he is said to have been born. He had already been bound himself, suffering great torment in the process.The author handles the difficult and delicate subject of homosexuality beautifully. This novel becomes a love story, above all else. It never descends into coarseness or obscenity, and rather, it lifts the subject to a higher plane, removing the stigma and highlighting the devotion and the sacrifices that those who love each other are willing to make.The story held my attention, but it often seemed to wander off in unknown directions. When reading books of this genre, the reader is led to wonder if this could ever happen in the real world; could this fantasy ever become reality? Sometimes, the narrative lacked that credibility. Overall, though, the book is a good science fiction read.Speaking of bindings, I loved the way this book is bound. The cover can act as a book mark, on either end, and the detail on the cover conveys the artful workmanship and value that bookbinders placed on the books they legitimately produced. In addition, the font and page weight is comfortable and inviting, making the book an easy read.
  • (3/5)
    It started out as some type of high fantasy novel, and ended up as The Gentleman's Guide to Vice and Virtue. I'm not sure how I feel about that. At first it seemed a little cliched, with a boy being sent as apprentice to the wise old woman with all the secrets he isn't ready to learn - shades of the beginning of The Black Cauldron, or any number of young master and apprentice stories. But something momentous happens in the book, and the boy is sent to the big city, launching the Gentleman's Guide portion. I was a little confused about what historical period we seemed to be in. I mean, it was clearly not set in our actual world, but it was kind of Victorian fantasy with medieval witchcraft. I liked the basic concept of binding, but hesitate to say more, since the main character's lack of knowledge about what binding entails drives the plot, particularly in the beginning. So, if you can imagine some sort of Prydain/Gentleman's Guide/Mr Penumbra's 24-Hour Bookstore hybrid, you've got the idea. Pretty enjoyable.
  • (3/5)
    I want to tell you I loved this book. I really wish I could. The writing has a beautiful literary quality. I did love the rhythm of the sentences. And the concept is fascinating, sparking an internal debate during which I considered all the pros and cons of wiping out a segment of my memory. But the story itself fell short of the writing quality and story premise. The book is separated into three parts. Part one follows the present timeline, which is an unnamed past year in an unnamed place, and is written from Emmett's perspective. Part two, also from Emmett's perspective, goes into his earlier childhood, showing us the events leading up to the present. And part three is written from Lucian's perspective, back in the present. All three parts are written in first person.Most of the story has a strong YA feel, with teenage characters and the angst of youth, but the content is far too graphic for most kids under 18. There are some detailed scenes containing rape and abuse. So we have a tangle of adult content, with YA characters and overall story tone.The pace, particularly through the first two parts, is extremely slow. Between the book's description and the author's note at the opening, we already know the premise of the story. Yet Emmett, the lead character, has no idea what's going on, and we spend a whole lot of pages with him sitting back, observing, learning how to bind a book, obsessing about teenage issues, but not getting involved or even understanding what's going on. I felt it took way too long for the story to get started, particularly since we readers are well aware of what to expect from the onset.Part three picks up in pace, and here it becomes a story of forbidden love. This is also where we finally take a hard look at the issue of wiping memories, with its surrounding controversy and life-altering effects. Overall, the story dragged too much for me, and I felt too immersed in the YA world. But, as I mentioned, the writing quality is beautiful. If you like literary fiction that leans into fantasy, you might love this book.*I received an advance copy from the publisher.*
  • (3/5)
    The Binding by Bridget Collins is a very original book that also unfortunately telegraphs its big reveal early on. The story is set in an alternative universe resembling 1800’s England, where there are people with a gift of being able to Bind other people’s memories into a book. Thereby relieving them of painful or unwanted memories. The Binders are looked on with fear from the rural populace and with a certain novelty from the wealthier class that use unscrupulous Binders to their advantage.The story follows a young man who is given over by his family to an old Binder to learn the craft after a long sickness. She is a traditional Binder who believes in the sanctity of the craft and that she only removes memories from people at a last resort. Eventually he makes his way to the larger city and comes across other Binders who use their talents in more corrupt ways. We follow his relationships with his family and the son of a wealthy land owner.Collins has crafted a wonderful world, and the book moves quickly along. I would have enjoyed it much more though had I not been able to deduce the plots main storyline fairly early on. But even so, I was entertained and enjoyed the read. I recommend it, but again with a caveat surrounding the ending.
  • (4/5)
    The Binding by Bridget Collins is a beautifully told tale of forbidden love; and it comes with a nice twist. The idea that memory can be erased or re-written is not new, but Collins takes it and makes it her own. We meet Emmet Farmer, the son of a farmer, when he is very sick. And if that's not enough, he's packed off to apprentice with the local witch! His ignorance of books and binding (the "witchcraft" of choice here) is not only because he is a farmer; his parents have kept these things form their children, because books and binding are considered immoral. So Emmet ends up with the witch, who binds people's unwanted memories into books, leaving them ignorant of those particular memories. He has no clue why he's there, but he feels drawn to books. Everything seems to go OK, until his mistress the witch falls ill. From the beginning, it is not hard to guess that Emmet is ill because a binding. It's not obvious why the would be or what a farmer boy would need a binding for, but it is well hinted that there was some sort of attempt to bind him and he got ill because of it. This, I found, was done well, giving enough to make me feel smart for getting it, but keeping enough to make we want to keep reading to find out just what horrible thing could have made Emmet (or his family) get a binding.The one thing that did bother me in the plot was the extreme convenience of the very small world these characters lived in. How Emmet and Lucian come to meet is not such a stretch, but that Emmet later would end up being sent over to the Darnays is just a bit contrived. We're to accept the small world, the little village, the small town, the handful of moneyed lords who would have anything to do with books, and hence a binder inevitably ending up in one of their houses... The love affair between Emmet and Lucian has all the hallmarks of a hate-love relationship. Poor boy meets rich boy. It's sweet and tragic. The young men, despite the changes in their lives, seem to hold their character, their decisions and thoughts often well in range of how they would react in their station at the time. Perhaps another little problem was that all the rich and lordly men were depicted as evil. Perhaps this is not untrue in a sense, as we're learning from the #MeToo movement, that when someone has a lot of power, they will most likely abuse it. Still, Lord Darnay and a few of the other older men are just so extremely predatory without, it seems, any qualms, that it becomes a little unbelievable. In contrast, Emmet's father, a hard-working good farmer is pious and moral and, well, poor. So poor people are good, rich people are bad? It ends up being a bit like that, maybe a bit simplistic. Thankfully, Lucian Darnay manages to break this mold, showing a full range of internal and external conflict both morally and ethically, so rich people can also be good. Phew!Overall, The Binding is a captivating story. Collins takes her time to build the world, details the farm work and nature as well as the people and their everyday lives. The story moves at a slow, languid pace, savoring each moment, whether it be snow falling to cover a path or an afternoon of secret fucking in the attic.Recommended for those who like puppies, private libraries, vaults, bone folds, end papers, and waxing binding string (so it does not catch on the paper as blocks are sawn together).Thanks to LibraryThing and the publisher for an ARC in exchange for my review. I thoroughly enjoyed it!
  • (5/5)
    Emmett Farmer is a young man who is recovering from an illness. For reasons he is not quite clear on, he is sent by his family to be an apprentice to a bookbinder, an old woman who many refer to as a witch. He soon realizes that the craft of bookbinding is more involved than just binding some pieces of paper between two covers. A true bookbinder binds people's unpleasant memories into a book, leaving them with no memory of the secrets that they've had bound. But one day, Emmett discovers that there is a bound book with his name on it.I was lucky to receive an Advanced Reader's copy of this book, and I was intrigued for three reasons: (1) the beautiful cover (I'm a sucker yet again), (2) a book about secrets, and (3) well, a book about books. Right up my wheelhouse. In all honesty, the story started out slowly and I wasn't immediately drawn in as I'd hoped. The setting is a bit vague, but it appears to be circa 1800's England. It's told in three parts, and by the time I'd reached the end of part one, I was sucked in. I'm not going to go anymore into plot at the risk of giving too much away, but part two of the story acted as a bridge between parts one and three. I enjoyed this book mostly for its uniqueness. It's a mix of history, romance, and fantasy. At its heart it's not telling a story that hasn't been told before, but it tells it in a way that really sticks with the reader. I finished this several days ago and I find myself still thinking about it a lot. It's due to be released in April 2019, and I suspect it will get lots of hype.
  • (4/5)
    This one really goes in some fascinating, creative directions. A great concept, set in an alternate world where unwanted memories can be removed and bound up into books. I don't want to say too much about the plot, but will say that the pacing and suspense work quite well and I very much wanted to keep reading right until the end.
  • (5/5)
    Received a free ARC from LibraryThing in exchange for an honest review.Wow. What a whirlwind. I have to say that I wasn't expecting some of those twists and turns and the two different versions of Emmett had thrown me for a loop. I thoroughly enjoyed this book and wish it was longer--I felt like the ending was perfect, but that it could have gone on, regardless. Maybe that's just me being wishful and wanting more.The author is adept at spinning the story and keeping the reader hooked. Moreover, I loved the relationships in this book, even if I hated the backward thinking that was demonstrated. Sadly, people still think that way. I whole-heartedly recommend this book.
  • (4/5)
    "[H]istorical fiction with a touch of magic...." is how Harper-Collins marketing director Tavia Kowalchuk describes it. "The Binding reveals its secrets with a languid fluidity that builds a suspense rarely encountered in literary fiction."Um, "historical" fiction this ain't (it's straight-out fantasy rather realistically told), and the back-cover blurb comparing The Binding to the novels of Sarah Waters is definitely overstatement. And as to "suspense," I found the twists utterly predictable. I'm reluctant to say more, though, for fear of SPOILER if there are any readers out there who actually might be surprised by this rather predictable romantic plot.Still, having your memories erased and bound in a book is a clever concept and The Binding's a well-written and enjoyable read, so 3½***.
  • (3/5)
    I didn't borrow this book from the library on the strength of the cover reviews, but 'spellbinding', 'breathtaking' and 'pure magic' are somewhat far-fetched. The story also fails to deliver on the blurb, in my opinion. Part one was intriguing, set in a vaguely alternate Victorian timeline where Christmas is called the Turning and books are sinful, sort of a mash-up of Eternal Sunshine of the Spotless Mind and The Picture of Dorian Gray. But then, as warned in readers' reviews, the second part slid downhill into an anachronistic reworking of Call Me By Your Name. The last part was the same, but randomly from another character's perspective, not that I could really tell from the narration.In fact, the first person narrative deserves a paragraph of its own - if authors can't write in a convincing 'voice', they should just stick to good old third person, otherwise all the reader gets is 'I-I-I-me-me-me', particularly when dealing with a teenage narrator. It's painful! Here, Emmett the farmer's son was indistinguishable from Lucian the wealthy playboy, with both of them using awkwardly formal but modern language, full of broken sentences (another bugbear) and copious swearing (I assume to prove that this is the author's first 'adult' novel).The plot felt like two stories glued together - Emmett being taken on as a binder's apprentice after his 'illness', before falling in love with the Willoughby/Wickham type cad who rescues his sister. The binder, Seredith, was suitably spooky in her little cottage full of books and secrets, and I really wanted to read more about her trade. But no. Exit Seredith, enter an actual moustache-twirling villain only interested in money and blackmail. Nuance was already sorely lacking, but I completely gave up on the characters when de Havilland the eeeeeevil binder and Lucian's father were introduced. I can imagine Bridget Collins being torn between typical YA fodder, two young men in love but kept apart by prejudice and childhood trauma, etc, and a gothic tale of stolen memories - then writing both and slapping them together.The worst reviews are a bit exaggerated, this is readable - even if I did start skimming towards the end - but very repetitive ('Don't call me Lucian!') and more like a penny dreadful upcycled for modern readers.
  • (4/5)
    I definitely took my time with this one, the perk of not overscheduling my reading obligations at the moment, and I'm really glad I did because it was...unusual. I can't say it was love at first page turn, but I was certainly intrigued. So many questions arose after each passage was read! Now don't get me wrong, I had a feeling about some things as things progressed, but wow...the moment you think you just about have them figured out, they just turned all sorts of topsy turvy. The whole BINDING concept went from an act of kindness to a twisted self indulgence in a heartbeat. I mean how could something be so bad that you want it locked away for all time? What of the lessons learned from it? What of the new beginnings opened by it? Although perhaps some things are just too much for a heart to bare.

    As for the writing, the author was able to draw you into the past and back to the present with such fluidity, were it not for the change in tone or character voicing the chapters, you'd never realize the journey you've actually taken. The characters she created were STRIKING and MEMORABLE, even when they were suppose to fade into nothingness. The power of the written word is definitely on full display here, as are the consequences that go along with hiding away our true selves, or even giving our truths over to someone else fully without baring the weight of any of the lessons learned from them.

    All in all, I gotta say this was definitely an INTENSE, UNUSUAL, UNEXPECTED, and CURIOUS read. It's a story that certainly makes you think twice about what you put down on paper, and reconsider the memories we choose to hold on to versus release and vice versa...as well as the WHY. My only real complaint with the book was that ONE SCENE...and I mean it was enough to make we second guess if I would have read the book knowing it was in it. What can I say, I'm an animal lover and it just didn't sit right with me. (That scene was more of a reason for having a binding done than any other!) Otherwise, I was good...thoroughly surprised since it wasn't anything like what I thought it would be, but still good. So, do I recommend it? Yes...just go in being warned about that one scene, so you can either bulldoze through it, or skip the page.


    **ARC received for review; opinions are my own
  • (3/5)
    The Binding by Bridget Collins is a novel taking place sometime in the past, where people can bind their memories in a book, freeing them of remembering. Ms. Collins is an author, actor, and an amateur book binder.Emmett Farmer starts an apprenticeship as bookbinder for Seredith, an elderly woman who the locals believe to be a witch. Emmett can no longer work on the farm since he is recovering from a long, mysterious illness.Soon Emmett discovers that people who arrive at Seredith leave their traumatic experiences on paper, hence erasing their memories in a gorgeous book with the person’s name on the spine.When I started reading the novel I find myself sinking into its words, written like a fable The Binding by Bridget Collins reads like an adult fairytale. The concept of binding memories fascinated me from the onset and I was curious to see where the author takes the reader from there.The book is divided into three parts. The first takes its time in setting up the story and its mysteries (people know stuff but we can’t tell you yet). The second act has the major “shocking” reveal. The third adds some more perspective and misery to the story.I was looking forward to reading more about the “binding”, how it worked, affected people and what is Emmett’s role in the whole magical realm the author created. Unfortunately the most interesting part of the story was overlooked, and just a setup for throwing personal and emotional challenges at Emmett.Emmett’s personal issues and love interest really didn’t speak to me and the long time spent on it was, for me, a distraction from the excellent promise and potential of this book. The author introduces many wonderful concepts (black market for memories, novels which are “fake memories”) which are touched upon, but I wanted to read more about them.The setup of the first act, which led to reader to believe that the story might be about the ethics of binding memories, was also somewhat forgotten. The ethical issues of Emmett and those he loves and knows are touched on, but the overall ethical dilemma which Emmett brings up in the beginning, the big picture if you will, is ignored.When reading the synopsis, and then the first act I really had high hopes for the book and wanted to like it much more than I did. I would certainly read more from Ms. Collins though, the writing is wonderful and immersive.
  • (4/5)
    Dark and atmospheric, poignant and passionate, and magic that can erase memories by binding them into books.
  • (4/5)
    The concept behind The Binding is brilliant, a way to erase your memories while preserving them at the same time. Your memories, either of sadness, hurt, your misdeeds and crimes or anything else you would be better off not knowing are bound into books through the services of a binder. I won't give too much away, but the questions are asked, are you better off knowing, or not knowing? What happens when your memories come flooding back? What happens if they don't? The story lured me in very slowly, very seductively but by the halfway point I couldn't put it down. The writing is lush and sets the tone of the story perfectly. Its's both a love story and a bit of a thriller at the same time, both magical and moody.
  • (4/5)
    Young love. There is nothing like it, is there. So much light, breathlessness and, well, confusion. This is the story of Emmet, a Binder. He was born into a farming family, but his life purpose is Binding. "Helping" people to forget things they would rather not know about themselves. It's quite a journey for him. Happy at home with his parents and sister, meeting Lucien, and watching his sister falls in love. But then things change. The binding is calling him. He is called away from home to learn the trade. He encounters so much good, so much evil and even hate. His life changes over and over again and he too finds love. Surprising twists
  • (3/5)
    Emmett is drawn to books despite his father's warnings to stay far away. Books are not what we think them to be, they hold secrets, pain, and the power to change a person's life forever. They are magic. Bookbinders, as they are called, are able to lock away a person's memories, some are artists and others use their ability for evil. Though he's desperate to deny his calling, Emmett is a book binder and while he is trained to respect the task and those that leave part of themselves behind, nothing prepares him for the binders willing to trade a story for a penny. As he embarks on his binding journey he discovers along the way that the pages within a book can change the course of one's life completely.

    Readers are taken on a journey by Bridget Collins as young Emmett embraces his new role as a binder. We learn the intricate nature of binding, the power and care that goes into the task, and the abuse of that same power that others use for profit. We are taken into the past, shown glimpses of a now unknown to himself Emmett, and treated to an in depth description of the true nature of binding. It's a dark story, a story of old rules and beliefs, of romance and heartache, of people's desperation to hide their hurt even from themselves.

    I wanted to love The Binding, the plot is such a unique idea and I really found Emmett to be intriguing. Unfortunately, the story falls flat as readers are given just barely enough information to go on. Much like a literary novel, The Binding is filled with superfluous descriptions, and while it's a treat to picture the world Emmett lives in it bogs down the quite simple story. A story about magic and forbidden romance is covered up with several separate subplots and an excess of new settings and characters to get to know. While I liked Emmett, I was unable to connect with him or the other characters, nor was I able to really get to know the world they live in, because I found myself so confused. Even worse, as the book progressed I found myself hurting for all characters, unsatisfied with the bleak turn of events that each act in the novel presents us with.

    While The Binding features a type of magic I would love to see explored further, I don't think I would turn the pages of this book again.


    ARC provided.
  • (5/5)
    A fantastic read for those who loved Strange the Dreamer.
    Imagine being able to remove those memories that haunt you, to basically erase a period of time from your mind. That is what binders do...they "bind" memories you want to forget into books and in this world all books are bindings. But what happens when memories are bound for the wrong reason? Or a book that should be kept secret is put into the wrong hands?
    This book is filled with ethical questions as well as fun twists that will keep you turning those pages.
    Thanks to the publisher and edelweiss for this DRC! I believe every library who serves teens and adults who read YA fiction should have this title on their shelves!
  • (4/5)
    In a world where memories can be bound in books by binders, Emmett Farmer becomes an apprentice to Seredith, who is feared by locals as a witch. As he learns the skills of his profession, the reader is introduced to what a binding entails, and why someone may want to choose it. One day Emmett discovers that there's a book with his name on it, meaning he's undergone a binding himself.While I think the book isn't entirely successful, I loved the initial premise of the novel: in Emmett's world, bound memories are kept usually safe in vaults, never to see the light of day again, while some unscrupulous binders flog them to willing readers and so-called collectors who get their thrills from reading someone else's stolen life, whereas novels are dismissed as fake memories. There's something terribly poignant about people so desperate that they're willing to sell their most cherished memories for a few shillings. Of course the practice is also abused by those in power, with the victims subjected to yearly bindings so the abuse can continue, and the resultant books providing illicit entertainment for the abusers.I really wanted to learn more about this world, but it turned out that the initial premise is secondary to a forbidden love affair. While this is well done and compelling enough so that I had know how the story ended, I felt I had somehow been lured to read the book with false promises. I enjoyed the story, and the notion of binding one's memories provides plenty of food for thought about ethics and about what makes a life worth living, but in the end I feel it's not a book worth keeping or rereading.
  • (4/5)
    This book was not what I expected. About mid way through, the story took a turn that I wasn’t expecting and I wasn’t sure I wanted to finish reading at that point. Eventually, I did finish the book and was surprised with how much the characters got under my skin in spite of myself. The concept was totally original and the story was told in such a way that I couldn’t help but appreciate the craftiness of the author.