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    Poems
    Poems
    Poems
    Ebook49 pages1 hour

    Poems

    By Rainer Maria Rilke

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    About this ebook

    Rainer Maria Rilke (4 December 1875 – 29 December 1926), was a Bohemian-Austrian poet and novelist. He is "widely recognized as one of the most lyrically intense German-language poets". He wrote both verse and highly lyrical prose.
    Several critics have described Rilke's work as "mystical". His writings include one novel, several collections of poetry and several volumes of correspondence in which he invokes images that focus on the difficulty of communion with the ineffable in an age of disbelief, solitude and anxiety. These themes position him as a transitional figure between traditional and modernist writers.

    Translator: Jessie Lemont
    LanguageEnglish
    PublisherPasserino
    Release dateJan 29, 2020
    ISBN9788835364573
    Poems
    Author

    Rainer Maria Rilke

    Rainer Maria Rilke was born in Prague in 1875 and traveled throughout Europe for much of his adult life, returning frequently to Paris. There he came under the influence of the sculptor Auguste Rodin and produced much of his finest verse, most notably the two volumes of New Poems as well as the great modernist novel The Notebooks of Malte Laurids Brigge. Among his other books of poems are The Book of Images and The Book of Hours. He lived the last years of his life in Switzerland, where he completed his two poetic masterworks, the Duino Elegies and Sonnets to Orpheus. He died of leukemia in December 1926.

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      Book preview

      Poems - Rainer Maria Rilke

      Rainer Maria Rilke

      Poems

      The sky is the limit

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      Table of contents

      INTRODUCTION

      FIRST POEMS

      THE BOOK OF PICTURES

      NEW POEMS

      THE BOOK OF HOURS

      INTRODUCTION

      THE POETRY OF RAINER MARIA RILKE

      εἶσὶ γὰρ οὖν, οἳ ἐν ταῖς ψυχαῖς κυοῦσιν

      Plato

      The supreme problem of every age is that of finding its consummate artistic expression. Before this problem every other remains of secondary importance. History defines and directs its physical course, science cooperates in the achievement of its material aims, but Art alone gives to the age its spiritual physiognomy, its ultimate and lasting expression.

      The process of Art is on the one hand sensuous, the conception having for its basis the fineness of organization of the senses; and on the other hand it is severely scientific, the value of the creation being dependent upon the craftsmanship, the mastery over the tool, the technique.

      Art, like Nature, its great and only reservoir for all time past and all time to come, ever strives for elimination and selection. It is severe and aristocratic in the application of its laws and impervious to appeal to serve other than its own aims. Its purpose is the symbolization of Life. In its sanctum there reigns the silence of vast accomplishment, the serene, final, and imperturbable solitude which is the ultimate criterion of all great things created.

      To speak of Poetry is to speak of the most subtle, the most delicate, and the most accurate instrument by which to measure Life.

      Poetry is reality's essence visioned and made manifest by one endowed with a perception acutely sensitive to sound, form, and colour, and gifted with a power to shape into rhythmic and rhymed verbal symbols the reaction to Life's phenomena. The poet moulds that which appears evanescent and ephemeral in image and in mood into everlasting values. In this act of creation he serves eternity.

      Poetry, in especial lyrical poetry, must be acknowledged the supreme art, culminating as it does in a union of the other arts, the musical, the plastic, and the pictorial.

      The most eminent contemporary poets of Europe have, each in accordance with his individual temperament, reflected in their work the spiritual essence of our age, its fears and failures, its hopes and high achievements: Maeterlinck, with his mood of resignation and his retirement into a dusky twilight where his shadowy figures move noiselessly like phantoms in fate-laden dimness; Dehmel, the worshipper of will, with his passion for materiality and the beauty of all things physical and tangible; Verhaeren, the visionary of a new vitality, who sees in the toilers of fields and factories the heroic gesture of our time and who might have written its great epic of industry but for the overwhelming lyrical mood of his soul.

      Until a few years

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