Foreign Policy Magazine

1.4 Billion People and No Good Bands

THE MOST SUCCESSFUL MONGOLIAN CONQUERORS since Genghis Khan aren’t on horseback but on the drums. They’re called the Hu, and over the past year their bone-vibrating hard rock, which combines traditional Mongolian instruments and throat singing with Western rock and metal, has become a breakout hit with fans around the world—and made them official cultural ambassadors for the country.

The Hu first started gaining attention more than a year ago with the music videos for two songs—“Wolf Totem” and “Yuve Yuve Yu”—which blew up on YouTube thanks to their fist-pumping instrumentals and stunning steppe visuals. At a recent count, the two videos had a combined 61 million views on YouTube—20 times the number of people in Mongolia.

Fans attribute the success of the Hu to the group’s blending of Western metal with local styles. But it’s only the most well-packaged instance of an ongoing phenomenon. Mongolia has a strong tradition of rock groups working to modernize traditional sounds. Altan Urag, a Mongolian folk rock group from the capital of Ulaanbaatar, first succeeded in electrifying traditional. Mongolian bands like Khusugtun, Altain Orgil, Jonon, and Mohanik have all tweaked folk music to modern ends.

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