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The Age of Phillis
The Age of Phillis
The Age of Phillis
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The Age of Phillis

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In 1773, a young African American woman named Phillis Wheatley published a book of poetry that challenged Western prejudices about African and female intellectual capabilities. Her words astonished many and maddened others, but it was clear that this was an extraordinary young woman.

The Age of Phillis by Honorée Fanonne Jeffers imagines Wheatley’s life, including her childhood in the Gambia, West Africa, her life with her white American owners, her friendship with Obour Tanner, her marriage to the mysterious John Peters and her early death at the age of about thirty-three. Included throughout are poems about Wheatley's turbulent times, an era of the transatlantic slave trade as well as political, philosophical and religious upheavals.

Jeffers is an American poet and novelist, and a professor of English at the University of Oklahoma. The Age of Phillis was on the National Book Award’s Longlist for Poetry in 2020. She was awarded the 2018 Harper Lee Award for Literary Distinction for an Alabama writer.

Phillis is not seen as a stereotypical racial or literary symbol, but as a human being who lived her life while making her own lasting contributions to history.

LanguageEnglish
Release dateMar 3, 2020
ISBN9780819579515
The Age of Phillis
Author

Honorée Fanonne Jeffers

Honorée Fanonne Jeffers is a fiction writer, poet, and essayist. She is the author of five poetry collections, including The Age of Phillis, which won the NAACP Image Award for Outstanding Literary Work in Poetry, was longlisted for a National Book Award, and was a finalist for the PEN/Voelcker Award for Poetry and the Los Angeles Times Book Prize for Poetry. She teaches creative writing and literature at the University of Oklahoma.

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  • Rating: 5 out of 5 stars
    5/5
    A very creative reimagining in poetry of the life of America's first important Black poet Phillis Wheatley who lived during the Revolutionary War period of American History. The author has done a great amount of research and has a twenty page discussion of what she found at the book's end. Her poems include little known facts such a she married a free Black man and gave birth to three children who died in infancy. I teach History and really learned a lot and got a greater appreciation for this wonderful American author.

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    I have read 9 of the 10 NBA 2020 longlisted books for poetry now--one I have been unable to get my hands on despite having 3 library cards. This is the book that should have won.This book is amazing. It is poetry, but it is also history and psychology and so many other things. Jeffers spent years and years researching the woman known as Phillis Wheatley Peters. She has read secondary work, she has read primary work, she has searched for extant letters, done census research, researched the earliest publications about her. So. Much. Work. This volume consists of Jeffers' own poems on topics in PWP's life--her capture and enslavement, childhood and religion, trips and freedom, marriage and friendships. Her writing, its publication, the people she met and knew well. She also includes poems on other African-Americans living in 18th-century New England. They were most definitely there, and I recognized many (but not all) of their names, and I went down the Wikipedia rabbit hole. Jeffers explains her research and thought processes in prose the last section, Looking for Miss Phillis.This book did not even make the NBA shortlist, and frankly I don't get it. Perhaps they considered it too fact-based, too historical. As a historian, I loved it..

    1 person found this helpful

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The Age of Phillis - Honorée Fanonne Jeffers

The Age of PHILLIS

WESLEYAN POETRY

The Age of

phillis

HONORÉE FANONNE JEFFERS

WESLEYAN UNIVERSITY PRESS

Middletown, Connecticut

Wesleyan University Press

Middletown CT 06459

www.wesleyan.edu/wespress

Copyright © 2020 Honorée Fanonne Jeffers. All rights reserved.

Manufactured in the United States of America.

Designed by Richard Hendel

Typeset in Galliard by Passumpsic Publishing

Library of Congress Cataloging-in-Publication Data

NAMES: Jeffers, Honorée Fanonee, 1967– author.

TITLE: The age of Phillis / Honorée Fanonee Jeffers.

DESCRIPTION: Middletown: Wesleyan University Press, 2020. | Series: Wesleyan poetry | Includes bibliographical references. | Summary: A collection of original poems speaking to the life and times of Phillis Wheatley, a Colonial America-era poet brought to Boston as a slave—Provided by publisher.

IDENTIFIERS: LCCN 2019040204 (print) | LCCN 2019040205 (ebook) | ISBN 9780819579492 (cloth) | ISBN 9780819579515 (ebook)

SUBJECTS: LCSH: Wheatley, Phillis, 1753–1784—Poetry. | African American women authors—Poetry. | Women slaves—Massachusetts—Boston—Poetry. | Slavery—Massachusetts—History—18th century—Poetry. | LCGFT: Poetry.

CLASSIFICATION: LCC PS3560.E365 A74 2020 (print) | LCC PS3560.E365 (ebook) | DDC 811/.54—dc23

LC record available at https://lccn.loc.gov/2019040204

LC ebook record available at https://lccn.loc.gov/2019040205

5 4 3 2 1

Excerpt from Genius Child is from The Collected Poems of Langston Hughes by Langston Hughes, edited by Arnold Rampersad with David Roessel, Associate Editor, copyright 1994 by the Estate of Langston Hughes. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.

Excerpt from mulberry fields is from The Collected Poems of Lucille Clifton. Copyright 2004 by Lucille Clifton. Reprinted with the permission of The Permissions Company LLC on behalf of BOA Editions Ltd., boaeditions.org.

Excerpt from Middle Passage. Copyright © 1962, 1966 by Robert Hayden, from Collected Poems of Robert Hayden by Robert Hayden, edited by Frederick Glaysher. Used by permission of Liveright Publishing Corporation.

Excerpt from Heritage. Copyright 1936 by Countee Cullen.

Reprinted with permission of Amistad Research Center.

Cover art by Sanuiah Q. James, 2014.

for Phillis Wheatley Peters

CONTENTS

Prologue: Mother/Muse

This is a song for the genius child.

Sing it softly, for the song is wild.

— Langston Hughes, from Genius Child

AN ISSUE OF MERCY #1

Mercy, girl.

What the mother might have said, pointing

at the sun rising, what makes life possible.

Then, dripped the bowl of water,

reverent, into oblivious earth.

Was this prayer for her?

Respect for the dead or disappeared?

An act to please a genius child?

Her daughter would speak

of water, bowl, sun—

light arriving,

light gone—

sometime after the nice white lady

paid and named her for the slave ship.

Mercy: what the child called Phillis

would claim after that sea journey.

Journey.

Let’s call it that.

Let’s lie to each other.

Not early descent into madness.

Naked travail among filth and rats.

What got Phillis over that sea?

What kept a stolen daughter?

Perhaps it was mercy,

Dear Reader.

Mercy,

Dear Brethren.

Water, bowl, sun—

a mothering, God’s milky sound.

Morning shards, and a mother wondered

if her daughter forgot her real name,

refused to envision the rest:

baby teeth missing

and somebody wrapping her treasure

(barely) in a dirty carpet.

’Twas mercy.

You know the story—

how we’ve lied to each other.

Book: Before

And pleasing Gambia on my soul returns,

With native grace in Spring’s luxuriant reign,

Smiles the gay mead and Eden blooms again,

The various bower, the tuneful flowing stream,

The soft retreats, the lovers golden dream …

—  Phillis Wheatley, from PHILIS’S Reply to the Answer in our Last by the Gentleman in the Navy

What is Africa to me:

Copper sun or scarlet sea,

Jungle star or jungle track,

Strong bronzed men, or regal black

Women from whose loins I sprang

When the birds of Eden sang?

— Countee Cullen, from Heritage

THE SMELTING OF IRON IN WEST AFRICA

c. Sometime in antiquity, date unknown

Utilitarian—

then,

at some point,

an embrace of beauty.

A glow:

the man waits,

a picture in his head.

He will claw

out the dream’s

tincture,

pour it into mold—

and in that dream,

he has met

the hyena laughing

about chains. The man

will pound metal

to forget that

grievous sound.

He will master

what was brought

from earth,

from viscera’s

need—

until his hands seize,

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