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Like No Movie I Have Ever Seen
Like No Movie I Have Ever Seen
Like No Movie I Have Ever Seen
Ebook146 pages50 minutes

Like No Movie I Have Ever Seen

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Poets pay close attention to the movie that life makes for us. These poems are a testament to the beauty that lies in every day, and to the poignant artistic frustration that comes with witnessing injustice in life. Pull up a chair and prepare to be inspired.
LanguageEnglish
PublisherLulu.com
Release dateAug 26, 2019
ISBN9780359877898
Like No Movie I Have Ever Seen

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    Book preview

    Like No Movie I Have Ever Seen - Jonathan Moya

    Like No Movie I Have Ever Seen

    v  v  v

    Like No Movie I Have Ever Seen

    v  v  v

    Jonathan Moya

    v  v  v

    Copyright 2019 Jonathan Moya

    This book is a work of fiction.  Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously.  Any resemblance to actual events or locals or persons, living or dead, is entirely coincidental.

    All rights reserved, including the right of reproduction in whole or in part in any form.

    About the Author

    Table of Contents

    Snapshots of New York City in Stride

    At lunchtime pigeons and pinstripes dance with Rockette syncopation in front of Radio City

    following the lead of thirty balloons encased

    in vinyl tugged down the 50th Street station.

    A chauffeured limousine pops out

    a freshly groomed and leashed Pomeranian

    seeking reunion with her dowager owner

    getting purple locks and cuticles nearby.

    At the columned entrance of Manhattan Bridge

    two lovers kiss at the Canal Street stoplight

    while a Vespa owner stops near the pedestrian

    walk to hitch the love of his life in full stride.

    Black children in bowlers and their Sunday finest

    share a car in the Connie Island Cyclone

    with Hasidic eyngls from Avenue J

    carefully protecting their yarmulkes.

    In the South Bronx the children of 136th Street

    practice belly flops on an abandoned mattress

    before chickening out on the adjacent kiddie pool

    decorated with aqua waves, clown fish and mermaids.

    The Monday field trip will transport ten

    young Harlem poets to the Schomburg Library

    to eulogize when Maya Angelou and Amiri Baraka

    danced a jig on the ashes of Langston Hughes.

    One will write a Christmas story about the time

    Richard the reindeer took the Roosevelt Island

    tram to bring presents to the orphans

    after Santa’s sled had fallen apart.

    South Beach Daze

    South Beach before the hurricane

    was an old man in oversize shorts

    that dangled below his knees

    and protruded an obscene wangle

    when he walked.

    A Brooklyn or Queens refugee

    with a scent of ovens baked in.

    He smelled of bagels after breakfast,

    Wolfie’s cheese cake in the afternoon,

    cholent for an observant dinner

    followed by a nice walk down Collins

    delighting in the acrid smell of

    sea salt, sand crabs, seaweed

    and the waft aroma of exploded jellyfish

    popped by impish children

    with sea grape batons.

    South Beach was a prattling old Yenta

    in a one piece swimsuit with

    peacocks, zebras, vibrant

    schools of parrot fish swimming in the coral,

    and for a hint of the exodus that every

    elderly Jew needs to wear and carry

    with them a looming pyramid

    with a Sphinx stamped on the back

    to distract from the black

    tattoo numbers on the wrist.

    They would meet on the return,

    each breaking from their clique,

    joyfully begrudging a welcome peck

    still holding hands like decades before

    when they felt they had a true home,

    walking just a little block further beyond

    the screaming neon Art Deco haze,

    settling in to eat leftovers, a TV dinner

    and watch the glowing embers

    of Sullivan, Godfrey, Jackie Gleason

    knowing how sweet it all is.

    South Beach was a parking lot at night

    cracked, weedy, seedy, fading painted lines

    erased by lonely cars backing to the wall,

    headlights blinking one for yes, two for no,

    a forbidden, hidden, tormented love call.

    Down the road the Fountainbleau

    swayed to the rhythm of cerulean congas,

    a swarming taking over, a buyout with

    million dollar conversion dreams financed

    with white powder and rolled hundreds,

    and lots of leverage muchacho, so

    the tourist will spend and come and cum.

    The headlights still blink night love songs

    but with better accessories and stylings.

    The greedy can wait for old Jews to die.

    After the hurricane South Beach,

    became SoBe, as the locals,

    the bankers, the flippant rich like

    to call it and chant it as the tourists

    money the streets in a conga line

    so dense that it will start a riot

    if someone errantly blinks twice.

    The neon is the attraction and lure,

    even though it really is the

    after smell of a corpse.

    Every one knows the old Everglades legend,

    that lingers like a skunk ape arm

    caught in an airboat propeller, about

    never messing with an alligator

    seeking refuge under a car after a storm.

    Rain Dance

    The rain creates its own ballet

    starting with a lone figure on a bridge

    holding an umbrella in the fog

    splashing teardrops with his feet,

    doing jetes over the larger puddles,

    until the wind inverts his shade,

    plies turning to pirouettes,

    approaches cascading to the portal

    and the head of the street,

    dancing to a cityscape beyond.

    At the last turn they meet cute,

    their outward canopies entangling

    rib to rib, shadow to shadow,

    a plastic bag covering hair and

    half her face, soggy groceries

    nursed to her chest, an oversized

    purse dangling her wrist, pulling

    her down, falling, wishing for

    something, someone, anything

    to stop the descent, the crash.

    He catches her in

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