House of Lords and Commons: Poems
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A stunning collection that traverses the borders of culture and time, from the 2011 winner of the PEN/Joyce Osterweil Award
In House of Lords and Commons, the revelatory and vital new collection of poems from the winner of the 2013 Whiting Writers’ Award in poetry, Ishion Hutchinson returns to the difficult beauty of the Jamaican landscape with remarkable lyric precision. Here, the poet holds his world in full focus but at an astonishing angle: from the violence of the seventeenth-century English Civil War as refracted through a mythic sea wanderer, right down to the dark interior of love.
These poems arrange the contemporary continuum of home and abroad into a wonderment of cracked narrative sequences and tumultuous personae. With ears tuned to the vernacular, the collection vividly binds us to what is terrifying about happiness, loss, and the lure of the sea. House of Lords and Commons testifies to the particular courage it takes to wade unsettled, uncertain, and unfettered in the wake of our shared human experience.
Ishion Hutchinson
Ishion Hutchinson was born in Port Antonio, Jamaica. He is the author of the poetry collections Far District, which won the PEN/Joyce Osterweil Award, and House of Lords and Commons, which received the National Book Critics Circle Award for Poetry. He is the recipient of a Guggenheim Fellowship, the Joseph Brodsky Rome Prize in Literature, the Whiting Award, and a Donald Windham-Sandy M. Campbell Literature Prize, among honors.
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House of Lords and Commons - Ishion Hutchinson
STATION
The train station is a cemetery.
Drunk with spirits, a man enters. I fan gnats
from my eyes to see into his face. Father!
I shout and stumble. He does not budge.
After thirteen years, neither snow nor train,
only a few letters, and twice, from a cell,
his hoarfrost accent crossed the Atlantic.
His mask slips a moment as in childhood,
pure departure, a gesture of smoke.
Along freighted crowds the city punished,
picking faces in the thick nest of morning’s
hard light that struck raw and stupid,
searching, and in the dribble of night commuters,
I have never found him, wandering the almond
trees’ shadows, since a virus disheartened
the palms’ blossoms and mother gave me the sheaves
in her purse so he would remember her
and then shaved her head to a nut.
I talk fast of her in one of my Cerberus
voices, but he laughs, shaking the scales
of froth on his coat. The station’s cold
cracks a hysterical congregation;
his eyes flash little obelisks that chase the spirits
out, and, without them, wavering, I see
nothing like me. Stranger, father, cackling
rat, who am I transfixed at the bottom
of the station? Pure echo in the train’s
beam arriving on its cold nerve of iron.
FITZY AND THE REVOLUTION
The rumour broke first in Duckenfield.
Fitzy dropped the shutters of his rum shop.
By the time it got to Dalvey there were three suicides.
The mechanic in Cheswick heard and gave his woman
a fine trashing; but, to her credit, she nearly scratched his heart
out his chest during the howl and leather smithing.
The betting shops and the whorehouse Daylights
at Golden Grove were empty; it was brutal
to see the women with their hands at their jaws on the terrace;
seeing them you know the rumour was not rumour,
the rumour was gospel: the cane cutters did not get their