Livres électroniques de Fiction littéraire

ONE OF BARACK OBAMA’S FAVORITE BOOKS OF 2022 A successful art dealer confesses the story of his meteoric rise in this “powerful, intoxicating, and shocking” (The New York Times) novel that’s a “slow burn à la Patricia Highsmith” (Oprah Daily). “You’ll struggle not to rip through in one sitting” (Vogue). In a first-class lounge at JFK airport, our narrator listens as Jeff Cook, a former classmate he only vaguely remembers, shares the uncanny story of his adult life—a life that changed course years before, the moment he resuscitated a drowning man. Jeff reveals that after that traumatic, galvanizing morning on the beach, he was compelled to learn more about the man whose life he had saved, convinced that their fates were now entwined. But are we agents of our fate—or are we its pawns? Upon discovering that the man is renowned art dealer Francis Arsenault, Jeff begins to surreptitiously visit his Beverly Hills gallery. Although Francis does not seem to recognize him as the man who saved his life, he nevertheless casts his legendary eye on Jeff and sees something worthy. He takes the younger man under his wing, initiating him into his world, where knowledge, taste, and access are currency; a world where value is constantly shifting and calling into question what is real, and what matters. The paths of the two men come together and diverge in dizzying ways until the novel’s staggering ending. Sly, suspenseful, and “gloriously addicting” (BuzzFeed),?Mouth to Mouth?masterfully blurs the line between opportunity and exploitation, self-respect and self-delusion, fact and fiction—exposing the myriad ways we deceive each other, and ourselves.

Homage to Jean Genet’s antihero and a brilliant reimagining of the ancient form of tragedy, Querelle of Roberval, winner of the Marquis de Sade Prize, is a wildly imaginative story of justice, passion, and murderous revenge. As a millworkers’ strike in the northern lumber town of Roberval drags on, tensions start to escalate between the workers—but when a lockout renews their solidarity, they rally around the mysterious and magnetic influence of Querelle, a dashing newcomer from Montreal. Strapping and unabashed, likeable but callow, by day he walks the picket lines and at night moves like a mythic Adonis through the ranks of young men who flock to his apartment for sex. As the dispute hardens and both sides refuse to yield, sand stalls the gears of the economic machine and the tinderbox of class struggle and entitlement ignites in a firestorm of passions carnal and violent. Trenchant social drama, a tribute to Jean Genet’s antihero, and a brilliant reimagining of the ancient form of tragedy, Querelle of Roberval, winner of France’s Marquis de Sade Prize, is a wildly imaginative story of justice, passion, and murderous revenge.

Unwieldy Creatures, a biracial, queer, gender-swapped retelling of Mary Shelley's classic novel Frankenstein, follows the story of three beings who all navigate life from the margins: Plum, a queer biracial Chinese intern at one of the world's top embryology labs, who runs away from home to openly be with her girlfriend only to

From a New York Times Writer to Watch This Summer, an astonishing debut novel about family, sexuality, and capitalist systems of control, following three adopted brothers who live above a mosque in Staten Island with their imam father In 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul, and Youssef. They are adopted as infants and share a bedroom perched atop a mosque in one of Staten Island’s most diverse and underserved neighborhoods. The three boys are an inseparable trio, but conspicuous: Dayo is of Nigerian origin, Iseul is Korean, and Youssef indeterminately Middle Eastern. Youssef shares everything with his brothers, except for one secret: he sees a hallucinatory double, an imaginary friend who seems absolutely real, a shapeshifting familiar he calls Brother. Brother persists as a companion into Youssef’s adult life, supporting him but also stealing his memories and shaking his grip on the world. The boys’ adoptive father, Imam Salim, is known in the community for his stirring and radical sermons, but at home he often keeps himself to himself, spending his evenings in his study with whiskey-laced coffee, reading poetry or writing letters to his former compatriots back in Saudi Arabia. Like Youssef, he too has secrets, including the cause of his failing health and the truth about what happened to the boys’ parents. When, years later, Imam Salim’s path takes him back to Saudi Arabia, the boys, now adults, will be forced to follow. There they will be captivated by an opulent, almost futuristic world, a linear city that seems to offer a more sustainable modernity than that of the West. But this conversion has come at a great cost, and Youssef and Brother too will have to decide if they should change to survive, or try to mount a defense of their deeply-held beliefs. Stylistically brilliant, intellectually acute, and deft in its treatment of complex themes, Brother Alive is a remarkable debut by a hugely talented writer that questions the nature of belief and explores the possibility of reunion for those who are broken.

From the author of The Heavens, a dazzling, mindbending novel in which all people with a Y chromosome mysteriously disappear from the face of the earth Deep in the California woods on an evening in late August, Jane Pearson is camping with her husband Leo and their five-year-old son Benjamin. As dusk sets in, she drifts softly to sleep in a hammock strung outside the tent where Leo and Benjamin are preparing for bed. At that moment, every single person with a Y chromosome vanishes around the world, disappearing from operating theaters mid-surgery, from behind the wheels of cars, from arguments and acts of love. Children, adults, even fetuses are gone in an instant. Leo and Benjamin are gone. No one knows why, how, or where.  After the Disappearance, Jane forces herself to enter a world she barely recognizes, one where women must create new ways of living while coping with devastating grief. As people come together to rebuild depopulated industries and distribute scarce resources, Jane focuses on reuniting with an old college girlfriend, Evangelyne Moreau, leader of the Commensalist Party of America, a rising political force in this new world. Meanwhile, strange video footage called “The Men” is being broadcast online showing images of the vanished men marching through barren, otherworldly landscapes. Is this just a hoax, or could it hold the key to the Disappearance? From the author of The Heavens, The Men is a gripping, beautiful, and disquieting novel of feminist utopias and impossible sacrifices that interrogates the dream of a perfect society and the conflict between individual desire and the good of the community.

Caribbean professor Lila Bonnard arrives in Vermont for a short-term teaching position and is forced to confront the terrible legacy of American (in)justice "The racial politics of a small town in Vermont, as seen through Lila’s eyes, provides an illuminating counterplay between Caribbean and American Blackness." —Publishers Weekly "As a portrait of Lila's political and racial awakening, the novel is a grand success." —Kirkus Reviews “In Now Lila Knows, Elizabeth Nunez has crafted an indelible saga, one that is both of the times and timeless; both personal and universal. This beautifully, masterfully written novel is at once a compelling love story, a crucial exploration of the contemporary immigrant experience, and a trenchant critique of American racism.” —Mitchell S. Jackson, Pulitzer Prize winner, author of The Residue Years Lila Bonnard has left her island home in the Caribbean to join the faculty as a visiting professor at Mayfield College in a small Vermont town. On her way from the airport to Mayfield, Lila witnesses the fatal shooting of a Black man by the police. It turns out that the victim was a professor at Mayfield, and was giving CPR to a white woman who was on the verge of an opioid overdose. The two Black faculty and a Black administrator in the otherwise all-white college expect Lila to be a witness in the case against the police. Unfortunately, Lila fears that in the current hostile political climate against immigrants of color she may jeopardize her position at the college by speaking out, and her fiancé advises her to remain neutral. Now Lila Knows is a gripping story that explores our obligation to act when confronted with the unfair treatment of fellow human beings. A page-turner with universal resonance, this novel will leave readers rethinking the meaning of love and empathy.

TARGET CONSUMER Those who loved Perrin’s irresistible million-copy bestseller Fresh Water for Flowers  Readers of Mayflies by Andrew O’Hagan, The Weekend by Charlotte Wood and fans of Tracey Thorn  KEY SELLING POINTS Internationally acclaimed, million-copy bestselling author Previous book was an Indie Next and Indies introduce titles, and National Indie Bestseller Major campaign and international media press

A former Wall Street veteran, quarantined by the coronavirus, becomes consumed with madness—or the fulfillment of his own mythic fate. "A lonely ex-financier stuck in his apartment during the Covid-19 pandemic becomes obsessed with the Central Park Reservoir and slowly goes mad." —New York Times Book Review "[Duchovny’s] novella The Reservoir, set in New York City, probes how pandemic isolation has changed us." —The Boston Globe "A new, pandemic-inspired, Rear Window–esque thriller." —Village Voice “Evocative, chilly prose that wouldn’t be out of place in a late Don DeLillo novel. Like his previous novels Bucky F*cking Dent and Miss Subways, it’s a love letter to Duchovny’s native New York. But it’s also a smart story about obsession. A slim, compelling tale of a man on the brink.” —Kirkus Reviews The Reservoir follows an unexceptional man in an exceptional time. We see our present-day pandemic world and New York City through the eyes of a former Wall Street veteran, Ridley, as he looks back upon his life in his enforced quarantine solitude, wondering what it all means and who he really is. Sitting and brooding night after night, gazing out his huge picture window high above the Central Park Reservoir, Ridley spots a flashing light in an apartment across the park as if a lonely quarantined person is signaling him in Morse code. His determination to find out who this mystery woman is leads him on an epic quest that will ultimately tempt him with either delusional madness or the fulfillment of his own mythic fate. Is he a dying man going mad or an everyman metamorphosing into a hero? Or both? We accompany Ridley as he leaves the safety of his apartment window to save the Fifth Avenue femme fatale and descends into a dangerous, increasingly surreal world of global conspiracies, madness, and sickness of this viral time. As Ridley’s actions grow more and more uncharacteristic, he realizes the key to all the mysteries of now, and even all of history, seem to lie deep beneath the freezing waters of the reservoir. The Reservoir is a twisted rom-com for our distanced time, when the merest touch could kill and conspiracy theories propagate like viruses—a contemporary union of Death in Venice, Rear Window, and The Plague.

A bold novel about ambition, grief, creativity, beauty, and existential emptiness that retraces the arc of American life and culture in the first decades of the 21st century. It is early 2017 in New York City, Donald Trump is President, and Solomon Fields, a young Jewish journalist-turned-advertising hack, finds himself disillusioned by the hollowness and conformity of American life and language. Once brimming with dreams and ideals instilled in him by his eternally bohemian grandmother, a survivor of the Holocaust who has dedicated her life to passion and pleasure, Sol now finds the senseless jargon he produces at work seeping into all aspects of the world around him—and most disturbingly, into the art that his beloved grandmother taught him to revere. A personal tragedy drives Sol to leave New York and accept an invitation to The Coded Garden, an artists’ colony on a tropical island, whose mysterious patron, Sebastian Light, seems to offer the very escape Sol desperately needs. But the longer he remains in the Garden, the more Light comes to resemble Trump himself, and the games he plays with Sol become more dangerous. Slowly lines begin to blur—between reality and performance, sincerity and manipulation, art and life, beauty and emptiness—until Sol finds that he must question everything: his past, his convictions, and his very sanity. “Alexander Maksik is a sorcerer of the first order."—Lauren Groff, author of Fates and Furies

A thrilling new story collection from acclaimed writer Don Lee exploring Asian American identity, spanning decades and continents "Don Lee is one of those masterful storytellers who is both classic and modern, who can transport you into any setting, with any character." —The TODAY Show, recommended by author Weike Wang "The organizing conceit of all [Lee’s] fiction has remained consistent: Asian Americans are not monoliths . . . Lee narrates from a collective perspective, his stories offering a kaleidoscopic vision of all the ways it feels to be yellow." —The New York Times Book Review "Familiar joy is immediate as one reenters Lee’s signature worlds of brilliant resonance and quiet depth. In his first short story collection since his lauded Yellow debut, Lee again questions identity, unlikely relationships, and fleeting connections . . . While Lee' s devotees will joyfully relish casually dropped references to previous titles, new readers should savor plenty of first-time delight." —Booklist, STARRED review "The Partition is flat-out brilliant: a witty, kaleidoscopic tear through questions of race and identity in America today by a writer who has wrought luminous fiction from these issues for years. Don Lee's collection offers vivid, entertaining proof that ethnicity is never straightforward or easy—no matter who we are, or where we stand." —Jennifer Egan, Pulitzer Prize–winning author of A Visit from the Goon Squad Twenty-one years after the publication of his landmark debut collection Yellow, Don Lee returns to the short story form for his sixth book, The Partition. The Partition is an updated exploration of Asian American identity, this time with characters who are presumptive model minorities in the arts, academia, and media. Spanning decades, these nine novelistic stories traverse an array of cities, from Tokyo to Boston, Honolulu to El Paso, touching upon transient encounters in local bars, restaurants, and hotels. Culminating in a three-story cycle about a Hollywood actor, The Partition incisively examines heartbreak, identity, family, and relationships—the characters searching for answers to universal questions: Where do I belong? How can I find love? What defines an authentic self?

One of Barack Obama’s Summer Favorites! Named a Most Anticipated Book of the Year by Time, Entertainment Weekly, Vogue, Good Housekeeping, Oprah Daily, Glamour, USA TODAY, Parade, Bustle, San Francisco Chronicle, The Seattle Times, The Boston Globe, Tampa Bay Times, BuzzFeed, and Vulture “A compelling read that showcases Egan’s masterful storytelling.” —Time “Dazzling.” —Vogue “Radiant, exhilarating.” —Slate “Mesmerizing…A thought-provoking examination of how and why we change.” —People From one of the most celebrated writers of our time comes an “inventive, effervescent” (Oprah Daily) novel about the memory and quest for authenticity and human connection. The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is “one of those tech demi-gods with whom we’re all on a first name basis.” Bix is forty, with four kids, restless, and desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or “externalizing” memory. Within a decade, Bix’s new technology, “Own Your Unconscious”—which allows you access to every memory you’ve ever had, and to share your memories in exchange for access to the memories of others—has seduced multitudes. In the world of Egan’s spectacular imagination, there are “counters” who track and exploit desires and there are “eluders,” those who understand the price of taking a bite of the Candy House. Egan introduces these characters in an astonishing array of narrative styles—from omniscient to first person plural to a duet of voices, an epistolary chapter, and a chapter of tweets. Intellectually dazzling, The Candy House is also a moving testament to the tenacity and transcendence of human longing for connection, family, privacy, and love. “A beautiful exploration of loss, memory, and history” (San Francisco Chronicle), “this is minimalist maximalism. It’s as if Egan compressed a big 19th-century novel onto a flash drive” (The New York Times).