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Early colonial illustrated manuscripts offer proof that the Spanish conquest of Mexico did not totally extirpate pre-Columbian artistic traditions. Gruzinski's attractive introduction to these codices captures the encounter of pre-Hispanic visual language with that of Renaissance Europe, resulting in an unstable and sometimes subversive hybridized style that throws a fascinating light on the interaction of a mortally wounded culture with that of a brash but provincial interloper. The author, a Paris-based specialist in Mexican art and history, also tellingly articulates some of the central historical, religious, cultural, and material preoccupations of the late pre-Columbian and early colonial periods. But he pays little attention to relevant monumental paintings and seems unaware of the diverse purposes and wildy uneven artistic quality of his material. As a result, he somewhat weakens the argument of this informative, beautifully illustrated volume.
Early colonial illustrated manuscripts offer proof that the Spanish conquest of Mexico did not totally extirpate pre-Columbian artistic traditions. Gruzinski's attractive introduction to these codices captures the encounter of pre-Hispanic visual language with that of Renaissance Europe, resulting in an unstable and sometimes subversive hybridized style that throws a fascinating light on the interaction of a mortally wounded culture with that of a brash but provincial interloper. The author, a Paris-based specialist in Mexican art and history, also tellingly articulates some of the central historical, religious, cultural, and material preoccupations of the late pre-Columbian and early colonial periods. But he pays little attention to relevant monumental paintings and seems unaware of the diverse purposes and wildy uneven artistic quality of his material. As a result, he somewhat weakens the argument of this informative, beautifully illustrated volume.
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Early colonial illustrated manuscripts offer proof that the Spanish conquest of Mexico did not totally extirpate pre-Columbian artistic traditions. Gruzinski's attractive introduction to these codices captures the encounter of pre-Hispanic visual language with that of Renaissance Europe, resulting in an unstable and sometimes subversive hybridized style that throws a fascinating light on the interaction of a mortally wounded culture with that of a brash but provincial interloper. The author, a Paris-based specialist in Mexican art and history, also tellingly articulates some of the central historical, religious, cultural, and material preoccupations of the late pre-Columbian and early colonial periods. But he pays little attention to relevant monumental paintings and seems unaware of the diverse purposes and wildy uneven artistic quality of his material. As a result, he somewhat weakens the argument of this informative, beautifully illustrated volume.
Droits d'auteur :
Attribution Non-Commercial (BY-NC)
Formats disponibles
Téléchargez comme PDF, TXT ou lisez en ligne sur Scribd