Académique Documents
Professionnel Documents
Culture Documents
mr
+3-+ =r@@'Syllabus of the Department of English
for
B.A. Honours
Coursa
t-vl-*l
far
Sssiotr
the 20/J6-2007
Publtdvd
b1'
'
BANGIADESII
2007
First Yerr
Semesier
coqli
NtT---eouGEii;
Semester
II
Crrursem
Coutse
No. I
Coune
No.
CourG
(2)
Smester
(3)
Semester
lI
Course Title
Il
Course Title
Course
No. I
Eng.204
-Fru.
_1 I ?06 | I
Acaclemio Writr
gs.4q_,
f-c,Iiell!
|
Third Year
Semestr
!5.1{{{] I O| 0rl
E\9.
jqtj!_
ffil,lioduc,i.,n
, r.g!lng.-Spenscr to Popu
couse Title Lng'i.h tr,'.. E Ir' !g9qI Hr'lory of Wcj:crn ldea\
First
Comse Eng. 101
Listenitrg i
Ycar
Semestcr
eours.
-Nc I
II
lllk"
* fistcning for main ideas/key information * L;stening fol spcific details ' L:stcning and understanding' both inplrcit
cxplicit
r
aad
Listanjng and lespondirg to lexts (i.e.), Ibllowing instructions, answcring questions, roacting to
mossages.
cIts.
ctc.)
r,-nd note-taking
Listening
Spcaking :
Und-erstantling social conventions ii.e., formal/ informal speech, turn takjng etc.) American L;.terature grzing,
Guided convelsations (involving d.ifferen fnnctions antl siitLations, c.g.. greeting:, requecring, apnlo-
etc.I
*,
( 4t
' Readjng news rter.I]s and rcportillg ' Role-PlaYs itnd simulaxions on a giYel thenle " prepailng and prcsgntirg taLks * Interviews
*
b.
( 5)
Use of rvo.'d combinations an:l collocaliotrs Uje of complex sentence constructjons nith com:t-tivrs, also fragmsnts, run-ons
Storv telljr)g
gtotLp dirutrs'i.,'t'
* * * * *
Paraphrasing
Summarizils -a
O.Aanizrng
. Reading strategres (skirnmirg' scarning, predicting, jnferencing, tc * Soced rc:r'-[itrg ) - tii-u. ,.ra;n"g (highl;gillir)g' getting inlbr,malion frorn te\i. ouickly finding )oltl way srotLllo rqrt\t norins kev' wolcts. l'ollowing malll argunlcl{l\' lnr".oarinn- wirh rhe telt and sttlllnl'tllztllgl - R;il;;:" improve lingu'siic s(ill\ ald eKpand ;;;;iti ) : unclersrancling o\Lrall ditcot'rct. ia r,ilatc structure ilnd ncdn;llg 1o lhc anallsl' and comDrchcllsiolt of lhc iexl iow ?' ctn;*l- tJo.Ling (makc judgcrncnts -''boutpcl \oili(l " rcxt is arguc.t, rcRecting and nlllKrllg r..ioonr" i. vTsll 65 closi \cnLlin)- oi lxngtLi'gc 1o perspccllv(' ,r,rd"rst"',(.1 u'titet" a:iitudr lnd - f^i.rti,."t."J'ng (rerd ng orrtsid' clas'. bo"ks sclected by leach(ls; al l(lsl l\\o Doo}.s \\lr!
be lead) - R;.,iiil ' iorrrnal art,clc' and lircrarl cliticisn:'' " \41';ii"; b'ool revictr'' (revic\\\ ot th': books t"rtti tltu ing thc cours'e)
:
pltagr'apb: iopic scntene<. d<ta,lcd \.n]e'rccs.- l.rgical ordcr and cottcjurions ?aragi'aph wrrting focusing on the charactedsaics ol patiering, cohesion, coherence and unitf in thc pa!'agr&ph, paragraph anaiysis, dcvelopmenl, outlinins \\,riting" pa.rag.aphs followjng differcnt ^ rnodcs ol writing : deflnitjon. descriptio:r' classification, cl',use and efect, compatjson and contrast
Coutse
Rerding
Erg.
102
Inttoilucrion
ApprecietioE)
to l-iterltrte
(Criticd
nguratjve
ItngLlage (image, sinlile, metaphors, connoiation' dc;rotation, pelsonification, allusion, synbol, hlper-
,t"',"". a.,on-0n.". inte.nal. ind rhyme. hlank free verse, hel'ojc couplel, rhythm) and scansion. * Understanding aspects of style and structure
verse,
brrlc, irony. pa-adox. urrmoron and apostrophe) Undersrandiog .ound nx:rcrns (all;terar;on. conso-
frriting
1.""i?""oi"g
lary
(m^od, ronc. \elLing. cllar.lcler and rheme) UnderstaLrding overlll discourse 1o relxle slructure and meaniug to the analysis and comprehen* sion of the lext. to nake judgcmcnts ilbout Rea,ling critically horv a text is argued and to make personal rcsDonscs as well as closc scrutinv of llnguagc to rrndc;'rtand \vr;tef'\ atliludc, and perspcctivc and point of vicw (speaker, narrator)
"
(6)
Course Eng, 103
Shakespearc
(7)
to
PoetrJ
ts
Introductiotr
" Sba1.l
Da)
Herrick Donne
Gray Keats
Llk.' rhe Sun" "Deiight in Disordt'r"; "fipo;r Julia's Clothes" ,'The Sun Rising", "Birlter 1l1y hearl''
Country
Chapnran's
43
are
Nolhing
tive, exploratory, argumentativc Writing biographies Wnting rcsponse papsrs * Mecharrics of wr,ting : gramnlar, pttllctuatron
spel ling
and
Cousc
Pro se'-
P(ose erd
Drrrr
Bacon
Lamb
Ncwlnal1
E.B. Brorvning
EJiot
Dyian Thonas
fed
Hughes
Adrienne Rich
Jentrifer's
Froxt '.The lclea of a New tlniversit:"' "Worlletr and Fiction" "The Garden Party" "Shooting an Elepharf' " My 0 ()dipus Complex" "Games at Twilight"
Archibald
Macl-e ish Seamus Heat]ey
"Ars Poetica"
Drama
Oedipus
First
Couxse Eng.
II
104
Advanceil Coruposition
qRq:
<-fi-s-.il!t
4eF4 fual{
bEi
st_l
fr<',fifi
,j"{i4'
q{}M.'il',t ru
rfff{< fi{{r{
air
Wdting tho first draft Revi\ing and edil ing Writing the final draft
?{r' ,ft{{4 ?{
{Fr{'4 rt:lE:r rt
'1tfr aor
'r"JT,'etrft.
!{i
( 8)
E t-qtl'r:
(e.)
Corrsc Erg. 203: Erglish l{orel
Dcfo c Austen Charlotl-e
fron Dfoc to
Httv
Pobinson Ctusoe
Pride ond
PreiudiL:c
Erg.
106
(B)
Berglatlcsh Studies
Bionte
Charjes Dickclls
(Forforcigo students and those who havc not st .d icd Bangia at any levol)
Hardy
1905
II
204
Actilemic lvritirg
*
r Scrcster
Coarsc
: htrodlctior ta Lirguistics * Dcfir.rition and chal.acteristics ol language * Or ig;n' of huguage * Sub*fi:l,is'b lrnclFs -ol' I ngu sr cs : pJrlnetic' l'ld
Erg.
201
Tlre various colnpJ.nents of thc couiso lvill includc : ReaCing to wiitc : ieading aritical sssays, obia,,r,lg info. m.r'ioIt ,Ln.l notc-iakiDg * Sy;rtheslz ng diverse information and rnaklng connections * Tninking criticall,v and aralytically on a giYcn theme/issu:
Ro.rartic Poehy
Songs of lulocence antl Experictrcc "Trntern Abb3)'' ti Michar:lt ' "Odc on Intimxiions of Immorrolitv": .Th; Pielude" Brok I .,The Rimo oi rhe Ancient
Patlern * Argulng w'th convincing eviclence * S, ting the tone of foiinal rvriting * Drqtion/wofd clrojce in asadenic writlng * and co]resion * Tranritiolrs Aqknowledgjng sou'ces and incorporating dircct quotes * and indirect essays on chalacter, thcme, st]'le, Wl.itlng Iiterary sirxcture, imagery, s5r.mbolisn, e1c * illot
thematic
kc,v
C(,lcridg
81-'ron
Marircr";
Corrsr Eng.
crgrcvc
Marlowc
t.
Shcilcv
Keats
Shakespearc
lVlarlowc
: :
(10)
Jonson Webster Congreve
Volpone
(11
Course F
Spenser
g.
312
Donne
r Victod
to FtE The Faeie Queene Book I. C"nb I "Goocl Morrow' ; ' Canonizatiotr'-' "Song: Sweetest Love I do not goe';
Poetry
St)eNer
fron
Poe
try
eerl Prme
Tennyson
Browning Aronld
Herbert
Lippo Lippi"; "Andrea del Sarto": '!My Last Duchess"; "Rabbi Ben Ezra" "The Scholar Gipsy"; "Dovcr Beach"; "Thyrsis" Selections fr-orn
Autobiograplty (as
"Fra
Milton Marvell
Pope
"Valediction : Forbidtiing Mouraing'; "Nooturnal upon St. Luc.iets Day-;' "The qe1i"",'The Extasie"; "Tne Flea-; "Thou Hast Made MeD\ "The A I1ar"; "Easrer Wings,'; .'Collar ' Poradise Lost Book IX "To His Coy Mistress",; 'Bsrmuda' .?he Definition of Love" Ihe Rape of the Lock
trngtanl
Corrse Eng.
t
303; Ilistory of
ts
.
Mill
Walter Pate r
(As in Norton)
in Norton)
On Liberty
a:td
Tbird Yeer
Scacstcr
I
Erglish
The Crvil War The ftestoration of [660 The Glorious Revolution ot The Rise of Political Parties Industrial Revolution
The English Ernp re Victorian E ngland
ion England
Renaissancc and
Rcforma-
1688
Intooduction
Tcaehitg
to
grage
England
* Brief history
of Euglish languagc tcaching * The Gramrnar-Translation Method I The Direct Mothod 'r' The Audio Ungual Metbod * I Thc Natrrral approach and Mcthods : Sjlont Alternative Approaches ' + [.e311e1-centred Approaches
*
Issues
II
Corsc Eng. *
304
Eagtish
fot
Profcsdonl Pupecc.
+ Bnsiness (eports
tion,
in ELT Methodology :
Business Letters
( 12)
Dcvelopjng Pt'oss Copics
(
l0Lh CenrrLLv Thoughr
13
Oral
Presentation
English Prose
fron
Bacor to Brrke
Essals
Milton
Swift Addison
Samuel
thc Assizes"; "Thc Aims ol t\e Spectatoi"; "Wrt: T|ue, Falsc, l\4ixed"
"
Plaltations", "Of Friendship" ..l.reopqgitica (as in Norton) Gulliver's Tr.tvels "Sir RogeJ at ChurcJr"; "Sir Roger at
:'!Oi Truth", "Of Marrjagc and Singlo Life": "Of Great Place',, "Of
:. B,rg.o1 .,1,1 Crerrivc lvoluPrcgnlr.risl]l- Modern Analyricrl pltilosophy antt lbe Scicr)lif,c WLrrld-Vieu. Modcr; p.yr.Jrotoev (Frcud. Jung and P\ychoanalys;s. Behaviourisnr, Cesriir psysii6i logy), Existelrtialisn, Fcmini-sm.
lion.
Four.th
Year
Semestel
I
:
Johnson
E,
Brrko
Teaching the receptive and productive skiiis thcory ilnd cllrssroolr applicar ion ' lntcgration of rhc lorrr rkill:
: Ilistory of
Romans
Vrew
Westerr Iilces
Thc
Greeks
and 1he
: Tlrc
Ptc-Socratics,
Skeptics.
Th:
\4rd ier r
Thc Renaissance: Eralrus, More, Machiavelli, Bacon. Thc Refornation and the Coonrer-Reformation. The Risc of Modern Sliance: Copernicus, Galilco,
I W,,-ld
Poetry:
Ncwton.
Thc Risc of Modern Philosophy: Descartes, Hobb"'s, Spinoza, Leibniz, Locke. The Englightenmenr and 18th Century Thought: 'fhe Philosophes, Bsrkele"v, Hume, Burke, Adam Snith,
Ir4a llh us, Roasseau. Kani. Romanticisn and the F|ench Revolution.
Mary Wollstonecraft and the bi*h of Feminism Thc A.rnctican Waf of Independcncc anrl Democracy 19 Century Thougbt: Hcgel, Marx and Socialism,
Igtiliaiianism, Darwin and the Theory
of
Evolution,
" Anong School Chjklr-en',;,.Byzantiunt"; "61ra,rs {lrintal's Desorlion',; "A Prayer for My Dalrghtcr', Eliot : Tlte l|/aste Larttl Arrdcn : ' Mtrscc dc Bcau\ Alts": " ln Vcltorv of w' B. YeatsDl (shield r,In Prajse of Ljmestone" of Achillies'!
Yents : "The Lake Isle of Innsfree',; "The Man Who Drea_n ol Faerie Lanri"; '.ta.rer l9 [6"; "Second Coming',; ,'Sajling 1ll ByTantium,'; "The Wild Swans at Crolo',; "Leda and the S\yan,,;
Itrkin: :
'.Ch1rrch trMr.
Going,',
..Aubade'r,
( t4)
J)fama : Osbolne
(lJ)
JD. Saliager Ioni Mofiison
:
Allen Giasberg
Beckott
: Pinter :
: Look
Back
in
Anger
Edward Albee
Catcher in the Rve The Bluest Eye' : ''.4. Supermarket jn "Jessore Pog6" : The Zno Stury
California':
Classics
in T(ansl.tio!
rI
The lliod
The Aeneid
Agamemnon
20th Century Fictiol Jim Sons and Loyers Mrs. Dalloway Portrait of the Arti$ as a l'oune Ma Lord of the Flies The Prime of Miss Jean Brodie
Virgil
AeschYlus
Lord
Sopbocles
Electa
:
Eutipides
Anonymous
Course Eng.
Aristophanes
'lYoolf
Jo1rce
Golding
404(A) '
* Language and Diaiect : Regional and Social . Dialects, Variation Studies, Standard Languagc
Cdtical Theory
'
'Register * Dglossia
Dryden
Johnson 'Wordsworth
Coler idge
* Code-switching * Bollo'lving * Pidgins * Creoles * Theories of the origins of pidgins and Creoles * World Er\qlishes, Language and C\lture
"An Apology for Potrv" "Preface to rh Fables"' "Preface to Shakesoeare" 'Preface to the Lirical Balla(Is,'
Arnold
Eliot
Woolf
Eagleton
Said
Biographia ..Literariq (Clrapters xrii, Xlv, Xv. xviil "The Study of poetrv,'
Couse Eng.
Emerson Hawthorne
4M@i
American Literatue
H.
Melville
Thoreau
American Scholartt "Young Goodman Btown" "Bartlebv' "Economyl' (ftom llalden) "Whgn Lilacs Last"
"The
Seleotions
Selec't;ons
DaisvMiller:AStudl
The
Richard
noiry Ape
Eenry
IY
II
( 16 )
Co{rse Eng.
10S{C.t
Couse Erg. 408(A): Lengrage Throrgh Litcrrtrxe {. Using Literaturo in tha LangliaSo Clas.rioorll * I.iterature and tho La.nguage Learner
*
*
slills triading, *t;ting. i\lc,rin! 'n itk'ni', \,\2bularv and grsnm;lr) * Srvliriics: Ainls and Pctsf'ettivc * Linzuisljc Dcr.,ipttor of Lt'ertry T((t': Aprly'is ar -Wo|d Lcrel : Anallsir rt Clilu'c Le\cl ' Anlrlysis at Sefience Level
Counc nng, 408(8) Sttucture of firglish * Norrns: Positjon ancL Func.tiol ' Noun Cllsscs: colu , r1oll{'ounl, fropef llotlns ' Deletntinatir'c- : p e-dcleflnitlcrs. !q11|i11 riert]rrnineis. post tletilmincrs. The u.e of Aniclet - Vetb: l.,ti;or vert classes-ti1re, tollse arld ihs
Reading Literature Cross-Culturally Literature and LanguagcSkills: rtsir'g sholt slorics Dov:l\. poelry anC plalt i,r Ieacllillg thc llrrlgtr"gc
* Hisior'y _oi 1\.iedi3 Jech [clcg,v- _ spec jal ibcus 1..^ the aevelopmeni oi pr.in,, nidja * Theory and Aesthelicr oi Audio-l-isual MeC:a_ cel.rel rheo,ie\/phi'osopiy and il\ ,npacr -of
med.ra.
Recepfioii and Use of Media_critical theory ol J:r-t Baudrilliard etc. * Wdting for the Media-oxamine the form and content_. of popular genres ; preparo ..copi6' of media texts * Reading Films-critical eranlnalion
o' of
of
ideology
anah,s;s
polii;c:
filnr
studies.
of
fllms,'
* Scouence of Te[.cs : Conclll;o tl - nj",rO. : CharacterisLics oi Lltc adYcrb -tlle adv"tb as clause ciemont-lhq advclb and oth--f 't functiolls 01' adverbs*oiO "lr"t"i-iyntactic a<ljectivcs.aud adverbsbctrveen co;respondencc
vcrb.
. Ajii.riu.t : Charrcrerist:c' ol tirc adjectivc.;;',;;l ;"i periphcral acllct t ves -llrc adjcctivc irt relalion to otllor word clssses \ynlxclrL lltll(tion of adjcclivcs -syl11a. f'c lrlld scnlanllc suoclassification of adjectives. - eatJt-di"i- bf.iases"- Aclj ct iva 1 ph rascs -Prepos itioual Pltase' Verb Phrl( r' - i"nt"O,- -Ptincjptcs anLi vcrblcs' CllltLses f.fon-Tcnserl ,. i.;i;; ,' of Passr'vization Yoice Constraints. - bi.*i"ri'",,a rraditior.rl intcrnfclitlion of lhc
c
of
modals