MEDIAKIT2011

info@10secondsmovie.com
www.10secondsmovie.com
ANashvillebasednon-profitproductioncompany,focusedon
makingfilmsthateducate,inspireandbringsocialawareness.
www.bellaveritas.com
Art is the means of union among
mankind,joiningtheminthesame
feelings, and necessary for the life
and progress toward the good of
theindividualandofhumanity.
-LeoTolstoy
GilbertHorn,asuccessfulbusinessandfamilyman,hasadeep
darksecret.Hisobsessionleadshimtolietothosearoundhim,
betrayhiswife,andenslaveinnocentgirls.AsGilbertstruggles
withtemptation,heisdesperateforinterventiontosavehim
fromself-destructing.'J ~.cJisthestoryofGilbertthe
storyofasexaddictandasexslave.
David was raised in Jurmala, Latvia, where he attend-
ed the Jurmala Music Conservatory for over ten years.
In 2004, he moved to Nashville, Tennessee, where he
studiedPianoPerformanceandCompositionatBelmont
University.Davidbecameastudentoffilmmakingafter
hissuccessfulintroductiontowritinganddirectingforthe-
atre.In2008,alongsidethreeotherNashville-basedart-
ists,hestartedBellaVeritasProductions:anindependent
filmcompanydedicatedtoproducingfilmsthateducate,
inspire,andraisesocialawareness.
Davidhasproducedfourfilmsanddirectedtwofilmsand
consultsfornon-profitorganizationsontheircommercial
andpromotionalvideos.Hispassionistotellstoriesthat
matter and provoke his audience to think and act in a
waythatmakestheirworldabetterplace.
DavidPerry
(Writer,Director,Producer)
ElenaDering(Producer,ProductionManager)
ElenawasraisedinRiga,Latvia,whereshereceivedadegreeinBusinessfromtheLatvianStateUni-
versity.In2004,shemovedtoNashville,TN,whereshehasbeeninvolvedinraisingawarenessfor
severalsocialcauses,primarilyHumanTrafficking.Havingnumerousyearsofactingtraining,shebegan
producingforthetheatrein2006aswellasstudyingfilmmaking.Sheisaco-founderofBellaVeritas
Productions,anindependentfilmcompanydedicatedtoproducingfilmsthateducate,inspire,andraise
socialawareness.Shehasproducedfourfilms,writtenanddirectedonefilm,aswellascoordinated
variousprojectsforvariousartisticandsocialjusticenon-profits.Herpassionistobeavoiceforthose
whocannotspeakforthemselves,bothbytellingstoriesthatinspireactionandofferingpracticalsolu-
tionswithinoursociety.
MatthewRampulla(Producer)
RaisedinaNewJerseysuburboutsideofPhiladelphia,Pennsylvania.Matthewearnedadegreeinmu-
sic.HemovedtoNashville,Tennessee,in2005tostudyatSAE,wherehereceivedfurthereducation
inAudioEngineering.In2006,hewasinvolvedinproducingthesounddesignandstagemanagement
for~J c! cJ,aplayaddressingtheissueofhumantrafficking.Fromthere,Matthewbegantoget
involvedinbringingawarenessandeducationonsocialissues.In2008,heco-foundedtheindependent
filmcompanyBellaVeritasProductionswiththreeotherNashvilleartists.BellaVeritasProductionswas
birthedonthenotiontoeducate,inspire,andraisesocialawareness.Matthewhasproducedthreefilms,
aswellasworkedinvariouscrewpositionsonshortfilms,commercials,andmusicvideos.Hispassion
istobringstoriestolifethroughanartisticwaythatwilleducate,provoke,andinspiretheviewer.
AaronHorn(Producer,Post-ProductionSupervisor)
AaronwasraisedinEastTennessee.Fromayoungage,hetookinterestinmediaproductionworkas
ahobby.HereceivedadegreeinBusinessAdministrationatBelmontUniversityinNashville,Tennessee.
Aftercollegeheworkedforavarietyofnon-profitandfor-profitorganizationswherehecontinued
todevelopanassortmentofmediaskillsintheaudioandvideofields.In2010hejoinedBellaVeritas
Productions,anindependentfilmcompanydedicatedtoproducingfilmsthateducate,inspire,andraise
socialawareness.Hedesirestobeapartofprojectsthatdispelmisbeliefsandinfusetruththroughfilm
andothermediaartforms.AaroncurrentlycurrentlyresidesinNashvillewithhiswife,ascreenwriter
fromHouston,Texas.
MattCoale(DirectorofPhotography)
MattisaNationalEmmynomineeandaRegionalEmmywinnerinthefieldofcinematogra-
phy.HeisafilmschoolgraduateofSouthernIllinoisUniversitystudyingundertheguidanceof
documentaryfilmmakerStevenJames(cc, ~J, ~.~).Withovertwenty-fouryears
asaDP,Matthasphotographedover100documentaries,1500commercials,165musicvideos
and750televisionprojects.HelivesnearNashville,Tennessee,withhiswife,Julia,andtheirtwo
sons,LoganandBenjamin.
DuncanRagsdale(ProductionDesigner)
Painting,drawingandcreatingherwholelife,DuncangraduatedwithaBachelorofFineArts
inGraphicDesignandaminorinAdvertisingfromMiddleTennesseeStateUniversityinMur-
freesboro,Tennessee.In1991,shemovedtoNashville,Tennessee,toworkintheartdepartment
ofafeaturefilm.Inthepast19years,shehasbecomeanawardwinningArtDirectorand
ProductionDesignerforvideo,motionpictureandprintmediainandaroundNashville.Duncan
continuedtoexpandhercreativehorizonsandrepertoirebygraduatingfromWatkinsCollege
ofArt,DesignandFilmwithanInteriorDesigndegree.
KazimirBoyle(Composer)
KazimirwasborninChicago,Illinois,in1976.Hebegancomposingmusicinhighschooland
receivedhisBachelorofMusicinCompositionfromtheUniversityofIllinoisatUrbana-Cham-
paign.AftercompletingtheUSCgraduateprograminfilmandtelevisionscoring,Kazimirspent
ayearassistingHansZimmer.Kazimirhasestablishedareputationasaproductivecollabora-
tor,whichhasledtomultipleprojectswithmusicalluminariesA.R.Rahman,CraigArmstrong,
andQuincyJones.Hisindividualcreditsincludefeaturefilms,televisionshows,documentaries,
shortfilmsandTVcommercials.Kazimircontinuestocomposefortheconcerthall.
JessejamesLocorriere(Gilbert)
At the age of eight, Jessejames Locorriere attended Lee Strasbergs Acting Institute in New
YorkCity,andyearslater,TheAtlanticTheaterCompanyonManhattanslowerwestside.
Hiscareerbeganinthetheatrewherehesappearedinover50theatricalproductionsinclud-
ing,~~J ~ '|c, c.5, c. ., and`J.5~Onscreen,hehasappearedwithKris
Kristofferson,EricRoberts,JaneCurtain,andPaulGross,tonameafew.In2010,Locorriere
wasawardedBestActorattheYellowFeverFilmFestivalinBelfast,Ireland,forhisroleasa
meth-addictedhighschoolEnglishteacherinashortenedversionofthefeatureVJ, J c~,
whichwillbereleasedmid-Spring2011.HelivesinTennesseewithhiswife,Caroline.Currently,
heiswriting/structuringafeaturetobeshotinNashvilleSummer2011.
CaylinCervetti(Nina)
Caylin Cervetti, born in Iowa, performs, creates, and lives in Nashville, Tennessee. The Film
'J ~.cJishersecondshortfilm.Cervettilandedtheleadinseveralmusicvideossuchas
ConsidermeGonebyRebaMcEntireandGuineverebyEliYoungBand.Also,sheisafolk
singer/songwritercurrentlyworkingonherfirstfullalbumwiththehelpofGrammywinning
engineer/producer,LukeWooten.
ShortSynopsis
'J ~.cJisashortfilmpresentingthestoryofhumantraf-
fickingthroughtheeyesofasexaddict.WewitnessGilbert
Horngoingintoabrothelforthefirsttimetobuyachildfor
hisownsexualfantasies.Alongsidethestoryoftheaddict,is
thatofthethreeinnocentgirlswholiveinthebrothelbeing
subjecttothedailyhelloftheirslavery.Theseinterweaving
vignettesshowboththehumanityanddepravityofhuman
trafficking and sex addiction, while offering an opportuni-
ty of restoration for the addict and freedom for the slave.
Almost300,000Americanchildrenare
atriskfortraffickingintothesexindustry.
J.~J J~ ~,J~ c! J~
MediumSynopsis
'J ~.cJ opens with fortunate business and family man Gilbert Horn
sitting outside a brothel. The complaints of his son and the slow counting
totenbarelysufficeindeterringhisdesire.Littledoesheknowthatwithin
thebrothelaretheinnocentlivesofAnna,Nina,andElena.UnlikeGilbert
who wants in, they struggle to maintain sanity in their hell by imagining
the world outside. Gilbert, however, returns home to spend time with his
beautiful daughter and loving wife, both of whom adore him. The next
dayisdecisiveforGilbertsjobanup-and-comingfemaleauthorisonthe
vergeofsigningwithhispublishingcompany.Theauthorsphysicalbeauty
causesGilberttoimagineavisceralsexualfantasy,whichleadshimtolose
asenseofrealityandmakeanadvanceonher.Sherejectshispassput-
ting both the marketing deal and his working relationship with his boss
injeopardy.Thetippingofthesepressuresspurshimtoagainattempthis
greatest fantasy. Meanwhile, the three girls visit local truck stops to ser-
viceanassortmentofshadyandcruelclients.Gilbertsall-consumingdesire
growsstronger.Eventhedistractionoftakinghisdaughter,whoisacting
inaplayattheirchurch,doeslittletosatiatehispassion.Withlittlehesita-
tion, and inadequate excuses, he leaves to go to the brothel. It will be in
enteringthedevastatingworldofthegirlsthathislifewillchangeforever.
LongSynopsis
'J ~.cJopenswithGilbertHornsittinginhiscaroutsideabrothel.Heistormentedbyanurgetogoinside.Hetriesto
alleviatethisurge,andgetthroughthemoment,byslowlycountingtoten.Hisscaredsonsitsinthebackaskinghisdadif
theycango.Seeinghisson,Gilbertdecidestoleavebutisobviouslyfrustrated.AsGilbertdrivesoff,Nina,ayoungRussian
girlsitsinherroomatthebrothel.Sheislookingthroughatatteredmagazinetitled,AmericanCitiesatNight.Thebeautyof
theimagescreatesamomentofpeaceamongstthehellshelivesin.Elena,an8-year-oldRussiangirlisthrownintotheroom
byAnna,theeldestofthegroup.AnnathreatensElenaforcryingduringasessionwithaclient.Themadameofthebrothel,
Ludmilla,comesintoinformthegirlstheywillbeleavingtoserveclientsinthemorning.Gilbertarriveshomeandfindshis
daughter,Caroline,stillawake.Carolineadoresherfatherandisanxioustoperformherfirstplaythenextday.Sheisthelead
intheirchurchsproductionof~ '.|p. 'cp~.Gilbertmakesadealwithherthatifshecancounttoten,onehundred
timesshecanstayup.Thechallengeexcitesherand,ashekisseshergoodnight,theyshareabeautifulmomentasfatherand
daughter.GilbertswifeCara,waitsforhiminbedreadingabook.SheisupsetthatGilbertkepttheirsonoutlateandGilbert
liesastowherehewasandwhathewasdoing.Gilbertsmoothesthingsoverlikehealwaysdoesandtheymakelove.Yet
Gilbertstillmusteasehisunsatisfiedfantasyinthemiddleofthenight.Hemasturbatesintherestroomimaginingwhatmight
havehappeninthebrothel.
ThenextmorningElena,Nina,andAnnapacktheclothestheymayneedfortheirclients.Elenasitsinthecornerlookingout
thewindowatsomechildrengoingtoschool.Ninawatchesherandfeelscompassion.Shestopsforamomentandfindsher
magazine.ShedecidestotakeachanceandshowittoElena.Asshesitsnexttoher,Elenaisimmediatelydefensiveandre-
sistant.ShesweetlyasksElenaifsheknowswhathernamemeans.Shetellsheritmeanslight.Thehumanityofthemoment
lingersastheyprepareforthedaystragicevents.
Inthemeantime,Gilbert,asawayofatonement,preparesahugebreakfastforhisfamily,convincinghimselfhedoesnot
haveaproblem;thathewillneveragainputhimselfinasituationlikethenightbefore.AsGilbertarrivesatNeovision,a
powerfulpublishingcompanywhereheisVicePresident,hiscolleaguesarepreparingtosigntheirbiggestauthortoablock-
busterdeal.Hisassistantarrivesstressedandoutofproperdresscode.Gilbert,calmandcharming,tellshertogochangeand
thattheywillbefine.However,overwhelmedwithinterest,hedangerouslysneaksintothehallwaywherehepeeksinonher
changingclothes.Meanwhile,thegirlsfearfullywaitinthebackofthevanatalocalgasstation.Ludmillaisseennegotiatinga
dealwithasweaty,disgusting-lookingtruckdriverwhopeersintothedarkvanwithviolentanticipation.HewantsElena,and
Ninatragicallyknowsherfate.
LongSynopsis(cont.)
Backattheoffice,thestaffhasgatheredtocelebratethesigningoftheirbrilliantandgorgeousnewclientAlicia.Gilbert,the
mastermindbehindthedeal,proudlyraiseshisglassashetoaststhehopeofasuccessfulfuture.GilbertwatchesAliciaduringthe
partyandisintriguedbyher.Heapproachesher,interestedtoknowmore.Astheytalk,hismindbeginstocreateafantasyof
apassionatesexualexperiencewithher.GilbertlosessenseofrealityasthefantasyunfoldsandreachesouttocaressAlicia.She
isimmediatelyuncomfortableandhisbossJerrystopshimtotryandpreservetheirprofessionalism,butthedamageisdone.
AliciawantsoutofthedealandJerryinformsGilbertifhedoesnotfixthingswithin24hourshewillbefired.
Gilbertrunsfromthestressbythinkingofthebrothelanditspotentialsexualrelease.Ashepaceshiskitchen,hiskidsareover-
whelmedwithexcitementtoseeCarolineperformintheplay.Gilbertsmindisunabletoletgoofthefeelingheisafailure
andhisdesiretogothebrothelbecomesoverwhelming.Whentheyarriveatthechurchhetellshisfamilyhehastogotothe
officetowork.Evenmembersofthecongregation,althoughinspiredbyhisconsistentSundayschoolteachings,areconfused
bythefactheisleaving.
Meanwhile,NinaandElenashareonelastmomentofinnocenceastheyplayfullyputonmakeupandmakefunofeachother.
ButLudmillaistellingthemitstimeremindsthemofthecomingpain.Gilbertentersthebrothel,scaredandanxious.Ludmilla
bringseachgirlout,onebyone.WhenheseesElenaheisremindedofCaroline.HechoosesNinaandtheyareledintothe
bedroomwherehebeginstoundressher.ShebeginstocountinRussiantryingtogetthroughthemoment.Gilbertisannoyed
bythereminderofherhumanityandgetsangrierateachutterance.HisangerexplodesandhethrowsNinaagainstthewin-
dow.Shetearsthecurtainsdown,revealingthebeautifulskylineilluminatingthenightsky.Hedemandstoknowwhatshe
issayingandshebeginstoslowlycountinEnglish.Gilbertlooksdeeplyatherandbeginstorealizewhathehasbecome.He
stormsoutofthehousecompletelyconfusedandlost.Anothercustomerpasseshimashewalkstohiscarandhemustmake
adecisiontoeitherwalkawayordosomethingtochangeonceandforall.
DirectorsStatement
WhenIfirstheardabouthumantraffickingin2005,myheartwasdeeplymovedandIimmediately
wantedtomakeafilmthatraisedawarenessaboutthisunspokencrime.AsIheardmoreandmore
storiesIrealizedacentralquestionwasbeingneglected:Whywerepeopledoingthis?

Withtheanswercametherealizationandshockthatthepeopleinvolvedwerenotthousandsofmiles
awaybutwithinourowncommunity,andtheywerenotallconsciencelessmonstersdriventodestroy
innocentlife,butratherwerehumanbeingsdesperatelylookingforawayoutoftheirtrappedlives.

Inmakingthisfilm,Ihaverealizedalotaboutoursociety.Weareveryquicktolookatthosewho
doevilanddemonizethem,demandingtheharshestpunishment.However,eachofthesepeople
hasastory,perhapsevenbeingavictimofsimilarcrimes.Canwetakeonemomenttotryandsee
apersonshumanity?Becauseeveniftheremustbejusticeforthoseperpetratorsinvolved,wemust
notrobthemoftheirhumanity.Whenweseepeoplebeyondtheircrimeourresponseoftenchanges
fromvindicationtocompassion,fromrevengetoadesireformercy.Thatisthediscussionthatthis
filmservestocreate.

'J ~.cJisanemotionaljourneyfromthevantagepointofthedemandsideofhumantrafficking.
Forifwedesiretoseethisheinouscrimeremovedfromourworld,wemustaddressthedemand.To
framethestoryfromthisperspective,Iwantedtoshowanindividualwhoknowswhatheisdoingis
wrong,yetislostinhisinabilitytofindawayout,andthedailyhellofthevictimsslavery.Mydesire
wastoshowthereisnowaytoisolatethesupplyfromthedemand,andtherealitythatbothsides
areprisonersintheirownrightlongingtobefree.
ProductionNotes
FeelingwhattheCharacterFeels
Wewerefilmingthesecondtolastsceneofthefilm,whichiswhenGilbertfinallycomesintothebedroomwith
Nina.TherewasalotofemotionbuiltupforCaylin,theactressplayingNina.Itwasabout1am,andafter12
hoursofshootingtherolehadtakenalotoutofher.Thiswasasceneshewasnotlookingforwardtoplaying
becauseofwhatitrequiredemotionally.However,Itookherasideandsaid,Tryandimaginewhatitmustbe
likefortherealgirlswhohavetogototheirlastclientofthenightaftercountlessbrutalexperiencesthatday
anddoitonemoretime.Imaginethatdreadandpain.Thiscausedhertogetintoaveryintenseemotional
statethecharacterreallyrequiredinthatmoment.Icouldtellthiswasgoingtobepowerful.Itwasalmostlike
Iwantedthecamerasandlightstodisappearbecauseitwassoreal.Theveryfirsttakewasperfect.Therewas
atangibleenergyintheroomandshehadtearsstreamingdownherfacewhenwefinishedbecauseshewas
reallythereinthatplacethatthecharacterwas.Itwasaverypowerfulmoment.
HardestScene
OneofthescenesIwasmostnervousaboutwasthemasturbationsceneattheoffice.TheproducersandIre-
allywantedthescenetohaveaveryrawfeelingtogivetheaudienceasensethattheyarestuckwithGilbert
inthatmoment.Soitwasshotwithalongtakewithjustonesetup.ThescenenotonlyhasGilbertmasturbat-
ing,italsohashimbreakingdownafterthefactbecauseoffrustrationwithhimself.MattCoale,theDirector
ofPhotography,wassetupjustafootfromJessejames,theactorplayingGilbert,andIwassweatingbecause
itwasascenethatreallyhadtobeperfecttocreatetheemotionthescenerequired.ItoldJessejamesIwanted
himtohitthestalldoor,butIwantedhimtoexplorethemomentemotionallyandseewhathewoulddo.As
thescenestartedhebegantoreallybuilduptothatclimaxmomentandthenexplodedwithsuchapowerful
emotionofbrokennessandfrustrationyoucouldhaveheardapindrop.Ilookedoveratthecrewandyou
couldtellnoonewantedthescenetoend.Youcouldtellbytheirreactiontherewassomethingpowerfulhap-
pening.Itwasaspecialmoment.
DavidPerry-Director
DavidPerry-Director
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Therearegirlsasyoungas5and6-year-oldsintheU.S.that
areforcedtodosexualactsforeconomicgainbytheirpimp.

-UnitedStatesDepartmentofJustice
SexAddiction
Thetermsexaddictionisusedtodescribethebehaviorofapersonwhohasanunusuallyintensesexdriveoranobses-
sionwithsex.Sexandthethoughtofsextendtodominatethesexaddictsthinking,makingitdifficulttoworkorengage
inhealthypersonalrelationships.Sexaddictsengageindistortedthinking,oftenrationalizingandjustifyingtheirbehavior
andblamingothersforproblems.Theygenerallydenytheyhaveaproblemandmakeexcusesfortheiractions.
Forsome,sexaddictionprogressestoinvolveillegalactivities,suchasexhibitionism(exposingoneselfinpublic),making
obscenephonecalls,ormolestation.However,itshouldbenotedthatsexaddictsdonotnecessarilybecomesexoffenders.
Whataresomeofthebehaviorsofasexualaddict?
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HumanTrafficking
Humantraffickingismoderndayslavery.Humantraffickingisthefastestgrowingcriminalindustryintheworld,based
ontherecruitment,harboring,andtransportationofpeoplesolelyforthepurposeofexploitation.
Everyyeartraffickersgeneratebillionsofdollarsinprofitsattheexpenseofvictimizingpeopleallaroundtheworld.Itis
somethingthathasspreadtotheearthsmostdensejunglestoprestigiousneighborhoods.Itisimpossibletoseparatehu-
mantraffickingwithpornographyandothersexualaddictionsduetothemtheirconnection.
StatisticsonHumanTrafficking
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Everytwominutesachildistraffickedforthepur-
poseofsexualexploitationintheUnitedStates.
U.S.DepartmentofJustice
DistributionStrategy
Overthepastfiveyearstherehasbeenadramaticincreaseinfilmsdealingwiththetopicofhumantrafficking,bothfromHol-
lywoodandIndependentfilmcompanies.Astheissueoftraffickinghasgrownintheculturalconscience,sohasitsproductionand
artisticexpression.
HerearejustafewfilmsabouthumantraffickingthatdidwellinbothattheboxofficeandinDVDSales:
.J J!!..|.p(2005)TheTVminiseriesshowedthestoriesofthreetraffickedwomenandairedinthe
UnitedStatesonOctober24,2005.ItwaslaterreleasedonDVDandhasbeenoneofthemostwatchedfilms
tellingthestoryandcomplexityofhumantrafficking.
/J..p J.~ (2006)ThestoryofWilliamWilberforceandhispassiontoendtheslavetrade.StarringIoan
Gruffodd,thefilmsmarketingcampaignemphasizedthemodernslavetradethatcontinuestorageon.
JJ~(2007)StarringKevinKline,thefilmpremieredatthe2007SundanceFilmFestivalandopenedin
limitedreleaseonSeptember28,2007.ItisbasedonPeterLandesmansNewYorkTimesarticleTheGirlsNext
Door.Thefilmgrossednearly$114,000intheatricalsalesandcontinuestodowellthroughDVDdistribution.
J|~(2008)StarringLiamNeeson,thefilmshowsafathertrackingdownhisteenagedaughteraftersheis
kidnappedbyslavetraderswhiletravelinginFrance.Thefilmhasgrossedover$220,429,550worldwideand
sparkedalotofinterestinhumantraffickingduetoitssuccessattheboxoffice.
|.Jcp `.||.cJ.~(2008)Originallyreleasedintentheatres,thefilmeventuallygrossedover
$300,000,000.Ittellsthestoryoftwobestfriendswhoareexposedtotherampantchildslaveryhappeningin
India.Iteventuallywon8OscarsincludingBestPicture.
Thesefilmswerewellmarketedandreceived.However,therehavebeenmanymoremadeabouthuman
traffickingthathavegoneundertheradar;eitherairingonTV,goingstraighttoDVD,orusingonlinedistribu-
tion.Thesefilmsinclude:.~|J c! `.JJ, J|| - '~,c~, cc .c cc~|, c||,, V~, `c.p .|,and
~ J, `, cJ .~J.
Whatisobviouslymissingfromthislonglistoffilmsarethoseabouttheindividualsinvolvedinbuyingsex
fromthevictims.Therehasbeenalmostnothingdonetotryandunderstandwhothesepeopleareandwhy
theyaredoingthis.
'J ~.cJentersthismarketprimedtobeuniqueintryingtotelltheirstoryinthemosthumanwaypossible.
PartnershipsandAlliances
Ourplanistocollaboratewithfourdifferentculturalarenasinterestedinthisissue:
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Byallyingourselveswithdifferentgroupsweintendtobuildagrassrootsawarenessaboutthefilm,andmore
importantly,acontinuedgrassrootsawarenessofthisparticularsocialphenomenon.
Inapproachingthem,weseekapartnershipthatwillnotonlyallowthefilmtobesuccessful,butwillalsoben-
efitthesegroupsinwhattheyarealreadydoing.
Apartiallistofpartners:
www.projectak47.
www.freeforlifeintl.org www.doctorsatwar.org
www.samsonsociety.ning.com
www.relationalhealing.com
www.covenanteyes.com
www.freedomspromise.org
www.abolitioninternational.org
Exhibition
a.FilmFestivals:
Submittobothdomesticandinternationalfestivals.
b.ArtHousesandIndependentTheatres:
Therearethousandsofarthousesandindependenttheatresacrossthecountry.Thefollowinglinklistsjust
someofthem:http://www.indiefilmpage.com/theaters.html.Thesetheatresservemarketswithpeoplelooking
fornewandupcomingindependentfilms.Thesewillbeaperfectplaceforspecialscreenings,participationin
shortfilmnightsandalocationforthepartneringorganizationstouseforscreenings.
c.Non-theatrical:
EducationCentersDuetothenatureofthevisionbehindthefilmwehopetodevelopgrassrootssupport.
Universitiesandhighschoolsareaplacewherecontroversialfilmscanreallydevelopgrassrootssupport.Not
onlywillwecontactthesecentersforscreeningsontheircampuses,wewillalsocontactvariousdepartments,
includingbutnotlimitedtoSociology,Psychology,CriminologyandTheologycoursestousethefilmasatool
forstudy,research,andaction.
SocialJusticeOrganizationsSocialjusticeorganizationsarealreadyinvolvedwithdoingwhateverisneces-
sarytoendhumantrafficking.ThisDVDcanbeusedasatooltoeducate,raisemoney,andinspirepeopleto
beinvolvedwiththeircommunitiesandbeyondtoaddressthisissue.
ChurchesandCommunityGroupsWewillpromotethefilmsogroupsandchurchescanpurchaseittouse.
Sexaddictionhasbecomeahugeissuewithinchurches.Manyaretakingboldstepstoaddresstheissuebothin
theircongregationsandtheircommunities.
Exhibitioncont.
d.Curriculum:
Traffickingisaphenomenonwithvariousfactorsinfluencingitsgrowthbothdomesticallyandinternation-
ally.Afilmcanonlytouchonasmallportionofthesefactors.Itisimportanttohavesomethinginplace
tocontinuetheconversationonhowtobestbringresolutiontothiscomplexissue.Thecurriculumwehave
developedisdesignedtocontinuethisconversationinchurches,communitygroups,andeducationcenters.
Ourhopeisthatasweareintentionalaboutdiscussingpossiblesolutions,wecanbringholisticculturaland
societaltransformation.
Eachcurriculumwillbecustomizedperthesphereitistobeutilized.Ifforchurches,thecurriculumwillbe
orientedtowardchurches;ifsocialgroupsthecurriculumwillbedesignedforthisaswell.
DVDandBlue-Ray
V"4&0:"C&00"B'B100="2$3$&6$"/6$2"F9@"/4"&('"2$6$,B$"()2/B-)"[N["'10$'?"[B$"(/"[N['"E$3/:&,-":/2$"144/2>-
1E0$"1,>"133$''&E0$I"()$":12D$(")1'"-2/C,"/6$2"899@"/6$2"()$"01'(">$31>$?"V'":$,(&/,$>"E$4/2$I"()$"[N["
willincludespecialfeaturesthatwillhelpguidepeopleinthediscussionandinformationaboutsexaddiction
andhumantrafficking.TherewillbeanumberofresourcesincludingontheDVDthatwillmakeitavalu-
abletoolandresourceforanyonewhopurchasesit.
Internet
Internetdistributionisoneofthefastestgrowingmarketsforsalesanddistribution.However,ithasnotbeen
usedtoitsfullpotentialandwehope,throughcreativemarketingoptions,toexpandoursalesviatheInter-
net.Therearetwowayswehopetodothis:
OnlineDownloads
TheDVDwillbedownloadableoniTunesandviaourwebsite.
DigitalRental-Thefilmcanalsoberenteddigitallyfor24hours.
Production
DavidPerry
Writer;Director;Producer
AaronHorn
Producer;Post-ProductionSupervisor
ElenaDering
Producer;ProductionManager
MatthewRampulla
Producer
ChristopherParker
AssociateProducer
ColinFagan
AssociateProducer
KenGraham
AssociateProducer
RickAdkins
AssociateProducer
AngieTalley
ProductionCoordinator
JenniferBonior
AssistantDirector
SpenserFritz
ScriptSupervisor
KenBernstein
LocationManager
RaeanneRubenstein
2ndAssistantDirector
Cast
JessejamesLocorriere
LeadActor
CaylinCervetti
Supporting
CarringtonBrookeDurham
Supporting
EmilyGrace
Supporting
AmandaBailey
Supporting
AidanColeMitchell
Supporting
ClaireEngler
Supporting
JenniferSpriggs
Supporting
RossBrooks
Supporting
RachaelBernard
Supporting
RobWilds
Supporting
JudyJackson
Supporting
IanJameson
Supporting
TerryGragg
Supporting
Camera
MattCoale
DirectorofPhotography
MichaelWhite
AssistantCamera
Electrical
GabrielDeCarlo
Gaffer
CodyPeterson
BestBoy
Sound
MattHamilton
SoundMixer
ArtDepartment
DuncanRagsdale
ProductionDesigner
BillyDitty
CostumeDesigner
CherokeeHart
MakeupArtist
MeghanMitchell
AssistantArtDirector
JakeMacpherson
PropertyMaster
PostProduction
FredParagano
SoundEditor
LauraChoppin
Editor
KazimirBoyle
OriginalMusic/Composer
Representation
MichelleBrinson
Publicist
MarcelaGomez
Publicist
Credits:
info@10seconds.com
www.10secondsmovie.com
2011CopyrightBellaVeritasProductions
Photosby:JenmPhotography&SarahBennetPhotography