266 Comp. y Arreglos

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{\info {\creatim \yr2012 \mo\Jul \dy10 \hr09 \min47 \sec56} {\author Oracle Repo
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{{\f1\fs20 \cf1 Pensum / Plan de Estudios\par}}
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{\pard \ql \pvpg\phpg\posx284\posy2353\absw567 \absh-255 {\f1\fs22 \cf1 98\par}}
{\pard \ql \pvpg\phpg\posx907\posy2353\absw9014 \absh-255 {\f1\fs22 \cf1 ARTES M
USICALES\par}}
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{\pard \ql \pvpg\phpg\posx1789\posy10056\absw1329 \absh-255 {\f1\fs18 \cf1 3426\
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{\pard \ql \pvpg\phpg\posx1789\posy12749\absw1329 \absh-255 {\f1\fs18 \cf1 4\par
}}
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{\pard \ql \pvpg\phpg\posx3146\posy3230\absw5074 \absh-255 {\f1\fs18 \cf1 SEMINA
RIO MSICAS REGIONALES\par}}
{\pard \ql \pvpg\phpg\posx3146\posy3485\absw5074 \absh-255 {\f1\fs18 \cf1 CRTICA
CINEMATOGRFICA Y CINE CLUB\par}}
{\pard \ql \pvpg\phpg\posx3146\posy3740\absw5074 \absh-255 {\f1\fs18 \cf1 MUSICO
TERAPIA Y NIVELES DE ANSIEDAD\par}}
{\pard \ql \pvpg\phpg\posx3146\posy3996\absw5074 \absh-255 {\f1\fs18 \cf1 MUSICO

TERAPIA Y MANEJO DE ATENCIN\par}}
{\pard \ql \pvpg\phpg\posx3146\posy4251\absw5074 \absh-255 {\f1\fs18 \cf1 ENSAMB
LE-REPERTORIO DE DANZA TRADICIONAL\par}}
{\pard \ql \pvpg\phpg\posx3146\posy4647\absw5074 \absh-255 {\f1\fs18 \cf1 PRODUC
CIN Y COMPRENSIN DE TEXTOS\par}}
{\pard \ql \pvpg\phpg\posx3146\posy4902\absw5074 \absh-255 {\f1\fs18 \cf1 FORMAC
IN AUDITIVA I\par}}
{\pard \ql \pvpg\phpg\posx3146\posy5157\absw5074 \absh-255 {\f1\fs18 \cf1 ARMONA
I\par}}
{\pard \ql \pvpg\phpg\posx3146\posy5412\absw5074 \absh-255 {\f1\fs18 \cf1 SISTEM
AS MUSICALES I\par}}
{\pard \ql \pvpg\phpg\posx3146\posy5668\absw5074 \absh-255 {\f1\fs18 \cf1 INSTRU
MENTO COMPLEMENTARIO\par}}
MENTO COMPLEMENTARIO PIANO I\par}}
MENTO COMPLEMENTARIO TROMBN I\par}}
MENTO COMPLEMENTARIO TROMPETA I\par}}
MENTO COMPLEMENTARIO VIOLN I\par}}
MENTO COMPLEMENTARIO ARPA I\par}}
MENTO COMPLEMENTARIO BAJO ELCTRICO I\par}}
MENTO COMPLEMENTARIO BANDOLA I\par}}
MENTO COMPLEMENTARIO CANTO I\par}}
MENTO COMPLEMENTARIO CLARINETE I\par}}
MENTO COMPLEMENTARIO CONTRABAJO I\par}}
MENTO COMPLEMENTARIO CUATRO I\par}}
MENTO COMPLEMENTARIO FLAUTA I\par}}
{\pard \ql \sl161 \pvpg\phpg\posx3146\posy8986\absw5074 \absh-407 {{\f1\fs18 \cf
1 INSTRUMENTO COMPLEMENTARIO GUITARRA ACSTICA\par}}
{{\f1\fs18 \cf1 I\par}}
}
1 INSTRUMENTO COMPLEMENTARIO GUITARRA\par}}
{{\f1\fs18 \cf1 ELCTRICA I\par}}
}
MENTO COMPLEMENTARIO PERCUSIN I\par}}
{\pard \ql \pvpg\phpg\posx3146\posy10056\absw5074 \absh-255 {\f1\fs18 \cf1 INSTR
UMENTO COMPLEMENTARIO SAXOFN I\par}}
UMENTO COMPLEMENTARIO TIPLE I\par}}
UMENTO COMPLEMENTARIO VIOLA I\par}}
UMENTO COMPLEMENTARIO VIOLONCHELO I\par}}
UMENTO COMPLEMENTARIO OBOE I\par}}
UMENTO COMPLEMENTARIO FAGOT I\par}}

UMENTO COMPLEMENTARIO EUFONIO I\par}}
UMENTO COMPLEMENTARIO TUBA I\par}}
UMENTO COMPLEMENTARIO CORNO FRANCS I\par}}
{\pard \ql \pvpg\phpg\posx3146\posy12353\absw5074 \absh-255 {\f1\fs18 \cf1 INICI
ACIN EN COMPOSICIN Y ARREGLOS I\par}}
{\pard \ql \pvpg\phpg\posx3146\posy12749\absw5074 \absh-255 {\f1\fs18 \cf1 CTEDRA
FRANCISCO JOS DE CALDAS\par}}
{\pard \ql \pvpg\phpg\posx3146\posy13004\absw5074 \absh-255 {\f1\fs18 \cf1 FORMA
CIN AUDITIVA II\par}}
II\par}}
{\pard \ql \pvpg\phpg\posx3146\posy13514\absw5074 \absh-255 {\f1\fs18 \cf1 SISTE
MAS MUSICALES II\par}}
UMENTO COMPLEMENTARIO PIANO II\par}}
UMENTO COMPLEMENTARIO TROMBN II\par}}
UMENTO COMPLEMENTARIO TROMPETA II\par}}
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\ql \pvpg\phpg\posx10945\posy3230\absw595 \absh-255 {\f1\fs18 \cf1 I\par}
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Sem

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\ql \pvpg\phpg\posx284\posy2863\absw11281 \absh-225 {\f1\fs18 \cf1 Pen
Cod.
Asignatura
H.T.
H. AUT.
\par}}
\ql \pvpg\phpg\posx9808\posy3230\absw711 \absh-255 {\f1\fs18 \cf1 1\par}}
H.P.
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{{\f1\fs20 \cf1 \par}}
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USICALES\par}}
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MENTO COMPLEMENTARIO VIOLN II\par}}
MENTO COMPLEMENTARIO ARPA II\par}}
MENTO COMPLEMENTARIO BAJO ELCTRICO II\par}}
MENTO COMPLEMENTARIO BANDOLA II\par}}
MENTO COMPLEMENTARIO CANTO II\par}}
MENTO COMPLEMENTARIO CLARINETE II\par}}
MENTO COMPLEMENTARIO CONTRABAJO II\par}}
MENTO COMPLEMENTARIO CUATRO II\par}}
MENTO COMPLEMENTARIO FLAUTA II\par}}
1 INSTRUMENTO COMPLEMENTARIO GUITARRA ACSTICA\par}}
{{\f1\fs18 \cf1 II\par}}
}
{{\f1\fs18 \cf1 ELCTRICA II\par}}
}
MENTO COMPLEMENTARIO PERCUSIN II\par}}

MENTO COMPLEMENTARIO SAXOFN II\par}}
MENTO COMPLEMENTARIO TIPLE II\par}}
MENTO COMPLEMENTARIO VIOLA II\par}}
MENTO COMPLEMENTARIO VIOLONCHELO II\par}}
MENTO COMPLEMENTARIO OBOE II\par}}
MENTO COMPLEMENTARIO FAGOT II\par}}
MENTO COMPLEMENTARIO EUFONIO II\par}}
MENTO COMPLEMENTARIO TUBA II\par}}
MENTO COMPLEMENTARIO CORNO FRANCS II\par}}
{\pard \ql \pvpg\phpg\posx3146\posy8894\absw5074 \absh-255 {\f1\fs18 \cf1 INICIA
CIN EN COMPOSICIN Y ARREGLOS II\par}}
MENTO COMPLEMENTARIO PIANO III\par}}
MENTO COMPLEMENTARIO TROMBN III\par}}
{\pard \ql \pvpg\phpg\posx3146\posy9801\absw5074 \absh-255 {\f1\fs18 \cf1 FORMAC
IN AUDITIVA III\par}}
III\par}}
{\pard \ql \pvpg\phpg\posx3146\posy10311\absw5074 \absh-255 {\f1\fs18 \cf1 SISTE
MAS MUSICALES III\par}}
{\pard \ql \pvpg\phpg\posx3146\posy10566\absw5074 \absh-255 {\f1\fs18 \cf1 MUSIC
AS REGIONALES EN COLOMBIA I\par}}
UMENTO COMPLEMENTARIO TROMPETA III\par}}
UMENTO COMPLEMENTARIO VIOLN III\par}}
UMENTO COMPLEMENTARIO ARPA III\par}}
UMENTO COMPLEMENTARIO BAJO ELCTRICO III\par}}
UMENTO COMPLEMENTARIO BANDOLA III\par}}
UMENTO COMPLEMENTARIO CANTO III\par}}
UMENTO COMPLEMENTARIO CLARINETE III\par}}
UMENTO COMPLEMENTARIO CONTRABAJO III\par}}
UMENTO COMPLEMENTARIO CUATRO III\par}}
UMENTO COMPLEMENTARIO FLAUTA III\par}}
{\pard \ql \sl161 \pvpg\phpg\posx3146\posy13374\absw5074 \absh-407 {{\f1\fs18 \c
f1 INSTRUMENTO COMPLEMENTARIO GUITARRA\par}}
{{\f1\fs18 \cf1 ACSTICA III\par}}
}
f1 INSTRUMENTO COMPLEMENTARIO GUITARRA\par}}
{{\f1\fs18 \cf1 ELCTRICA III\par}}
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UMENTO
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UMENTO
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\ql \pvpg\phpg\posx3146\posy14189\absw5074 \absh-255 {\f1\fs18 \cf1 INSTR

COMPLEMENTARIO PERCUSIN III\par}}
\ql \pvpg\phpg\posx3146\posy14444\absw5074 \absh-255 {\f1\fs18 \cf1 INSTR
COMPLEMENTARIO SAXOFN III\par}}
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H.P.
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Cod.
Asignatura
H.T.
H. AUT.
\par}}
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{\sect \sbkpage
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USICALES\par}}
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\ql \pvpg\phpg\posx1789\posy4506\absw1329 \absh-255 {\f1\fs18 \cf1 3485\p

\ql \pvpg\phpg\posx1789\posy10056\absw1329 \absh-255 {\f1\fs18 \cf1 3505\
par}}
par}}
par}}
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MENTO COMPLEMENTARIO TIPLE III\par}}
MENTO COMPLEMENTARIO VIOLA III\par}}
MENTO COMPLEMENTARIO VIOLONCHELO III\par}}
MENTO COMPLEMENTARIO OBOE III\par}}
MENTO COMPLEMENTARIO FAGOT III\par}}
{\pard \ql \pvpg\phpg\posx3146\posy4506\absw5074 \absh-255 {\f1\fs18 \cf1 INTRUM
ENTO COMPLEMENTARIO EUFONIO III\par}}
MENTO COMPLEMENTARIO TUBA III\par}}
MENTO COMPLEMENTARIO CORNO FRANCS III\par}}
CIN EN COMPOSICIN Y ARREGLOS III\par}}
AS MUSICALES IV\par}}
{\pard \ql \pvpg\phpg\posx3146\posy5923\absw5074 \absh-255 {\f1\fs18 \cf1 MUSICA
S REGIONALES EN COLOMBIA II\par}}
MENTO COMPLEMENTARIO PIANO IV\par}}
MENTO COMPLEMENTARIO TROMBON IV\par}}
MENTO COMPLEMENTARIO TROMPETA IV\par}}
MENTO COMPLEMENTARIO VIOLN IV\par}}
{\pard \ql \pvpg\phpg\posx3146\posy7199\absw5074 \absh-255 {\f1\fs18 \cf1 INSTUM
ENTO COMPLEMENTARIO ARPA IV\par}}
MENTO COMPLEMENTARIO BAJO ELCTRICO IV\par}}
MENTO COMPLEMENTARIO BANDOLA IV\par}}
MENTO COMPLEMENTARIO CANTO IV\par}}
MENTO COMPLEMENTARIO CLARINETE IV\par}}
MENTO COMPLEMENTARIO CONTRABAJO IV\par}}
MENTO COMPLEMENTARIO CUATRO IV\par}}

MENTO COMPLEMENTARIO FLAUTA IV\par}}
{{\f1\fs18 \cf1 ACSTICA IV\par}}
}
{{\f1\fs18 \cf1 ELCTRICA IV\par}}
}
UMENTO COMPLEMENTARIO PERCUSIN IV\par}}
UMENTO COMPLEMENTARIO SAXOFN IV\par}}
UMENTO COMPLEMENTARIO TIPLE IV\par}}
UMENTO COMPLEMENTARIO VIOLA IV\par}}
UMENTO COMPLEMENTARIO VIOLONCHELO IV\par}}
UMENTO COMPLEMENTARIO OBOE IV\par}}
UMENTO COMPLEMENTARIO FAGOT IV\par}}
UMENTO COMPLEMENTARIO EUFONIO IV\par}}
UMENTO COMPLEMENTARIO TUBA IV\par}}
UMENTO COMPLEMENTARIO CORNO FRANCS IV\par}}
{\pard \ql \pvpg\phpg\posx3146\posy12608\absw5074 \absh-255 {\f1\fs18 \cf1 TALLE
R ELECTIVA FORMACIN AUDITIVA\par}}
R ELECTIVA ARMONA\par}}
{\pard \ql \pvpg\phpg\posx3146\posy13119\absw5074 \absh-255 {\f1\fs18 \cf1 MSICA
Y MATEMTICA\par}}
Y LITERATURA\par}}
{\pard \ql \pvpg\phpg\posx3146\posy13629\absw5074 \absh-255 {\f1\fs18 \cf1 ACOMP
AAMIENTO\par}}
{\pard \ql \pvpg\phpg\posx3146\posy13884\absw5074 \absh-255 {\f1\fs18 \cf1 ENSAM
BLE I: BANDA SINFNICA - ASAB\par}}
BLE I: BIG BAND - ASAB\par}}
BLE I: CORO - ASAB\par}}
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}}
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}}
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}}
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}}
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}}
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}}
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}}
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}}
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}}
{\pard
}}
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}}
{\pard
}}
{\pard
}}
{\pard
}}
{\pard
}}
{\pard
}}
{\pard
Sem


Cod.
Asignatura
H.T.
H.P.
H. AUT.
\par}}
}
}
}
}
}
}
}
}
}
}
}
}
}
}
}
}
}
}
}

}
}
}
}}
}}
}}
}}
}}
}}
}}
}}
}}
}}
}
}
}
}
}
}
}
}
}
{\sect \sbkpage
{{\f1\fs20 \cf1 \par}}
}
}
USICALES\par}}
}
{\pard
{\pard
{\pard
}
{\pard
ar}}
{\pard
ar}}
{\pard
ar}}
{\pard
ar}}
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ar}}
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ar}}
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ar}}
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ar}}
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ar}}
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{\pard
ar}}
{\pard
par}}
{\pard
par}}


par}}
par}}
par}}
par}}
par}}
par}}
par}}
par}}
par}}
{\pard \ql \pvpg\phpg\posx1789\posy13107\absw1329 \absh-255 {\f1\fs18 \cf1 12\pa
r}}
par}}
par}}
par}}
par}}
par}}
{\pard \ql \pvpg\phpg\posx3146\posy3230\absw5074 \absh-255 {\f1\fs18 \cf1 EMCA ENSAMBLE DE MSICA CONTEMPORNEA - ASAB\par}}
LE DE ARCOS - ASAB\par}}
LE DE JAZZ - ASAB\par}}
{\pard \ql \pvpg\phpg\posx3146\posy3996\absw5074 \absh-255 {\f1\fs18 \cf1 GRUPO
DE CUERDAS ANDINAS - ASAB\par}}
LLANERO - ASAB\par}}
CIN EN COMPOSICIN Y ARREGLOS IV\par}}
{\pard \ql \pvpg\phpg\posx3146\posy4761\absw5074 \absh-255 {\f1\fs18 \cf1 ARTE Y
CONTEXTO\par}}
CIENCIA\par}}
{\pard \ql \pvpg\phpg\posx3146\posy5272\absw5074 \absh-255 {\f1\fs18 \cf1 ARTE E
INVESTIGACIN\par}}
COGNICIN \par}}
{\pard \ql \pvpg\phpg\posx3146\posy5782\absw5074 \absh-255 {\f1\fs18 \cf1 MSICA Y
COGNICIN \par}}
TECNOLOGA\par}}
LINGUSTICA\par}}
DE CONTEXTO\par}}
AS MUSICALES V\par}}
{\pard \ql \pvpg\phpg\posx3146\posy7199\absw5074 \absh-255 {\f1\fs18 \cf1 FONTICA

Y DICCIN\par}}
{\pard \ql \pvpg\phpg\posx3146\posy7454\absw5074 \absh-255 {\f1\fs18 \cf1 CONTRA
PUNTO MODAL II\par}}
PUNTO MODAL III (FUGA)\par}}
PUNTO MODAL I\par}}
{\pard \ql \pvpg\phpg\posx3146\posy8220\absw5074 \absh-255 {\f1\fs18 \cf1 TALLER
DE TCNICA VOCAL PARA NO CANTANTES I \par}}
DE CMARA\par}}
R DE ORQUESTACIN CUERDAS Y MADERAS\par}}
R DE ORQUESTACIN COBRES Y PERCUSIN\par}}
DE TROS DE JAZZ LATINO\par}}
LLANERO\par}}
{\pard \ql \pvpg\phpg\posx3146\posy9751\absw5074 \absh-255 {\f1\fs18 \cf1 ANLISIS
I\par}}
{\pard \ql \pvpg\phpg\posx3146\posy10007\absw5074 \absh-255 {\f1\fs18 \cf1 ARREG
LOS I\par}}
R DE COMPOSICIN I\par}}
UMENTACIN I\par}}
{\pard \ql \pvpg\phpg\posx3146\posy10772\absw5074 \absh-255 {\f1\fs18 \cf1 MEDIO
S COMPLEMENTARIOS I\par}}
R DE MSICA ANTIGUA\par}}
{\pard \ql \pvpg\phpg\posx3146\posy11283\absw5074 \absh-255 {\f1\fs18 \cf1 SEMIN
ARIO I: MSICA ANDINA SURAMERICANA\par}}
ARIO I: VIDA Y ANLISIS WAGNER\par}}
ARIO I: DE INVESTIGACIN\par}}
f1 SEMINARIO I: MUSICOTERAPIA CREATIVA PARA\par}}
{{\f1\fs18 \cf1 INTRPRET\par}}
}
ARIO I: VIDA Y OBRA J. S. BACH\par}}
ARIO I: ESTTICA MUSICAL\par}}
DEMOCRACIA Y CIUDADANA\par}}
{\pard \ql \pvpg\phpg\posx3146\posy13362\absw5074 \absh-255 {\f1\fs18 \cf1 PRINC
IPIOS DE INVESTIGACION MUSICAL I\par}}
{\pard \ql \pvpg\phpg\posx3146\posy13617\absw5074 \absh-255 {\f1\fs18 \cf1 ANLISI
S II\par}}
LOS II\par}}
R DE COMPOSICIN II\par}}
UMENTACIN II\par}}
{\pard
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\ql
\ql
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\ql
\ql
\ql
\ql
\ql
\ql
\ql
\ql
\ql
\ql
\ql
\ql
\ql
\ql


{\pard
{\pard
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\ql
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{\pard
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{\pard
}}
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}}
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}}
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}}
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}}
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}}
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}}
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}}
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}}
{\pard
}}
{\pard
}}
{\pard
}}
{\pard
Sem

Cod.
Asignatura
H.T.
H. AUT.
\par}}
H.P.
{\pard
{\pard
{\pard
{\pard
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}
}}
}

}
}
}
}
}
}
}
}
}
}
}
}
}}
}
}
{\sect \sbkpage
{{\f1\fs20 \cf1 \par}}
}
}
USICALES\par}}
}
}
ar}}
ar}}
ar}}
ar}}
ar}}
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ar}}
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ar}}
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ar}}
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ar}}
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ar}}
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ar}}
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ar}}
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ar}}
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ar}}
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par}}
{\pard
par}}
{\pard
par}}
{\pard

par}}
par}}
par}}
par}}
par}}
par}}
par}}
par}}
par}}
{\pard \ql \pvpg\phpg\posx3146\posy3230\absw5074 \absh-255 {\f1\fs18 \cf1 MEDIOS
COMPLEMENTARIOS II\par}}
MUSICAL \par}}
{\pard \ql \pvpg\phpg\posx3146\posy3740\absw5074 \absh-255 {\f1\fs18 \cf1 LITERA
TURA DEL INSTRUMENTO\par}}
{\pard \ql \pvpg\phpg\posx3146\posy3996\absw5074 \absh-255 {\f1\fs18 \cf1 GRABAC
IN DIGITAL DE AUDIO I\par}}
{\pard \ql \pvpg\phpg\posx3146\posy4251\absw5074 \absh-255 {\f1\fs18 \cf1 MSICAS
CAMPESINAS\par}}
{\pard \ql \pvpg\phpg\posx3146\posy4506\absw5074 \absh-255 {\f1\fs18 \cf1 ACTIVI
DADES MUSICOTERAPUTICAS APLICADAS...\par}}
{\pard \ql \pvpg\phpg\posx3146\posy4902\absw5074 \absh-255 {\f1\fs18 \cf1 GESTIN
Y PRODUCCIN ARTSTICA Y CULTURAL\par}}
{\pard \ql \pvpg\phpg\posx3146\posy5157\absw5074 \absh-255 {\f1\fs18 \cf1 PRINCI
PIOS DE INVESTIGACIN MUSICAL II\par}}
{\pard \ql \pvpg\phpg\posx3146\posy5412\absw5074 \absh-255 {\f1\fs18 \cf1 BANDA
SINFNICA - ASAB \par}}
LE II: BIG BAND - ASAB \par}}
LE II: CORO - ASAB \par}}
{\pard \ql \pvpg\phpg\posx3146\posy6178\absw5074 \absh-255 {\f1\fs18 \cf1 EMCA ENSAMBLE DE MSICA CONTEMPORNEA - ASAB\par}}
LE DE ARCOS - ASAB \par}}
{\pard \ql \pvpg\phpg\posx3146\posy6688\absw5074 \absh-255 {\f1\fs18 \cf1 ENSA
MBLE DE JAZZ - ASAB \par}}
DE CUERDAS ANDINAS - ASAB \par}}
LLANERO - ASAB \par}}
III\par}}
{\pard \ql \pvpg\phpg\posx3146\posy7709\absw5074 \absh-255 {\f1\fs18 \cf1 ARREGL
OS III\par}}
DE COMPOSICIN III\par}}
MENTACIN III\par}}
{\pard \ql \pvpg\phpg\posx3146\posy8475\absw5074 \absh-255 {\f1\fs18 \cf1 GRABAC
IN DIGITAL DE AUDIO II\par}}
{\pard \ql \pvpg\phpg\posx3146\posy8730\absw5074 \absh-255 {\f1\fs18 \cf1 CREACIN
ELECTROACSTICA EN PURE DATA\par}}

LE SEMINARIO DE CREACIN\par}}
{\pard \ql \pvpg\phpg\posx3146\posy9381\absw5074 \absh-255 {\f1\fs18 \cf1 PROYEC
TO DE GRADO\par}}
IV\par}}
OS IV\par}}
R DE COMPOSICIN IV\par}}
UMENTACIN IV\par}}
{\pard \ql \pvpg\phpg\posx3146\posy10657\absw5074 \absh-255 {\f1\fs18 \cf1 PRODU
CCIN MUSICAL TRACKING\par}}
CON INSTRUMENTOS NO CONVENCIONALES\par}}
{\pard \ql \pvpg\phpg\posx3146\posy11168\absw5074 \absh-255 {\f1\fs18 \cf1 SEGUN
DA LENGUA I - INGLS\par}}
DA LENGUA I - FRANCS\par}}
DA LENGUA I - ALEMN\par}}
DA LENGUA I - ITALIANO\par}}
DA LENGUA I - PORTUGUS\par}}
DA LENGUA I - MANDARN\par}}
DA LENGUA I - NATIVA 1\par}}
{\pard \ql \pvpg\phpg\posx3146\posy13095\absw5074 \absh-255 {\f1\fs18 \cf1 TRABA
JO DE GRADO\par}}
LOS V\par}}
R DE COMPOSICIN V\par}}
CULTA EN COLOMBIA\par}}
DA LENGUA II - INGLES\par}}
DA LENGUA II - FRANCS\par}}
{\pard
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\ql
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\ql
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\absh-255
\absh-255
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\absh-255
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{\f1\fs18
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\cf1
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\cf1
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\cf1
0\par}}
0\par}}
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0\par}}
1\par}}
0\par}}
2\par}}
1\par}}
2\par}}
2\par}}
2\par}}
2\par}}
2\par}}
2\par}}
2\par}}
2\par}}
1\par}}
{\pard
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\ql
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\ql
\ql
\ql
\ql
\ql


}
{\pard
}
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}}
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}}
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{\pard

}}
{\pard
}}
{\pard
}}
{\pard
}}
{\pard
}}
{\pard
Sem
H.P.
{\pard
{\pard
{\pard
{\pard
{\pard
{\pard
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{\pard
}
{\pard
}

Cod.
Asignatura
H.T.
H. AUT.
\par}}
\ql
\ql
\ql
\ql
\ql
\ql
\ql
\ql

\pvpg\phpg\posx9808\posy10147\absw711 \absh-255 {\f1\fs18 \cf1 11\par


}
}}
}
}}
}
}
}
}
{\sect \sbkpage
{{\f1\fs20 \cf1 \par}}
}
}
USICALES\par}}
}
}
ar}}
ar}}
ar}}
ar}}
ar}}
ar}}
ar}}
ar}}
ar}}
ar}}
ar}}
ar}}
ar}}
ar}}
ar}}
{\pard \ql \pvpg\phpg\posx3146\posy3230\absw5074 \absh-255 {\f1\fs18 \cf1 SEGUND
A LENGUA II - ALEMN\par}}
A LENGUA II - ITALIANO\par}}
A LENGUA II - PORTUGUS\par}}
A LENGUA II - MANDARN\par}}
LE I\par}}
OS VI\par}}
DE COMPOSICIN VI\par}}
MENTO COMPLEMENTARIO\par}}
{\pard \ql \pvpg\phpg\posx3146\posy5412\absw5074 \absh-255 {\f1\fs18 \cf1 PRCTICA
PROFESIONALIZANTE\par}}
A LENGUA III - INGLS\par}}
A LENGUA III - FRANCS\par}}
A LENGUA III - ALEMN\par}}
A LENGUA III - ITALIANO\par}}
A LENGUA III - PORTUGUS\par}}
A LENGUA III - MANDARN\par}}
{\pard
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Sem
H.P.
{\pard
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}
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}}
\ql
\ql
\ql
\ql
\ql
\ql

\pvpg\phpg\posx10945\posy3230\absw595 \absh-255 {\f1\fs18 \cf1 A\par}

Cod.
Asignatura
H.T.
H. AUT.
\par}}
\ql
\ql
\ql
\ql
\ql
\ql
\absh-255
\absh-255
\absh-255
\absh-255
\absh-255
\absh-255
{\f1\fs18
{\f1\fs18
{\f1\fs18
{\f1\fs18
{\f1\fs18
{\f1\fs18
\cf1
\cf1
\cf1
\cf1
\cf1
\cf1
2\par}}
2\par}}
2\par}}
2\par}}
2\par}}
2\par}}

266 Comp. y Arreglos

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266 Comp. y Arreglos

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{\rtf\ansi

{\pard \ql \pvpg\phpg\posx1789\posy7199\absw1329 \absh-255 {\f1\fs18 \cf1 3416\p

{\pard \ql \pvpg\phpg\posx3146\posy3996\absw5074 \absh-255 {\f1\fs18 \cf1 MUSICO

{\pard \ql \pvpg\phpg\posx3146\posy11587\absw5074 \absh-255 {\f1\fs18 \cf1 INSTR

\ql \pvpg\phpg\posx8277\posy11842\absw740 \absh-255 {\f1\fs18 \cf1 1\par}

\pvpg\phpg\posx9043\posy3230\absw740 \absh-255 {\f1\fs18 \cf1 0\par}}

\ql \pvpg\phpg\posx9043\posy10311\absw740 \absh-255 {\f1\fs18 \cf1 0\par}

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{\pard \ql \pvpg\phpg\posx9808\posy6178\absw711 \absh-255 {\f1\fs18 \cf1 0\par}}

{\pard \ql \pvpg\phpg\posx1789\posy10311\absw1329 \absh-255 {\f1\fs18 \cf1 3464\

{\pard \ql \pvpg\phpg\posx3146\posy6597\absw5074 \absh-255 {\f1\fs18 \cf1 INSTRU

\ql \pvpg\phpg\posx3146\posy14189\absw5074 \absh-255 {\f1\fs18 \cf1 INSTR

\ql \pvpg\phpg\posx8277\posy14444\absw740 \absh-255 {\f1\fs18 \cf1 1\par}

\pvpg\phpg\posx9043\posy3230\absw740 \absh-255 {\f1\fs18 \cf1 0\par}}

\ql \pvpg\phpg\posx9043\posy10311\absw740 \absh-255 {\f1\fs18 \cf1 2\par}

\ql \pvpg\phpg\posx9043\posy14444\absw740 \absh-255 {\f1\fs18 \cf1 0\par}

\ql \pvpg\phpg\posx10945\posy11077\absw595 \absh-255 {\f1\fs18 \cf1 A\par

\ql \pvpg\phpg\posx1789\posy4506\absw1329 \absh-255 {\f1\fs18 \cf1 3485\p

MENTO COMPLEMENTARIO CUATRO IV\par}}

\pvpg\phpg\posx8277\posy6688\absw740 \absh-255 {\f1\fs18 \cf1 1\par}}

\ql \pvpg\phpg\posx8277\posy10311\absw740 \absh-255 {\f1\fs18 \cf1 1\par}

\pvpg\phpg\posx9043\posy6433\absw740 \absh-255 {\f1\fs18 \cf1 0\par}}

\ql \pvpg\phpg\posx9043\posy10311\absw740 \absh-255 {\f1\fs18 \cf1 0\par}

\ql \pvpg\phpg\posx10945\posy4761\absw595 \absh-255 {\f1\fs18 \cf1 A\par}

\ql \pvpg\phpg\posx10945\posy12863\absw595 \absh-255 {\f1\fs18 \cf1 A\par

\ql \pvpg\phpg\posx284\posy2863\absw11281 \absh-225 {\f1\fs18 \cf1 Pen

{\pard \ql \pvpg\phpg\posx9808\posy8986\absw711 \absh-255 {\f1\fs18 \cf1 11\par}

\ql \pvpg\phpg\posx1024\posy3230\absw765 \absh-255 {\f1\fs20 \cf1 4\par}}

{\pard \ql \pvpg\phpg\posx1789\posy10517\absw1329 \absh-255 {\f1\fs18 \cf1 3614\

{\pard \ql \pvpg\phpg\posx3146\posy7199\absw5074 \absh-255 {\f1\fs18 \cf1 FONTICA

\pvpg\phpg\posx8277\posy3740\absw740 \absh-255 {\f1\fs18 \cf1 2\par}}

\ql \pvpg\phpg\posx8277\posy10262\absw740 \absh-255 {\f1\fs18 \cf1 1\par}

\pvpg\phpg\posx9043\posy3740\absw740 \absh-255 {\f1\fs18 \cf1 2\par}}

\ql \pvpg\phpg\posx9043\posy10262\absw740 \absh-255 {\f1\fs18 \cf1 0\par}

\ql \pvpg\phpg\posx10945\posy3485\absw595 \absh-255 {\f1\fs18 \cf1 A\par}

\ql \pvpg\phpg\posx10945\posy11283\absw595 \absh-255 {\f1\fs18 \cf1 A\par

{\pard \ql \pvpg\phpg\posx9808\posy10772\absw711 \absh-255 {\f1\fs18 \cf1 1\par}

\ql \pvpg\phpg\posx1789\posy4506\absw1329 \absh-255 {\f1\fs18 \cf1 8424\p

ELECTROACSTICA EN PURE DATA\par}}

\pvpg\phpg\posx8277\posy7709\absw740 \absh-255 {\f1\fs18 \cf1 2\par}}

\ql \pvpg\phpg\posx8277\posy10402\absw740 \absh-255 {\f1\fs18 \cf1 1\par}

\pvpg\phpg\posx9043\posy7709\absw740 \absh-255 {\f1\fs18 \cf1 0\par}}

\ql \pvpg\phpg\posx9043\posy10402\absw740 \absh-255 {\f1\fs18 \cf1 1\par}

\ql \pvpg\phpg\posx10945\posy5668\absw595 \absh-255 {\f1\fs18 \cf1 A\par}

\ql \pvpg\phpg\posx10945\posy13605\absw595 \absh-255 {\f1\fs18 \cf1 A\par

\pvpg\phpg\posx9808\posy8220\absw711 \absh-255 {\f1\fs18 \cf1 4\par}}

\ql \pvpg\phpg\posx9808\posy10402\absw711 \absh-255 {\f1\fs18 \cf1 4\par}

{\pard \ql \pvpg\phpg\posx9808\posy12699\absw711 \absh-255 {\f1\fs18 \cf1 2\par}

\pvpg\phpg\posx9043\posy5923\absw740 \absh-255 {\f1\fs18 \cf1 2\par}}

\ql \pvpg\phpg\posx10945\posy3485\absw595 \absh-255 {\f1\fs18 \cf1 A\par}

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