) To communicate emotions, such calmness, sluggishness, and fury, through the movement of the fabric against the wind

and the form of the material 2) To utilize the properties of the wind in creating an installation/ performative artwork 3) To create an artwork that interacts with its surroundings and the community by inducing the said emotions from the viewers and altogether creating a connection between the community and the surrounding, with the artwork as the winds medium of communication

Concept: The wind's movement can be described in many ways: violent, calm, erratic and so on. These emotions are personified through the movements created by the wind, and in turn made visible through the non-representational yet organic and familiar form of the fabric as it interacts with the wind.

Wind is reckoned neutral when unseen. Its invisible movement and basjfbakl(power/strength) can only be realized when felt by the skin and blows through fagaf. Through its non-representational yet organic and familiar form, the installation personifies the wind, rendering the invisible visible, lending wind a palpable character that will bridge the viewer and the motion of its surroundings. The wind's movement can be described in many ways: violent, calm, erratic and so on. chuva