VOLUME 27 2006

THE COMPLETE KORG

CATALOG AND MORE

JORDAN RUDESS TALKS OASYS

KONTROL49 & microKONTROL MS2000B & microKORG kaptivator & krossfour AX3000G/B & AX1500G

DREAM THEATERS

JORDAN RUDESS

C-520 & C-320 Pianos

KAOSS Pad entrancer

K-Series Controllers

SOUNDBYTES

BLUE MERLE

Pa1X Pro & Pa1X

TRITON Extreme

TR Series & X50

KORG Logowear

KP2 KAOSS Pad

PX4D & PX4A

Pa80 & Pa50

padKONTROL

Metronomes

BX-3 & CX-3

JAE DEAL

ELECTRIBES

AX10G/B/A

AX3A/B/G

RADIAS

SP-250

SP-500

Legacy

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To receive regular product updates, register online at korg.com/updates Korg ProView Magazine is published by Korg USA Inc., 316 South Service Road, Melville, NY 11747. Due to our efforts for constant improvement, specifications and features printed herein are subject to change without notice. Some of the products listed may not be available at certain Korg Dealers. We are not responsible for unsolicited material, which must be unconditionally assigned for publication and subject to Korg USA Inc.s unrestricted right to edit and comment. Korg USA Inc. assumes no liability for errors in articles or advertisements, and opinions expressed by authors are not necessarily those of Korg USA Inc. The contents of this publication are 2006 by Korg USA Inc. and may not be reproduced in any manner without prior written permission of Korg USA Inc. All rights reserved. Printed in the USA.

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Tuners

OASYS

D3200

D888

CR-4

D4

OASYS

Open Architecture Synthesis Studio

Vision and technology converge in one brilliant instrument that sits in a class all its own...

THE AMAZING NEW KORG OASYS OPEN ARCHITECTURE SYNTHESIS STUDIO.

Its been a busy year for OASYS racking up a Key Buy award from Keyboard Magazine, an Electronic Musician Editors Choice award, critical acclaim from artists, hearty praise from legions of fans, and hundreds of satisfied owners and users. More than an entirely new instrument, OASYS is a completely new platform to support Korg innovation for years to come. New synthesis methods for creating sound (EXi Expansion Instruments), new effects (EXf Expansion Effects), and additional ROM libraries (EXs Expansion Sample Libraries) can be added, ensuring that OASYS will remain the centerpiece of your musical world well into the future. sound quality that is a new milestone for a professional musical instrument.

BEST OF BOTH WORLDS Powered by an ultra-fast processor, OASYS offers all the benefits of a variable software system, with no resource-consuming host environment. The dedicated operating system allows OASYS to devote nearly its entire computational horsepower to creating the purest audio waveforms with none of the aliasing or high frequency degradation found in other systems. And best of all, OASYS offers the hardware integrity that can only come from a fully-integrated instrument design. As with any musical instrument, it all begins with the sound. OASYS delivers a level of realism, fidelity and

FANTASTIC FOUR OASYS contains four different synthesis engines to fill your audio palette, including the new STR-1 Plucked String EXi Expansion Instrument. Korgs HD-1 High Definition PCM synth, plus two EXi Expansion Instruments the AL-1 Analog Modeling synth and the CX-3 Modeled Tonewheel Organ complete this quartet. All four synthesis techniques can be used together in a variety of ways, with a patent-pending system of free allocation of voices between synths and effects. An EXi Program can actually host two synth engines, so you can use two AL-1s to create super-powerful synth sounds, or two CX-3s to create new hybrid organ timbres. For the adventurous sound designer you can blend an STR-1 and AL-1 to create new imaginative timbres the choice is yours! STELLAR SYNTHESIS First up is the HD-1 High Definition Synthesizer, offering up to 172 notes of polyphony and preloaded with a staggering 628 MB of wave ROM. This includes many stereo waveforms with long sample lengths for natural decays and up to 4-way velocity-switched

acoustic instrument and drum samples. Advances in this PCM engine include an oscillator that can play back stereo waveforms and supports 4-way switching and crossfading. Dual oscillators, dual multi-mode resonant filters (low-pass, high-pass, band-pass, band-reject), a Drive parameter for adding analog grit, three LFOs per-voice and a common LFO, a 3-band EQ, and three super-fast, detailed Envelope Generators allow for very complex and nuanced Program design.

BLAST FROM THE PAST Our revolutionary Vector Synthesis and Wavesequencing are back and theyre better than ever. Vector Synthesis allows for smooth blending between the two oscillators and user-definable modulation either programmed in or via the Vector Joystick. Wave Sequences play back a series of selected waveforms over time, creating either distinctive rhythmic timbres or smooth, complex and continually evolving sounds. New additions to this classic technology include enhanced tempo synchronization plus swing and realtime duration modulation. Additionally, the integrated step-sequencers allow Wave Sequences to control virtually any Program parameter such as filter cutoff, pan, Drive, LFO speed and more.

THE ULTIMATE VA Next up is the AL-1, a state-of-the-art virtual analog synth delivering an unparalleled 84 notes of polyphony, capable of sounding an incredible 504 oscillators. This responsive synth features our patent-pending, ultra-low aliasing oscillators that recreate all the power and glory of true analog synthesis. The two main oscillators offer eight flexible waveforms for a wide palette of modulatable shapes. An adjustable edge parameter provides vintage oscillator modeling, while sync, FM, and several varieties of ring modulation offer plenty of tone-mangling power. A sub oscillator, colored noise generator, and live audio input round out the signal sources. Korgs new MultiFilter lets you crossfade in real time between any two of 21 different filter types including your own custom mixes of LP , HP , BP and dry input. Drive and Low Boost provide per-voice grit, girth and distortion. The AL-1 offers a wealth of modulation riches: five punchy, re-triggerable envelopes; four super-fast, multi-waveform, tempo-synched LFOs; dual AMS Mod Mixers; dual key-tracking generators; and a per-voice, 32-step Step Sequencer. The standard EXi Program structure adds even more modulation power, including

STRINGS AND THINGS The latest release from Korgs physical modeling workshop is the STR-1 Plucked String expansion instrument. Beyond the remarkable guitars and basses, this versatile engine is capable of creating both traditional sounds and unique, experimental timbres. The 128 stunning Programs provided for the 32-voice STR-1 take full advantage of all of the OASYS many controllers, expressively changing their tone in ways that are impossible for sample-based sound generators to imitate. In creating a sound, the STR-1 lets you use 16 different pluck types, noise, or any of the onboard or RAM-based PCM waveforms to pluck, strike, scrape, or otherwise excite the string. Other unique modeling parameters involve damping, harmonics, and dispersion even physical characteristics of the string and modeled feedback interaction. The string timbre can be shaped further using dual multi-mode resonant filters (including the AL-1 style Multi Filter), plus an additional filter dedicated to the string excitation. For further sonic control, the STR-1 offers four per-voice LFOs, five re-triggerable EGs, two key tracking generators, a string tracking generator, four AMS mixers and more. Finally, the STR-1 has access to all the standard EXi Program features, including Vector control, Step Sequencer, EQ, effects, and of course, KARMA. And the KARMA voicing for this new soundset is a virtual master class in the capabilities of this powerful technology.
the Program-wide Common LFO and Common Step Sequencer, two more key tracking generators and the Vector Envelope.

ORGAN-IC AUDIO Based on the current Korg CX-3, the third OASYS sound engine delivers one of the most accurate models of that classic organ sound ever developed. This EXi design features dual drawbars, control over every nuance of the sound including leakage, key click, adjustable percussion, chorus/vibrato and a complete rotary speaker simulation. It also features Korgs unique EX Mode which adds additional harmonics and percussion tunings, opening up a new world of organic timbres. The control surface of the OASYS provides direct access to your nine drawbars via the sliders, and switches to access the vibrato/chorus, percussion and all traditional tonewheel organ controls are laid out in a logical and familiar manner.

UNLOCKING THE COMBINATION OASYS extends Korgs famed Combination mode, providing the ability to layer and split up to 16 Programs across the keyboard to create huge multi-timbres and performance setups. In addition to providing more sound elements, this means that Combis can be set up and saved as complete 16-part sequencing templates for use with an external sequencer and computer DAWs a much-requested feature! You can freely blend Programs from the HD-1, STR-1, AL-1 and CX-3 engines to create amazing new textures. Combination Mode is where the Vector Synthesis features really come alive blending between four different mixtures of sounds to create evocative, moving timbres. And weve added a powerful Tone Adjust feature, which provides control over 33 timbre parameters, so you can edit each of the 16 sounds in context without affecting the original Program. >>

OASYS

Open Architecture Synthesis Studio

CAUSE AND EFFECTS OASYS extends the quantity and quality of on-board effects, offering an astounding 12 Insert, 2 Master and 2 Total effects. With 185 algorithms, the possibilities are vast; and weve included the ToneWorks (REMS) mic, amp and speaker models; the amazing O-Verb from the OASYS-PCI card; the Chorus/Vibrato circuit from the CX-3; plus a wealth of new effects and classic Korg favorites. And you can even use the OASYS as a 6-input/10-output real-time effects processor for your other gear! But in the end, it is Korgs legendary voicing quality that is sure to impress. Our international OASYS sound design team worked for years to create hundreds and hundreds of stunning new Programs, from realistic acoustic instruments to fat, imaginative synth sounds; from signature organ sounds designed by top players to cutting-edge sounds that exploit the incredible power of the AL-1. OASYS comes loaded with 1,280 Programs and room for a total of 1,664 user sounds (13 Banks). All sound locations are fully editable, so you are free to tweak any sound. There are 40 drumkits provided, and room for a total of 152. These drumkits support stereo samples, 4-way velocity-switching and a 3-band EQ per drum index. As for the 16-part Combinations, 384 come preloaded, with room for a total of 1,792 (14 Banks). KARMA THE NEXT GENERATION KARMA is our revolutionary algorithmic performance technology that generates amazing phrases, grooves, and other musical effects that can be altered and randomized in real time. KARMA continues to set the standard by which all other arpeggiators, phrase players and musical effect generators are judged. KARMA gives you the power to play impossible interweaving cascades of notes, techno arpeggios and effects, dense rhythmic and melodic textures, naturalsounding glissandos, intricate finger-picking and guitarstrumming, swooping portamento and pitch bend moves and more! But what KARMA really offers is inspiration. KARMA allows OASYS to improvise with you, stretching and expanding your own creative ideas. Many new features keep this second generation of KARMA technology on the extreme cutting edge. KARMA Wave Sequencing allows KARMA to manipulate the playback of the actual samples and waveforms that create each sound, allowing each note to access a different waveform as it is generated, without having to edit any Programs! Note Remapping provides a powerful way to transform drum grooves, by instantly substituting

one of the thousands of available drum sounds for any other one. It can also be used to melodically transform KARMA-generated notes, such as changing all major sixths to major ninths. In Program Mode you can assign one KARMA Generated Effect (GE) to the sound; Combi and Sequencer Modes offer up to four GEs at a time. In these modes, each of the four KARMA Modules now has its own Module Layer, where the eight sliders, eight switches, and eight scene buttons provide dedicated control over a single GE. In addition to the four Module Layers, a Master Layer can be mapped to parameters from any of the modules, even grouping them together so one slider can control the swing feel of all four modules at the same time, or the rhythmic activity of two or three modules at once. Best of all, weve made KARMA significantly easier to use while making it even more flexible! All of the onboard 2000+ KARMA Generated Effects (GEs) have been standardized to one of 13 different Real-Time Control Models (RTC Models). An RTC Model specifies which parameters of a KARMA GE are available for real-time control and how the Control Surface is assigned to them. Using these RTC models, what you learn while controlling one GE is consistent and applicable to other GEs as well.

recorded to the internal 40 GB hard drive simultaneously, in industry-standard WAV format for maximum compatibility. Record through the on-board effects, and use the many mic, amp and speaker models a virtual locker full of audio gear to enhance your recordings. Full automation editing is provided, and each audio track has dedicated 3-band EQ with sweepable mid in addition to the onboard effects system.

sends and more. It is also a complete real-time interface for sounds and KARMA parameters. Finally, in External Mode the control surface can be mapped to various MIDI Controller messages to control external gear such as soft synths, computer DAWs and other MIDI hardware. Each knob and slider has a multi-stage LED to indicate each parameters current value. The controllers offer a choice of jump or catch behavior to match your personal preference.

TWO MODELS TO CHOOSE FROM The OASYS comes in two configurations, a 76-note synth action keyboard and an 88-note weighted action keyboard featuring our graded hammer action (RH2) so the low notes are heavier than the upper, just like a real piano. Of course both actions support after-touch sensitivity.
OASYS SPECIFICATIONS: Controllers: Vector joystick, joystick, ribbon controller, SW [1], [2], pad [1]-[8] (velocity sensitive), control surface (knob [1]-[8], master slider, switch [1]-[8] (upper), switch [1]-[8] (lower), slider [1]-[8], master slider), KARMA

OASYS Version 1.10

While OASYS has been out winning the hearts of musicians, producers and critics; the Korg team has been hard at work fulfilling the promise of Open Architecture. Version 1.10 adds new synthesis, new features and new possibilities to an already staggering instrument. A few highlights include:

SUPERIOR SAMPLING The OASYS features Korgs powerful Open Sampling System. You can sample and resample in any mode, sample through effects, and much more. Cutting-edge editing tools include Time Slice, Time Stretch, Crossfade Looping, Rate Change and Normalize. An easy Auto-Setup function makes all the right sampling settings for you with the press of a finger. Stock sampling memory is 267 MB and can be increased to 500 MB without requiring any additional RAM (by choosing to not load the EXs-1 Expansion ROM data). Adding an additional 1 GB of RAM will bring the sample RAM to approximately 1.5 GB. Samples in Korg native format, AIFF, WAV and AKAI (S-1000/3000 with advanced Program parameter conversion) formats can be used, and internal samples can be exported as WAV or AIFF if needed. UNDER CONTROL Once again, Korg has produced an interface that is musically intuitive, elegant, and totally comprehensive. To begin with, OASYS offers a ground-breaking 10.4 color TouchView display, providing a graphically rich and intuitive way of working. A wealth of real-time controllers adds expression to your music-making. The traditional Korg joystick, dual switch and ribbon controllers are joined by an assignable Vector joystick, eight real-time knobs, 16 switches, nine sliders, plus three pedal inputs. The OASYS also features eight great feeling, velocity sensitive drum pads which can be used to trigger notes, controllers, or chord voicings to use with KARMA or your own performance needs. The control surface has multiple modes of operation it can be a mixer for the 16 MIDI tracks, as well as a mixing surface for the 16 audio tracks. In these modes you have control over level, panning, track select, solo, channel EQ, FX

RECORDING POWERHOUSE OASYS combines Korgs acclaimed 16-track MIDI sequencer with 16 tracks of Audio HD recording, seamlessly integrating the best elements of MIDI and audio. One-touch setup takes you from playing a Program or Combination to ready-to-record status in one easy step. Real-Time Pattern Play and Record (RPPR) can be used to assign sequenced Patterns to individual keys on the keyboard for an interactive performance, or to quickly build up tracks. Individual track looping lets you create smaller looped parts (such as drum grooves) within a Song. In-Track sampling allows you to add sampled audio directly into a MIDI track, and resampling allows you to create new loops/grooves from your tracks. Song Templates help you to start capturing your ideas quickly by pre-assigning instruments and effects (even rhythm patterns) to empty tracks in a variety of musical genres. Create your own templates and personalize your OASYS to your own way of working. OASYS also offers an unprecedented 16 tracks of audio recording, perfectly integrated with the MIDI tracks. Up to four tracks of 16-bit, 48 kHz audio can be

THE RIGHT CONNECTIONS The OASYS Open Architecture Synthesis Studio offers plenty of connectivity to your professional studio, be it digital or analog. In addition to the stereo Main outputs, OASYS offers eight individual outputs for isolating timbres when recording or processing. All analog outputs feature 24-bit digital-to-analog conversion, and sounds can be processed through the Insert effects before being routed to these outputs. Four inputs (two combination XLR/quarter-inch jacks with switchable phantom power, plus two 1/4" jacks) are provided for use when sampling or audio recording, along with 24-bit optical S/P DIF connections supporting 48 and 96 kHz operation. You can also add the EXB-DI option for eight 24-bit ADAT-compatible output channels. Four high-speed USB 2.0 ports support external hard drives, flash memory, and other USB Mass Storage devices. The internal CD-R/RW drive lets you burn audio CDs; back-up sound, sequence, and HDR data; and rip samples directly from audio CDs. Three pedal inputs are provided, including support for half-damper sensing. THE FUTURE NOW While OASYS promises an open-ended future, that future is already here! Weve included the first two EXs releases for free with your OASYS; the EXs-1 is a comprehensive ROM Expansion set, and the EXs-2 is a 503 MB Concert Grand piano featuring accurately mapped and 4-way velocity switched stereo samples, plus a realistic damper layer that all combine to offer unparalleled realism. The new STR-1 is another example of this concept of expansion, with more options to be released in the near future.

(ON/OFF, LATCH, CHORD ASSIGN, MODULE CONTROL) Display: Color TouchView graphical user interface, 10.4" TFT, 640x480 dots, adjustable angle Output: L/MONO, R, Individual 1-8 (1/4" phone jacks), headphones (1/4" stereo phone jack), S/P DIF (optical, 24-bit, 48 kHz/96 kHz) Input: Audio Inputs 1 and 2 (XLR-1/4" phone combi jacks (balanced, MIC/LINE switches, level control knobs, phantom power switches), Audio Inputs 3 and 4 (1/4" phone jacks (unbalanced), S/P DIF (optical, 24-bit, 48 kHz/96 kHz) Control Input: Damper pedal (half damper supported), assignable footswitch, assignable footpedal MIDI: In, Out, Thru Interface: 4 USB A connectors (for external USB devices, High Speed USB 2.0 supported) Disk Drives: HDD (2.5"), CD-R/RW Dimensions (W x D x H): OASYS (76-key): 49.84" x 19.06" x 5.31", OASYS (88-key): 57.40" x 19.06" x 5.31" Weight: OASYS (76-key): 56.66 lbs., OASYS (88-key): 70.77 lbs. Accessories: AC cord, CD-ROM for data restoration Methods of Synthesis: PCM (HD-1 High Definition Synthesizer), Analog Modeling (AL-1 Analog Synthesizer), String Modeling (STR-1 Plucked String), Tonewheel Organ Modeling (CX-3 Tonewheel Organ) Maximum Polyphony: HD-1: 172 voices, AL-1: 84 voices, STR-1: 32 voices, CX-3: 172 voices Preset PCM: 314.6 MB (1,505 multisamples, 1,388 drum samples) Expansion PCM Libraries (included): 313.6 MB (EXs-1 ROM Expansion pre-loaded: 229 multisamples, 1,483 drum samples), 504 MB (EXs-2 Concert Grand Piano available on HD: 5 stereo multisamples) Capacity of Sample RAM: 500 MB* - expandable to approx. 1.5GB OASYS Options: EXB-DI Digital Interface Board, XVP-10 Expression/Volume Pedal, EXP-2 Foot Controller, DS-1H Damper Pedal, PS-1 Pedal Switch, EXi Expansion Instrument Libraries, EXf Expansion Effect Libraries, EXs Expansion Sample Libraries *Capacity of PCM RAM varies based on the use of EXs PCM libraries. 267 MB are available when EXs-1 is preloaded KARMA (Kay Algorithmic Real-time Music Architecture) and the KARMA Logo are registered trademarks representing patented technology licensed from Stephen Kay, Karma Lab LLC, www.karma-lab.com. *For complete specifications, go to korg.com

STR-1 PLUCKED STRING The latest synthesis engine for the OASYS is the STR-1 Plucked String EXi, and its included free with the Version 1.10 update. The STR-1 uses advanced physical modeling techniques to create an incredible assortment of sounds ranging from astounding guitar and bass recreations, harpsichord, harp, and bell sounds, to ethnic sounds and unique experimental sounds that dont exist in the real world. All of which expressively change their tone under your fingertips in a way that is impossible for sample-based sound generators to imitate. This powerful modeling technology will greatly increase the soundcreating potential of your OASYS! SUPPORT FOR 2 GBYTES OF MEMORY This software update allows the internal memory to be expanded up to 2 Gbytes. Adding more RAM not only increases your sampling space, it also lets you load both of the EXs-1 and EXs-2 expansion PCM libraries simultaneously. AUDIO INPUT PROCESSING Starting with the STR-1 Plucked String EXi, audio input has been added as a standard sound parameter. This allows any external audio source to be processed by the synthesizer, and you can even apply feedback to the sound of the EXi synth engine itself, giving you an even broader range of possibilities. NEW AMS MIXING TOOLS A new Gate function has been added to the AMS mixer list, adding to the OASYS already vast offering of AMS (Alternate Modulation Source) choices. Gate operates similarly to the side chain used in audio effects such as compressors. For example, you can use this to apply pitch bend to specific pitches and not to other pitches, or cause the STR-1 to produce a harmonics effect only when a specific velocity is exceeded, or use the joystick or other controller to switch between two LFOs in real time. This gives you an immense amount of creative freedom and the potential to achieve new levels of performance expression.

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OASYS Virtual Interface Video Demos MP3 Audio Files Complete Specifications Owners Manual Accessories Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES

4 5

Workstation TR & X50 DOMusic IT AT KORG.COM

Music Synthesizer

[new]
Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES

DO IT AT KORG.COM

DO IT AT KORG.COM
MP3 Audio Files Options Complete Specifications Owners Manuals Find out how to get a 2nd year free on your warranty.

Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES

BUY ACCESSORIES

TR SPECIFICATIONS: HI synthesis ROM: 64 MB Polyphony: 62 voices (max.) Keyboard: 61 Keys/76 Keys/88 Keys; velocity and aftertouch sensing Programs/Combinations: 512 programs/384 combinations; GM - 128 programs + 9 drum kits Effects: 2 master effects (mono in/stereo out); 1 insert effect (stereo in/out);

BLAZ E TR AILS. BE BRI LLIANT.

Turning a great idea into brilliant music takes both inspiration and a solid workstation. Inside the affordable new TR series, youll find everything you need to transform your musical ideas into polished jewels. Start with Korgs proven HI sound engine. Add in a comprehensive 64 MB sample set including many new sounds. Bring it up-to-date with USB MIDI and SD storage. Package it all in a sleek black body housing Korgs classic 16-track sequencer, superb effects engine, and top it off with a user-friendly interface. Say hello to the Black Beauty the new Korg TR Music Workstation.

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master 3-band EQ (stereo in/out). Effect types: 89 (insert or master) Sequencer: 16 MIDI tracks; 150 preset/100 user patterns per song; 200 songs, 20 cue lists, 200,000 notes (max); read/write Standard MIDI Files (Format 0 and 1) RPPR (Real-time Pattern Play/Recording): 74 patterns per set, one set per song Arpeggiator: 5 preset patterns, 216 user patterns Controllers: Joystick, 2 Assignable switches, 4

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Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES

PROUD PEDIGREE OF SOUND Based on the acclaimed HI (Hyper Integrated) sound engine that has made the TRITON series the choice of professional musicians the world over, the TR series offers a 64 MB sample ROM that is twice the size of the original TRITON. With multi-level dynamics and natural instrument articulation, this expanded sample set includes a new stereo piano, nylon and acoustic guitars, electric pianos, voice, strings, brass and solo woodwinds producing expressive, detailed and realistic sounds. In addition, youll find a full complement of excellent up-todate drum sounds. And true to its heritage, the TR remains compatible with many TRITON family sounds and songs. All in all, youll find 512 individual Programs created by Korgs international sound design team plus another 128 GM sounds and nine additional GM drum kits. Up to eight Programs can be split, layered, velocity-switched or zoned across the keyboard to create a single Combination and 384 Combis come loaded in each TR. But thats just to get you started each Program and Combi can be tweaked and re-saved with your own custom settings. The TR series organizes all of the Programs and Combis into user-defined Categories to speed up the sound selection process, and you can easily search for sounds by Category from the front panel. Even the PCM waveforms and effect algorithms are organized by category a real time saver when editing and creating your custom sounds. When hunting for that perfect Program, you can use the Audition key to automatically play an appropriate musical phrase thats performed using the selected sound.

ADD LIFE TO YOUR WORKSTATION PERFORMANCE Of course the TR workstations are fully programmable synths, with powerful multi-mode resonant filters, advanced EGs (envelope generators), multiple LFOs and more to help you create any sound you wish. Modulation is an important part of this artistry, and the TR provides a total of 42 modulation sources including EG, LFO, keyboard tracking, and performance controllers to create extremely sophisticated sounds. The four-way joystick lets you simultaneously apply pitch bend and modulation effects including vibrato, tremolo and wah. Four assignable knobs, two assignable switches and assignable foot pedal jacks provide you with a full range of real-time control that is indispensable for burning up the stage or cutting sizzling tracks. Borrowing development from Korgs acclaimed D-Series digital recorders and TRITON family workstations, the TR offers a broad palette of 89 effect types to enrich your sound creations. The effect section consists of two Master effects, one stereo Insert effect, and one Master EQ (stereo three-band) together with a sophisticated mixer section that lets you control the routing of these individual components. Many of the effect parameters offer real-time modulation and tempo -based synchronization, providing the total integration required to bring your overall sound to perfect completion. FAST TRACK PRODUCTION TOOLS While the TRs remarkable sound is sure to inspire, capturing that vision couldnt be easier. The onboard sequencer records in both real time and step time, and comes packed with a host of powerful editing options. Setting up for a new song is easy. Select a template song (16 preset, 16 user) from a wide variety of styles, and sounds and effects are automatically pre-assigned to each track. The TR will even suggest appropriate drum patterns and assign them to your song. Better yet, the Auto Song Setup instantly copies your current sound settings (Program or Combination) into a new record-ready song, complete with all the effect and arpeggiator settings intact! Either way, you can begin recording immediately, before you lose that flash of musical inspiration.

Does your creativity come in smaller chunks? Using the Cue List allows you to work on each section of your song as an individual sequence, and then build your arrangement up in sections (up to 99) and convert it all into a single song. The sequencers Real-time Pattern Play/Recording (RPPR) function lets you record sequenced phrases or patterns and assign them to individual keys for playback. You can create and save up to 100 patterns in each Song, in addition to the 150 preset drum patterns. This unlocks amazing performance possibilities you can switch patterns with each key and even use multiple keys to play different phrases simultaneously, recording all your real-time moves into a new track as you go.

COMES IN ALL SIZES The TR workstations are available in 61, 76 and 88-note versions. Both the 61 and 76 feature sturdy synth action keybeds with both velocity and aftertouch sensitivity. The TR88 features Korgs new RH3 Real Weighted Hammer Action keybed, which is heavier on the low end and gets progressively lighter as you go higher just like a true acoustic piano. SAMPLE IT YOURSELF! Add the EXB-SMPL Sampling Upgrade and transform your TR into a full-blown sampler. The TR supports 48 kHz 16-bit linear mono/stereo sampling, with a full range of high-end waveform editing functions including time slice, time stretch/compress, crossfade loop, and more. The user installable EXB-SMPL includes 16 MB of sample memory, and can be expanded up to 64 MB. By connecting an external SCSI device to the TR, you can take advantage of a wide range of CD-ROM sound libraries (ISO9660 and AKAI-format discs are supported). You can load AIFF/WAV files, AKAI S1000/S3000 (samples and mapped multisamples), as well as Korg format data.

POLY-POWERED ARPEGGIATOR Richly expressive, the dual polyphonic arpeggiators generate dazzling performances. In addition to five basic preset arpeggio patterns, the TR contains 216 editable user patterns fixed-note drum patterns and variable pitched parts that can add real dimension to all variety of sounds. Arpeggio data is sent via MIDI, and can be recorded directly into the sequencer. You can use one arpeggiator in Program Mode and both arpeggiators simultaneously in Combi and Sequence Modes. Arpeggios can be synchronized with MIDI clock, so they run in time with the internal sequencer, BPM-based effects, and more. BUILT TO SHARE With just a single USB cable, you can easily connect the TR to a computer-based DAW for recording, or to use it with notation software, educational courses and much more no MIDI interface needed! Transmission and reception of system exclusive data is also supported, allowing you to manage sound data on your computer for smooth and professional song production. The TR Music Workstation also uses compact and reliable high-capacity SD (Secure Digital) cards to save your sounds, sequences and sample data. The reading speed is extremely fast, so data management is quick and easy. The TR is compatible with SD cards from 16 MB to 1 GB, and you can easily share SD information with a computer via readilyavailable SD card readers.

Find out how to get a 2nd year free on your warranty. THE MUSICAL HEART OF THE TR BUY ACCESSORIES With modern styling, integrated handles, and a lightweight stealthy design, the new X50 is ready to play when you are. Packing all the sonic brilliance and clarity of the TR, the headturning X50 leaves out the TRs sequencer-based production tools, sampling option and media slot, offering a lean performance synthesizer with real audio firepower. For the computer musician, the X50 has a 16-part Multi Mode for use with your favorite sequencer or DAW application, and you can save and recall 128 of Find out how to get a 2nd year free on your warranty. these flexible multi setups internally. A single BUY ACCESSORIES USB cable connects the X50 to your computer, and the included Editor/Librarian software can run as a plug-in or stand alone, so tweaking, creating and organizing your sounds is a snap. In place of the TR style joystick, the low-profile panel offers traditional Pitch and Mod wheels, and the new ClickPoint cursor system makes navigating the X50 a breeze.

X50 Music Synthesizer

Assignable knobs Control Inputs: Damper pedal (supports half-pedaling); Assignable (SWITCH/PEDAL) Outputs: MAIN = L/MONO, R; Individual = 1, 2; Headphone Media Slot: SD (Secure Digital: 2.7 3.6 Volts; 16 MB to 1 MB) USB: Type 2 connector (MIDI only) MIDI: IN, OUT, THRU Display: Backlit LCD Power Consumption: 13W (w/EXB-SMPL option with 64 MB RAM) Dimensions (W x D x H): 88 key: 55.67'' x 14.37'' x 4.84; 76 key: 49.51'' x 11.9'' x 3.75''; 61 key: 41.15" x 11.91" x 3.75" Weight: 88 key: 53.13 lbs.; 76 key: 20.28 lbs.; 61 key: 17.2 lbs. Accessories: AC Adapter; Preload Data in ROM, CD-ROM (USB/MIDI Driver, Voice Name List) Options: EXB-SMPL Sampling Upgrade XVP-10 Expression/Volume Pedal; EXP-2 Foot Controller; DS-1H Damper Pedal; PS-1 Pedal Switch *Sound processed with INFINITY X50 SPECIFICATIONS: HI synthesis ROM: 64 MB Polyphony: 62 voices (max) Keyboard: 61 keys; velocity sensing Programs/Combinations/Multi: 512 programs/ kits Effects: + 9 drum GM 128 programs combinations/128 384 Find 2 master out howmultis; to get a- 2nd year free on your warranty. effects (mono in/stereo out); 1 insert effect (stereo in/out); master 3-band EQ (stereo

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in/out). Effect types: 89 (insert or master) Arpeggiator: 5 preset patterns, 216 user patterns Controllers: Pitch Bend wheel, Modulation wheel, 2 Assignable switches, 4 Real-time knobs Control Inputs: Damper pedal (supports half-pedaling); Assignable (SWITCH/PEDAL) Outputs: MAIN = L/MONO, R; Individual = 1, 2; Headphone USB: Type 2 connector MIDI: IN, OUT Display: Backlit LCD; ClickPoint cursor control Accessories: AC Adapter; Preload Data in ROM, CDROM (USB/MIDI Driver, Voice Name List, Editor Librarian) Options: XVP-10 Expression/Volume Pedal; EXP-2 Foot Controller; DS-1H Damper Pedal; PS-1 Pedal Switch *Sound processed with INFINITY

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Find out how to get a 2nd year free on your warranty. Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES BUY ACCESSORIES

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Find out how to get a 2nd year free on your warranty. Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES BUY ACCESSORIES

JAE DEAL

AN EXTREMELY GOOD DEAL

By Ming Chen Photo by Darren Young At the time I came on board, Mario was at the top of Billboard for about ten weeks, so the energy was incredible the music was truly great, and everyone treated us with a lot of respect, declares Jae Deal. Regarded by many as an incredible up and coming producer, Jae has been working behind the scenes and on stage with some of the most well known pop, R&B, and hip hop artists, including Snoop Dogg, Dru Hill, Faith Evans and Marques Houston. He has also contributed to the works of legends such as Elton John and Andra Crouch, and has played a part in high profile tours such as the P-Diddy world tour and the Snoop Dogg tour. You would think from his experience that he has been in the industry for thirty years, but Jae is still in his twenties. The reason that he has already achieved so much is due to his musical skills as both a producer and a performer. Check out www.korg.com/JaeDeal and read the whole story, as Jae talks about his steps to success and his reliance on his Korg TRITON Extreme and microKONTROL to get the job done.

Pictured: Mario and Jae Deal photographed in Los Angeles, CA

TRITON EXTREME

Music Workstation/Sampler

TRITON EXTREME

Music Workstation/Sampler

Buy an Extreme, get a FREE EXB-MOSS board with 13 forms of synthesis*

BEYOND SEQUENCING TRITON Extreme is one daring and dangerous performance instrument, and its also an amazing compositional tool. Sixteen tracks, 200 songs and 200,000 notes are just the beginning. Step time, real time, looping and pattern based recording modes allow you to capture your musical ideas your way. Sequencing is so much more than just record and playback, and TRITON Extreme delivers the tools you need to polish your songs into gemstones. Quantize functions tighten up your timing or add swing to a steady beat. Twenty-four Tone Adjust parameters let you quickly edit the timbre assigned to any track without exiting the sequencer, and leave the original program untouched. Sys Ex recording allows you to automate your mix in new and creative ways muting tracks, soloing others, loading new effect programs during different sections, and more. TRITON Extreme also uses song templates to give you a head start when laying down tracks. Each template assigns timbres to each track, assigns and routes effects, and can even offer up a variety of rhythm patterns to get you going. Sixteen song templates, each tuned to a different musical style, are preset and you can also create 16 all your own, eliminating repetitive steps when you want to get your ideas down. If youd like to work on your masterpiece in smaller chunks, you can compose individual songs for the verse, chorus and bridge etc.; the Cue List function allows you to string these individual parts together. Once you have decided on the right order and you can try a number of versions simply convert the Cue List into a single song. You can also create your hits from even smaller building blocks. With Korgs Real-time Pattern Play and Record (RPPR) function, short sequenced patterns can be assigned and played back from individual keys on the keyboard. BEHIND THE SCENES MUSCLE Its not just whats up front that counts. The TRITON Extremes back panel is decked out with all the trappings a modern synth should have. In addition to the main left and right outputs, there are four assignable individual outputs to send your sound where you want it. Two audio inputs with adjustable gain and MIC/LINE level switching allow you to sample from a wide range of sources, as well as access the internal effects. Digital In and Out is provided in S/P DIF optical format. Here youll also find the CompactFlash media slot, MIDI connectors, and the damper/footswitch/footpedal jacks. WELCOME TO THE USB UNIVERSE We saved the best for last. Two USB connection ports open up a world of possibilities. By connecting a CD-R/RW drive to USB Port A, completed songs (once they have been resampled as WAV files) can be burned to CD as audio. This connection also allows you to use
external USB data storage units with the TRITON Extreme. USB Port B allows an external computer to access the media in the CompactFlash slot, allowing you to share files back and forth.

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editing tools is provided including time slice, loop, truncate, and time stretch functions. TRITON Extreme is compatible with WAV, AIFF, AKAI S1000/S3000 and KORG format sample data. Advanced Conversion Load allows AKAI programs to be loaded into a new Program or multi-level Combination with the filter settings, envelope settings, and velocity switching parameters preserved for enhanced compatibility.

ONE IS NOT ENOUGH TRITON Extreme available in both 61 and 76 key Find out how to get is a 2nd year free on your warranty. synth-action models both with variable velocity and BUY ACCESSORIES aftertouch response. TRITON Extreme 88 is equipped with our premium RH2 keybed, featuring progressive graded hammer action, aftertouch, and an authentic piano feel. Try out the latest TRITON and take your playing to a new Extreme.

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TRITON EXTREME SPECIFICATIONS: HI synthesis ROM: 160 MB Sampling: 16-bit, 48 kHz stereo/mono; 96 MB (max.)/16 MB standard; loads AIFF, WAV, AKAI and Korg format sample data Polyphony: 120 (max.) Keyboard: 61 keys/76 keys/88 keys (Graded Hammer Action RH2); velocity and aftertouch sensing Programs/Combinations: 1,536 user programs (1,344 preload); 1,536 user memory

With tube-driven tone and thousands of sounds,

TAKEN

ITS EVERYTHING TRITON, TO THE EXTREME.

second to none. The preload data created by the top programmers in the game includes an incredible 1,344 Programs and 50 Drum kits. Add to that another 1,280 Combinations, each composed of up to eight Programs, split, layered, zoned and velocity allocated across the keyboard. Additional banks of GM Level 2 Presets contain 256 Programs and nine Drum kits. Lets put it this way: say you wanted to spend a mere 10 seconds checking out each preloaded sound. Be prepared to add some overtime to your eight-hour day! Dual polyphonic arpeggiators can spit out machine-gun cascades of notes, hold down a groove or generate a simple acoustic guitar picking pattern. 489 arpeggiator patterns come preloaded.

No doubt about it. This is the TRITON with attitude. The aggressive TRITON Extreme is bursting at the seams with more of everything that has made the TRITON family the workstation of choice for tens of thousands of performers, producers and musicians the world over. Tricked out with vacuum tube processing, USB audio CD burning and data sharing, CompactFlash data storage, digital I/O and stuffed with sounds, its everything TRITON taken to the Extreme.

MORE THAN MEETS THE EYE Beneath the cool blue exterior lurks a red-hot 160 MB of clean, crisp 48 kHz wave ROM five times the ROM of the classic TRITON! This massive ROM includes sizzling new samples expressive guitars (both acoustic and electric), woodwind and brass instruments captured with true natural vibratos, stellar organs, authentic choirs and an all-new concert grand piano are only a few of the highlights. TRITON Extreme also includes the entire sample sets from our best selling Trance Attack, Orchestral Collection and Vintage Archives expansion boards; the best material from our Dance Extreme, Studio Essentials and Pianos/Classic Keyboards collections; and, of course, the complete TRITON STUDIO sample set. MOUNDS OF SOUNDS When it comes to sounds, the TRITON Extreme is a treasure trove, delivering a palette of sounds that is

UNCHAINED SOUND CREATION HORSEPOWER Twin tone generators combine to pump out a generous 120 notes of polyphony. Korgs acclaimed Hyper Integrated synthesis engine provides breathtaking audio quality and an amazing degree of sound editing control. Each oscillator is processed through a multi-mode filter and multiple advanced envelope generators for precise sound shaping. Each of the two LFOs offers 21 waveforms, and each LFO can be synced to the arpeggiator, sequencer, or to your other MIDI gear. Plus, you can breathe new life into your sounds using 42 alternate modulation source (AMS) types and 51 modulation destinations. Supercharge your TRITON Extreme by adding six-voices of DSP modeling (stolen from the legendary Korg Z1) with the optional MOSS (EXB-MOSS) and leave everyone else eating dust.

SIZZLING SAMPLING TRITON Extreme is also a robust 16-bit, 48 kHz sampler. Korgs exclusive Open Sampling System unlocks the power and benefits of sampling from every mode. This opens the door to creatively resampling your TRITON Extreme performances including performances enhanced by the sequencer playback and the arpeggiators. Auto-Setup functions automatically optimize multiple parameters for a variety of sampling situations. By far, one of the most important features of the TRITON Extremes sampling engine is In Track Sampling, where you can sample audio directly into the sequencer as it plays. Now you can add vocal lines, guitar solos and other audio performances to your sequenced songs! Finally, you can sample or resample directly to CompactFlash or Microdrive media. Resampled songs saved to media can be converted to audio and burned to CD via USB. Expandable to 96 MB, TRITON Extreme ships with 16 MB of sample memory. Sample memory is conveniently added through a pop-open hatch on the front panel. A complete set of grid-assisted sample

EXHILARATING EFFECTS Our tube-driven Valve Force circuitry can be used as an insert effect or on the final outputs, adding just the right amount of warmth or snarl to your sound. You can even sample an external sound through the Valve Force circuit to impart tube quality to the sound. Valve Force has proven itself in our ESX-1 and EMX-1 Electribes. The enhanced version in the TRITON Extreme provides that same fullness of tone and also incorporates an Ultra Boost element designed to punch up the low end without muddying up the sound. In addition to Valve Force, TRITON Extreme also dishes out a generous serving of five Insert effects, two stereo Master effects, as well as a Master EQ effect, for eight simultaneous effects. Multiple timbres can be routed to the same Insert effect, and you can chain Insert effects together to create outrageous custom multi-effects. Master effects can run side by side or in series for maximum flexibility. Effect parameters are freely editable, can be modulated in real time and are saved with the sound. Insert effects draw from a deep well of 102 effect types, and there are 89 Master effect types. Effects can be applied to both internal and external sounds, even as a sound is being sampled. By resampling an effect laden performance, you can free up effects and use them over and over. STAY IN CONTROL How do you rein in a beast with this much power? In addition to its mighty and intuitive TouchView display panel, TRITON Extreme provides an array of unique realtime controls, including a joystick, ribbon controller and two assignable switches. Four real-time control knobs can switch between Valve Force parameters (Input Trim, Ultra Boost, Tube Gain, Output Level), sound editing functions (Cutoff, Resonance, EG-Intensity and Release) or any four parameters of your choice including controlling external MIDI gear. The back panel accommodates multiple pedal types that can be assigned to a variety of functions.

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combinations (1,280 preload); 144 user drum kits (50 preload); GM Level 2: 256 programs + 9 drum kits; (optional EXB-MOSS will add 128 preload programs) Effects: 2 master effects (mono in/stereo out), 5 insert effects (stereo in/out), master 3-band EQ (stereo in/out). Effect types: 102 (insert or master) Valve Force: 12AU7 Vacuum Tube; Ultra boost circuit Sequencer: 16 MIDI tracks; 150 preset/100 user patterns per song; 200 songs, 20 cue lists, 200,000 notes (max.); read/write Standard MIDI Files (Format 0 and 1) RPPR (Real-time Pattern Play/Recording): 150 preset patterns, 100 user patterns; one set per song Arpeggiator: 5 preset patterns, 507 user patterns (489 preload) Controllers: Joystick; Ribbon controller, 2 Assignable switches, 4 Real-time knobs, 3 Arpeggiator control knobs, value slider Control Inputs: Damper pedal (supports half-pedaling), Assignable (Switch/Pedal) Outputs: Main = L/MONO, R; Individual = 1, 2, 3, 4; S/P DIF (optical); Headphones Inputs: 1, 2; MIC/LINE Knob; S/P DIF (optical) Card Slot: Compact Find out how Switch, to getLevel a 2nd year free on your warranty. Flash, Microdrive (both +5V only) MIDI: IN, OUT, THRU Interface: USB Type A

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(external USB device), USB Type B (PC) Display: TouchView screen Power Consumption: 38W Dimensions (W x D x H): 88 Key: 57.17" x 16.52" x 5.65"; 76 Key: 51.79" x 14.17" x 4.61; 61 Key: 43.64" x 14.17" x 4.61" Weight: 88 Key: 62.83 lbs.; 76 Key: 37.26 lbs.; 61 Key: 31.75 lbs. Accessories: CD-ROM (Windows XP USB-MIDI Driver); AC cord; Preloaded data in ROM Options: XVP-10 Expression/Volume Pedal; EXP-2Foot Controller; DS-1H Damper Pedal; PS-1 Pedal Switch; EXB-MOSS modeling synth *More specs at korg.com/extreme

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Video Demo MP3 Audio Files Find out how to get a 2nd year free on your warranty. System Upgrades Owners Manuals Name List Accessories EasyStart Guide BUY Voice ACCESSORIES Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES
*Offer good from 1/19/06 through 7/31/06. U.S. residents only. Check out korg.com/promo for details.

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10

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11

RADIAS & RADIASR [new]

Synthesizer/Vocoder

RADIAS & RADIASR

Synthesizer/Vocoder

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MP3 Audio Files Owners Manual Editor / Librarian Software Complete Specifications Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES

PAST, PRESENT, AND FUTURE COME TOGETHER IN ONE THRILLING INSTRUMENT THAT IS EVERY SYNTHESISTS DREAM.
With a bold new approach that is at once both daring and familiar, RADIAS exceeds common analog expectations and rapidly takes off for uncharted territories. Based on Korgs cutting-edge MMT engine, this 24-voice synthesizer offers a variety of synthesis algorithms together with multiple effects, new comb filter and wave shaping features, modulation sequencing, as well as new formant-motion vocoding. RADIAS offers an innovative design that can be custom configured to suit your set-up. The control module can be used independently or teamed with the unique dedicated keyboard, creating a seamlessly integrated instrument that delivers the sounds of the future today.

INNOVATIVE TIMBRE SYNTHESIS TEAMED WITH REMARKABLE FIDELITY The heart of RADIAS beats with Korgs cutting-edge MMT (Multi Modeling Technology) synth engine, and borrows much of its modeling techniques from Korgs flagship OASYS eliminating aliasing noise in even the highest frequencies and delivering clean, pure waveforms. RADIAS provides two oscillators for each timbre. Between them, they deliver not only modeled analog waveforms, but also formant waveforms, noise, ring modulation, sync, plus both classic and up-to-date PCM waveforms. When using the analog modeled waveforms,

a variety of oscillator modulation algorithms including pulse-width modulation, a massive Unison mode, Korgs proprietary VPM (Variable Phase Modulation) or cross modulation can be used to create complex sounds, even from a single oscillator. RADIAS provides a dual-filter structure, allowing the two filters to be used individually, side by side, or in series for maximum versatility. Filter 1 is highlighted by a continuously variable multi-mode filter, embracing Low Pass, High Pass and Band Pass modes and new treatments in between. This dual filter arrangement provides a vast range of sounds that would be unimaginable from just a single filter, and opens up new sonic possibilities including some fantastic comb filtering. Three Envelope Generators (EG) are used to apply time-varying changes to the pitch, filter cutoff, and amp level, as well as many other parameters. The classic and intuitive four-stage ADSR design has been enhanced with five different attack and release curves, allowing the EG contours to be crafted with new levels of precision and articulation. Two LFOs are available to apply cyclic changes to a host of synth parameters. Six LFO waveforms are provided, including the popular Sample & Hold stepped wave. Each waveform can be extensively modified via the Shape control, greatly expanding the versatility of the LFO section for creating highly complex types of modulation. Adding Drive can produce the distinctive warmth of a true analog synthesizer and can also distort the sound

intensely to generate new overtones. The amount of Drive is dependent on the level of each voice as it enters the mixer, so you can create nuances that cannot be achieved by an external effect unit. RADIAS offers eleven innovative types of Wave shaping even recreating the shaping circuit can be placed in different locations in the signal chain, affecting the sound in very meaningful ways. An additional Punch Level setting emphasizes the attack portion of the sound, letting you create sounds with even more impact. Clearly, this is a radical new instrument that is not bound by conventions of the past.

sixteen-band vocoder that allows the level and pan of each band to be individually adjusted to obtain a wide range of sounds, above and beyond the distinctive talking music and robot voice effects. Our new Formant Motion function can record up to 7.5 seconds of incoming formant information (spoken words, scat singing, etc.) so that you can re-create vocoder effects even without a microphone present. Sixteen sets of recorded formant data can be stored in the internal memory.

THE BEST SOUNDS AROUND RADIAS comes loaded with 256 programs, 32 drum kits, and 16 formant motion sets, all created by an international team of synth experts. A program can consist of up to four complete timbres, and each timbre can be assigned its own note range, output, MIDI channel and control parameters, allowing your RADIAS to perform as a multitimbral module or one monster performance synth. Each drum kit consists of sixteen different drum or percussion instruments assigned to separate keys. In B addition to calling up an individual PCM drum waveform, each drum instrument uses all of the parameters in the synth section, such as filter, EG, LFO and virtual patches to create incredibly detailed sounds. To speed up the sound creation process, RADIAS includes templates that can be used as starting points; and you can begin your own customization from there. RADIAS provides template data for 128 synth timbres, 128 insert effects, and 128 master effects so you can create new sounds faster than you ever thought possible. And as easy as RADIAS is to use, youll also appreciate the free RADIAS Sound Editor/L ibrarian software for editing, managing and archiving your RADIAS settings on your computer (Mac or PC). A single USB connection makes transferring data quick and easy. NEW SHAPE, NEW POSSIBILITIES You can choose the RADIAS model thats right for you; RADIAS consists of a sound module section plus a dedicated 49-note, velocity-sensing keyboard with traditional Pitch and Mod wheels. The panel layout features a lavish complement of knobs and buttons, letting you enjoy the same intuitive feel of creating sounds as on an analog synthesizer. The unique design allows the knob-laden control module to pivot up or down, and even move to the side to accommodate a laptop computer, ELECTRIBE, KAOSS Pad or other audio unit. RADIASR is the sound module by itself, which can be used both as a rackmount or tabletop synthesizer.
RADIAS & RADIASR SPECIFICATIONS: MMT (Multi Modeling Technology) Polyphony: 24 voices Keyboard: 49 note velocity sensing Structure: 256 programs; 4 timbres per Program TIMBRE: 2 Oscillators; Noise; 2 Filters; 3 Envelopes; 2 LFOs; 3 Modulation Sequencers; 6 Virtual Patches; 2 Insert Effects; EQ; Drive, Wave shaping, and Punch PROGRAM: 4 Timbres; Arpeggiator; 2 Step Sequencers; Master Effect; Drum Kit: Assignable to 1 Timbre per Program; 16 Instruments per kit; 32 kits VOCODER: 16 Bands with individual Level and Pan; Formant Motion (7.5 seconds per Program, 16 sets; Formant Shift; Formant Hold Effects: 30 Types; 2 Insert Effects + EQ per Timbre; 1 Master Effect per Program Inputs: AUDIO IN 1 (1/4), 2 (1/4; 1/8 mini); LINE/MIC Level switch Outputs: Main Output: L/MONO, R; Individual Output: R, L; Headphones MIDI: IN, OUT, THRU USB: Type B (to computer) Display: 128 x 64 pixel graphic backlit LCD Control Inputs: Assignable Pedal, Assignable Switch, To KYBD connector Power Supply: AC adapter Dimensions (W x D x H): RADIAS = 34.84" x 15.08" x 3.90 (panel flat) or 8.78" (panel raised); RADIASR = 18.98" x 7.28" x 2.99" (4U rack-mountable) Weight: RADIAS = 19.18 lbs.; RADIASR = 5.95 lbs Accessories: AC adapter; Headset Mic; Mounting Hardware; Accessory Shelf; CD-ROM (Editor/Librarian Software, etc.) Options: XVP10 Expression/Volume Pedal; EXP-2 Expression Pedal; DS-1H Damper Pedal; PS-1 Pedal Switch * PCM Sound processed with INFINITY.

DYNAMIC MODULATION STATION Three Modulation Sequencers can change a parameters value in discreet steps over time, similar to using sequencing control voltages (CV) on analog synthesizers of the past. The value of each step can be edited in real time using the front panel knobs. Each Mod Sequence can be up to sixteen steps long, and each can play forwards, backwards, loop, etc., allowing you to create very detailed filter and panning changes or complex and evolving timbres that build over time. The six virtual patches are modern versions of the patch cords found on Korgs classic PS and MS series of synthesizers, among other legends of the past. Going beyond the hardwired limits of a normal voice structure, a virtual patch provides a method for freely connecting any of eleven modulation sources to any of fifteen destinations, accommodating even the most advanced modulation routings. FORMANT MOTION VOCODING KEEPS THINGS MOVING Thanks to the included headset microphone, you can enjoy vocoding using your voice to modulate another sound the instant the idea strikes you, with the push of a single button. RADIAS provides a

POWERFUL PROGRAM PARAMETERS RADIAS effect section provides a two-band EQ and two insert effects for each timbre, plus a master effect for the complete program, delivering a total of nine possible simultaneous effects. Thirty effect algorithms are provided, ranging from delay, chorus, and reverb to compressor and talking modulator. You can assign any effect parameter to the front panel knobs for instant control, providing even more versatility in sound design. Arpeggiator settings can be made for each program individually, and the arpeggiator can be applied to any or all of the timbres in a program. Six types of arpeggiator patterns are provided. Patterns can be up to 32 steps long; the gate time, velocity, and on/off status can be set for each step individually to create the exact groove you want. Swing amount and octave range are also assignable for even more detailed control. Two step sequencers can record and play back performance data, each with up to 32 steps. By applying a step sequencer to a drum kit, you can use RADIAS as a programmable drum machine. Each step supports up to eight notes of polyphony, allowing the creation of dense sequenced passages and patterns that can be played back with just one finger. With sequence editing, you can adjust settings such as swing and gate time. The two step sequencers can be set to transpose live from the keyboard, and can also be linked to create a single step sequencer of up to 64 steps.

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MS2000B/2000BR & microKORG

Analog Modeling Synthesizers

K-Series

USB MIDI Studio Controllers

[new]

From the road-ready MS2000B and rack-mount MS2000BR to the extremely portable microKORG (it even runs on batteries!), Korgs acclaimed DSP analog modeling engine has been refined to produce an incredibly wide range of sounds from lush to fat to sharply cutting. With an up-to-date sound set, the MS2000B, MS2000BR and microKORG provide a combination of playability, expression and sound manipulation that is at once familiar, yet ready to open a new universe of possibilities.

microKORG

BACK TO THE FUTURE Both keyboard models are dressed up with retro-style rosewood side panels, plus familiar pitch and mod wheels. All three are packed with great features, including an arpeggiator offering six types of arpeggio patterns, a live front panel for instant access to all your sound-sculpting parameters, plus a versatile formant-shifting vocoder. The microKORGs vocoder offers a Formant Hold button, and both the MS2000B and microKORG include a dedicated vocoder mic. The versatile MS2000BR can be rack-mounted, or used as a tabletop device. AWESOME WAVEFORMS The oscillator section consists of two oscillators and a noise generator. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus our unique Vox wave and cross wave. In addition, 64 exclusive DWGS waveforms from Korgs classic DW-8000 can create sounds like bells, electric pianos, guitars, basses and more sounds that would be difficult to reproduce on an analog synthesizer. Oscillator 2 offers three types of waveforms. You can also apply Sync and Ring modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer. POWERFUL SYNTHESIS Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. In addition to volume and pan controls, the amp section provides a distortion on/off setting so that even soft sounds can be transformed

into aggressive solo parts. Two classic ADSR envelope generators apply time-variant changes to the sound. Two LFOs (Low Frequency Oscillators) allow you to apply cyclic changes to sound parameters using four different waveforms, and can be synced to a MIDI clock for cool rhythmic effects. The Virtual Patch matrix lets you create advanced modulation settings routing the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. creating a level of performance unheard of from a synthesizer in this price range!

time-variant change to sound parameters in a way similar to varying the control voltage on analog synthesizers of the past. Using the Mod Sequence to change DWGS waveforms even allows you to simulate wave-sequencing!
MS2000B/MS2000BR/microKORG SPECIFICATIONS: COMMON SPECIFICATIONS: Analog Modeling Polyphony: 4 voices (max.); Split/Dual Mode Keyboard: MS2000B: 44 note velocity sensing Programs: 128 programs Effects: Modulation (3 types); Delay (3 types); Equalizer Arpeggiator: 6 types Inputs: AUDIO IN 1, 2; LINE/MIC Level switch Outputs: L/MONO, R; Headphones MIDI: IN, OUT, THRU Display: 16 characters x 2 lines backlit LCD Control Inputs: Assignable Pedal, Assignable Switch Power Supply: AC adapter Power Consumption: 8 W; (microKORG 6.4 W

FULL RANGE OF EDITABLE EFFECTS The MS2000B/MS2000BR and microKORG offer three types of modulation effects (chorus/flanger, phaser, ensemble), three types of delay effects (stereo, cross, L/R), and a two-band equalizer to add the finishing touch to your sound. The delays can be synchronized with the arpeggiator or to an external MIDI clock a great feature for live performances or for laying down tracks. Two external audio input jacks are provided, allowing you to process other instruments, CDs and more through the internal filter and effects in truly creative ways. DRAMATIC TONAL CHANGES The MS2000B and MS2000BR feature a three-track Mod Sequence function, a step sequencer that applies

max.) Dimensions (W x D x H): MS2000B = 29.0" x 14.6" x 5.8"; MS2000BR = 19.0" x 9.2" x 3.4"; 5U rack-mountable microKORG = 20.63'' x 9.13'' x 2.76'' Weight: MS2000B = 15.6 lbs.; MS2000BR = 6.2 lbs.; microKORG = 4.85 lbs. Accessories: AC adapter; Gooseneck Mic (MS2000B); rackmount hardware (MS200BR) microKORG ONLY: Keyboard: 37 mini Keys (Velocity sensitive) Display: 3 character LED Power Supply: AC adapter/6 AA alkaline batteries Accessories: AC adapter, Condenser Microphone. *See korg.com for details and complete specifications.

IN CONTROL
On stage or on the run, producing or performing, wherever your music takes you, the new K-Series controllers can go there with you.

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MP3 Audio Files Free Sounds FAQs EasyStart Guide System Upgrades Owners Manual Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES

KEYS TO ANY MUSICAL DOOR While the words portable and affordable describe the K-Series USB-MIDI Studio Controllers, they by no means define them. Each model features solid, full-size keys, and a selection of four velocity curves (including a fixed level great for mimicking organs and early mono synths) that tailor the keyboard response to match any performer. Available in 25, 49 and 61 key versions, their octave shift keys provide access to the full range of notes, and the key transpose function lets you reach them comfortably or instantly match the range of another performer. Authentic baroque and classical temperaments add even more versatility. CONTROL FREAK The K25, K49, and K61 are graced with a variety of sophisticated controllers unusual for an instrument in this class. Performers will be happy to see a set of Pitch Bend and Modulation wheels, just like in our RADIAS, MS2000B and microKORG synthesizers. Is a joystick more your style? Weve got you covered. Our innovative ClickPoint performs double duty, as either as an X/Y joystick or as a USB mouse to navigate through your softsynths or DAW software. This dynamic controller is a 3-axis, spring-loaded, fingertip joystick-trackball that is difficult to describe, but easy to use. Two assignable switches can be set to either momentary or toggle

operation, and both On and Off values can be set, opening up extended performance possibilities. These switches can even be set as Program Change up and down buttons. A pair of knobs can be assigned independently to any controller, and both transmit the full range of values. Next to the keyboard youll also find an assignable slider. And if you run out of hands operating all these controllers, the K-Series also includes an assignable foot switch input on the back panel. Even with all these individual controllers, the stylized K-Series retain a simple, intuitive and uncluttered presentation.

the original M1 while taking advantage of the power and benefits of your computer interface. The M1 Le contains all of the preset sounds and all of the PCM waveforms of the original, and a new browser/search function makes it easy to find that perfect sound. In addition to stand-alone versions for both Mac and Windows, the M1 Le can be used as an RTAS, VST or AudioUnits plug-in instrument. Want more? A special upgrade offer will allow M1 Le owners to purchase the entire Korg Legacy Collection DIGITAL EDITION at a very special price. Even more? Weve included powerful demo versions of software from Applied Acoustic Systems, Ableton, Korg and Propellerheads to give you even more to enjoy right out of the box!

MS2000BR

ONSCREEN ASSIGNMENTS Using the free editor software that comes with the K-Series, you can create and save custom controller assignments or scenes in an easy, visual manner. This editor software allows you to load the scene that matches your application into the K25, K49 or K61, so that you dont have to reassign the same controllers manually a real time saver! In addition, a number of pre-programmed template scenes are included, so you can instantly be up and running with many popular software synthesizers and music production programs. THE BEST-SELLING SYNTH IS NOW FREE! Quite a claim, to be sure. But its true. The new K-Series controllers come with a free copy of Korgs M1 Le software synthesizer. The M1 was introduced back in 1988 and went on to become the best selling synthesizer of all time and defined the workstation category in the process. This software incarnation perfectly reproduces

ON THE GO. OR NOT. Portability isnt just about size and weight. The K25, K49 and K61 can be powered directly from the same USB connection that allows it to communicate with your computer, so you can grab your K-Series controller and a laptop and make music anywhere. For more permanent applications, an optional AC adapter is available. In addition to the power plug and USB port, the rear panel also features a MIDI out port for controlling synthesizer hardware modules and other MIDI devices.
K-SERIES CONTROLLERS SPECIFICATIONS: Keyboard: 25 full-size keys (K25), 49 full-size keys (K49), 61 full-size keys (K61) 4 velocity curves Controllers: ClickPoint (independent X/Y) PITCH Wheel MOD Wheel 2 Switches; 2 Knobs; 1 Slider Connections: Footswitch in; MIDI out; USB port; DC in Power Supply: USB bus powered; DC9V (Optional AC adapter) Dimensions (W x D x H): K25: 19.41" x 8.74" x 2.68", K49: 32.36" x 8.74" x 2.68", K61: 38.36" x 8.74" x 2.68" Accessories: USB Cable; CD-ROM (Editor Software; Template Scene Data; M1 Le, etc.) Options: PS-1 Pedal Switch System Compatibility: Macintosh: OS X v10.2 or later; with USB port Windows: Windows XP Home Edition / Professional; with USB port (Intel USB Host Controller recommended)

MS2000B

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KONTROL49 & microKONTROL

MIDI Studio Controllers

padKONTROL [new]

MIDI Studio Controller

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Video Demos Owners Manuals Editor/Librarian Scene Templates Driver Software EasyStart Guide Complete Specifications Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES

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KONTROL49

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Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES BUY ACCESSORIES

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KONTROL49 & DO IT AT KORG.COM microKONTROL

When you need a top quality, easy-to-use controller, you can count on the KONTROL49 and microKONTROL. Assignable knobs and sliders with dedicated LCDs, multi-function pads and more put you in total control. And Korgs innovative Find out how to get a 2nd year free on your warranty. Native Mode delivers the fullest integration with Logic 7.1, BUY Legacy ACCESSORIES Collection. Reason 3.0 and the Korg

QUALIT Y
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PERFORMANCE PADS Moving beyond traditional keyboard control, both the KONTROL49 and microKONTROL have sixteen illuminated and velocity sensitive trigger pads. These pads can perform any MIDI function from triggering loops and samples, selecting sounds, toggling or switching parameters or sending SysEx strings, to acting as transport controls for your computer-based sequencer. No other controllers offer this unique combination of Find out how to get a 2nd year free on your warranty. keys, pads, encoders, sliders and multiple displays. BUY ACCESSORIES The pads can also be used to select and change scenes. Each of the 12 internal scenes reconfigures all of the controllers with a single touch, and you can customize each scene to suit your own needs.

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KONTROL
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padKONTROL

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as a User Scene. Sixteen User Scenes are available in the padKONTROL itself, and they can be quickly selected using the pads. In addition, thirty preset scenes are included, designed to instantly match the padKONTROL to some of the most popular music software programs. The padKONTROL also comes with free Editor/Librarian software. Using the computers graphic capabilities, the Editor/Librarian software makes it easy to create, store and organize vast libraries of scenes and scene sets.

various control surface elements all in real time. This indicates the parameter name and the transmitted value, how get ayour 2nd computer year free on your warranty. is the highest level of integration possible between a so you Find dontout have toto watch screen while controller and a software title, and only Korg delivers it! you operate the controllers. KONTROL49 even BUYThe ACCESSORIES BUY ACCESSORIES offers the ability to custom name these parameters!
COMMON SPECIFICATIONS: Keyboard: 49 full-size keys (KONTROL49); 37 mini keys (microKONTROL); 8 velocity curves Controllers: 8 Rotary Encoders; 8 Sliders; 16 Illuminated Pads (velocity/fixed); Value Dial Displays: Main Display: 8 character LCD with tri-color backlight; 8 Sub displays: 8 character LCD with tri-color backlight; Tempo LED; 2 Octave switches with tri-color backlight Memory: 12 User Scenes (12 preload); Global Connections: Footswitch in, MIDI: IN, OUT A,; USB port; DC in Power Supply: DC9V (AC adapter); USB bus powered; 6 AA batteries (microKONTROL only) Power Consumption: USB bus: 350mA (Approx.), Max. 450mA; AC adapter: 450mA (Approx.), Max. 500mA Accessories: AC adapter; USB Cable; CD-ROM (Editor/Librarian Software; Template Scene Data; KORG USB-MIDI Driver for Windows XP; Demo software); Name sheet & stickers for Pads Options: DS-1H Damper Pedal; PS-1 Pedal Switch System Compatibility: Macintosh: OS X v10.2 or later; with USB port Windows: Windows XP BUY ACCESSORIES Home Edition / Professional; with USB port (Intel USB Host Controller recommended) KONTROL49 Controllers: Vector Joystick (independent X / Y); PITCH Wheel (independent Up / Down); MOD Wheel; 2 Switches Connections: Footpedal in; MIDI OUT B Dimensions (W x D x H): 28.75" x 12.56" x 3.39" Weight: 10.8 lbs. Accessories:

FREE CREATIVE KONTROL

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padKONTROL
The all-new padKONTROL joins Korgs expanding line-up of MIDI studio controllers. Adding another dimension beyond traditional keyboard control, the padKONTROL is the most expressive and versatile pad controller ever! In addition to accessing drum sounds and samples, the padKONTROL can also control soft synths and effects, trigger loops and video clips, and even act as transport controls for DAW software programs. Combining an X-Y touchpad, sixteen illuminated trigger pads, assignable knobs and a footpedal input, the padKONTROL provides unsurpassed evocative control.

PACK VOL.2 - A $500 VALUE!

The KONTROL49, microKONTROL and padKONTROL are now bundled with this complete music production toolkit:

KONTROL49: FULL-SIZED KEYS AND TOTAL CONTROL The KONTROL49 has 49 full-sized and velocity sensitive keys, featuring the same touch and feel as Korgs workstations and synthesizers. A full 128 key range is achieved using the octave shift buttons, and eight velocity curves let you tailor the response to your own playing, or to a specific application. Above the keys, the pitch and mod wheels offer performance control that is comfortable and familiar. The innovative Vector Joystick offers simultaneous control two year separate parameters, going Find out how to getof a 2nd free on your warranty. beyond most traditional controllers. A pair of assignable BUY ACCESSORIES switches can toggle two independent functions or provide incremental up and down control to a single parameter. On the back panel, you can connect an assignable footswitch and footpedal (both optional) to provide elements of hands-free performance.

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microKONTROL: THE ULTIMATE PORTABLE MIDI KEYBOARD CONTROLLER The microKONTROLs velocity-sensitive 37-note mini keyboard provides Octave Shift and Transpose functions that allow it to cover the full range of C1 through G9 without taking up much space, plus eight velocity curves. An Find out how to get a 2nd year free on your warranty. exclusive 5-way joystick allows you to freely assign different MIDI messages to all BUY four ACCESSORIES directions (up/down/left/right), plus it can be pressed as a switch to further control your connected device or computer application. A footswitch can be added for additional hands-free operation. A COMPLETE CONTROL SURFACE The eight encoders and sliders on the KONTROL49 and microKONTROL can be assigned to transmit any MIDI control change (including NRPN and RPN messages) to control volume, panning or anything else. Each encoder and slider pair has a color-coded LCD (sub display) that

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COMPLETE SOFTWARE TOOLS A free Editor/Librarian program lets you edit, create and manage your original scenes, and easily transfer them between the computer and the controllers internal memory. The included CD-ROM also contains dedicated drivers and numerous templates (scene programs) for use with popular DAW and sequencer software. New templates continue to released, ensuring Find out how tobe get a 2nd year free on that your the warranty. most popular applications will be supported. BUY ACCESSORIES

EXP-2 Foot Controller; XVP-10 Expression Pedal MICROKONTROL Controllers: Joystick (5-way) Dimensions (W x D x H): 20.51" x 9.09" x 2.64" Weight: 5.51 lbs.

LIVE LITE 4 KORG EDITION a powerful version of Ableton Live 4 loop-based audio/MIDI sequence software. SAMPLE TANK 2 KORG EDITION a special version of IK Multimedias rompler plug-in software Sample Tank 2 Free, with over 150 MB of custom sounds. UVI KORG EDITION a special version of Ultimate BUY ACCESSORIES Sound Banks plug-in software with over 700 MB of drum kits and other sounds. REASON ADAPTED 3.0 FOR KORG a special configuration of Propellerheads workstation software with a virtual rack of synths and effects. MDE-X the full version of the KORG Legacy Collections multi-effect plug-in software. See korg.com/promo for details.

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BEAT IT! The padKONTROL is ideal for creating natural, organic sounding drumbeats. Each pad can be individually assigned a note number and MIDI channel. Eight different dynamic curves are available for each pad, or you can set each pad to its own fixed level. The X-Y pad adds real-time control of both flam and roll timing and dynamics. With an optional footswitch, you can even add real kick drum parts. The pads themselves are firm and responsive, inspiring you to play with confidence.

PLAY IT! But the real fun of the padKONTROL is in the playing. The pads feel great, and large non-skid feet keep the padKONTROL in position as you play. Various illumination modes allow the padKONTROL to look good as you play and even when you dont! USB bus power allows the padKONTROL to travel with you, wherever your music takes you. SOFTWARE BONUS In addition to the Creative Kontrol Pack Vol. 2 (see sidebar), this versatile controller comes with a special dfh SUPERIOR drum kit plug-in instrument from Toontracks, created to work exclusively with your padKONTROL. This 260 MB drum kit features multiple velocity levels, and a variety of microphone positions 2,700 samples in all so you can start laying down beats as soon as you get it out of the box!

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microKONTROL
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KONTROL IT! Drums are just the beginning. A MIDI message can be assigned to each pad, and they can be set for momentary or toggle operation. Two assignable knobs provide continuous control of two other MIDI parameters. Based on Korgs renowned KAOSS technology, the X-Y pad can be assigned to control any two continuous controllers in real-time. In addition to sending a value as the pad is touched, a specific value can be sent as the pad is released. Even the footswitch input can be set as a momentary or toggle switch for any parameter. Like the X-Y pad, the pedal also can send a specific release value.

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MIDI AND MORE In addition to a MIDI input and a MIDI output (two outputs on the KONTROL49!), the back panel features a USB port, allowing direct connection to your computer. This arrangement enables the KONTROL49 and microKONTROL to function as a USB/MIDI interface. While an AC adaptor is included, bus-power via the USB connector is also supported. Native Mode allows supported software Korg Legacy Collection, Propellerhead Reason 3.0, Apple Logic 7.1, etc. to directly map parameters with custom names to the Find out how to get a 2nd year free on your warranty.

padKONTROL SPECIFICATIONS: 16 Illuminated Velocity-sensing pads Controllers: X Y Touchpad (independent X / Y); 2 Knobs Displays: 3 character LED Memory: 16 User Scenes (30 preload); Global Connections: Footswitch in; MIDI: IN, OUT; USB port; DC in Power Supply: DC9V (AC adapter); USB bus powered Power Consumption: USB bus: 150mA (Approx.), Max. 180mA; AC adapter: 150mA (Approx.), Max. 180mA Dimensions (W x D x H): 12.36" x 9.21" x 2.17" Weight: 2.12 lbs. Accessories: AC adapter; USB Cable; CD-ROM (Editor/Librarian Software; Template Scene Data; etc.) Options: DS-1H Damper Pedal; PS-1 Pedal Switch System Compatibility: Macintosh: OS X v10.2 or later; with USB port Windows: Windows XP Home Edition / Professional; with USB port (Intel USB Host Controller recommended)

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MANAGE IT! Thankfully, once you have all the controllers set the way you like, you can save the entire set of assignments

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17

KORG LEGACY COLLECTION

KORG LEGACY COLLECTION
The Korg Legacy Collection virtual instrument pack delivers software versions of the much coveted MS-20 and Polysix analog synths and the WAVESTATION Advanced Vector Synthesizer, together with a special-edition dedicated MS-20 Controller.

Virtual Instruments/Effects Plug-ins/MS-20 Controller

KORG LEGACY COLLECTION [new]

POLYSIX

Digital Edition

M1

CMT (COMPONENT MODELING TECHNOLOGY) In contrast to existing approaches that simply simulate the output sound, CMT digitally models the transistors, condensers, resistors, and other parts used in the original MS-20 and Polysix hardware. Finally, the complex sound and parameter response can be perfectly reproduced, delivering all the power and subtlety that until now only true analog synthesis could provide. MS-20 Since 1978, this semi-modular monophonic synthesizer has enjoyed unbroken popularity for its thick sound, aggressive analog filters, and inexhaustible potential for creative patching. With two oscillators (with ring-modulation), high-pass/ low-pass self-oscillating filters with unique distortion, and a patch section that accepts external audio input, the MS-20 software synthesizer provides a complete simulation of its legendary original. In addition, it delivers modern advantages such as 32-note polyphony (max), up to 16-voice unison (with detune/spread function), advanced modulation settings and MIDI clock synchronization for even greater creative potential. In the true modular spirit, even the MS-20s modulation patch-points can be selected as External Modulation sources. SPECIAL MS-20 CONTROLLER While the Legacy collection accurately recreates the classic MS-20 sound, the MS-20 Controller captures all the fun of hands-on sound programming and knobtwisting performance that made vintage synths such a blast to play! From the shape of the knobs, the panel silk-screening, right down to the color of the included patch cords, the 84% scale commemorative MS-20 USB-MIDI controller perfectly replicates the original MS-20, upgraded to include a velocity-sensing mini keyboard. POLYSIX In 1981 the Polysix programmable six-voice analog synthesizer became an instant worldwide hit, thanks to

SPECIAL OFFER! Registered owners of the original Korg Legacy Collection are eligible to receive the Korg Legacy Collection Digital Edition at a special Preferred Owners price. Find out more at www.korgusa.com/klc-de
With a total of more than 2,700 preset sounds, this is truly the ultimate M1. The new browser and search functions group sounds together based on instrument type and tonal character, making it quick and easy to find the right sound for any project. Now youll never be in danger of forgetting a musical idea while hunting through the gigantic sound library for just the right sound, or while waiting for a sound to load. This is in addition to all of the WAVESTATION and WAVESTATION-SR factory data 550 Performances, 385 Patches, 484 PCM waveforms, and 55 types of effects contained in the original release. Best of all, the WAVESTATION v1.5 software synthesizer is able to import original WAVESTATION series data via SysEx (SYX) files.

LEGACY CELL
a surprisingly full-sounding voice structure, chorus/phase/ ensemble effects, and performance functions such as chord memory and an arpeggiator. In addition to faithfully replicating the sound of the original, the Polysix software synthesizer also adds the same modern enhancements as listed above for the MS-20, bringing this classic synthesizer up to date for modern music production.

KORG LEGACY COLLECTION -DIGITAL EDITION

As the original manufacturer, Korg has earned critical acclaim by using its unique knowledge and technical prowess to transform its historic hardware instruments into superb sounding software synthesizers. Korgs latest software suite expands into the world of Virtual Digital, offering an exacting recreation of the legendary Korg M1 that actually surpasses the original, the updated and enhanced WAVESTATION 1.5, and the MDE-X 1.2 multi-effect plug-in. All three titles now feature RTAS, VST and AudioUnits support, allowing them to be fully integrated into the most up-to-date audio environments.

WAVESTATION

All of the WAVESTATION series factory preset programs, performances, and patches are included. You can also import any WAVESTATION series data that has been stored in .SYX format.

LEGACY CELL Legacy Cell is a revolutionary combination structure that lets you mix and match up to two MS-20/Polysix synths with four insert and two master effects into a single instrument that delivers powerful new sounds and textures. Legacy Cell provides 256 wonderful-sounding programs complete with all controller assignments. Korgs highly respected sound designers have created programs that match classic Korg sound quality to todays music scene. For the insert and master effects, you can choose from 19 effect algorithms that Korg has refined through many years of development. Legacy Cell has native support for the separately sold microKONTROL Studio MIDI Controller with its many sliders, encoders and pads, you can completely control the most important aspects of your sounds. WAVESTATION The WAVESTATION synthesizer appeared in 1990 with its new advanced vector synthesis system which enabled mixing between four oscillators and introduced Wave Sequencing for creating evolving rhythmic or melodic patterns. It opened up a revolutionary new world of sound and is still considered a must-have for any serious synthesist. The WAVESTATION software synthesizer provides all 484 waveforms and 55 effects found on the WAVESTATION series, with 32 digital oscillators and filters, 64 envelope generators, and 64 LFOs that allow letter-perfect replication of the signature, three-dimensional WAVESTATION sound. While faithful to the original, new features such as editing multiple steps of a Wave Sequence at once and a snap command to link Wave Sequence step lengths to MIDI clock truly bring the WAVESTATION into the modern world!

EFFECTS AND MORE! The MS-20FX lets you use the MS-20 as an effect processor, running audio into its filter and modulation capabilities. In addition, MDE-X makes the 19 effects provided by Legacy Cell available as plug-ins for your production needs. STAND-ALONE AND PLUG-IN OPERATION All of these software synthesizers can be used in stand-alone form. These same software synths plus the MS-20FX and MDE-X effects can also be used as VST/ Audio Units plug-in instruments within a compatible host application. Legacy runs on both Windows XP and Mac OS X including the hot new Tiger 10.4. All software is optimized for the Apple G4 Velocity Engine and Intel Pentium 4 SSE2 to obtain maximum performance.
For information about upgrading to full RTAS compatibility, visit www.korg.com. For new Artist sounds, registered users should visit www.korguser.net.
KLC-1 KORG LEGACY COLLECTION SPECIFICATIONS: Package includes: CD-ROM (Macintosh/Windows Hybrid), MS-20 Controller, USB Cable, Patch Cable x 10, Owners Manual LEGACY COLLECTION: MS-20; MS-20FX (MS-20 filter as an effect plug-in); Polysix; Legacy Cell;WAVESTATION; MDE-X (Legacy Cell effects) LEGACY CELL: Synth 1 (MS-20 / Polysix/ off); Synth 2 (MS-20 / Polysix / off); Insert effect 2 x 2; Master effect x 2; Mixer; MIDI Controller, MIDI keyboard MS-20, POLYSIX: Insert/Master Effect Type: 19 types; Mixer: Insert x 2, Master Effect 2 x Send/Return (Pre/Post changeable); Performance sounds: 256 included Operation: Stand-alone or VST/AU plug-in instruments MS-20FX: two-channel input (mono mix after input), two-channel output MDE-X: 128 effect programs included; Dynamic modulation; Two-channel input, two-channel output (for mono-input effects, one channel is passed through to the output) MS-20 CONTROLLER: 37 velocity mini keyboard Rotary knobs: 32 (one with switch); Rotary switch: 4; Patch Points: 35 (3.5'' mono mini jack) Control wheel: 1; Momentary switch: 1; Connector: USB connector; Power Supply: USB bus powered; Consumption: typically 60mA (MAX.120mA) Dimensions (W x D x H): 18.82" x 9.02" x 7.87"; Weight: 8.6 lbs.

M1: THE RETURN OF A CLASSIC Without a doubt, the highlight of the KLC-Digital Edition is the return of the classic M1. Back in 1988, the original M1 created the workstation category and went on to become one of the top selling keyboards of all time, easily surpassing an amazing 100,000 users. It was the first synthesizer to combine PCM waveforms and digital effects to deliver fully complete sounds from the famous M1 Piano to its wonderfully evocative synth textures, the sound of the M1 was taken up by musicians and producers around the world, and is still in use today. The M1 software synthesizer reconstructs the M1s sound engine into an eight-part multi-timbral tone generator featuring up to 256 notes of polyphony. WE HAVE THE TECHNOLOGY The M1 software synthesizer provides numerous new functions that were often requested for the original M1. At the top of the list are variable filter resonance and VDA modulation, greatly increasing your sound creation possibilities. The original M1 featured two effect processors; this new software incarnation boasts two insert effects for each of the eight multi-timbral parts, including a new compressor! Add two master effects and thats eighteen simultaneous effects for greater processing capabilities. Taking advantage of the computers display, the M1 software synthesizer features a completely redesigned interface that emphasizes ease of operation. Many parameters can be seen at once, and critical parameters can be displayed graphically. A SOURCE FOR SOUNDS The M1 software synthesizer is absolutely crammed with sounds. All of the PCM, Program, and Combination data found in the original M1 and the M1EX internal PCM expansion is included, plus the complete PCM, Program and Combination data from all nineteen optional ROM cards. In addition, newly created PCM drum sounds, Programs and Combinations that are ideal for contemporary music production are included.

WAVESTATION 1.5 In 1990, the remarkable WAVESTATION introduced the world to both Advanced Vector Synthesis and Wave Sequencing. Advanced Vector Synthesis used programmable repeating figures as well as real-time input from the Vector Joystick to constantly mix and morph between oscillators to create evolving tones and textures. The second innovation was Wave Sequencing, which steps the sound through a list of different waveforms in order to create rhythmic or ever-shifting patterns. In 2004, the original Korg Legacy Collection introduced the WAVESTATION software synthesizer. It faithfully recreated the distinctive sound of the WAVESTATION, while adding a graphic editor that offered new intuitive ways to visualize and unlock the programming potential of this great instrument. The WAVESTATION Version 1.5 software synthesizer opens new sound programming territory, providing more than 1,400 sounds plus a massive collection of additional PCM waveforms and Wave Sequences. All of the PCM data, Patches and Performances contained in the six long sought after optional ROM cards more than 250 Performances, 250 Patches, 250 PCM waveforms and 150 Wave Sequences is included with this collection.

MDE-X VERSION 1.2 MDE-X is the superb multi-effect plug-in first introduced in the Korg Legacy Collection. Featuring a low CPU drain design, MDE-X Version 1.2 provides nineteen high quality effect types, derived from the technical innovation and research behind Korgs Digital Recorders, TRITON synthesizers, and effects processors. Equipped with 128 immediately useful and editable effect programs, the MDE-X v1.2 is ready to satisfy all your processing needs, including sound design, recording, mixdown sessions even live performance!
KORG LEGACY COLLECTION DIGITAL EDITION SPECIFICATIONS: RTAS, VST, AudioUnits support; Stand-alone operation (M1 and Wavestation 1.5) M1: Advanced Integrated Synthesis; Max. Polyphony: 256; Multitimbral parts: 8; Preset Sounds: 2,700; PCM Waveforms: 900; Effects: Two insert per part, Two master, 34 Types WAVESTATION 1.5: Advanced Vector Synthesis; Wave Sequencing; Max. Polyphony: 256; Parts: 1; Preset Sounds: 1,400; PCM Waveforms: 700; Effects: 55 Types MDE-X: Multi Effect plug-in; Effects: 128 Programs, 19 Types Additional specifications and system requirements available at www.korg.com

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MP3 Audio Files Complete Specifications

MDE-X

MS-20 WAVESTATION 1.5

MS-20 CONTROLLER

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MP3 Audio Files Video Demo System Upgrades EasyStart Guide Support Articles

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KAPTIVATOR Dynamic Video Station KROSSFOUR Video Mixer

KAOSS PAD entrancer Audio/Video Processor KP2 KAOSS Pad Dynamic Effect/Controller

has the ability to create and assign a full screen blue, white or black background as a mixer source for creating strobe, fade to white, color burst and other effects.

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Video Demos EasyStart Guides MP3 Audio Files Program Listings Perfromance Tips Effects List Online Flash Tour Owners Manuals
The KP2 is also is loaded with 15 super-cool synth sounds and 8 drum/synth patterns. Weve even included five vocoder programs that are great for MC or vocal processing.

FLEXIBLE MONITORING SYSTEM Both composite and S-Video outputs are provided. In addition, the krossfour features a separate monitor output, so you can audition, cue-up or preview any incoming video source without affecting the mixer output.

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kaptivator

KAOSS PAD ENTRANCER

TOUCH PAD CONTROL OVER AUDIO AND VIDEO EFFECTS The KAOSS Pad entrancer is a completely unique type of effect processor offering real-time, multi-parameter control over both images and sounds. By moving or tapping your finger around on the X/Y pad you can control different parameters simultaneously. The KAOSS Pad entrancer is equipped to work with a variety of video and audio sources, and can even process both at the same time! RADICALLY TRANSFORM YOUR IMAGES Choose from 100 amazing different video effect programs from basic effects such as nega-posi, fade, mono color, wipe, color change, and more, all the way to more sophisticated effects such as noise, stretch, split-screen, strobe, mirroring, and emboss. There are 100 combinations that match these and more video effects with audio effects, allowing you to control them simultaneously. Effect programs can be selected easily by turning a knob, and eight of the audio, video and combination effects can be stored in the program memory buttons for instant recall. AWESOME AUDIO EFFECT PROGRAMS The entrancer is packed with all kinds of audio effects taken from the ever popular KP2 KAOSS Pad; filters, distortion, spatial-type effects such as delay and reverb, plus effects like flanger, phaser and pan that add movement to the sound. Many analog synthesizer and ambience sounds are also included. Twenty types of BPM effect can be synchronized to the tempo of your music to control delay time, panning, phaser or flanger LFO to name but a few.

KTV-1 kaptivator SPECIFICATIONS: Video format: NTSC / PAL Video sampling rate: 13.5 MHz; 4:2:2; 8-bit Inputs: INPUT1 (composite); INPUT2 (S-Video); Audio Trigger L, R (RCA with trigger level knob) Outputs: MAIN OUTPUT (S-VIDEO/

KAOSS Pad entrancer

YOURE IN SYNC WITH SPECIAL BPM EFFECTS Sync delay time or modulation effects such as pan, phaser or flanger to the beat with the KP2s 20 specially programmed BPM effects. You can use the Auto BPM function to detect the tempo of an input source, adjust the BPM manually, tap in the tempo yourself, or even sync the KP2 to incoming MIDI Clock messages. SAMPLING WITH EFFECTS Plug into the KP2s audio input and record two six-second samples. Run the samples through the KP2s effects, or process a sound through the effects and then sample it. Use the touch pad to apply time-stretch, reverse-playback, pitch shift, or scratch effects. RECORD YOUR PAD MOVEMENTS AND TRANSFORM THEM Record your moves with the KP2s Pad Motion function, and you can play back complex pad movements to instantly reproduce your original effect sounds. The Mute function can be used to cut the input sound, leaving only the reverb or delay tail, or you can switch muting rapidly on/off in time with the rhythm. EASY OPERATION AND QUICK CONNECTION PHONO IN and LINE IN connectors allow turntables, CD players and musical instruments to be connected easily. A Mic input is perfect for processing vocals or for use as a wild MC toolbox. MIDI IN and OUT connectors allow a computer-based sequencer, etc. to record and playback subtle movements.

composite); MONITOR OUTPUT 1, 2 (composite); PHONES (Stereo 1/4 with level knob) Digital Video: DV In/Out MIDI: IN/OUT Internal Hard Drive: 40 GB Total Sampling Time: 106 minutes Clip Length: 10 minutes (max) Clips: 800 (max) Dimensions (W x D x H): 12.2" x 9.8" x 3.9" Weight: 5.95 lbs. Accessories: AC adapter KF-4 krossfour SPECIFICATIONS: Video format: NTSC / PAL Video sampling rate: 13.5MHz; 4:2:2; 8-bit Frame synchronization: A and B (1 each) Inputs: INPUT1 (S-VIDEO / composite); INPUT2; INPUT3; INPUT4 (all composite)

Of these, eight can synchronize a rhythm pattern or synth bass to the BPM and play it from the touch pad.

B Outputs: VIDEO OUTPUT (S-VIDEO/composite); MONITOR OUTPUT (composite)

Switches: FADER CURVE (4 settings); MODE (Black background, white background, chroma-key, luminance-key) FINE dial (for chroma-key and luminance-key adjustment) Composite effects: Chroma-key; luminance-key Dimensions (W x D x H): 7.3" x 9.8" x 3.0" Weight: 3.31 lbs. Accessories: AC adapter KPE-1 KAOSS Pad entrancer SPECIFICATIONS: Effect Programs: 100 (Visual); 100 (Sound); 100 (Combination) Inputs: Line Inputs 1, 2 (RCA); Video Input Jack 1 (Composite); Video Input Jack 2 (S-VIDEO/Composite) Outputs: Line Outputs 1, 2 (RCA); Video Output Jack: (S-VIDEO/Composite); Headphones (stereo phone jack) Audio Sampling: 44.1 kHz, 20-bit linear conversion MIDI: IN/OUT Dimensions (W x D x H): 9.45" x 9.69" x 2.64" Weight: 4.63 lbs. Accessories: AC Adapter, Touch pad protection sheet KP2 SPECIFICATIONS: Effect Programs: 100 Input: LINE IN (stereo RCA phono jack) / PHONO IN (stereo RCA phono jack) / MIC IN (phone jack) Output: LINE OUT: (stereo RCA phono jack) / headphones (stereo phone jack, volume) Sampling frequency: 44.1 kHz AD/DA: 20-bit linear MIDI: IN/OUT Power supply/ground: DC12V (AC adaptor), ground terminal (for phono) Dimensions (W x D x H): 8.03" x 8.15" x 1.89" Weight: 2.43 lbs. Accessories: Power supply adaptor, Touch panel protection sheet

Todays music is a multi-media art form a sound and vision whirlwind of sensory experiences. The kaptivator Dynamic Video Station, the krossfour and the KAOSS pad entrancer are designed to push the marriage of sound and vision to the next level. Crafted with dramatic backlit controls and sleek metal housings, all three models share a unified design that allows you to mix and match to suit your individual taste.

KAPTIVATOR
VIDEO VAULT A breakthrough video performance product that provides the ability to record, play back and manipulate a huge library of video clips in real time. Sample, edit and play back up to 800 video clips, saved and stored in banks of eight to the internal hard drive. Start, end and loop points, loop direction and playback speed can be set for each individual clip. Assigning a bank of clips to each group of pads (1-8; 9-16) provides two video mixing sources; a live camera or other input adds a third mixing source. Over 30 types of fades, wipes and transitions offer total mixing flexibility. Kaptivator features a feature-rich, intuitive control surface with twin on-board color LCD monitors, 16 illuminated clip pads, a ribbon controller, FX knob, a mixing slider and more. The multi-function LCDs provide accurate monitoring of sources, mixing, effects, and pad assignments. Digital Video (DV) signals can be sent and received through the DV port, also allowing you to load and archive data using your computer. EXTREME EFFECTS Add more visual excitement with kaptivators collection of 15 professional video effects everything from flipping the image to binarization. Four types of routing schemes fifteen in all allow the effects to be inserted at different points; on one source, or another, after theyre mixed together, etc. An additional six effects allow for real-time speed control, including scratching! By selecting a routing set-up, choosing an effect, and assigning the various controllers, you can create and store up to 100 performance Styles for instant recall.

MOVE TO THE MUSIC Kaptivator is equipped with audio trigger inputs, auto-BPM detection, Tap Tempo, and extensive MIDI capabilities. In addition to BPM-based effects, clips can be triggered to start on the beat, and playback speed can be tempo-based. You can even capture your own controller moves as a Motion Sequence and play em back at any time. Up to 100 Motion Sequences can be saved and recalled and stored to the hard drive. Your kaptivator comes loaded with great images and clips created by top video artists and VJs, so you can start creating your own video experience today!

VISUAL AND AUDIO SAMPLING AND EFFECTS Using Sample/Play effects, you can direct-sample an image or a phrase and use the touch pad to apply effects. There is a six-second maximum for visual sampling, and for each of the two sample keys, you can record one still image and a six-second audio phrase. You can also direct-sample the image and visual phrase being output and play it back. TAKE ADVANTAGE OF REAL-TIME CONTROL The Pad Motion function lets you record the movement of your finger on the X/Y Pad, allowing you to easily reproduce complex movements. The Hold key remembers your fingers current position on the pad. Mute/Freeze lets you freeze the video image and play the still images stored in the SAMPLE 1 and SAMPLE 2 keys, or cut the input sound to leave only the reverb or delay effect sound. You can also use this to rapidly switch Mute on/off in time with the rhythm for a transformer technique used by DJs. EASY CONNECTION The KAOSS Pad entrancer provides a wide range of inputs and outputs for easy connection. It sports both composite and S-video inputs, for connecting two video sources, and MIDI connectors so you can control the sounds of an external keyboard, sampler or effect processor.

KROSSFOUR
VIDEO MIXING The krossfour can accept and mix between up to four video sources live cameras, DVDs, videos anything you like. Simply pressing a button will assign any input source to either of the two mixer channels. Like what you see? Use the HOLD button to freeze a moving image and use it as the mixer source. A DJ-style crossfader backlit for easy on stage visibility teamed with internal TBC (time base correction) circuitry ensures totally fluid and seamless mixing and crossfading between the two channels. Four unique fader curves unlock even more creative possibilities. ADVANCED EFFECTS The krossfour is also capable of generating complex and creative visual effects. Using Hollywood-style Blue-Screen effects, two different sources can be combined into a single composite visual by removing certain parts of the foreground image and allowing the background image to show through, or silhouetting one image over another. The krossfour also

KP2 KAOSS Pad

ADD THE DIMENSIONS OF LIGHT AND STYLE With its own light show, the KAOSS Pad generates an intrinsic sense of groove. The colors on the touch pad change according to the type of effect youre using and the position of your finger on the pad.

krossfour

KP2 KAOSS Pad

KILLER EFFECTS AT THE TOUCH OF YOUR FINGER Glide or tap your finger on the KP2s pad to make evocative changes to your mix, producing a level of complexity that would be impossible to achieve with any other system or controller. The KP2 is packed with essential effects like filters, delays, reverb, and flanging, along with cutting-edge DJ effects like isolator, slicer, and auto-panning. Select effect programs by turning a knob, and assign up to eight in the program memory buttons for instant recall. A Hold switch lets you freeze an effect in its current position.

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EMX-1 & ESX-1 ELECTRIBES

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ELECTRIBESX
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Video Demos MP3 Audio Files Artist Interviews Software Downloads EasyStart Guide Factory Pattern Lists Owners Manuals Synthesis Demos FAQs BUY ACCESSORIES

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ELECTRIBEMX

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GENRE-WARPING DANCE TOOLS

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compositions via fast and reliable SmartMedia storage. An informative, backlit LCD provides fast navigation and feedback on your current settings.

Our amazing ELECTRIBE X-Series instruments the EMX-1 and ESX-1 continue to provide unrelenting music making power. The ELECTRIBES achieved instant popularity by combining interactive pattern-based programming with unique sound generation. Illuminated step-keys and a wealth of dedicated knobs team up in an intuitive and easy-to-use interface. Motion Sequencing can even capture and replay your inspired knob tweaks for an extra performance dimension. And each Tribe is complete with its own Find out how to of get a 2nd year free on your warranty. assortment on-board effects. In either step-time or real-time, you can create patterns and save them to the BUY exciting ACCESSORIES internal memory. These patterns can be chained together into songs, or assigned to pattern sets for live performance. Keep your ELECTRIBE in sync with your other gear using Tap Tempo or MIDI clock.

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ELECTRIBEMX MUSIC PRODUCTION STATION The incredibly advanced MMT (Multi Modeling Technology) sound engine offers 16 different oscillator algorithms, providing powerful analog synthesis models Find out how to get a 2nd year free on your warranty. as well as sophisticated additive, PCM, chord, unison, BUYshaping, ACCESSORIES combination, wave formant models and more. The built-in PCM library includes 207 drum sounds and 76 synth sounds ready for immediate use, ranging from powerful kicks and snares through amazingly unique organic sounds. A new Drive parameter produces the distinctive overdrive of analog circuitry, creating powerful and biting analog synth sounds. ELECTRIBESX MUSIC PRODUCTION STATION Creative sampling tools go beyond the capabilities of a traditional sampler or rhythm box, providing both instant dance music creation and comprehensive music techniques. Samples be played Find outproduction how to get a 2nd year free on yourcan warranty. back as one-shot Drum Parts, or as tuned Keyboard BUY ACCESSORIES Parts. Stretch Parts allow the tempo of sampled loops to be adjusted without affecting their pitch. This way,

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loops recorded at different tempos can be played back in perfect sync. Sampled phrases can also be uniquely transformed by Slicing them up at the rhythmic peaks of each beat and manipulating the pitch, filter, mute and effect settings of the individual slices. Reverse and Roll commands can quickly embellish complex sounding patterns. A wide variety of preloaded samples 196 in all are included, plus you can import WAV/AIFF format samples or record your own! BUY ACCESSORIES

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EMX-1 / ESX-1 SPECIFICATIONS: EMX-1: Analog Modeling + PCM Wave/Models: 207 drum waves; 76 synth PCM waveforms; 16 Oscillator Models Number of Parts: 16 total; 5 synth, 9 drum, 1 synthesizer accent, 1 drum accent ESX-1: Sampling (44.1 kHz) Sample Memory: 285 seconds total; 256 Stereo samples + 128 Mono samples Number of Parts: 16 total; 2 synth parts, 9 drum, 1 drum accent, 2 stretch, 1 slice, 1 audio in COMMON SPECS: Effects: 3 effect

THE X-FACTOR The ELECTRIBESX and ELECTRIBEMX feature our exclusive Valve Force circuit, using a pair of 12AX7 vacuum tubes to add just the right amount of warmth or edge to your sound. Three effect processors provide extended sound shaping possibilities, and can be run independently or in series. The all-new Performance Find out how to get a 2nd year free on your warranty. Arpeggiator features both ribbon and slider controls for ACCESSORIES newfound BUY musical dexterity. Archive your creative

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processors; 16 effect types Valve Force: 12AX7 Vacuum tube x 2; Tube gain knob Memory: 256 patterns, 64 songs Sequencer: Patterns: 128 steps per part; 24 Motion sequences (max.) Song: 256 patterns (max.) Output: Main = L/MONO, R; Individual = 3, 4; Headphone Input: Audio In, MIC/LINE switch, Level knob MIDI: IN, OUT, THRU External Memory: SmartMedia (4128 MB, 3V) Dimensions (W x D x H): 14.09" x 10.08" x 2.44" (including

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protrusions) Weight: 6.83 lbs. Accessories: AC adaptor *SmartMedia is a trademark of Toshiba Corporation.

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JORDAN RUDESS

ARCHITECT OF SYNTH LORE

Pictured: Jordan Rudess photographed in New York, NY By Jerry Kovarsky, Jennifer Plonski & Laura Whitmore Photo by Keith Smith Being a believer in technology and the fact that these instruments are so powerful, I was really looking for something like the OASYS, states Jordan Rudess, the acclaimed keyboard wizard of Dream Theater. Known for his masterfully fast and expressive keyboard technique, Rudess wont waste time with an instrument that cant keep up to his demanding standards. But wait. We jump ahead. As a protg of the piano, Rudess immersed himself in the classical world. It was during his training at Juilliard that his eyes were opened to the innumerable stylistic opportunities that awaited him. Today Rudess takes the helm of his keyboard rig night after night for an agile, jaw-dropping and frankly loud, note-laden extravaganza with Dream Theater, the lords of progressive, driving instrumental rock. Here we talk with Jordan about his introduction to his first instrument, the piano, and to his ultimate instrument, the Korg OASYS >>

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JORDAN RUDESS

BX-3/CX-3 Combo Organs

CX-3

THE REAL THING

For years, if you wanted the sound of a real tone-wheel organ, there was only one instrument that could deliver until now. Korg Combo Organs accurately and faithfully re-create that classic sound in two portable models the single manual CX-3 and dual-manual BX-3.

METICULOUS RE-CREATION OF THE TONE-WHEEL SYSTEM Korgs state-of-the-art DSP technology has made it possible to precisely re-create all the unique characteristics of this venerable instrument. Two different tone-wheel sounds are provided: Vintage and Clean. The CX/BX-3s amazing realism even extends to such details as allowing you to add the leakage noise generated by the tone-wheels and the ability to adjust their overtone levels. DRAWBARS THE BACKBONE OF THE ORGAN SOUND The CX/BX-3 feature two sets of nine drawbars that duplicate the sonic characteristics of the originals including the proper foldback settings and harmonic distortion. And you can easily select between the presets and these two sets of live drawbars while performing for that real organ-playing experience. The CX/BX-3 also provide an EX mode in which all 18 drawbars can be utilized as one extended palette. ProView: Lets start at the beginning. When did you start playing music, and what first motivated you? Jordan Rudess: I started when I was seven years old. My second grade teacher called up my mother to tell her how beautifully I was playing the piano in the classroom. At the time we did not own a piano in our house, so my mother was very surprised to learn of this! The next week she bought a piano and I started taking lessons. My parents were advised to get me more serious musical training, so they found an intense Hungarian woman teacher who then prepared me for my audition to The Juilliard School of Music at the age of nine. All through my Juilliard years while I was learning classical music, I was also playing popular songs, as my mother loved to bring home the sheet music to Broadway shows and have me play for friends and at parties. I also discovered the Beatles and started secretly jamming and improvising in the Juilliard practice rooms! P: What first brought you into to the world of rock and progressive rock? J: When I was 17 my friends started to expose me to progressive rock. Bands like ELP, Genesis, YES and King Crimson. Hearing ELPs Tarkus specifically gave me the understanding that there was quite a lot of sonic power possible as a rock keyboardist. It was after hearing Patrick Moraz soloing on the Refugee album that I knew I had to have a Minimoog. This is when my world began to change! It became clear to me that my future involved
not only playing piano, but also working with sound creation and a new form of control. I felt that there was so much more for my hands to control in the world of synthesizers and this awareness led me away from the classical music path. So I started to look around and think, How can I get back to what I used to do? Because even though it was kind of fun, it was also sort of complicated. Being a believer in technology and the fact that these instruments are so powerful, I was really looking for something like the OASYS. When I heard about it, I knew that it would be something for me. So really from the moment that it was mentioned to me, I thought it might be the answer to everything. The OASYS is capable of everything that I need. So I basically sold all the gear that I was using on tour, and now I use an OASYS as my main instrument.

EXTENSIVE MIDI FEATURES Not limited to a vintage recreation, the CX/BX-3 are equipped with many advanced MIDI features. Every drawbar, switch and control can be transmitted as MIDI data, so your complete performance can be perfectly captured by a sequencer. The CX/BX-3 keyboard can be set to transmit key dynamics via MIDI to an external device that can even be layered with the onboard organ sound. The BX-3 adds Pitch Bend and Modulation Wheels for superb MIDI controller possibilities. A CLASSIC PLAYING EXPERIENCE A newly-designed waterfall keybed has been added for an absolutely authentic look and feel, and the BX-3s matching wooden stand pays homage to the original. Drawbars, vibrato/chorus, and percussion switches are placed in the same location as on the classic tone-wheel organs, demonstrating a total commitment to tradition and playability. Different sets of drawbars and Chorus/Vibrato On/Off can be assigned independently to each manual, just like using a real tone-wheel organ. The single manual CX-3 gives you this functionality via a Split Mode, enabling you to play the single keyboard in two sections. Or you can plug in a second MIDI keyboard to re-create the dual manual playing experience.

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CX-3/BX-3 SPECIFICATIONS: Tone Wheel Organ Modeling Polyphony: Full keyboard polyphony Keyboard: 61 waterfall keys per manual (CX-3 = 1, BX-3 = 2); can send velocity via MIDI Programs: 64 Normal Mode, 64 EX Mode (fully editable) Effects: Rotary Effect, Vibrato/Chorus, Reverb, Overdrive Drawbars: 2 sets of 9 Controls: Rotary Effect Control, Vibrato / Chorus on/off, Upper / Lower Select, Drawbars Select, Percussion Control, Volume, Tone Control, Preset / Manual Select, Edit, Split, Master Level, BX-3 additions: Pitch Bend Wheel, Modulation Wheel Display: 20 character VFD, can display drawbar settings Control Inputs: Expression Pedal, 2 Pedal/Footswitch (Assignable) Outputs: L, R, Headphone MIDI: IN, OUT, THRU Power Consumption: 14W

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BUY 42.60" ACCESSORIES Dimensions (W x D x H): CX-3: x 15.87" x 5.83"; BX-3: 43.4" x 24.4" x
8.7" (with feet); BX-3 + Stand: 43.4" x 24.4"x 37.16" Weight: CX-3: 37.48 lbs.; BX-3: 72.75 lbs.; BX-3 + Stand: 112.4 lbs. Accessories: AC cord; Expression Pedal (OXP-1); BX-3 includes STD-BX3 matching stand Options: XVP-10 Expression/Volume Pedal; EXP-2 Expression Pedal; PS-1 Pedal Switch *More info at korg.com/CX3

P: Did Dream Theater give you much room to inject yourself into their more established pieces of music? J: I try to respect the parts that I feel are important to the music that was created before I joined the group. Certain synthesizer sounds that might be considered dated now were a big part of the songs originally created and totally what people remember. When there is a section that to me simply needs to be updated, because the technology did not exist back then to do what they were trying to do, then I will change it. A good example of this might be when the keyboardist was trying to create a choir or string sound, but did not have the samples that we have access to now! P: Youve recently simplified your rig by paring it down to one main instrument. What first attracted you to the Korg OASYS? J: I was looking for an instrument that would allow me to do everything that I want to do without having to use multiple keyboards, multiple modules because I really come from a background of performing on one powerful instrument. And what happened with me and Dream Theater is that things got a little bit out of hand.

PERCUSSION / KEY-CLICK EFFECTS ADD CHARACTER The CX/BX3 re-create the all-important sound of a slightly dirty contact (key click, adjustable for both note on and off) and the classic percussion effect beautifully. The volume, decay rate and harmonic pitch (2nd, 3rd) of the percussion can be adjusted and the percussion has the proper multi-triggered-yet-monophonic characteristic for authentic organ performance. CLASSIC SOUNDS AND MORE With 128 programs, the CX/BX-3 are ready to cover a wide range of musical styles including pop, hard rock, jazz, gospel, and rhythm and blues. Detailed drawbar and parameter settings are displayed and can be easily edited and stored. Included are a number of signature artist programs created by some of the worlds top organists. Careful attention has been paid to emulate the fast playing action of an organ as well. The adjustable key scanning method used on the CX/BX-3 starts the sound at the first key contact, ensuring a much faster response to your playing. REALISTIC ROTARY SPEAKER AND SPATIAL EFFECTS Korgs proprietary REMS modeling technology delivers a totally realistic and nuanced rotary speaker effect, so important to the organ experience. Three types of amp simulation are provided: a traditional rotary speaker sound, a blend of rotary and tube amp sounds, or a preamp-only signal. In addition, the classic vibrato and chorus settings are provided along with four reverbs, featuring adjustable time and depth.

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P: What features of the OASYS made you confident that you could get rid of all of those other instruments? J: Well, its a combination of things. Its the extreme amount of polyphony, its the large amount of sample RAM. Its the fact that you can layer up to 16 different programs or sounds in a combination. My whole thing is about doing lots of complicated layers and splits on the keyboard, and the OASYS lets you do it in 16 zones, so for me that is amazing. The effects processor in the OASYS is so amazing that I can have all my organs and my pianos and my symphonic sounds, and everything can sound at once and be in their own environment. Theres more! Read more of what Jordan has to say about OASYS and his experiences with Dream Theater at www.korg.com/jordanrudess

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BX-3

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SP-250

Digital Piano

SP-500

Digital Piano

[new]
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Shown with included stand and pedal

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Video Demos MP3 Audio Files Owners Manuals In English & Spanish EasyStart Guide Acessories Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES DUAL EFFECTS SECTION The SP-250 provides two independent effect processors; a Reverb effect that recreates the spaciousness of a concert hall, and a Chorus effect that adds a colorful depth to the sound. The effects settings have been optimized for each individual sound. You can individually select the intensity of each effect Off, Light, Normal and Deep to complement any performance. The effect levels that you assign to each sound are retained until the next time the instrument is turned off. INTERNAL SOUND SYSTEM Completely self contained, the SP-250 incorporates a custom sound system that provides beautiful audio reproduction. Matched to a pair of 11 Watt amplifiers are two 10 cm dual-cone speakers housed in a bassreflex chamber that ensures all of the deep resonance distinctive to a great piano will be heard. STYLISH, COMPREHENSIVE DESIGN The SP-250 is a complete musical instrument, with the keyboard, stand and pedal all working in concert together. The control panel is simple and easy-to-use and includes 19 LED indicators for instant visual feedback. The metal stand fits securely into a recessed track in the bottom of the piano, providing an unbelievably solid feel to an instrument weighing in at just over 40 pounds. The stands open design provides an uncluttered area around the performers feet. Unlike the sustain pedals found in cheaper products, the SP-250 features a true half-damping pedal that can express different amounts of pedal pressure, providing a much more realistic and satisfying piano experience. This pedal simply slips over the stands lower crossbar, keeping it securely in place and preventing pedal-creep during performance. Even the music rack has been improved as part of the

SP-250 DIGITAL PIANO

New feel, new look, and new sounds come together in a complete instrument that can satisfy all your piano needs. design, providing a solid surface that pops right in. And unlike other instruments with an integrated stand and pedal, the SP-250 retains its portability, quickly separating from the collapsible stand for moving and traveling to gigs.

SP-500 DIGITAL PIANO

The SP-500 combines the great sound and feel of an acoustic piano with exceptionally musical and easy to enjoy accompaniment features. Its good looks fit in anywhere, and its full complement of features makes the SP-500 Digital Piano perfect for home, school, church and more.

EVERY NOTE IS BEAUTIFUL The robust sound of a concert grand piano has been carefully and lavishly sampled for the SP-250, delivering a naturally expressive piano sound that recreates every detail. The SP-250s stereo piano samples are all-new velocity-switched B longer than other pianos in its class. This increased sample length allows the SP-250s piano sound to sustain naturally, retaining the acoustic warmth and realism throughout every passage, not just at the notes attack. SATISFYING GRAND PIANO EXPERIENCE The SP-250 introduces Korgs all new RH3 Real Weighted Hammer Action. This state-of-the-art key mechanism features differing key weights in each register of the keyboard, delivering the same playing experience as a grand piano. The keyboard is exceptionally responsive, to preserve every nuance of your performance. Three selectable touch curves provide the perfect touch for every playing style. A WIDE PALETTE OF SOUNDS In addition to its remarkable new piano sounds, the SP-250 includes a wide array of sounds to extend your performance possibilities. Classic electric pianos (reed and tine), church and jazz organs, string and choir sounds, harpsichord and clav(s), even mallet percussion and guitar sounds are available at the touch of a button. Two sounds can be layered together to play simultaneously, and you can adjust the balance to get the perfect blend. Thirty demonstration songs are built in, showing off all the sounds in a variety of musical genres.

NUMEROUS CONVENIENT FUNCTIONS The Key Transpose function lets you shift the pitch to any musical key, to match the range of a singer, or to play along with your favorite CDs. In addition to equal temperament, the SP-250 provides common Baroque and Classical tunings (Kirnberger and Werckmeister) for historically-accurate performances. An onboard metronome is convenient for practicing, and features a dedicated slider for easy adjustment of the tempo. An adjustable accent can be added to the first beat. Two headphones can be connected simultaneously, for student and teacher use or family enjoyment. Thanks to the stereo outputs, you can listen to the sounds of the SP-250 through external speakers, great for professional performances, schools and places of worship, and for recording purposes. And of course, your new SP-250 is MIDI equipped to work with computers, synthesizers and other MIDI devices.
SP-250 SPECIFICATIONS: Stereo PCM Keyboard: 88 key, Graded Hammer Action (RH3) Polyphony: 60 Voices (max) Programs: 30 (5 Pianos, 7 Electric Pianos, Harpsichord, 2 Clavs, Vibraphone, Marimba, Acoustic Guitar, 3 Jazz Organs, 3 Church Organs, 3 Strings, 3 Choirs) Effects: Reverb, Chorus (3 levels each) Demos: 30 Metronome: Tempo, Time Signature, Accent and Volume controls Tuning: Transpose, Pitch Control, Temperament (Equal, Kirnberger, Werckmeister) Control Inputs: Damper (supports half-pedaling) Outputs: L/MONO, R; Headphones MIDI: IN, OUT Sound System: 2 x 11 Watts; 2 x 10 cm speakers in reflex enclosure Dimensions ( W x D x H): 51" x 15" x 5.5" (piano only) Weight: 41.89 lbs. (piano only) Accessories: AC adapter; Custom Metal Stand; Damper Pedal; Music Rack

KORG PIANO SOUND: THE PROFESSIONALS CHOICE Korg instruments are praised by professional musicians around the world for their superior sound. The SP-500 Digital Piano continues that tradition with its rich sampled pianos including a stunning stereo grand piano. And with a generous 64 notes of polyphony, the SP-500 ensures that notes will not be interrupted, even when you perform with full use of the damper pedal. The SP-500 is loaded with 396 sound programs, all taken from Korgs professional synthesizers. In addition to 19 different piano sounds, the SP-500 boasts a selection of electric piano, organ, flute/sax, brass, strings, guitar, drum and synthesizer sounds. There are also eight special Melody Voice programs featuring natural-sounding vibrato that realistically captures each instruments expressivity. Any two sounds can be layered together or split between the SP-500s high and low ranges. TRUE GRAND PIANO TOUCH The SP-500 Digital Piano features Korgs newest Real Weighted Hammer Action (RH2) keyboard that responds to your playing in the same way a grand piano does. It provides a heavier touch in the low register and a gradually lighter touch as you move up to the high register. The SP-500s Key Touch Control function can be adjusted in six stages, letting you select the sensitivity you prefer.

ACCOMPANIMENT STYLES BRING YOUR MUSIC TO LIFE The SP-500s professionally-produced accompaniment styles make it easy for you to create great sounding ensemble performances. Its Pianist Styles provide accompaniments featuring piano-type left-hand passages that enable even novice players to sound like accomplished pianists. A wide range of Rhythm Styles covering rock, pop, jazz and more, enable the SP-500 to deliver the full-sounding performance of a complete pro backup band. The SP-500 comes loaded with 128 Rhythm Styles, 26 Pianist Rhythm Styles and 64 user locations to store your own edited styles. TOUCHVIEW PUTS THE POWER AT YOUR FINGERTIPS The new SP-500 Digital Piano boasts Korgs advanced TouchView Graphical User Interface, a feature found on the companys flagship music workstations. The touch-panel LCD lets you select or modify sounds and accompaniment styles by simply touching words or images displayed on the screen. Operation is easy, and the functions are literally at your fingertips. The SP-500 also provides a Help function to ensure that even first-time users can quickly master its operation. Just press the Help button at any time and an explanation of each function appears in the large TouchView display. DIGITAL EFFECTS ADD DRAMA TO YOUR MUSIC The SP-500 delivers a full complement of 37 different effects. These include reverb, delay, chorus, flanger, exciter, distortion, overdrive, phaser, rotary speaker, auto-pan and tremolo. The SP-500 Digital Pianos high-quality effects share the same heritage as the effects in Korgs professional and stage instruments.

TWO EASY-TO-USE RECORDING MODES When you play, you can save your performance to the SP-500s internal memory as one of up to 100 songs. No floppy disk is required. This provides a convenient way to play back your performances or listen to lessons. You can record your realtime piano performances or use the accompaniment system to capture a complete ensemble production. You can even use step-recording to enter your chords one at a time. Since the SP-500 is GM compatible it can be hooked up to a computer or other MIDI-equipped B devices to play back song files, take interactive music lessons and many other fun and educational musical activities. STYLE AND VERSATILITY The SP-500 Digital Pianos clean, stylish design and silver finish will make it at home in any dcor. The pianos compact size will also allow the SP-500 to fit in many places that a traditional piano or larger digital piano couldnt. The SP-500 is loaded with features that enhance its value and versatility, like a damper pedal, dual headphone outputs, Audio IN and OUT, MIDI IN and OUT, Key transpose, a built-in metronome and ten tuning temperaments.
SP-500 SPECIFICATIONS: Stereo PCM Keyboard: 88 key, Graded Hammer Action (RH2) Polyphony: 64 voices (max.) Programs: 396 Sounds; 16 Drum kits; GM compatible Accompaniment Styles: 128 Pianist Rhythm Styles: 90 Effects: 13 Reverb types; 24 Others Recorder: Each song = 40,000 notes, 8-tracks (Control, Chord, KBD+5-track); storage for up to 100 songs Demos: 24 piano songs w/separate R.H. and L.H. parts; 9 for sounds; 9 for Rhythm Styles Metronome: On/Off; Tempo; Beat; Volume; Tap Tempo Control Tuning: Transpose; Pitch Control; Temperament: 10 + 4 user scales Modes: Play Piano, normal, split, layer; accompaniment (large / small) Control Inputs: Damper (supports halfpedaling); Assignable/Soft Outputs: L/MONO, R; Headphone x 2 (stereo mini) Inputs: L, R (stereo mini) MIDI: IN, OUT Dimensions (W x D x H): 50.59" x 12.60" x 4.88" Weight: 42.77 lbs. Accessories: AC adapter; Music Stand Options: DS-1H Damper Pedal; PS-1 Pedal Switch *See korg.com for details and complete specifications.

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SOUNDBYTES BEHIND BARS

By Angela Prout Fresh off a tour with Mindless Self Indulgence, Josie Outlaw of The A.K.A.s took some time to offer us a little insight into her own not-so-mindless indulgences, first and foremost: her music. Josie was booking bands at local fire halls when she was just fifteen years old. After graduating high school she began taking lessons, and her big break came only a few months later when The A.K.A.s needed a keyboard player for their opening spot on the Anti-Flag tour. Equipped with a thorough understanding of the band since its conception, though no actual music experience, Josie boldly took the gig. I worked really hard to get it together. My first show ever was in front of over 1200 people, total gun to the head style, she reveals. Josie obviously won that round of Russian roulette and has been playing with The A.K.A.s ever since. Throughout her musical endeavors Ms. Outlaw has found solace in Korg products, and most recently the microKORG. She explains, I think that the reason I fell in love with it was because it had all the sounds that I wanted in a small setup it has all the features of a full-sized keyboard in half the size. It has a great bank of sounds that you can tweak to make your own, unique and individualized. Read more of Josies story online at www.korg.com/JosieOutlaw

C-520 & C-320

Concert Pianos

THE MODERN ART OF MAKING MUSIC

The all new Korg C-Series concert pianos combine advances in sound, touch and design into a feast for all the senses.

A REALLY NICE DAY

by Angela Prout Bon Jovis day got a little brighter not long ago when keyboardist Jeff Kazee of Southside Johnny and the Asbury Jukes agreed to join Bon Jovi for their Have a Nice Day tour. Kazee, an extraordinary keyboardist in his own right, has been playing with the Jukes since 1998 and over the years has developed a fond relationship with Jon Bon Jovi, as the front man has frequented Southside Johnny shows for years. I was brought on to kind of expand their live performance, Jeff reveals. In addition to contributing to the keyboard side of things, Jeff will handle extra back up vocals. Accompanying Jeff on his endeavors with the band will be none other than his own trusty sideman, the TRITON Extreme Music Workstation. Jeff tells us about his attraction to the instrument, I needed a keyboard that I could use to create textures that fit in well with acoustic instruments, that were real organic, and that I could program easily on the fly. I had been using and checking out the TRITON Extreme, and it just seemed to fit that mold. I took it on the road, and I did a live record with it. It sounded great it just really worked. The versatility is excellent its just a great total keyboard. If all my keyboards went down and I just had the TRITON Extreme, I know I could get through a gig. It is really a lifesaver for me. Find out more about Jeff and his experience with Bon Jovi at www.korg.com/JeffKazee

THE PIANO EXPERIENCE While existing piano sampling techniques have resembled an audio snapshot, our new Piano eXPerience technology is more of a hologram, accurately reproducing every dimensional detail of the sound. All piano sampling for the C-Series is done in stereo to preserve the natural imaging of the sound. Different dynamic levels are captured to extend the instruments expressive vocabulary. This attention to detail defines the sound of the new C-Series models, providing an instrument that can interpret every nuance of touch into a meaningful musical gesture. The C-520 goes even further, using the sound of the key being released and the hammer returning, as well as the sympathetic damper resonance of the strings to create all of the subtle shadings that create a superior instrument sound. PIANO IS JUST THE BEGINNING While great care has gone into creating such a satisfying piano experience, piano is just the beginning. Harpsichord and clavinets, organs, electric pianos and dozens of other sounds are also available. Thirty sounds are arranged into three banks of ten for easy access on the C-320. The C-520 adds an additional bank for a total of forty sounds. Two sounds can be used together for a layered performance. The C-520 adds a split function for playing sounds in separate areas of the keyboard. To further enhance the sound, you can add adjustable levels of reverb and chorus. The C-520 adds a per-sound Insert Effect, which can greatly add to the character of each sound, even when layering and splitting. RESPONSIVE PIANO ACTION Both pianos feature Korgs newest ultra-responsive RH3 graded hammer action; weighted and balanced like a true grand piano, the keys are progressively lighter toward the upper end of the keyboard. In addition, the response of the keyboard can be adjusted to suit the players taste. The C-320 offers three touch settings;

the C-520 includes eight velocity curves, plus a fixed level setting for authentic harpsichord and organ performances. The C-Series has three pedals including half-pedaling response for the damper and soft pedals for an even more authentic performance. A convenient folding music rest is provided.

C-520

EASY ON THE EYES AND EARS A pleasure to play, a pleasure to hear, the C-320 and C-520 reflect improvements in cabinetry and design that make them a pleasure to look at as well. Both models feature a sliding cover to protect the keyboard when not in use. The cabinetry is characterized by graceful curves and accents, adding a refined look. Available in both traditional dark rosewood and a casual light cherry finish, the pianos are designed to blend with any dcor. The front panel controls are understated and uncluttered, and LED indicators provide visual feedback of the current settings. Concealed in this artistic presentation is a powerful internal sound system. The C-320 houses a pair of 13 cm full-range speakers powered by a pair of 20 Watt amplifiers. The larger system in the C-520 is housed in an internal bass reflex chamber for additional punch, with a pair of 3.5 cm tweeters for increased clarity, all powered by 35 Watt amplifiers. ESSENTIAL EXTRAS The C-Series pianos can be transposed into any musical key, and two historical temperaments are provided. The metronome is adjustable and provides a

reliable aid for rhythmic practicing. MIDI in and out ports are available for interfacing with a computer or other MIDI-equipped musical products. Audio outputs allow the pianos to be connected to a sound system or recording device perfect for schools and worship services. Two headphone outputs are provided for silent practice or teacher and student privacy.

DOUBLE DUTY
By Kenny Kuehn Everyone has heard the saying, practice makes perfect, right? But are your practice sessions often tedious and dull? Well, theres good news. Practice no longer has to be boring when you use the ToneWorks PX4D Multi Effects Processor. Just ask bassist/recording artist Joe Ayoub. I love the PX4D! exclaims Joe. I use it for practice on the tour bus while Im on the road. I hook up my iPod, so I can learn tunes or play along with them, all with this unit. I can totally do it in my bunk on the bus. Its great! And Joe knows what hes talking about. Whether hes acting as a sideman or leading his own band, Joe brings the goods. Hes won two Downbeat magazine awards, achieved acclaim for his work on several commercials, and has worked with artists such as Tyler Hilton, Marvin Sapp, and currently, Liz Phair. As an accomplished bassist and guitar player, the PX4D further satisfies Joes needs. He explains, To have all the bass and guitar sounds in one unit is awesome. Ive never seen anything that does half of what the PX4D does. Its so useful; Im all about it. Find out more about whats up with Joe Ayoub at www.korg.com/JoeAyoub

C-520 ENHANCEMENTS A two-part recorder lets the musician accompany himself, recording up to 45,000 notes. Using the demo songs, the Piano Lesson feature allows you to isolate either hand, so that each part can be learned independently. The C-520 is also equipped with audio inputs so you can play along with CDs or add a MIDI sound module and a direct USB MIDI connection to your computer. The metronome also includes preset drum patterns. To keep track of these additional features, the C520 features a 16-character backlit LCD display.
C-520 / C-320 COMMON SPECIFICATIONS: Piano eXperience Keyboard: 88 key, Graded Hammer Action (RH3) Polyphony: 60 voices; 62 voices (C-520) Programs: 30 (C-320); 40 (C-520) Effects: Reverb, Chorus 3 levels each (C-320); 8 Reverb, 6

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MP3 Audio Files Owners Manual Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES

Chorus, 24 Insert (C-520) Pedals: Damper (half-damping), Soft (half-pedal), Sostenuto Demos: 30 songs (C-320); 195 songs 10 songs, 185 piano songs with separate R.H. and L.H. parts (C-520) Metronome: Tempo, Time Signature, Accent, and Volume controls Tuning: Transpose, Fine tuning, Temperament (Equal, Kirnberger, Werckmeister) Modes: Normal, Layer, (Split C520 only) Outputs: L/MONO, R; Headphones (x2) MIDI: IN, OUT Accessories: AC Power Supply, Scores for the piano demos (C-520) Options: Matching bench Colors available: Dark Rosewood, Light Cherry C-520 ONLY: Recorder: 2 parts, 10,400 notes per part Input: L, R USB Connector Display: 16 character backlit LCD Sound System: 35W x 2, Speakers: 13cm x 2 (low), 3.5cm x 2 (high) in reflex enclosure C-320 ONLY: Sound System: 20W x 2, Speakers: 13cm x 2 in reflex enclosure Dimensions (W

FANTASY BECOMES REALITY

Korg recently helped some lucky musicians get a taste of stardom at the latest Rock n Roll Fantasy Camp, a program that offers musicians of all skill levels the opportunity to learn from and jam with some of the industrys top performers. Held in Los Angeles, the Camp featured star power like Dickey Betts, Roger Daltrey (pictured left), Mickey Hart and the entire band Cheap Trick, to name a few. Korg TRITON Series Music Workstations enhanced this dream come true for these aspiring musicians. The next Fantasy Camp is happening Presidents Day weekend, February 16-20, 2006. Check it out at www.rockandrollfantasycamp.com

x D X H): 53.90" x 18.19" x 34.21" Weight: 110.23 lbs.

C-320

COMING SOON the finely appointed C-720. Sharing the same exacting piano sound and response as the C-520, this new model features upscale real wood cabinetry with a true soft-landing fallboard over the keys and an enhanced 45 Watt (x2) stereo sound system housed in a responsive bass-reflex cabinet.

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Pa1XPro & Pa1X

Professional Arrangers

Pa80 & Pa50

Professional Arrangers

Pa1XPro Pa50 Pa80

As the Flagship of Korgs Professional Arranger line, the Pa1XPro breaks new ground and opens up new territory for the composer, performer and entertainer who demand a musical companion that is second to none. Our new RX (Real eXperience) technology combines the most sophisticated arranger engine and the most expressive and realistic sounds youll ever play in an intuitive keyboard that keeps you in control.

Pa1XPro and Pa1X SPECIFICATIONS: RX (Real eXperience) Technology Sampling:

Pa1X

16-bit, 48 kHz stereo/mono; 32 MB (Max.)/16 MB standard; loads AIFF, WAV, AKAI and Korg format sample data Polyphony: 62 Voices Keyboard: Pa1XPro: 76 semi-weighted keys; Pa1X: 61 synth-action keys; Velocity and Aftertouch sensing Sounds: >870 + 48 Drum

IT ALL BEGINS WITH SOUND The RX engine uses up to five oscillators to produce a detailed, sophisticated natural sound. New sample data includes natural vibratos, real trombone slides, tongued and overblown flutes, guitar pull-offs and harmonics, and so much more. Weve also included our DSP modeled organ, using the assignable sliders as real-time drawbars for amazing realism. Sweeten the sound using the four stereo Master Effects (featuring 90 effect types), plus a set of upgrade-able Vocal Effects borrowed from the legendary TC-Helicon. The Pa1XPro is also an accomplished 16 MB sampler (expandable to 32 MB), able to read WAV, AIFF, Korg and AKAI samples/multisamples. DEEPLY DEFINED MUSICAL STYLES The Pa1XPro is packed with 450 fully editable musical styles, created to enhance your compositions and performances with room for over 150 more! Each Style contains eight accompaniment parts use one or two to add drums and bass, or use all eight to throw a full band behind your sound. Four variations, three intros, two endings, three fills, a break and a count-in further enrich each Style. Additional parts can be sequenced and triggered in real time using the assignable Pads. The Arranger engine follows your playing, recognizing a multitude of chord variations. New styles can be loaded in or played directly via the floppy drive. Up to four Sounds can be split and stacked across the keyboard and played in real time alone or with a Style. The four STS (Single Touch Setting) buttons call up an entirely new set of sounds for your real-time performance parts, appropriate for the current Style. CREATIVE SEQUENCING SCENARIOS With Korg's XDS Dual Sequencer, one sequencer can load as the other plays, and a DJ-style crossfader can blend between them. You can actually sync both sequencers together as you play to provide an astounding 40-part

arrangement! The Backing Sequencer captures all of the Styles tracks in one pass, greatly speeding up the song creation process. You can even type in the chord changes, fills and style changes in step time a big boost for arrangers and non-keyboardists! Of course the sequencer also offers 16-track linear workstation style sequencing. The sequencer provides massive editing power you can even edit the tone parameters of each track.

Kits; plus 256 User sounds + 64 Drum Kits; (GM2 compatible); Digital Drawbars Effects: 4 Stereo multi-effect processors; 89 Effect types incl. vocoder Voice Processor: Voice Technology by TC Helicon with four-part vocal harmonies; upgradeable for modeling and pitch correction Styles: 608 Style locations (450 preload); + 96 Styles direct from floppy, + 288 Styles direct from hard drive Style Elements: Intro/Count In; 2 Intros; 4 Variations; 3 Fills/Break; 2 Endings; Fade In/Out Style Tracks: 8 total: (drums, perc, bass, accompaniment 1-5) Realtime Tracks: Upper 1,2,3; Lower 1; 4 Pad tracks STS (Single Touch Settings): 4 per Style Performances (Style + realtime tracks + transposition, etc.): 320 editable locations Sequencers: XDS Dual Sequencer (patented) two individual

As a songwriting station or as a back-up band, you can be sure the Pa80/Pa50s performance will be truly musical. The Pa80/Pa50 combines enhanced sequencing functions, powerful performance features, custom backlit LCD, comprehensive arranging tools and impeccable sound quality.

MORE EXPRESSION The Pa80 keyboard features aftertouch and a slightly longer key. An optional EC-5 pedalboard can be connected, providing five assignable footswitches to access a number of performance features in real time. The Digital Drawbar organ generator features user drawbar, percussion, and key click settings. Each audio input features a separate gain control and can also be routed through the internal effects.
style, sounds, effects, panning, transposition and other settings assigned to each part.

ALL TOGETHER NOW Each of the Performance settings and there are hundreds can instantly recall the Style, STS settings, effects, tempo, key and scale used to perform a particular song. Performance settings can also be saved to the exclusive SongBook, a vast user-defined and searchable database great for taking requests! The flexible SongBook and Song Play mode are compatible with sequenced songs, SMF files, Karaoke files, CD Audio Tracks (optional CD-RW required) or MP3 files (MP3 option required). Press the HELP key in any mode to display useful information related to the current operation. A unique semi-weighted 76 note keyboard, eight assignable sliders, four assignable switches, a joystick, two fixed function faders and a huge 240 x 320 full color TouchView display place the amazing power of the Pa1XPro at your fingertips. For a truly self-contained performance, the Pa1X offers many of the same features in a 61-key compact package that also houses a bi-amped speaker system. FLEXIBLE CONNECTIVITY The Pa1XPro comes equipped with two pairs of audio outputs, two pairs of MIDI ins and outs, coaxial S/P DIF output, plus two audio inputs (one balanced MIC input with gain control). The back panel offers a damper pedal input, an assignable pedal input, EC5 input and a USB port. A full line of options is available to enhance your Pa1XPro or Pa1X.

sequencers with DJ style crossfader; 16 tracks per, 200,000 events total; step, backing or real-time recording; editing tools; Jukebox function Songbook: Searchable data base of Songs, settings, etc. Controllers: Joystick; 4 programmable pads, four assignable switches; 8 assignable dual function sliders Control Inputs: Damper pedal (supports half-pedaling); Assignable (SWITCH/PEDAL); EC-5 Outputs: Main = L/MONO, R; Individual = 1, 2; S/P DIF (coaxial); Headphones; Video Lyric output (optional) Inputs: 1 (plus XLR), 2; MIC/LINE Switch; Level knob MIDI: A:IN, OUT; B: IN, OUT (either OUT can be set to THRU) Interface: USB 1.1, Type B Display: Full color TouchView screen; Contextual Help screens multi-language Drives: Floppy; optional CD-RW Power Consumption: 35W Accessories: power cable; music rack; CD Bezel Pa1XPro: 2.5 ATA internal hard drive; includes Turkish Arabic World and Real Drums data Dimensions (W x D x H): 52.36" x 14.4" x 5.35" Weight: 44.99 lbs. Pa1X: 4 Speakers (13 cm Woofer x 2 + Dome Tweeter x2 in reflex box); Bi-amped (2 x 35 lows; 2 x 12 highs): Optional 2.5 ATA internal hard drive Power Consumption: 65W Dimensions (W x D x H): 44.21" x 16.85" x 7.44" Weight: 48.5 lbs. Options: CD-RW drive (CD1x8); EXBP-MP3: MP3 encoder/decoder; TC Helicon Pitch Correction and Voice Modeling; PaX-EXB01: Concert Grand Piano Expansion; PaX-EXB02: Latin/Latin Dance Expansion; VIF 3: Video Interface (PAL or NTSC formats); EXP-2: Expression/Volume Pedal; XVP-10: Professional Expression/Volume Pedal; EC5: Assignable Multi-Switch Controller; DS-1H: Damper Pedal; PS-1: Switch Pedal *For complete specs and information visit korgpa.com

EXCELLENT SOUND, INSTANT CONTROL Based on the TRITON synth engine the Pa80/Pa50 sound quality is widely acclaimed. Included with its 660 editable sound programs is a set of very expressive solo instruments, sampled with a natural vibrato. Four studio-quality effect processors are available and feature 89 different effect types. Four assignable pads, an assignable footswitch, the joystick, sync start, fade in and out, tap tempo, accompaniment reset and other front panel functions are available at your fingertips. MUSICAL STYLES Each of the 304 editable Styles provides up to eight accompaniment parts drums, bass, percussion and more that respond interactively with your playing. Eight parts, four Variations, two Fills, two Intros and two Endings per Style provide all you need to create a natural-sounding performance. In addition to the eight parts that comprise a Style, up to four sounds are available on the keyboard as real-time parts. The Pa80/Pa50 can also store 160 user defined Performance settings, each instantly recalling the

EXTENSIVE SEQUENCING In addition to traditional real-time and step-time sequencing, the Pa80/Pa50 also features our unique Backing Sequencer, which can capture up to eight tracks of Style accompaniment and up to eight tracks of real time playing in a single pass. In performance, nothing beats the revolutionary XDS Dual Sequencer found in the Pa80/ Pa50. Both models are GM and SMF compatible. Lyrics embedded in SMF sequences are shown in the Display. RICH, STEREO SOUND The Pa50 features two speakers in a reflex cabinet and twin 15W amplifiers. The Pa80s internal sound system features 22W of stereo power and four speakers. THE Pa80 OFFERS ADVANCED FEATURES The Pa80 delivers everything found in the Pa50, plus a host of enhanced features, capabilities, and user installable options geared toward the more demanding professional.

USER SAMPLING Equipped with Version 3 software, the Pa80 now features user Sampling. Sample data, programs and styles can be saved to an FMC-8MB flash card, or backed up onto an optional internal hard drive.
Pa50/Pa80 SPECIFICATIONS: Hi Synthesis ROM: 32 MB (incl. stereo piano) Polyphony: 62 Voices Keyboard: 61 keys; Velocity (Pa50, Pa80) and Aftertouch (Pa80) sensing Programs: >660+ 32 Drum Kits; plus 128 User Programs + 64 Drum Kits; (GM2 compatible) Effects: 4 Stereo multi-effect processors; 90 Effect types; Styles: 304 Style locations (256 preload); + direct from floppy Style Elements: 2 Intros; 4 Variations; 2 Fills; 2 Endings; Fade In/Out Style Tracks: 8 total: (drums, perc, bass, accompaniment 1-5). Realtime Tracks: Upper 1,2,3; Lower 1; 4 Pad tracks STS (Single Touch Settings): 4 per Style Performances: 304 Style/106 Real-time Sequencers: XDS Dual Sequencer (patented) two individual sequencers with DJ style crossfader; 16 tracks per, 200,000 events total; step, backing or realtime recording; editing tools; Jukebox function Control Inputs: Damper pedal (supports half-pedaling); Assignable (SWITCH/PEDAL); MIDI: IN, OUT, THRU Display: Large custom backlit LCD Drives: Floppy Pa50 Only: Sound System: 2x15W; 2 co-axial speakers Audio Outputs: MAIN = L/MONO, R Audio Inputs: 1, 2 Dimensions (W x D x H): 41.50" x 15.47" x 5.91" Weight: 24.80 lbs. Pa80 Only: Digital Drawbars; 16-bit, 48 kHz Sampling (FMC-8MB required) Sound System: 2x22W; 4 speakers Audio Outputs: Main=L/MONO,R; Individual 1, 2 Audio Inputs: 1, 2 variable Gain controls EC5 Pedal jack PC to Host Connector Dimensions (W x D x H): 43.7" x 15.3" x 6.45" Weight: 30.6 lbs. *See korgpa.com for complete specs and details

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Video Demo EasyStart Guides Songbook Editor System Upgrades Sounds & Styles Options Owners Manuals Go to korgpa.com for more! Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES

Pa80 OPTIONS DO IT AT KORG.COM VHG1 Vocal Harmony/Guitar Processor

Adds user editable effects to the audio inputs. FMC-8MB Flash Card Save your samples on this 8 Megabyte Flash card. Find out how to get a 2nd year free on your warranty. FMC-PCM01 Real Drums Recorded in-place as a full kit, and played by a real BUY ACCESSORIES drummer, this collection includes 43 new drum samples, 16 new Drum Kits, five Groove Kits and 16 new Styles.

RMC-PCM02 Turkish/Arabic World Concentrating on Turkish/Arabic instruments, this card offers 32 new Styles, two Arabic Drum Kits, 190 percussion samples and over a dozen instrument multi-samples. VIF1/A BUY Video Interface ACCESSORIES Displays SMF embedded lyrics on any TV or monitor for Karaoke style operation.

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AT KORG.COM DO ITDO AT IT KORG.COM

MP3 Audio Files System Upgrades Options Owners Manuals to korgpa.com for more! BUYGo ACCESSORIES Find out how to get a 2nd year free on your warranty. BUY ACCESSORIES

Fi

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D888 [new]

Digital Recording Studio

D3200 Digital Recording Studio

SUPERIORITY
DOES NOT NEED TO BE

COMPLEX
Once again, Korg expands the boundaries of personal recorders and professional results. First in its class to offer 12 tracks of simultaneous 16 or 24-bit recording, the D3200 Digital Recording Studio delivers powerful and sophisticated studio functionality in a compact, self-contained and portable package. With a 69-bit automated digital mixer, 56-bit effect processing, and your choice of CD-quality 44.1 kHz or enhanced 48 kHz recording rates, the D3200 delivers consistently high-quality results and uncompromising audio clarity.

EIGHT INPUTS, EIGHT OUTPUTS, EIGHT TRACKS OF RECORDING

The user-friendly presentation of the D888 is familiar to anyone who has ever sat in front of a traditional analog mixer. Yet lurking inside this eight input/eight output digital mixer is a complete eight track digital recorder.

tracks together digitally with no fidelity loss to free up more tracks. The entire mix can be bounced down to the stereo Master Track. In fact, you can make as many final mixes as you want and then choose the best one. All tracks are saved as WAV format files, for easy sharing with other recording systems. Non-destructive editing tools point to the power of the recorder section, allowing you to copy entire sections of the song, swap tracks, erase, etc. Undo and Redo commands allow you to hear both the before and after versions of any edit before you commit to any changes. In addition to regular recording, punch in and punch out recording allows precise overdubbing and fixing any sour notes. The internal 40GB hard drive allows a maximum total recording time of over 120 hours. For ease of use, the recorder section uses traditional transport controls. A backlit LCD provides metering and other pertinent information.

NEW RECORDING FRONTIERS The new D888 Digital Recording Studio goes where no digital recorder has gone before. Its intuitive, real-time design assures immediate results. At home, the D888 provides an intuitive mixer layout that accommodates your sound modules and instruments one where you can record whenever the mood strikes you. Lightweight and portable, the D888 is also perfect as a live or location capture recorder for recording band rehearsals and gigs and other applications. In the field, the versatile input and output sections allow the D888 to record on location without interfering with the P.A. systems house mix. The output section is also ideal for feeding into a cue mixer, a larger recording system, or other audio applications. Back in the home studio, tracks can easily be transferred between the D888 and a computer-based editing/recording environment thanks to native WAV format recording. A high speed USB 2.0 jack moves the data quickly, with the entire hard drive showing up as a mounted disk on your desktop. The MIDI output transmits MIDI Time Code so other equipment can sync up to the D888.

MIXER MASQUERADE The D888 offers an interface like no other digital recorder. As with a traditional analog mixer, each channel has its own channel strip, complete with trim, 3-band EQ, effect send, and pan controls each element offering its own dedicated real-time knob. This allows a quick check of the current mixer settings by simply glancing at the knobs. The Mic inputs provide both XLR and TRS balanced inputs, and phantom power is available. This thoughtful arrangement allows a wide variety of sources to be connected for additional flexibility. High-quality mic preamps are teamed with professional A/D converters for excellent sound. Throughout, the mixer uses 40-bit, 44.1 kHz processing for a clean audio signal that surpasses CD quality. The eight individual output arrangement is incredibly versatile, allowing the D888 to be the perfect choice in many audio situations. In the Individual Mode, each output is directly tied to a particular channel. With the Individual Mode off, outputs 1 & 2 become the Monitor outputs, and outputs 3 & 4 serve as the Master outputs. A digital S/P DIF output is also provided. Each of the two headphone outputs is thoughtfully equipped with its own level control. NO CONVERSION WAV FORMAT RECORDING All eight tracks can be recorded or played back simultaneously. Eight virtual tracks exist for each track, bringing the total track count to 64. You can bounce

EFFECTS AT YOUR FINGERTIPS Eleven different effect types are provided and are instantly selectable from the front panel. Each channel has its own send knob, and a global return knob allows you to set just the right mix. In keeping with the D888s real-time approach, effect parameters are also editable from a dedicated front panel knob. And of course, the effect settings are memorized with each song. An internal metronome is provided. The metronome can be sent from Master and Monitor outputs, or just the Monitor outs alone, so musicians can follow a click-track during recording or performance.
D888 SPECIFICATIONS: RECORDER: 16-bit uncompressed, 44.1 kHz Total Tracks (including virtual tracks): 64 Simultaneous Tracks: 8; Record/Play Maximum Recording Time: 124 Continuous Recording (Max): 6 hours Songs: 200 songs Locate Points: 4 per song Mark Points: 100 per song MIXER: Internal processing: 40-bit Equalizer: 3-band per channel (H, M, L) EFFECTS: Internal processing: 40-bit Programs: 11 Types METRONOME: 0,2,3,4,6, or 8 divisions; 40 240 BPM DRIVES: 40 GB (D16XD) USB functions: Backup/restore, WAV import/export, system load CONNECTIONS: Input 18: (-63) - (+4) dB Trim knob; XLR (+48 V phantom power, switchable); 1/4" TRS phone jack (balanced) Master Out L/R (Out 3, Out 4): 1/4" phone jack (unbalanced) Monitor Out L/R (Out 1, Out 2): 1/4" phone jack (unbalanced) Out 5- 8: 1/4" phone jack (unbalanced) Phones 1, 2: 1/4" stereo phone jack S/P DIF: Out; optical Foot switch: 1/4" phone jack USB: Type B (slave); USB 2.0 high-speed compliant MIDI: OUT MIDI FUNCTIONS: MTC transmission; MIDI Clock transmission GENERAL: Pivoting 320 x 240 pixel TouchView panel, 4-level grayscale, with backlight A/D conversion: 24-bit, 44.1 kHz D/A conversion: 24-bit, 44.1 kHz Accessories: AC cable, Owners manual Options: PS-1 pedal switch

NEW TOOLS YOU CAN USE Intuitive ease-of-use is one of the hallmarks of Korg recorders, and the D3200 is no exception. The 320 x 240 LCD panel tilts up for comfortable viewing at any angle and features four levels of grayscale to provide enhanced resolution to the icon driven displays. Our exclusive ClickPoint controller is hard to describe, but a breeze to use. Sort of a 3-axis stationary trackball, you can whip the cursor around the display and select an item in a single gesture, or use it as a jog/shuttle wheel when scrubbing through an audio passage. The innovative Knob Matrix keeps 16 multi-function real-time controllers close at hand, in a focused 4 x 4 arrangement. Session Drums another Korg exclusive is your on-call drummer, featuring over 650 variable and tweakable patterns. Using the Knob Matrix, you can lay down a complete realistic drum track filled with tempo and pattern changes, variable dynamics and humanized timing inflections, fills and breaks, all in real time without the drudgery of time-consuming programming. Recording while youre monitoring? A new Monitor Mute function kills the output to your monitor system, but keeps the headphones live. MIX MASTER Need a hand creating the perfect mix? Youve got it! The D3200s digital mixer provides dynamic fader and pan automation; remembering and recalling your every move. Scene automation takes snapshots of all your mixer settings and stores them as scenes, replaying up to 100 scenes in a song for a fully automated mix. Eleven effect processors are available simultaneously eight insert, two master, and a final effect on the master bus. Using any of the 52 different effect algorithms including mic, amp and cabinet modeling you can edit, create and store 128 effect programs for instant recall. An additional 32 song-specific effect programs can be saved with each song. Foot switch and foot pedal connections allow you to control effect parameters in real time. Editable libraries of EQ curves, effect settings and mixer set-ups can be quickly recalled to save valuable time and streamline common studio chores. Individual four-band parametric EQs with selectable Hi / Low Shelving are provided on the main recorder channels and the Master Track. Each of the sub inputs (and channels 25-32) is equipped with a two-band shelving EQ.

THE HOOK-UP The D3200 is host to numerous connectors to provide maximum flexibility. All twelve input channels are equipped with high-quality mic pres and TRS (1/4") balanced inputs; channels one through eight also feature individually phantom-powered XLR jacks. Individual trim knobs (48 dB range) and pads (26 dB) assure you can optimize the gain of each input. And for those private moments, a Hi-Z input lets you plug your guitar right in. Dont forget to switch on the built-in tuner! Timing information, fader movements, scene changes, effect controls and more can all be shared and controlled via the MIDI IN and OUT jacks. The D3200 can send and receive MIDI clock (multiple frame rates), MIDI Machine Control (MTC) and sends MIDI clock. Ready to be part of your digital studio, the D3200 also provides optical S/P DIF in and out, plus a high speed USB 2.0 jack for swapping data and WAV samples with your computer. SEEDLING TO CD Your D3200 is ready to roll, right out of the box. All the recording, processing and mixing takes place right inside and is saved to the internal hard drive. A full complement of track and song editing tools let you craft your ideas into reality. Album CD Project, Track at Once and Disc

+ 12 sub-in Buses: 12 Total: 2 Effect Send, 2 AUX, stereo SOLO, stereo CUE, stereo MASTER, stereo MONITOR Equalizer: Recorder channels 1-24: 4-band full parametric with selectable Hi/Low shelving, Recorder channels 25-32: 2-band parametric /shelving, Sub Mixer channels: 2-band shelving; Master track: 4-band full parametric with selectable Hi/Low shelving Automation: dynamic fader/pan automation; 100 scene (per song) mixer automation EFFECTS: Internal processing: 56-bit Insert: 8 Master: 2 Final: 1 (specs are maximum simultaneous) Programs: 128 preset; 128 user; 32 song Algorithms: 52 SESSION DRUMS: 660 drum / metronome patterns; Group, Session, Variation, Tempo, Shuffle, Accent, Dynamics and Humanize controls; Full drum / drum kit editing, storing and saving; Pattern Map / Tempo map (200 pattern and tempo events per song); Monitor (reference) or record; Tap Tempo; Sync track DRIVES: 40 GB hard drive CD-RW: Audio CD writing (Track At Once, Album CD Project/Disc At Once); Backup / restore; audio file (WAV format) import/export; system load USB functions: Backup/restore, audio file (WAV format) import/export, system load CONNECTIONS: Input 18: XLR (+48 V phantom power, individually switchable); Input 1-12: 1/4" TRS phone jack (balanced) 26 dB pad, 48 dB Trim knob Guitar Input: 1/4" phone jack (unbalanced) Master Out L/R: 1/4" TRS phone jack (balanced) Monitor Out L/R: 1/4" TRS phone jack (balanced); Level knob; Mute switch Aux Out 1, 2: 1/4" phone jack (unbalanced) Phones: 1/4" stereo phone jack S/P DIF: In / Out; optical; 24-bit (IEC60958) Foot switch: 1/4" phone jack Expression pedal: 1/4" stereo phone jack USB: Type B (slave); USB 1.1 compliant MIDI Ports: IN, OUT MIDI FUNCTIONS: Mixer control; Effect control; MMC transmission / reception; MTC transmission/reception (all frame rates);

at Once provide numerous CD creation options. Whether youve put the final shine on your next hit, or just need to teach a song to the band, the internal CD burner provides you with the finished goods.
D3200 SPECIFICATIONS: RECORDER: 24-bit/16-bit uncompressed, 44.1 kHz / 48 kHz Total Tracks (including virtual tracks): 272 Simultaneous Track Use: 16-bit: Record: 16 total (12 analog inputs, 2 S/P DIF inputs, 2 Session Drums); Play: 32 24-bit: Record: 12; Play: 16 Maximum Recording Time: 119 hours [44.1 kHz, 16-bit] Songs: 100 songs per drive Locate Points: 4 per song Mark Points: 100 per song MIXER: Internal processing: 64-bit (max. 69-bit) Inputs: 44 channels / 32

MIDI Clock transmission GENERAL: Pivoting 320 x 240 pixel TouchView panel, 4-level grayscale, with backlight ClickPoint: Intuitive cursor/edit controller Knob Matrix: 16 multi-function real-time control knobs in a 4 x 4 arrangement A/D conversion: 24-bit, 64x oversampling D/A conversion: 24-bit,128x oversampling Dimensions (W x D x H): 21.54" x 14.61" x 4.53" Weight: 17.20 lbs.

Accessories: AC cable, Owners manual Options: PS-1 pedal switch XVP-10 EXP/VOL pedal EXP-2 foot controller *More info and complete specifications at korg.com

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D4

Digital Recorder

CR-4

4-Track Cassette Tape Recorder

AFFORDABLE MULTI-TRACK RECORDING WITH AMAZING-SOUNDING DIGITAL EFFECTS.

The CR-4 is a 4-track multitrack cassette tape recorder that offers the best of all worlds affordable multi-track recording, amazing-sounding digital effects and EQ, plus a built-in amplifier and speakers.

FOUR TRACKS OF RECORDING POWER When you plug into the CR-4, you harness the recording expertise of Korgs acclaimed multi-track recorders in a cost-effective, 4-track cassette alternative. With four 1/4" inputs one for each track you can record up to four tracks at once. Each track is recorded onto a standard, high-quality chrome high-bias (Type 2) cassette tape. REMS MODELING BUILT-IN The CR-4 delivers a wide range of realistic amp and effect sounds powered by Korg REMS modeling technology acclaimed by guitarists and bassists worldwide. It features six essential guitar amp models, two bass amps, an acoustic guitar EQ and even two vocal mic simulators, so you can get incredibly realistic sound while recording direct. Plus, when you plug into the CR-4, you can choose from a selection of eleven great ToneWorks effects models like chorus, flanger, tremolo, delay, reverb and more. DEDICATED KNOBS MAKE ADJUSTMENTS A SNAP The CR-4 has five controls (Gain, Treble, Middle, Bass & Volume) for the guitar, bass guitar, acoustic guitar and vocal models. In addition, the CR-4 includes an effect depth knob, a tap tempo switch for modifying delay time and modulation speed, and a dedicated noise reduction switch.

THE EASIEST 4-TRACK EVER Getting great sound for recording is easier than ever with the CR-4. All of the effect and amp models are accessed using two dedicated select knobs. Simply dial in the amp and effect you need and push the effect select switch on your track. Each track has its own trim knob, volume slider, pan knob and effect switch. Just plug into the track you want to record on, press the record select switch and go. BUILT-IN AMP AND SPEAKERS The CR-4 comes equipped with two speakers in bass reflex enclosures, providing you with a lot of options. You can listen to your recording play back through the speakers. Or, you can plug into any track on the CR-4, select an amp and effect, and use the CR-4 as a 5-Watt practice amp. You can perfect your performance and record it all using one unit! Plus, because the CR-4 records and plays back cassettes at standard speed, you can also use it for listening to pre-recorded cassette tapes. The speakers can be turned off for silent playback while recording.

ALL THE RIGHT OUTS Once you mix down your recording, you can record it to another device using the CR-4s stereo RCA outputs. Of course, the CR-4 also comes with two headphone outputs so that you can listen to other recorded tracks while youre adding another track to the mix. Because there are two outputs, both you and a friend can hear whats going on and record or mix together.
CR-4 SPECIFICATIONS: Power: 5 Watts (2.5W + 2.5W) Speakers: 2 x 8 cm Number of Tracks/Mixer channels: 4 Tracks/4 Mixers Number of simultaneous recording tracks: 4 Tracks Number of Inputs: 4 Inputs (1/4" Phone jack) Number of Outputs: 2 Outputs (RCA/phono) Number of Panpots: 4 (Center click) Number of Input Trims: 4 (-50 dBv to -10 dBv) Tape speed: 4.76 cm/sec (capable of playing back ordinary stereo music tape) Type of tape: Chrome High-Bias (Type 2) Headphone: 2 (1/4" phone jack) Control knobs: Gain, Bass, Middle, Treble, Volume Modeling type select knob: Guitar x 6 (BTQ CLN/BLK212/AC30TB/UK80'/UK MDN/NU METAL), Bass x 2 (VALVE/LA STUDIO), Acoustic guitar x 1 (AC EQ), Vocal x 2 (VOCAL1/VOCAL2) Effects select knob: 11 types (COMP / WAH / CHORUS / FLANGER / PHASER / TREMOLO / ROTARY / DELAY / REVERB / CHO+DL / CHO+RV) Effect Depth knob Tap Switch Noise reduction Speaker ON/OFF switch Accessories: AC/DC adapter Dimensions (W x D x H): 17.08" x 3.94" x 12.6" Weight: 11 lbs.

BIG PERFORMANCE SMALL PACKAGE

The D4 is a complete four-track recording studio, providing multi-effects based on REMS modeling technology, and an array of rhythm and metronome patterns to compliment any musical style.

PLUG IN AND RECORD Just plug a guitar or microphone into the D4 and you can begin creating your own song a track at a time. Eight virtual tracks are provided for each track, so you can choose the best take as you build your song. The D4 records directly to CompactFlash using one of three modes High Quality, Standard or Economy providing extended recording time with great audio quality. CompactFlash cards of up to 2 GB* may be used and each one can store up to 99 songs, recorded and saved in MP2 (MPEG-1 Layer-2) format. A built-in mic lets you make quick musical memos as inspiration comes to you. Theres also a built-in tuner, ensuring that youll be in tune whenever you record.
*Maximum recording time = 72 hours, single track using Economy mode with a 2 GB CompactFlash.

including copy, delete, punch-in recording and more. Bounce recording combines multiple tracks into one with no loss of fidelity and frees up tracks for additional recording. You can also use professional time compression/ expansion editing functions to alter previously-recorded phrases so they match the tempo of your song.

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Video Demo Artist Interview MP3 Audio Files Owners Manual

REMS MODELING TECHNOLOGY Korgs proprietary REMS (Resonant structure and Electronic circuit Modeling System) modeling technology simulates the audio characteristics of many classic guitar amps, legendary recording microphones and numerous effects with startling realism, adding depth and character to your original recordings. CREATE MULTI-EFFECT CHAINS The D4 digital recorder provides four types of effect chains, in which up to five effects can be connected in a specified order. This makes it easy to create multi-effects that are suitable for the material youre recording. These effect chains are stored as programs, with 100 user and 100 preset locations for easy access. The presets contain programs created by professional musicians and studio engineers and are ready to use. You can edit the effects in a program and store it in the user program area. A dedicated switch is provided to select each chain type. HIGH-QUALITY PCM RHYTHMS Inside the D4 is a PCM sound generator that can produce 87 different rhythm patterns (32 metronome patterns and 55 rhythm patterns). The rich array of patterns include 8 beat, 16 beat, Rock, Funk, Big Beat, House, Reggae, Hip-Hop, R&B, Disco, Dance, Jazz, 3/4, 6/8, 5/4, and 7/4, covering a broad range from simple beats to highly distinctive styles. These rhythm patterns may be used as recording guides, or as an easy way to create tracks.

RELIABLE, CONVENIENT COMPACTFLASH STORAGE CompactFlash capacities of 16 MB 2 GB are supported for data storage.*1 The data is written automatically when youve finished recording or editing. The D4 also provides a USB connector, so its easy to transfer song data and user effect data to your computer for backup.*2 Completed songs created within the D4 as stereo MPEG format*3 song files can be played back as stereo MPEG files on your computer. This also makes it easy to distribute or exchange data on the Internet.
*1 CF TYPE I cards only. CF TYPE II cards are not supported. *2 USB connection requires Windows 2000/Me or later, or Mac OS 9.0.4 or later. *3 MPEG1 Layer2 format.

SIMPLE, EASY-TO-USE CONTROLS Despite its compact size, the D4 offers quick and convenient control of its many professional features and rich functionality. A single knob takes you from mode to mode. Five dedicated knobs provide real-time editing of the onboard REMS effects. By pushing down on these same knobs you can select the recording status of each track and turn effects on and off. Theres also a favorites knob that lets you instantly recall eleven of your favorite effects. The Value Dial provides a quick way to change settings and select various options. With trim knobs on both inputs (XLR and 1/4" are provided for Input 2, 1/4" only on Input 1), youll be able to get the optimum level in any recording situation. A FULL SUITE OF EDITING TOOLS The D4 provides the functionality and flexibility youve come to expect from Korg digital recorders,

D4 SPECIFICATIONS: <Recorder Section> Number of Tracks: 4 tracks x 8 virtual tracks; 4 tracks simultaneous playback /2 tracks simultaneous recording Recording Format: 16-bit MPEG 1 Layer 2 compression, 32 kHz Recording Time: maximum of approx. 4200 minutes/1 track (Economy, when using 2 GB CompactFlash) *Recording time may vary slightly Number of Songs: 99 songs per card Tempo: 40 ~ 240 Metronome Patterns: 32 Rhythm Patterns: 55 Track Editing: Copy, Insert, Erase, Delete, Time Expansion/Compression Song Editing: Rename, Copy, Delete Counter: Min/Sec/Msec, Meas/Beat/Tick <Mixer Section> Structure: 4 ch + 2 ch (when using sub-input function) <Effect Section> Effects: 100 presets/100 users A/D, D/A Conversion: 20-bit Sampling Frequency: 32 kHz <INPUT 1, 2> Connector: 1/4" phone jacks (unbalanced), XLR-3-31 type (balanced); when selecting INPUT 2 MIC <OUTPUT> Connector: RCA phono jacks Mini-stereo phone jack Footswitch 1/4" phone jack USB port Dimensions (W x D x H): 7.52" x 5.71" x 1.61" Weight: 0.91 lbs. Included Items: 64 MB CompactFlash card, AC adapter D4 Options: PS-1 Foot Switch *Complete specifications available at korg.com/d4

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AX3000G & DO IT AT KORG.COM AX3000B Modeling Signal Processors

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AX1500G Modeling Signal [ DO IT AT KORG.COM ] Processor

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MP3 Audio Files Video Demo Effects Listings Audio Interview with Joe Satriani Settings to Sound like a Legend Owners Manual

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AX3000B
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ONE VERSATILE TONE MACHINE

AX1500G
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The ToneWorks AX1500G is packed with 56 different effects and gives you everything from ultra-realistic models of great stomp boxes, amps and speaker cabinets to essential effects like chorus, reverb, delay, pitch shift and more. For example, use the ESS with a pitch shifter effect to specify the pitch shift amount of each step and produce IT ALL STARTS WITH GREAT SOUND sounds that are reminiscent of a synthesizers arpeggiator. Korgs REMS Resonant Or use the ESS with a wah to create wah sounds that how to get a technology, 2nd year free thats on your warranty.strucFind out ture and Electronic circuit Modeling System, enables move in stepwise fashion. Theres also a Smooth setting BUY ACCESSORIES Find out how to you get a 2nd year on your warranty. the AX1500G to deliver truly great sounding effects. that lets produce a free continuous change between BUY The amp/distortion sounds go all the way from vintage steps. Vary theACCESSORIES ESS speed in real time with the ESS tube overdrive to extreme high-gain metal. You also get expression pedal or a control switch. the sounds of a closet full of classic stomp boxes plus THIRTY-TWO AMAZING PROGRAMS spring reverb, tape echo and more. Theres even an acoustic simulator. With vintage and modern, closed Korgs team of tone technologists have poured their and open-backed cabinet models that run the gamut decades of unrivaled tone-creation experience into every from 4x12 stacks to 1x8 combos, the AX1500G is one one of the AX3000G and AX3000Bs wide variety of 32 versatile tone machine. preset programs. Use the internal programs or save your own in the 96 user program locations. Theres also an Individual mode in which you can use the foot switches to PACKED WITH PROGRAMS, EASY TO USE AND VERSATILE, TOO turn individual effects on/off just as if you were controlling The ToneWorks design team wanted to ensure that getting great sounds was quick and easy. Thats a row of compact effects. Since the output will be connected why the user interface will be familiar to any guitarist to a variety of guitar amps (all of which have a different tonality) or a mixer/recorder four different equalizer whos ever used a stomp box: knobs and switches. settings are provided so you can ideally match the output The AX1500G comes with 48 preset programs for the best results. plus the ability to store 48 additional programs of your own creation. Up to eight effects can be combined per program and individual effects can be turned on MORE ESSENTIAL FEATURES THAN EVER or off with the AX1500Gs foot switches. The AX3000G and AX3000B are packed with a wealth The AX1500G gives the guitarist two selectable of great features like a built-in auto chromatic tuner and a channels per program. Like a channel-switching Key Lock function that prevents the switches and knobs amp, you can change channels instantly (without from being accidentally changed during live performances. moving to a different program) and go from a rhythm to They can receive program change messages and a solo sound instantly. can also transmit MIDI messages in response to pedal operations to control other MIDI devices. You can also control the AX3000G and AX3000B from your DAW software, making it an ideal addition even to high-end recording setups. Special Sound Editor editor/librarian software lets you graphically view the many parameters of the AX3000G and AX3000B and easily edit them, as well as save and organize programs. This software can be downloaded from www.korg.com.

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REAL-TIME CONTROL PLUS SAMPLE & PLAY The AX1500Gs built in Expression pedal provides real-time control of eleven effects like wah, volume and pitch bend. The Expression pedal can also be used to control the AX1500Gs Sample & Play function. Sample & Play makes it possible to record up to eight seconds of your own playing, loop the recorded phrase and play along with it, play the phrase in reverse and do other kinds of wild studio effects. BUY ACCESSORIES

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AX3000G
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LOADED WITH BUILT-IN EXTRAS The AX1500G also boasts a Phrase Trainer that makes learning riffs by ear easy. Say you want to copy a guitar solo. The Phrase Trainer lets you record up to 16 seconds from a CD or cassette, slow down the playback speed to as little as 25% of the original without changing its pitch, and loop the playback to repeat the phrase over and over til you get it. Theres also a Hold function that lets you extend a specific note and an AUX IN so you can play along with an external audio source. The AX1500G features a built in Korg autochromatic tuner that functions in Bypass and Mute modes. The Mute mode, which lets you tune silently, is ideal for tuning on stage. Theres even a built-in metronome.

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POSSESS
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SOUND ONLY YOU

AX3000G & AX3000B
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Every guitarist craves a better way to satisfy his hunger for ultimate tone and control. Packed with a treasure trove of tone and a unique Expression Step Sequencer, the new AX3000G for guitar and AX3000B for bass satiate that need with two powerful multi-effect processors that reach far beyond their predecessors.

AX1500G SPECIFICATIONS: Effects: 56 types (maximum number of effects available simultaneously: 8) Programs: 96 (48 preset, 48 user) Inputs: Guitar input (1/4" phone jack), AUX IN (stereo mini jack) Outputs: Output x 2 (1/4" phone jack), Headphone (stereo mini jack) Tuner: Auto Chromatic Tuner [Measurement range: 27.5 Hz-2,093 Hz (A0-C7), Calib. A = 438-445 Hz] Metronome Tempo: bpm = 40-208 Power Supply: DC9V (AC adapter) Dimensions (W x D x H): 16.54" x 7.43" x 2.57" Weight: 5.29 lbs. Accessories: AC adapter

NEW AMP, CABINET AND EFFECTS MODELS The AX3000G and AX3000B each pack their own contingent of 72 true-to-life amp and cabinet models plus highly detailed effects: all delivered by Korgs world-acclaimed REMS modeling technology. The AX3000G includes synth effects that model a guitar synthesizer, and unique effects such as the Filtron that goes far beyond a conventional Wah. The

Acoustic effect transforms the sound of your electric guitar into that of an electro-acoustic, and Pickup Modeling transforms the tonal character of your pickups without switching guitars. The AX3000B takes that same idea in a bass-ified direction. Its sixteen drive/amp models include fat-sounding tube sounds, ultra-low bottom-end, clean sounds, and many more. Pre-effects, cabinets, modulation effects, delay effects, and reverb effects (eleven types each) cover standard effects such as compressor, limiter, wah, flanger, and chorus, plus unique and distinctive effects such as a pitch shifter with a range of two octaves up or down, a fretless effect, and even a synth effect that produces the sound of an analog bass synth.

EVEN GREATER EXPRESSIVE POWER In addition to using the AX3000G and AX3000Bs expression pedal in standard ways, such as volume or wah, you can assign the pedal to a variety of effect parameters for unrivaled expressive control. There is BUY ACCESSORIES virtually no limit to the new sounds you can create in this way the pedal can control reverberation time, modulation speed and much more. A multi function control switch opens up more possibilities in live performance. It can be used to switch effect blocks on/off, to set effect parameters such as tap tempo of a delay, or to control the Expression Step Sequencer (ESS). The possibilities are innumerable!

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* Operating requirements: Windows 98/Me/2000/XP, Mac OS X v10.2 or later

AX3000G and AX3000B SPECIFICATIONS: Number of Drive/Amp Types: 16 Number of Cabinet Types: 11 Number of Effects: Pedal Types: 11, Modulation Types: 11, Delay

A NEW REALM OF CONTROL The AX3000G and AX3000Bs unique Expression Step Sequencer (ESS) automatically controls most effect parameters in a fixed or random step function. You can assign up to eight steps of effect parameter values in the step sequencer and specify the way in which the sequencer will play back these steps. This lets you create sounds with complex movement that were unachievable until now.

Types: 11, Reverb Types: 11, Noise Reduction: 1 Number of Programs: 96 (24 Banks x 4 Channels) Audio Inputs: INPUT (1/4" phone jack), INSERT RETURN (1/4" phone jack), AUX IN (Stereo Mini-jack) Audio Output: OUTPUT x 2 (1/4" phone jacks), INSERT SEND (1/4" phone jack), PHONES (Stereo Mini-jack), LEVEL Knob (adjusts OUTPUT and PHONE), S/P DIF OUT (16-bit, 44.1 kHz optical connector (IEC60958, EIAJ CP-1201)) Signal Processing: A/D Conversion: 20-bit, D/A Conversion: 20-bit, Sampling Frequency: 44.1 kHz Tuner: Tuning Range: A0~C7 (27.5 Hz ~ 2093 Hz), Tuner Calibration: A = 438 Hz ~ 445 Hz MIDI: IN, OUT Power Supply: DC9V Dimensions (W x D x H): 19.69" x 9.49" x 2.83" Weight: 7.94 lbs. Included Items: AC adapter

AX1500G

38 39

AX10G, AX10B & AX10A

The AX10G, AX10A and AX10B are compact multi-effect processors that pack a ton of dead-on amp and effect models generated using Korgs highly acclaimed REMS modeling technology. Plus, they each come with a built-in expression pedal for real-time control of your sound.

Modeling Signal Processors

AX3A, AX3B & AX3G Modeling Signal Processors

are built-in so you can just plug in and play. They cover a wide range of styles and playing techniques. Plus you can edit and save your own settings as forty user programs.

POWERED BY REMS MODELING TECHNOLOGY The AX10G, AX10A and AX10B deliver a wide range of realistic amp and effect sounds powered by the REMS modeling technology acclaimed by guitarists and bassists worldwide. They feature amps ranging from rare and vintage models to high-end boutique amps, plus effects that rival stand-alone processing units. The AX10G, AX10A and AX10B are all you need to cover all of your guitar and bass sound processing needs.

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THE AX10A FOR THE ELECTRIC-ACOUSTIC GUITARIST In addition to the standard effects such as compressor, limiter, delay, and reverb, the AX10A provides unique types such as simulation of the body resonances of famous acoustic guitars, mic simulation, resonator guitar sound, nylon-string guitar sounds, and lo-fi sounds as heard through a guitar amp. The sound from a piezo output can be transformed to add the natural depth unique to an acoustic guitar, giving you a warm and mellow acoustic sound. The built-in Body effect simulates the sonic character produced by the body resonances of famous acoustic guitars. Theres also a built-in Mic effect that simulates the sense of air and space that you get when micing your sound.

[new]

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EXPRESSION PEDAL FOR LIMITLESS EXPRESSIVE POWER The AX10G, AX10A and AX10B all have a built-in expression pedal that lets you control a wide variety of effect parameters. You can use the pedal in familiar ways to control effects like wah and volume or to modulate the speed of a chorus or flanger. The expression pedal can control the feedback effect and a pedal pitch shifter effect lets you smoothly change the pitch up or down a maximum of one octave (theres also a special mode for stepped pitch change).

AX3A

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THE AX10G FOR THE GUITARIST The AX10G provides amp and distortion to get a 2nd year freeeleven on your warranty. Find out how models ranging from warm, fat tube amps to extreme BUY ACCESSORIES fuzz. It also provides eleven modulation-type effects such as chorus and tremolo, plus eleven ambience effects including delay and reverb. Additional effects such as feedback, acoustic simulation, rotary speaker, and even tape echo are all reproduced with stunning realism.

THE AX10B FOR THE BASSIST The AX10B provides eleven bass amp models that run the gamut from vintage to modern, from fat and warm tube sounds to clean bass sounds, each BUY ACCESSORIES delivering all the details of the originals. Effect types include compressor (indispensable for bass sounds), as well as three-band EQ, an octaver that adds a powerful bottom end, and numerous modulation and ambience effects. EIGHTY PROGRAMS FOR INSTANT TONAL VARIETY The AX10G, AX10A and AX10B let you use up to one amp plus four effect models simultaneously, providing a huge sound variety. Forty preset programs

KNOB-BASED INTERFACE FOR INTUITIVE CONTROL BUYmodulation ACCESSORIES The amp model, effect, and ambience effect settings each have a dedicated select knob for instant access. The parameters of the amp model can also be intuitively edited using knobs, just as on the original amp. The AX10G, AX10A and AX10B are so easy to use, youll be able to take full advantage of their creative potential as soon as you unpack the box without having to read the manual! OTHER FUNCTIONS TO SUPPORT THE GUITARIST/BASSIST The AMP/LINE select switch lets you send the optimal signal to any destination a guitar/bass amp, mixer, or multi-track recording system. Theres a built-in BUY ACCESSORIES Korg Chromatic Auto Tuner with a Mute function, ideal for on-stage tuning. With a headphone connector and 18 hours of continuous use on battery power, you can enjoy high-quality sound anywhere and anytime.
AX10G SPECIFICATIONS: Amp Models: 11 Effects: 26 (Pre Effect: 3, Modulation: 11, Ambience: 11, Noise reduction: 1) Programs: 80 (40 preset/40 user) Controls: Gain, Treble, Middle, Bass, Volume/Noise reduction, Effect value, Expression pedal, Tap switch

Announcing the AX3G for guitar, AX3B for bass, and AX3A for electric-acoustic guitar, three great sounding, affordable multi effects processors that take advantage of Korgs high quality, super-sounding modeling effects. Looking for just the right sound? Check out the new AX3G, AX3B, and AX3A multi-effect processors. These on-the-floor, foot-switchable units contain an array of realistic effects powered by Korgs proprietary REMS modeling technology. Want a studios worth of great amps, cabinets, modulation, and delay/reverb effects and more? The AX3s are easy-to-use and deliver a sound quality that will satisfy beginners and pros alike. Plus, these little powerhouses will fit comfortably into the pocket of your gig bag and will run on batteries, so in addition to playing live on stage, theyre an ideal choice for quick rehearsals, warm-ups or even to help pass the time while traveling in the van. Now you can enjoy great sound wherever you are.

AX3B

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AX3G

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AX10G
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Input: Guitar input (mono 1/4" jack) AX10A SPECIFICATIONS: Body & Mic Effects: 11 Effects: 17 (Pre Effect: 3, Notch: 1, Ambience: 11, Chorus: 1, Noise reduction: 1) Programs: 80 (40 preset/40 user) Input: Guitar input (Hi/Lo) AX10B SPECIFICATIONS: Amp Models: 11 Effects: 26 (Pre Effect: 3, Modulation: 11,

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BUY1)ACCESSORIES Ambience: 11, Noise reduction: Programs: 80 (40 preset/40 user) Controls: BUY ACCESSORIES
Gain/Middle frequency, Bass, Middle, Treble, Volume/Noise reduction, Effect value, Expression pedal, Tap switch Input: Bass Guitar input (mono 1/4" jack) ALL MODELS: Output: Line/ headphone dual-purpose output (stereo 1/4" jack) Tuner: Detection range 27.5 Hz-1, 318.5 Hz (A0-E6) Calibration A = 438 Hz-445 Hz Power Supply: Four AA alkaline batteries (allows approximately 18 hours of continuous use) or separately sold AC

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adapter (KA 181, DC9V) Dimensions (W x D x H): 11.3" x 7.17" x 2.36" Weight: 2.43 lbs. Accessories: AC Adapter (KA181, DC9V)

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AX10B

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Video Demo EasyStart Guide Effects List Owners Manual BUY ACCESSORIES

AX3G FOR GUITAR FOR EVERYTHING FROM INTENSE HIGH-GAIN SOUNDS TO SUBTLE ACOUSTIC TONES Packed with 57 different realistic modeled effects, the AX3G offers 16 models of a variety of highly coveted amps including hard-to-find tube amps, boutique amps sought by tone connoisseurs, as well as classic and modern amps so that you have an arsenal of the best-sounding amps out there. Add to that ten cabinet models ranging from 4x12 stack cabinets to combo cabinets, each realistically reproduced with their own distinctive sonic character. And of course, theres a full range of all the effects you need for live performance. Choose from standard effects like comp, wah, delay, reverb, and acoustic simulator, as well as unique choices such as a pickup effect that reproduces the sounds of different pickups and a drone effect that simulates the sympathetic strings of a sitar.

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AX10A
Find out how to get a 2nd year free on your warranty.

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AX3B FOR BASS WITH A TREASURE-TROVE OF SOUGHT-AFTER AMPS AND EFFECTS We know you bass players want your own tone tool kit. The AX3B is designed specifically for bass, with 57 of its own, specially modeled effects. Its 16 famous bass amp sounds range from vintage to standard models, and every detail of each original amp has been faithfully recreated, giving you an enormous variety of bass tones that include fat, warm tube sounds, as well as clean sounds. The AX3Bs effects include the ever-indispensable compressor, plus an octaver to give your sound even more weight. Weve packed it with numerous unique effects too, such as a fretless effect that models the sound of a fretless bass, a slow-attack effect that simulates violin technique, and a great-sounding synth bass effect.

AX3A FOR THE ACOUSTIC TONE OF YOUR DREAMS With the AX3A youre in for a tonal treat. Its 43 meticulously modeled effects will leave you slackjawed from sonic delight. Not only can you make your acoustic-electric guitar sound like a variety of high-end, well-crafted acoustics, youll be able to bring the output from your piezo pickup to life with a distinctively natural, mellow sound. Weve even included some special types of acoustics, like resonator and nylonstring guitars, so you can sound like a variety of amazing guitars from a single instrument. In addition to compressor and limiter, and the other standard effects you expect, the AX3A has several types of stereo chorus, spatial-type effects such as echo, delay, and reverb, as well as unusual and distinctive effects, such as a drone effect that adds a tamboura-like drone to your playing. There are also mic effects that simulate the depth and spatiality of sounds recorded through a high-quality condenser mic. Plus, the AX3A even contains a notch filter effect to help you combat acoustic feedback.

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SELECT FROM 80 PROGRAMS (40 USER / 40 PRESET) Use up to six REMS effects simultaneously (seven on the AX3A!), and save your settings as one of 40 different programs. 40 preset programs in a wide range of musical styles are also provided, giving you a total of 80 programs. MORE INCLUDING AN AUTO CHROMATIC TUNER Since the AX3s contain an Auto Chromatic Tuner, in addition to having great tone youll always be in tune. Theres a mute mode that lets you tune without producing sound from your guitar or bass amp, so its easy to tune on-stage. You can connect an optional expression pedal and use your foot to control wah or volume. With a size that easily fits into the pocket of your gig bag, and the ability to operate on battery power, the AX3s offer a great way to get the best guitar and bass sounds at home, in the studio, or on stage.

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FULL EDITING AND FLEXIBILITY THAT RIVALS DEDICATED UNITS Each amp model and effect has a wide array of editable parameters that rivals those found on dedicated units. Suitable values are automatically selected when you choose an amp or effect, making it easy even for a beginner to get the best sounds right away. The most frequently used main parameters are accessible directly via the knobs. Numerous sub-parameters are also provided so that you can adjust the details of the sound to your taste. With a simple and intuitive interface, getting the perfect sound is quick and easy.

AX3G/B/A SPECIFICATIONS: Number of Effects: [AX3G & AX3B] 57 (Pre effects: 10, Drive/Amp models: 16, Cabinet models: 10, Modulation effects: 10, Delay effects: 5, Reverb effects: 5, and Noise Reduction); [AX3A] 43 (Pre Effect: 10, Tone: 1, Notch: 1, Mic & Body Effect: 10, Modulation Effect: 10, Delay Effect: 5, Reverb Effect: 5, Noise Reduction: 1) Number of Programs: 80 (40 users / 40 presets) Connections: INPUT (1/4" phone jack), OUTPUT (1/4" stereo phone jack) Signal Processing: A/D, D/A conversion: 24 bit, sampling frequency: 31.25 kHz Tuner Function: Detection Range: 27.5 Hz ~ 1,318.5 Hz (A0 ~ E6), Calibration: A = 438 ~ 445 Hz Power Supply: Four alkaline AA batteries (battery life: approx. 8 hours), or DC9V (separately sold AC adapter) Dimensions (W x D x H): 7.01" x 5.59" x 1.69" Weight: 0.75 lbs. Options: EXP-2 Foot Controller, XVP-10 Expression/Volume Pedal, DC9V AC adapter

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41

PX4D Personal Multi-Effect Processor PX4A Acoustic Personal Multi-Effect Processor

LUKE REYNOLDS of Blue Merle

COMPACT AND POWERPACKED

PX4D
Two new models join the acclaimed Pandora series of versatile, pocket-sized units: the dual-purpose PX4D for guitar and bass, and the PX4A for electric-acoustic guitar.

[Actual Size]

THE PX4D IS THE ULTIMATE PRACTICE TOOL Packed with authentic amp models, a wealth of effects, rhythms, bass patterns and a phrase trainer, the PX4D will become an indispensable tool in your arsenal. From high-end tube amps to rare vintage amps and classic favorites, the PX4Ds 25 amp types faithfully model the amp sounds that guitarists and bassists seek. Each of the 23 speaker cabinet models was newly created especially for the PX4D. The permutations are limitless you can even combine a guitar amp with a bass cabinet. In addition to standards such as compressor and wah, there are numerous modeling effects. Pickup modeling transforms the sound of single-coil pickups into that of humbucking pickups (or vice versa), guitar and bass synths let you play synth sounds, a slow attack effect creates violin-type swells, a feedback effect allows feedback playing techniques that are normally possible only at high volumes, a fretless bass effect simulates the distinctive sound of a fretless bass, and many more. These effects can be utilized to their fullest with the PX4Ds generous 100 preset and 100 user programs. THE PX4A IS OPTIMIZED FOR ACOUSTIC SOUNDS Created especially for electric-acoustic players, the PX4A contains 82 effects including Body effects that model the resonances and vibrational character of great acoustic guitars. Aspects such as guitar construction and body size are modeled in painstaking detail for numerous guitars. Today, many acoustic guitars are equipped with piezo transducers. Unfortunately, the direct sound from piezo pickups can tend to have a sterile character, but the PX4As effects add the distinctive warmth of resonating wood that is typical of an acoustic guitar, producing an extremely rich and natural sound.

PX4A

The effects of the PX4A extend beyond the conventional boundaries of the electric-acoustic guitar to include models for resonator guitar, a newly developed banjo and nylon-string guitar you can play a wide variety of acoustic sounds using just a single instrument. There are also mic effects that simulate the sense of space and depth achieved by micing an instrument. There are numerous other effects, ranging from standards such as compressor, limiter, echo, delay, reverb, and chorus, through distinctive effects such as a twelve-string effect that reproduces the sound of a twelve-string guitar. The PX4A has a Notch effect that helps to curtail the feedback (howling) that can be a problem for amplified acoustic instruments. The PX4A provides 50 user programs and 50 preset programs that cover a broad range of styles, including sounds of famous artists.

PLAY ALONG WITH ANOTHER AUDIO SOURCE Connect a CD player or another external audio source to the AUX IN jack, and use the Key Transpose function to change the pitch of the song upward or downward by as much as one octave. The PX4D also contains a Bass Canceller function that erases the bass sound from an external audio source so that you can play and hear your bass along with the song. SUPERB VISIBILITY A backlit, semitransparent LCD clearly displays effect and programs names and icons. A strap holder is also provided so that you can attach it directly to your instrument strap.
PX4D & PX4A SPECIFICATIONS: Effects: <PX4D> 158 types (Max. simultaneous effects: 7); <PX4A> 82 types (Max. simultaneous effects: 8) Number of programs: <PX4D> User: 100, Preset: 100; <PX4A> User: 50, Preset: 50 Inputs: guitar input

ONE HUNDRED RHYTHM AND BASS PATTERNS ARE BUILT IN The 100 built-in rhythm patterns cover a broad range of styles that include rock, jazz, funk, blues and dance music. The PCM sounds used in these patterns produce realistic accompaniments that are fun to play along with. In addition, both the PX4D and PX4A provide Bass patterns that let you specify the key. PHRASE TRAINER FUNCTION HELPS YOU LEARN PHRASES Record up to 30 seconds from an audio source such as a CD, MD or MP3, and play it back repeatedly (looped) at a slower speed without changing the pitch. You can also record a phrase that you play yourself along with the built-in rhythm and bass accompaniment, and then practice soloing over the top of it.

(1/4" jack), AUX (mini stereo jack) Output: line/headphone dual-purpose output (stereo phone jack) Tuner section: detection range: 27.5 Hz-2,093 Hz (A0-C7), calibration: A = 438 Hz-445 Hz Rhythm section: 40-208 bpm Power supply: 4x AAA alkaline batteries, Allows 10 hours of continuous use (backlight OFF), Allows 7 hours of continuous use (backlight ON), separately sold AC adapter (DC4.5V) Dimensions (W x D x H): 2.99" x 4.41" x 1.06" Weight (not including batteries): 0.30 lbs. Included items: Owners manual, Four AAA alkaline batteries for verifying operation, Strap holder Option: AC adapter

TRUE BLUE
By Kenny Kuehn Photo by Alan Mayor Pictured: Luke Reynolds photographed in Nashville, TN One would think that a guitar would be a guitar players best friend, right? Well, for Luke Reynolds its Korgs ToneWorks PX4D Personal Effects Processor. This compact unit delivers high-quality sounds, versatility, and extremely easy-to-use features, such as the phrase trainer and chromatic tuner. This thing rocks! exclaims Luke, guitarist/vocalist of Nashvilles Blue Merle. Its great for dialing in some far out sounds really quick, and being able to play along with the rhythm tracks is amazing. It really helps your timing, not to mention its so easy to use, says Reynolds. Read the rest of our interview with Luke at www.korg.com/bluemerle

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MP3 Audio Files Effects List BUY ACCESSORIES

If you are unfamiliar with Blue Merle, who better than its guitarist/vocalist to bring you up to speed. Were a five-piece band full of incredibly well-rounded and well-versed musicians, describes Luke. Its very much American music drawing from all the genres that had a huge affect on us, like Americana, jazz, classical, and rock. There are some pretty eclectic instruments as well, with the mandolin and double bass along with the violin and piano. Were a song band with a high level of energy, and were just into great, great songs.

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METRONOMES [new]

BTL-1 BEATLAB Digital Metronome

TIMING IS EVERYTHING
twenty-four programs in internal memory. Theres also a Chain mode that will memorize eight chains, each containing up to sixteen programmed patterns.

MA-30

BeatLab is an advanced digital metronome for use by all instrumentalists plus it has features designed specifically for percussionists that help them learn their rudiments. Youll appreciate BeatLabs variety of advanced patterns aimed at making your practice experience more fun and fulfilling.

GET COMPLIMENTS ON YOUR RUDIMENTS BeatLab makes it easy to practice and perfect a variety of rhythms and styles. BeatLabs Training mode is chock full of a multitude of patterns that will help you practice your snare drum rudiments. Thirty-nine patterns of the well-known standard rudiments such as roll, paradiddle, flam, and ruff are built-in. BeatLab includes cues that help you know which hands turn it is. Plus, you can choose whether the pattern starts on the right or left hand. CREATE YOUR OWN IDEAL PRACTICE PATTERNS BeatLab isnt just great for drummers. Any player will find it indispensable for brushing up on their performance technique. For just the right feel, try out BeatLabs Program mode. Use it to build your own simple or complex practice patterns. You can combine up to nine types of rhythm and accent at a beat or tempo that you specify. BeatLab can store

DESIGNED FOR EASY OPERATION AND GREAT VISIBILITY BeatLab is designed for quick and convenient access to the functions you need. Its controls include independent keys for each mode, convenient sliders for adjusting the volume of each rhythm sound, numeric keys for setting the tempo as a numeric value, up/down keys, and parameter select keys conveniently placed below the display for selecting the parameters shown in the display. BeatLab is designed with an extraloud volume so that its easy to hear whats going on even if youre wearing headphones. The display is backlit for easy visibility even in dim locations. BeatLab can be operated either on four AAA batteries or an AC adapter.
BEATLAB SPECIFICATIONS: [Metronome] Range of Tempo: 30~300 beats per minute, Range of Beats: 0~9 beats, Tempo Precision: +/- 0.2% [Memory] Programs: 24, Chains: 8, Bar Memories: 16 per chain, Training Patterns: 39 types Slider Volume: Accent/Quintuplet, Quarter-note/Sextuplet, Eighth-note/Septuplet, Triplet/Octuplet, Sixteenth-note/ Nonuplet Dynamic speaker ( 50 mm) Connections: Headphones (1/4 stereo phone jack), Power (DC9V) Power Supply: Four AAA alkaline batteries, or AC adapter (optional) Battery Life: approx. 120 hours (in Program mode, 240 BPM, ACC: quarter note, maximum volume) Dimensions (W x D x H): 5.59 x 4.09 x 1.10 Weight: 0.43 lbs. (without batteries) Accessories: Four AAA alkaline batteries for checking operation

Digital Metronome A feature-packed, affordable metronome. Highly visual liquid crystal pendulum Thirteen different rhythms are built-in so you can practice to more than a click track Rhythms include duplets, triplets, triplets with inner beats omitted, quadruplets, and quadruplets with inner beats omitted Twelve reference pitches, C4-B4 Adjustable calibration (438-445 Hz) Adjustable volume Tempo adjusts from 40-208 bpm Tap function for setting the tempo Earphone jack Memory backup function Approximately 250 hours of continuous use Dimensions (W x D x H): 4.09" x 2.52" x 0.59" Weight: 0.17 lbs. (including batteries)

Digital Metronome The KDM-2 advances Korgs most popular metronome to a new level of performance. Korgs original, cylindrical resonator speaker provides powerful sound, volume and tone An LED provides visual confirmation of the tempo Newly added beat variations range from basic to sophisticated rhythms A total of 19 beat patterns cover your practicing needs in numerous musical styles Three different PCM beat sounds (cowbell/agogo bells/clave) Tap Tempo function An audible Reference tone in a range of C4~B4 is available for tuning An encoder-type TEMPO/CALIB dial and switch provide direct access to the desired setting or function A large LCD screen makes settings easy to see Approximately 120 hours of continuous use Dimensions (W x D x H): 4.17" x 1.91" x 4.19" Weight: 7.41 oz. (including batteries)

KDM-2

GUITAR & CHROMATIC TUNERS TM-40

Digital Tuner Metronome Practice pitch and rhythm at the same time! Tuner and metronome functions can be used simultaneously or independently Large LCD-type needle meter LED indicators that show pitch deviation or blink to indicate the tempo Wide detection range of C1 (32.70 Hz)~C8 (4186.01 Hz) Built-in high-sensitivity mic for tuning acoustic instruments Sound Out mode with built-in speaker and selectable reference switch from A5 to B4 Adjustable calibration in a range of 410~480 Hz Pure major third and minor third interval markings Metronome beat mode with preset tempo and time signature selections Thirteen rhythm variations for practicing a wide range of styles Two tempo adjustment modes: full step and pendulum step Options: CM-100 contact mic for accurate tuning in noisy environments Dimensions (W x D x H): 4.45" x 3.03" x 0.71" Weight: 3.77 oz.

MM-2

Metronome The MM-2 is a personal metronome that fits on your ear, allowing you to play to a beat that only you can hear. Compact, personal metronome 39 tempo steps in a 40-208 bpm range 0,2,3,4,5,6,7 beats, 8th notes, triplets, 16th notes, +/-2% accuracy Easy-to-adjust volume control Piezo electric speaker Ear hook comfortably fits either ear Ear pad reduces sound leakage, improves sound quality and stability Two interchangeable color caps 3V lithium battery (1x CR1216) included Dimensions (W x D x H): 3.0" x 0.94" x 1.97" Weight: approx. 0.013 lbs.

OT-12

Orchestral Tuner shown with CM-100 contact mic The OT-12 Orchestral Tuner allows ideal tuning under any conditions, with an incredibly broad tuning spectrum that covers the pitch ranges of all instruments. Chromatic tuner designed for classical instruments Dual display with VU-style meter and LCD screen for ideal visibility Sound Back mode produces a reference tone closest to the pitch picked up by the contact mic, and shows the difference between the input pitch and reference pitch Multi-temperament function supports historical temperaments Transpose mode (up to 12 keys) convenient for wind instruments Two selectable tuning modes: Auto and Manual Reference pitches can be sounded Tuning range A0-C8 Has a built-in mic or can be used with optional CM-100 contact mic (pictured) Dimensions (W x D x H): 5.5" x 1.56" x 2.375" Weight: 6.8 oz.

[Actual Sizes]

Micro Metronome The Korg MM-1, an on-ear micro metronome, is only slightly larger than an earring, but packs all the functionality you could want for rhythm training. Worlds smallest, lightest metronome Digital accuracy and everything you need for complete rhythm training Fits comfortably on your ear. Only you can hear it Set tempo over a range from 40 to 208 bpm 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4 time signatures, plus duplet, triplet and quadruplet beats Long-life lithium battery for cable-free use (battery life 500 hours) Dimensions (W x D x H): 0.64" x 1.83" x 0.66" Weight: 0.2 oz.

MM-1

Micro Tuner An ultra-compact, ultra-lightweight chromatic tuner you can attach to your wind or string instrument for easy and accurate tuning. Piezo pickup detects vibrations from the attached instrument, or the built-in microphone detects the pitch Marks to indicate pure major third and minor third intervals Meter Reverse function lets you invert the display Adjustable calibration accommodates a wide range of concert pitches Two clip sizes (Large/Small) are included for use in different situations or for various types of instruments Memory backup function Dimensions (W x D x H): 0.98" x 2.17" x 0.35" Weight: 0.024 lbs. (including battery) >>

AW-1

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GUITAR & CHROMATIC TUNERS

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GUITAR & CHROMATIC TUNERS

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Download Free Owners Manuals BUY ACCESSORIES

[new]
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DO IT AT KORG.COM IT ATdisplay, KORG.COM superior features like a large, easy-to-see, LCDDO needle-style the CA-40 Chromatic
Tuner and GA-40 dedicated Guitar/Bass Tuner are a great value!

New feature-packed models join the best-selling CA/GA series of compact tuners. With

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DO IT AT KORG.COM [new]

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BUY ACCESSORIES Guitar/Bass Tuner The GA-40 is designed specifically for guitar and bass, with excellent performance BUY ACCESSORIES and convenient functionality Large, high-precision meter-type display for stable tuning indication Quinta-Flat Tuning mode allows dropped tunings from one to five semitones Supports tuning of seven-string guitars and six-string basses Sound Out function lets you produce a reference tone from the internal speaker Equipped with output jack, microphone & folding stand Auto Power Off function saves the battery even if you forget to turn off the tuner Memory Backup function Approximately 85 hours of continuous use Dimensions (W x D x H): 3.94" x 2.64" x 0.67" Weight: 0.19 lbs. (with batteries)

GA-40

The DT-10 is a rugged tuner in a foot pedal thats perfect for precise tuning when playing live. The DT-10s 13-point LED pitch meter and 16-segment LED note display provide unmatched visibility, even on a dark stage. And the DT-10s sturdy metal case is designed for years of tough use. Optimized for guitar/bass players Simple and stable design LED-type meter for quick response and accuracy Seven-semitone flatted tuning mode Detection range of E0 (20.60 Hz) C8 (4186 Hz) Adjustable calibration 438445 Hz Two outputs (bypass and mute) Dimensions (W x D x H): 4.09" x 4.69" x 2.01" Weight: 0.90 Ibs.

DT-10 Digital Tuner DO IT AT KORG.COM

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Chromatic Tuner A compact chromatic tuner, ideal for use with brass band or orchestra Larger and more easily readable high-precision LCD needle-style meter Wide detection range from A0~C8 Calibration function that accommodates a variety of concert pitches Sound Out function that lets you produce a reference tone from the internal speaker. The tuner will remember the pitch you select Equipped with output jack, microphone & folding stand Auto Power Off function saves the battery even if you forget to turn off the tuner Memory Backup function Approximately 85 hours of continuous use Dimensions (W x D x H): 3.94" x 2.64" x 0.67" Weight: 0.19 lbs. (with batteries)

CA-40

Dedicated super-accurate guitar/bass tuner featuring the Buzz Feiten Tuning System, a world-wide first! Two selectable tuning modes: chromatic (for tuning normally tuned instruments) or Buzz Feiten Large LED-type meter and seven-segment note display for excellent visibility Buffer amp between the INPUT jack and BYPASS jack eliminates any tonal coloration A convenient Sound Out mode Wide tuning range [A0 (27.50 Hz) to B7 (3,951.07 Hz)], allows tuning of a wide variety of instruments including five and six-string basses Built-in mic for use with acoustic guitar Dimensions (W x D x H): 6.65" x 2.48" x 1.71" Weight: 6.34 oz.

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GT-3

Guitar Tuner A compact model that features full auto tuning. Affordable auto tuner for guitar and bass Easy-to-read LED meter Calibration range from 430-450 Hz Built in mic for acoustic instruments Bypass jack for connecting to an amp Dimensions (W x D x H): 5.30" x 2.01" x 1.00" Weight: 0.25 lbs. (including battery)

CA-30

Chromatic Tuner Compact chromatic tuner, ideal for brass band or orchestra High-precision LCD Needle-type meter for stable tuning Wide range of pitch detection covers C1-C8 Calibration function supports a variety of concert pitches Built-in high-sensitivity microphone for tuning acoustic instruments Reference tone can be produced from an internal speaker (Sound Out) (A4/B 4, 12 notes) C4 (261.33 Hz)C5 (523.25 Hz) Marks provided for pure major thirds and minor thirds Auto Power Off function conserves battery life Memory Backup function Dimensions (W x D x H): 4.1" x 2.52" x 0.6" Weight: 0.18 lbs. (including batteries)

DT-3

Digital Tuner Chromatic auto tuner with auto-reference calibration and dual tuning mode functions. Wide measurement range (A0 C8) Auto reference calibrations automatically calibrate to other instruments Hz tuning mode enables precise tuning in 1 Hz increments Improved LED meter for easy, accurate tuning Dimensions (W x D x H): 4.84" x 3.03" x 1.61" Weight: 0.30 lbs. (including batteries)

DTR-2000/1000 Digital Rack Tuners GA-30

Guitar/Bass Tuner High-precision LCD needle-type meter for stable tuning Lets you tune up to five semitones flat Supports seven-string guitar and six-string bass tunings Supports super-long scale guitars up to five frets longer than conventional guitars Reference tone can be produced from an internal speaker (Sound Out) Built-in high-sensitivity microphone for tuning acoustic guitars Wide detection range (B0-B6) Auto Power Off function conserves battery life Convenient tilt slit lets you insert a plastic card for use as a handy stand Approximately 100 hours of continuous use Dimensions (W x D x H): 4.1" x 2.52" x 0.6" Weight: 0.18 lbs. (including batteries)
These rack tuners are must-have items for professional musicians, packed with essential features for pro guitar performance. DTR-2000: Chromatic, guitar (six-string, seven-string)/bass, and open modes Five types of open tuning Three types of display: cents, hertz, or strobe Seven-semitone flat tuning mode supports dropped tunings up to seven semitones a worldwide first Adjustable calibration of 438445 Hz (Select either manual or auto) Reference pitches can be output from the Sound jack (C2-C6) Two sets of inputs Built in mic supports acoustic guitar tuning Illumination function that lights up rack-mounted equipment below DTR-1000: Chromatic tuner that automatically detects the note name and accurate pitch Seven-semitone flat tuning support Two types of display: cents or strobe Adjustable calibration of 438-445 Hz (Manual/Auto) Dimensions (W x D x H): 18.94" x 4.45" x 1.81" Weight: 3.09 lbs.

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