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Tartuffe is a play that makes fun of gullibility and helplessness of those who
has seen the truth but are not listened to. Moliere focused on this human
weakness and wrote a play that is so witty and absurdly funny. Absurd in the
sense that obstinacy of some of the characters is so illogical that the viewer
Specifically, Orgon’s character bore the brunt of revoke among the rest of the
The plot centered more on the gullibility of Orgon rather than on the evils of
respect for anything; each one must have his say; it’s perfect
most of the family members waged a war against Tartuffe, the hypocrite who
insinuated himself in the family and controlling it through its head, Orgon.
All the characters are not holding their peace. Not especially Dorrine, the
wittiest of all the characters whom Moliere had her say this gem when she
and Madame Pernelle were talking about nosy neighbors, “These pious
dames, in their austerity, must carp at everything, and pardon nothing. They
loudly blame their neighbors' way of living, not for religion's sake, but out of
envy, because they can't endure to see another enjoy the pleasures age has
The tension of the play is to what means and end will Orgon be undeceived or
his eyes be opened at the vileness of Tartuffe who clothed himself with
affected piety and humility in the supposed service of God. A compromised
of both passion and reason is apparent in the play of the characters of Orgon
and the rest of the family. Orgon is being obstinate in his unreasonable
stance while his family is also fast in the retort and totally passionate in their
reasonable stance.
Tartuffe’s holiness which prompted that witty servant Dorine to say about him
“Upon him! He’s his universe, his hero; He's lost in constant admiration,
quotes him on all occasions, and takes his trifling acts for wonders and his
words for oracles” (Act 1Scene II, lines 28-31). Orgonis totally blinded by the
pretensions of Moliere that when told that his wife was not feeling well and
the health of the in-house parasite, Tartuffe. This is not surprising since he
described Tartuffe in the following words: “whoever does his will, knows
perfect peace, and counts the whole world else, as so much dung. His
friendship, teaches me to have no love for anything on earth; and I could see
my brother, children, mother, and wife, all die, and never care--a snap” (Act
His only co-believer is his mother who considers Tartuffe as one who could
of Orgon. As head of the family Orgon can dictate his daughter who to marry
and whom he is going to disinherit. Thus the struggle of his family members
to open his eyes is a struggle also for their survival. This had led to the
“almost” break-up of betrothed Mariane and Valere which is notable for this
MARIANE
VALERE
You'll find no trouble taking it, I warrant.
MARIANE
No more than you did giving it, be sure.
VALERE
I gave it, truly, to oblige you, madam.
MARIANE
And I shall take it to oblige you, sir (ACT I, Scene IV, lines 27-31).
witness Tartuffe’s evil designs on his wife. Still he failed to convince his own
mother when he related everything to her who told him that, “appearances
are oft deceiving, and seeing shouldn't always be believing”(ACT V, Scene III,
It may well be that the ungoverned passion initially on the part of Orgon to
misplaced reason, it would be a difficult choice between the two. Since there
is no such thing as the latter, reason is a better choice. Passion takes a lot of
Moliere has really exploited gullibility to new heights of ridicule. In the end it
was not Orgon who returned everything to normal. It has to be the King of
France who intervened. Of course other perspectives have to be considered.
Perhaps what really saved Orgon was his passionate loyalty to his country in
his prime years and that the intercession was just a past debt waiting to be
passion.
MARIANE
But, father, I protest it isn't true!
Why should you make me tell this dreadful lie?
ORGON
Because I mean to have it be the truth (ACT II, Scene II, lines 18-
20).
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