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42 St

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yK^e lo die lf<3rogtessivt Etudes

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COMPRISING VERY ADVANCED TECHNICAL STUDIES FOR EXTREME VELOCITY DESIGNED TO FOLLOW

(To/en tyJtle Iodic t&ProJressii/elZ fades, FOR GAINING COMMAND OF EXTREMELY RAPID

TECHNIQUE AND TEMPOS


Ufith

accompcuument

far ^Second Harp or Piano

i?

Gertrude ls\ Robinson

BOSTON
i8oJ8^ Bovuvror* st

NEWYORK CARL FISCHER COOPER SQUARE

Chicago }UU) WABASH Avt

HAROLD B. LEE LIBRARY BRIGHAM YOUNG UNIVERSITY PROVO, UTAH

:-

Twenty Advanced
Melodic and Progressive Etudes
FOR

HARP
Comprising very advanced technical studies for

extreme velocity, designed to follow

TWENTY MELODIC AND PROGRESSIVE ETUDES


for gaining

command

of extremely

rapid technique and tempos.

With accompaniment

for second harp or piano

BY
Gertrude

Ina Robinson

PUBLISHED

BY

boston

Carl Fischer NEW YORK Chicago

HAROLD B. LEE LIBi BRIGHAM YOUNG UNI'


P R OVO. U T Al

Preface

It is directly

intended that these

TWENTY ADVANCED

MELODIC AND PROGRESSIVE ETUDES shall carry on the work begun in TWENTY MELODIC AND PROGRESSIVE ETUDES, and they are graded for that purpose.They become gradually more difficult in technique and tempo,and these two books cover practically all the common technical
forms.

This book has been specially written to assist in the forms

Godefroid and Hasselmans solos, and those used in the harp and piano arrangement of the Choral by Widor. When these studies are mastered, and can be played in Metronome tempo, and with good phrasing and style, a pupil may consider that he has arrived at a point where the great difficulties are well understood; and will find that upon applying
used
in the

these principles to the best


ly easy,

solos, they
in

become

comparative-

and can soon be played

an

artistic

manner.

The Author

21953-85

Twenty Advanced
Melodic and Progressive Etudes
Theme
Benmarcato
1
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No
72)
I

Gertrude Ina Robinson


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21953- 85

El

TEN CLASSICS
FOR

HARP a ORGAN

"Praise him with stringed instruments and organs. Praise ye the Lord."

ARRANGED

BY

GERTRUDE INA ROBINSON


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