Académique Documents
Professionnel Documents
Culture Documents
This filmography has been compiled using the following sources: Fassbinder, ed. Tony Rayns, London, British Film Institute, 1980; Fassbinder, trans. Ruth McCormick, New York, Tanam Press, 1981; Rainer Werner Fassbinder: Filmemacher, Wolfgang Limmer, Hamburg, Spiegel- Verlag, 1981; Variety; The German Film Board, New York. When two dates follow the film title, the first is the year o f the film's completion, the second the year o f its fi rst showing.
OCTOBER
Katzelmacher, 1969.
Dedication: "For Marie Luise Fleisser."
Screenplay: RWF. Camera: Dietrich Lohmann. Editor: Franz Walsch (RWF). Music:
Peer Raben (after Franz Schubert). Set: RWF. Assistant Director: Michael Fengler.
Production: Antiteater-X-Film. 35 mm, b & w, 88 mins.
Cast: Hanna Schygulla (Marie), Lilith Ungerer (Helga), Elga Sorbas (Rosy), Doris
Mattes (Gunda), RWF (Jorgos), Rudolf Waldemar Brem (Paul), Hans Hirschmiiller
(Erich), Harry Baer (Franz), Peter Moland (Peter), Hannes Gromball (Klaus), Irm
Hermann (Elizabeth), Katrin Schaake (woman on Landstrasse).
Gods o f the Plague ( Gotter der Pest), 1969, 1970.
Screenplay: RWF. Camera: Dietrich Lohmann. Editor: Franz Walsch (RWF). Music:
Peer Raben. Set: Kurt Raab. Assistant Director: Kurt Raab. Production: Antiteater.
35 mm, b & w, 91 mins.
Cast: Harry Baer (Franz), Hanna Schygulla (Joanna), Margarethe von Trotta
(Margarethe), Gunther Kaufmann (Gunther), Carla Aulaulu (Carla), Ingrid Caven
(Magdalena Fuller), Jan George (cop), Marian Seidowske (Marian), Yaak Karsunke
(commissioner), Micha Cochina (Joe), Hannes Gromball (supermarket manager),
Lilith Ungerer (woman in cafE), Katrin Schaake (caf6 owner), Lilo Pempeit (mother),
RWF (porno dealer), Irm Hermann, Peter Moland, Doris Mattes.
Why Does Herr R Run Amok? ( Warum lauft Herr R. amok?), 1969, 1970.
Co-director: Michael Fengler. Screenplay: improvisations by Michael Fengler and
RWF. Camera: Dietrich Lohmann. Editors: Franz Walsch (RWF), Michael Fengler.
Music: Christian Anders. Set: Kurt Raab. Assistant Director: Harry Baer. Produc-
tion: Antiteater, for Maran-Film in collaboration with Suddeutscher Rundfunk. 16
mm, b & w, 88 mins.
Cast: Kurt Raab (Herr R.), Lilith Ungerer (his wife), Amadeus Fengler (their son),
Franz Maron (boss), Harry Baer, Peter Moland, Lilo Pempeit (office colleagues),
Hanna Schygulla, Peer Raben (school friends), Mr. and Mrs. Steer (father and
mother), Carla Aulaulu, Eva Pampuch (record salesgirls), Ingrid Caven, Doris Mat-
tes, Irm Hermann, Hannes Gromball (neighbors), Peter Hamm, Jochen Pinkert
(policemen), Eva Madelung (boss's sister).
Ria das Mortes, 1970.
Screenplay: RWF, from an idea by Volker Schlondorff. Camera: Dietrich Lohmann.
Editor: Thea Eym2sz. Music: Peer Raben. Set: Kurt Raab. Assistant Directors: Harry
Baer, Kurt Raab. Production: Janus Film and FernsehenIAntiteater-X-Film. 16 mm,
color, 84 mins.
Cast: Hanna Schygulla (Hanna), Michael Konig (Michel), Gunther Kaufmann
(Gunther), Katrin Schaake (Katrin), Joachim von Mengershausen (Joachim, Katrin's
boyfriend), Lilo Pempeit (Gunther's mother), Franz Maron (Hanna's uncle), Harry
Baer (Michel's colleague), Marius Aicher (boss), Carla Aulaulu (customer), Walter
Sedlmayr (secretary), Ulli Lommel (car dealer), Monika Stadler (travel-agency em-
ployee), Hanna Montezuma, Elga Sorgas (Hanna's colleagues), Kurt Raab (gas-
station attendant), Rudolf Waldemar Brem (bar patron), Carl Amery (librarian),
RWF (disco patron), Eva Pampuch (his friend).
OCTOBER
Cohen, Spooky Tooth. Set: Kurt Raab. Assistant Director: Harry Baer. Production:
Antiteater-X-FilmlNova International, Rome. 35 mm, color, 103 mins.
Cast: Lou Caste1 (Jeff, director), Eddie Constantine (himself), Hanna Schygulla
(Hanna, actress), Marquard Bohm (Ricky, actor), RWF (Sascha, production mana-
ger), Ulli Lommel (Korbinian, producer), Katrin Schaake (scriptgirl), Benjamin Lev
(Candy, producer), Monika Teuber (Billi, makeup woman), Margarethe von Trotta
(production secretary), Gianni di Luigi (cameraman), Rudolf Waldemar Brem (light-
ing director), Herb Andress (coach), Thomas Schieder (Jesus), Kurt Raab (Fred),
Hannes Fuchs (David), Marcella Michelangeli (Margret), Ingrid Caven (extra),
Harry Baer (her husband), Magdalena Montezuma (Irm), Werner Schroeter (Deiters,
photographer), Karl Scheydt, Tanja Constantine, Maria Novelli, Enzo Monteduro,
Achmed Em Bark, Michael Fengler, Burghard Schlicht, Dick Randall, Peter Berling,
Tony Bianchi, Renato dei Laudadio, Gianni Javarone, Peter Gauhe, Marcello Zucche.
Pioneers in Ingolstadt (Pioniere in Ingolstadt), 1970, 1971.
Screenplay: RWF, from a play by Marie Luise Fleisser. Camera: Dietrich Lohmann.
Editor: Thea Eymksz. Music: Peer Raben. Set: Kurt Raab. Assistant Director: Gun-
ther Kraa. Production: Janus Film and FernsehenIAntiteater, for Zweites Deutsches
Fernsehen. 35 mm, color, 83 mins.
Cast: Hanna Schygulla (Berta), Harry Baer (Karl), Irm Hermann (Alma), Rudolf
Waldemar Brem (Fabian), Walter Sedlmayr (Fritz), Klaus Lowitsch (sergeant-major),
Giinther Kaufmann (Max), Carla Aulaulu (Frieda), Elga Sorbas (Mariel), Burghard
Schlicht (Klaus), Gunther Kraa (Gottfried).
The Merchant o f Four Seasons (Der Hiindler der vier Jahreszeiten), 1971, 1972.
Screenplay: RWF. Camera: Dietrich Lohmann. Editor: Thea Eymksz. Music: "Buona
Notte" by Rocco Granata. Set: Kurt Raab. Assistant Director: Harry Baer. Produc-
tion: Tango Film. 35 mm, color, 89 mins.
Cast: Hans Herschmuller (Hans Epp), Irm Hermann (Irmgard, his wife), Hanna
Schygulla (Anna, his sister), Andrea Schober (Renate, his daughter), Gusti Kreissl (his
mother), Heide Simon (Heide, his married sister), Kurt Raab (Kurt, his brother-in-
law), Klaus Lowitsch (Harry), Karl Scheydt (Anzell), Ingrid Caven (Hans's "great
love"), Peter Chatel (doctor), Lilo Pempeit (customer), Walter Sedlmayr (fruit cart
seller), Salem El Hedi (Arab), Hark Bohm (policeman), Daniel Schmid, Harry Baer,
Marian Seidowski (job applicants), Michael Fengler (playboy), RWF (Zucker), Elga
Sorbas (Marile Kosemund).
f Petra von Kant (Die bitteren Tranen der Petra von Kant), 1972.
The Bitter Tears o Dedication: "To him who would become Marlene." Screenplay: RWF. Camera:
Michael Ballhaus. Editor: Thea Eymksz. Music: The Platters, The Walker Brothers,
Giuseppe Verdi. Set: Kurt Raab. Assistant Directors: Harry Baer, Kurt Raab. Pro-
duction: Tango Film. 35 mm, color, 124 mins.
Cast: Margit Carstensen (Petra von Kant), Hanna Schygulla (Karin Thimm), Irm
Hermann (Marlene), Eva Mattes (Gabrielle von Kant), Katrin Schaake (Sidonie von
Gransenabb), Gisela Fackeldey (Valerie von Kant).
OCTOBER
OCTOBER
Z Only Want Y o u to Love Me (Zch will doch nur, dass Zhr mich liebt), 1976.
Screenplay: RWF, from an interview in the book Lebenslanglich by Klaus Antes and
Christiane Ehrhardt. Camera: Michael Ballhaus. Editor: Liesgret Schmitt-Klink.
Music: Peer Raben. Set: Kurt Raab. Assistant Directors: Renate Leiffer, Christian
Hohoff. Producer: Peter Marthesheimer. Production: Bavaria Atelier GmbH (for
Westdeutscher Rundfunk). 16mm, color, 104 mins.
Cast: Vitus Zeplichal (Peter), Elke Aberle (Erika), Alexander Allerson (father), Ernie
Mangold (mother), Johanna Hofer (grandmother), Katharina Buchhammer (Ylla),
Wolfgang Hess (construction supervisor), Armin Meier (foreman), Erika Runge (in-
terviewer), Ulrich Radke (Erika's father), Annemarie Wend1 (Erika's mother), Janos
Gonczol (innkeeper), Edith Volkmann (innkeeper's wife), Robert Naegele (court
bailiff), Axel Ganz (house master), Inge Schultz (Mrs. Emmerich), Heinz H . Bern-
stein (furniture salesman), Helga Bender (boutique salesgirl), Adi Gruber (post-office
clerk), Sonja Neubauer (jewelry salesgirl), Heide Ackermann (sewing-machine sales-
woman), Reinhard Brex (building contractor).
(Gerhard Christ), Volker Spengler (Gabriel), Brigitte Mira (Kast, his mother), Armin
Meier (gas-station attendant), Roland Henschke (beggar).
Bolwieser, 1976, 1977.
Screenplay: RWF, from the novel by Oskar Maria Graf. Camera: Michael Ballhaus.
Editors: Ila von Hasperg, Juliane Lorenz. Sound: Reinhard Gloge. Music: Peer
Raben. Set: Kurt Raab, Nico Kehrhan. Assistant Directors: Christian Hohoff, Ila von
Hasperg, Udo Kier. Costumes: Monika Altmann-Kriger. Production: Bavaria Atelier
GmbH, for Zweites Deutsches Fernsehen. 26mm, color, part 1: 104 mins; part 2: 96
mins.
Cast: Kurt Raab (Xaver Ferdinand Maria Bolwieser, stationmaster), Elisabeth Tris-
senaar (Hanni), Bernhard Helfrich (Frank Merkl), Udo Kier (Schafftaler), Volker
Spengler (Mangst), Armin Meier (Scherber), Karl-Heinz von Hassel (Windegger),
Gust1 Maryhammer (Neidhart, Hanni's father), Maria Singer (Mrs. Neidhart), Willi
Harlander (Stempflinger), Hannes Kaetner (Lederer), Gusti Kreissl (Mrs. Lederer),
Helmut Alimonta (Hartsmannseder), Peter Kern (Treuberger), Gottfried John
(Finkelberger), Gerhard Zwerenz (ferryman), Helmut Petigk (innkeeper), Sonja
Neudorfer (innkeeper's wife), Monika Teuber (Mariele), Nino Korda (lawyer),
Hannes Gromball (judge in district court), Alexander Allerson (chairman), Manfred
Gunther (defendant), Roland Henschke (judge in Werburg), Adolph Gruber (accused
peasant), Doris Mattes (witness), Ulrich Radke (Counsel Schneider), Liselotte Pempeit
(Mrs. Kaser), Reinhard Weiser (sailor), Elma Karlowa (nurse), Isolde Barth (first
heckler), Margot Mahler (second heckler), Renate Muhri (whore), Monica Gruber
(waitress), Katharina Buchhammer (barmaid).
Women in New York (Frauen in New York), 1977.
Screenplay: Clare Boothe Luce's The Women, translated by Nora Gray. (This is the
television film version of the play directed by RWF in Hamburg.) Camera: Michael
Ballhaus. Editor: Wolfgang Kerhutt. Sound: Horst Faahs. Set: Rolf Glittenberg.
Costumes: Frieda Parmeggiani. T V adaptation: Dieter Meichsner. Production: Nord-
deutscher Rundfunk. 16mm, color, 111 mins.
Cast: Christa Berndl (Mary, Mrs. Stephen Haines), Margit Carstensen (Sylvia,
Mrs. Howard Fowler), Anne-Marie Kuster (Peggy, Mrs. John Day), Eva Mattes
(Edith, Mrs. Phelps Potter), Angela Schmid (Nancy BlakelPrincess TamaraIMiss
Trimmerback), Heide Grub1 (Janelgymnastics instructorldesperate woman), Ehmi
Bessel (Mrs. WagstafflIngrid, the cooklfirst manager1Miss Watts, secretarylsec-
ond lady), Susanne Werth (first hairdresser, first saleswoman, first woman), Carola
Schwartz (second hairdresser, second saleswomanIHelene, lady's maid), Irm Hermann
(Olga, manicuristIMiriam), Adelheid Muther (Euphielmannequinlcigarette woman),
Ilse Bally (woman in mud packlsecond managerlfirst lady), Andrea Grosske (Miss For-
dyce, tutorlluca, cleaning womanIMaggie, cook/widow), Christina Prior (Little
Mary), Gisela Uhlen (Mrs. MoreheadICountess de Lage), Barbara Sukowa (Crystal
Allen), Henny Zschoppe (nurse), Sabine Wegener (debutante).
Despair (Eine Reise ins Licht- Despair), 1977, 1978.
Dedication: "To Antonin Artaud, Vincent van Gogh, Unica Ziirn." Screenplay: Tom
Stoppard, from the novel by Vladimir Nabokov. Camera: Michael Ballhaus. Editor:
OCTOBER
Juliane Lorenz. Sound: James Willis. Music: Peer Raben. Set: Rolf Zehetbauer. Costumes: Dagmar Schauberger. Assistant Director: Harry Baer. Producer: Peter Marthesheimer. Production: NF Geria I1 Film GmbH, Munich, in collaboration with SFP, Paris, produced by Bavaria Atelier GmbH. 35 mm, color, 119 mins. Cast: Dirk Bogarde (Hermann Hermann), Andrea FerrCol (Lydia Hermann), Volker Spengler (Ardalion), Klaus Lowitsch (Felix Weber), Alexander Allerson (Mayer), Bernhard Wicki (Orlovius), Peter Kern (Muller), Gottfried John (Perebrodov), Adrian Hoven (inspector, Schelling), Roger Fritz (inspector, Braun), Hark Bohm (doctor), Voli Geiler (madam), Hans Zander (Muller's brother), Y Sa Lo (Elsie), Liselotte Eder (secretary), Armin Meier (foreman), Gitti Djamal (woman in prison), Ingrid Caven (hotel receptionist), Isolde Barth. Germany in Autumn (Deutschland im Herbst), 1977, 1978.
Directors: Alf Brustellin, RWF, Alexander Kluge, Maximiliane Mainka, Edgar Reitz,
Katja RupCIHans Peter Cloos, Volker Schlondorff, Bernhard Sinkel. (The following
information concerns the Fassbinder segment of this omnibus only .) Screenplay: RWF.
Camera: Michael Ballhaus. Editor: Juliane Lorenz. Sound: Roland Henschke. Pro-
duction Coordinators: Heinz Badewitz, Karl Helmer, Herbert Kerz. Production:
Pro-ject Film Production, Filmverlag der AutorenIHallelujah-FilmIKairos Film.
35mm, color and b & w, 26 mins.
Cast: RWF, Armin Meier, Liselotte Eder.
The Marriage o f Maria Braun (Die Ehe der Maria Braun), 1978, 1979.
Dedication: "For Peter Zadek." Screenplay: Peter Marthesheimer, Pea Frohlich, from
an idea by RWF. Camera: Michael Ballhaus. Editor: Juliane Lorenz. Sound: Jim
Willis. Music: Peer Raben. Set: Helga Ballhaus. Set Construction: Norbert Scherer.
Costumes: Barbara Baum. Assistant Director: Rolf Buhrmann. Producer: Michael
Fengler. Production: Albatros Produktion. 35mm, color, 120 mins.
Cast: Hanna Schygulla (Maria Braun), Klaus Lowitsch (Hermann Braun), Ivan
Desny (Oswald), Gottfried John (Willi), Gisela Uhlen (mother), Giinther Lamprecht
(Wetzel), George Byrd (Bill), Elisabeth Trissenaar (Betti), Isolde Barth (Vevi), Peter
Berling (Bronski), Sonja Neuforfer (Red Cross nurse), Liselotte Eder (Mrs. Ehmke),
Volker Spengler (Schaffner), Karl-Heinz von Hassel (district attorney), Michael
Ballhaus (lawyer), Christine Hopf-de Loup (notary), Hark Bohm (Sekenberg), Dr.
Horst-Dieter Klock (man with car), Gunther Kaufmann (friend in car), Bruce Low
(friend at conference), RWF (black marketeer), Claus Holm (doctor), Anton Schirsner
(Grandpa Berger), Hannes Kaetner (registrar), Martin Haussler (reporter), Norbert
Scherer, Rolf Buhrmann, Arthur Glogau (waiters).
Lighting: Karl Scheydt, Wolfgang Mund. Set: Franz Vacek. Production Manager:
Isolde Barth, with the assistance of Milan Bor, Walter Bockmayer, Jo Braun, Juliane
Lorenz, Peer Raben, Volker Spengler, Alexander Witt. Production: Tango Film1
Project Film Production, Filmverlag der Autoren. 35mm, color, 134 mins.
Cast: Volker Spengler (Elvira Weishaupt), Ingrid Caven (Red Zora), Gottfried John
(Anton Seitz), Elisabeth Trissenaar (Irene), Eva Mattes (Marie-Ann), Giinther
Kaufmann (chauffeur), Liselotte Pempeit (Sister Gudrun), Isolde Barth (Sybilline), Karl Scheydt (Hacker), Walter Blockmayer (Soul Frieda), Peter Kollek (drunk), Bob Dorsay (man in the street), Gunther Holzapfel (Seitz's bodyguard), Ursula Lillig (cleaning woman), Gerhard Zwerenz (Burghard Hauer, journalist).
The Third Generation ( D i e dritte Generation), 1979. Dedication: "To a true lover- and hence, probably, to nobody?" ScreenplayICamera: RWF. Editor: Juliane Lorenz. Sound: Milan Bor, Jean Luc MariC. Music: Peer Raben. Set Design: Raul Giminez, Volker Spengler. Technical Assistants: Ekkehard Heinrich, Hans Buckling. Assistant Director: Diana Elephant. Production Manager: Harry Baer. Production: Tango FilmIPro-ject Film Production, Filmverlag der Autoren. 35mm, color, 110 mins. Cast: Volker Spengler (August Brem), Bulle Ogier (Hilde Krieger), Hanna Schygulla (Susanne Gast), Harry Baer (Rudolf Mann), Vitus Zeplichal (Bernard von Stein), Udo Kier (Edgar Gast), Margit Carstensen (Petra Vielhaber), Gunther Kaufmann (Franz Walsch), Eddie Constantine (Peter Lenz), Raul Giminez (Paul), Y Sa Lo (Ile Neumann), Hark Bohm (Gerhard Gast), Claus Holm (Grandfather Gast), Lilo Pempeit (Mother Gast), Jurgen Draeger (Hans Vielhaber). Berlin Alexanderplatz, 1980. Screenplay: RWF, from a novel by Alfred Doblin. Camera: Xaver Schwartzenberger. Editor: Juliane Lorenz. Music: Peer Raben. Sound: Carsten Ullrich. Set: Helmut Gassner, Werner Achmann. Costumes: Barbara Baum. Production Manager: Dieter Minx. Producer: Peter Marthesheimer. Production: Bavaria Atelier GmbH, Italian Network in collaboration with Westdeutscher Rundfunk. 16mm, color, 15% hrs (13 parts and an epilogue). Cast: Gunther Lamprecht (Franz Biberkopf), Barbara Sukowa (Mieze), Gottfried John (Reinhold), Barbara Valentin (Ida), Hanna Schygulla, Franz Buchreiser, Claus Holm, Brigitte Mira, Roger Fritz, Hark Bohm, Ivan Desny, Annmarie Diiringer, Elisabeth Trissenaar, Helen Vita, Herbert Steinmetz, Gerhard Zwerenz. Lili Marleen, 1980, 1981. Screenplay: Manfred Purzer, in collaboration with RWF and Joshua Sinclair, from Lale Andersen's autobiography, Der Himmel hat viele Farben. Camera: Xaver Schwartzenberger. Artistic Assistant: Harry Baer. Music: Peer Raben. Set: Rolf Zehetbauer. Production Manager: Konstantin Torsch-Thoeren. Producer: Luggi Waldleitner, in association with Enzo Peri, Roxy-Rialto-Lex Film (Munich). 35mm, color, 120 mins. Cast: Hanna Schygulla (Willie), Giancarlo Giannini (Robert), Me1 Ferrer (David Mendelsson), Karl-Heinz von Hassel (Henkel), Hark Bohm (Taschner), Erik Schumann, Gottfried John, Karin Baal, Christine Kaufmann, Udo Kier, Roger Fritz, Rainer Will, Raul Giminez, Adrian Hoven, Willy Harlander, Barbara Valentin, Helen Vita, Elisabeth Volksman, Lilo Pempeit, Traute Hass, Brigitte Mira, Herb Andress, Michael McLernon, Jurgen Drager, Rudolf Lenz, Toni Nelzle, Irm Hermann. Lola, 1982. Screenplay: RWF, Peter Marthesheimer, Pea Frohlich. Camera: Xaver Schwartzenberger. Editor: Juliane Lorenz. Art Director: Rolf Zehetbauer. Costumes: Barbara
OCTOBER
Baum. Music: Peer Raben. Assistant Director: Harry Baer. Set: Raul Giminez. Pro-
duction Manager: Thomas Schuehly. Producer: Horst Wendlandt. Production: Rialto
FilmITrio Film. 35mm, color, 114 mins.
Cast: Barbara Sukowa (Lola), Armin Mueller-Stahl (Von Bohm), Mario Adorf
(Schuckert), Matthias Fuchs (Esslin), Helga Feddersen (Hettich), Karin Baal (Lola's
mother), Ivan Desny (Wittich), Karl-Heinz von Hassel (Timmerding), Sonja Neu-
dorfer (Mrs. Fink), Elisabeth Volkmann (Gigi), Hark Bohm (Volker), Rosel Zech
(Mrs. Schuckert), Isolde Barth (Mrs. Volker), Christine Kaufmann (Susi), Y Sa Lo
(Rosa), Karsten Peters (editor), Nino Korda (TV man), Raul Giminez, Udo Kier
(waiters), Harry Baer, Rainer Will (demonstrators), Andrea Heuer (librarian), Ulrike
Vigo (Little Marie), Herbert Steinmetz (Pfortner), Gunther Kaufmann (Gi), Helmut
Petigk (drunk), Juliane Lorenz (saleslady), Marita Pleyer (Rahel), Maxim Osward
(Grandpa Berger).
Veronika Voss (Die Sehnsucht der Veronika Voss), 1982.
Screenplay: Peter Marthesheimer, Pea Frohlich. Camera: Xaver Schwartzenberger.
Editor: Juliane Lorenz. Music: Peer Raben. Set: Rolf Zehetbauer. Costumes: Barbara
Baum. Executive Producers: Thomas Schuehly, RWF. Production: Laura Film and
Tango Film, in coproduction with Rialto Film, Trio Film, and Maran Film. 35mm,
b & w, 105 mins.
Cast: Rosel Zech (Veronika Voss), Hilmar Thate (Robert Krohn), Annmarie Duringer
(Dr. Katz), Doris Schade (Josefa), Cornelia Froboess (Henriette), Eric Schumann
(Dr. Edel), Armin Mueller-Stahl (Max Rehbein), Peter Luehr (Mr. Triebel), Brigitte
Horney (Mrs. Treibel), Elisabeth Volkmann (Crete), Hans Wypraechtiger (chief edi-
tor), Volker Spengler (first editor), Tamara Kafka (woman doctor), Karl-Heinz von
Hassel (doctor at asylum), Thomas Schuehly (propaganda minister), Sonja Neudorfer
(saleslady), Peter Zadek (film director), RWF (police superintendant).
Qurelle, 1982.
Screenplay: RWF, from the novel by Jean Genet. Camera: Xaver Schwartzenberger.
Editor: Juliane Lorenz. Music: Peer Raben. Sound: Vladimir Vizner. Set: Rolf
Zehetbauer. Costumes: Barbara Baum. Art Director: Harry Baer. Producer: Dieter
Schidor. Production: Planet Film, Munich/Gaumont, Paris. 35mm, color, cinema-
scope.
Cast: Brad Davis (Querelle), Franco Nero (Lieutenant Seblon), Jeanne Moreau
(Lysiane), Laurent Malet (Roger), Hanno Poschl (RobertIGil), Gunther Kaufmann
(Nono), Burkhard Driest (Mario), Dieter Schidor (Vic), Roger Fritz (Marcellin),
Michael McLernon (Matrose), Neil Bell (Theo), Harry Baer (Armenier), Nadja.
Brunkhorst (Paulette).