Guitar L'Ecume des Temps

Allegro pesante ma con espressione by Jeffrey Harrington

for Guitar and Violin
 
q = 96
     
Dedicated to Birgit Schwab

             
           
p
     
5

                    
                       
 
 
   
8

                      
                       
   

mp
  
11

                           
                            
     
    sfz sfz sfz sfz sfz sfz
14

                         
                 
            
  sfz sfz sfz sfz sfz sfz
 
17

                       
                            
         
 
  sfz sfz sfz sfz sfz sfz sfz sfz sfz sfz sfz sfz
         
20

               

                          
 ff 
23
            
      
         3          

 
 
3

          
25

         

              
 6

              
3
27
6    
      
               
 
© 2002 Jeffrey Harrington, All Rights Reserved
 
6

    
3
2 29
         
Guitar 6

             
        
 

sfz 3
        
3

   
         
31
  
                    
        
34
      
 3
  
     3
  
                    
36  
  
 
              
    
                          

  6 

                  
39

                  
 6  6

              
41 rit.
                       
 6  6  6 
43
    
6 6 6

                          

   mp p
q. =50 3

                
45

       
3
  
           
    pp
sfz

        9      
3
47

                 
  pp 3
sfz

     
49 accel.

                 
3

    
   
  
 p
sfz
51
   
       
  
 sfz
 Guitar 3
            
q. = 66
52
                
   
  

   
 
53

     
     
  
 
   


f

    
  
54
  
 
      
 

  




 
55

                 

            
56

                          

     
57

                        

           
rit.
58

                          

     
59 q. = 59

                          

     
60

                            

       
61
       

             
              V.S.
4 Guitar
rit.
  
62
  
         
      
              
q. = 48
63
   
       
      
             
 
     
64

       
                
65
       
q = 75
        
        
poco giocoso
     
   
    
f
 
             
67

      
     
       
 
             
69

                  
  

          
71

                       
  

              
73

               

                  

              
75

               

        
           

  
77

           
    
                    
      
79
      
         
              

 Guitar 5

     
     
81
      

              
83
               

                  
 

                                 

   
85


con moto
87
         
     
                 
  
mf
accel.
89
        
     
                       
91 q = 100
         
           
    
           
    
93

                     
              
rit.
95 6 6

                  
                   
97 q = 85 6 6 6 6 6 6
          

                    
99 6 6 6 6 6 6 6 6

                 
   
rit.
101 6 6
               

                  
6 poco lento e legato Guitar
103     

q = 75 6 3

6

           
                 
p 6 6 3

  6
 
6
   3

           
105

                 
6

6 3

                 
 
107 6

    
  
 
6 6 6 6 6 6
6

              
6 6
 
109 6 6 6 6

              
6 6

                  
6
 
111 6 6 poco pesante
       
pp 6
 
mp
113
            
                              
      
  
116 molto pesante
 
          
6 6 6
          
    
          p         
f     p 6 6

119
     
                     
  

6 6 6 6 6 6
121
  
                     
 
              
6 6 6 6
 6   6 6 6 6 6
     
124

                       

   6   6    6
6 6  f
6 
6 6 6 6 6
    
127
                    
 
   
 Guitar 7
129 barbaro
                     
                                 
 
ff
          
      
    
132
6 6
     
 
sfz p 6      
p
6
sfz p
6  6 
134     
    
molto pesante
6 6

      
                
     

                 
6  6  
f     
137

                        
   
                           
140
  6  6  6
               
6

            
                  ff   
        
     6 
143 6

          

    
         
      ff 6  6       
meno f    
146
  6   6
          
  
         
      p sempre 6
cresc.
 6       
149 
   
   
furioso e molto pesante con moto
 
 
 
6
  
       
               
 
6 6 6 6 6
ff 6 6

6
 
6 6 6
 
151 6 6
   
6 6

     
                             

    
 
6
  
6
    
6 6 6
 
153

                   
          V.S.
6
6 6
         
8 Guitar
155
              
                
   
6 6 6 6

  
6 6 6 6
157                
             
     
6 6
6 6

      
        
159

                   

    
 
6 6 6 6

         
161
     

                   
  
  
6 6 6 6

       
poco f
163
   
          
  

         
6 6 6 6 6 6 6 6

  


    

   
 
165
            
         
    
6 6 6 6 6 6
6 6

    

6 6 6 6
   
167 6 6 6 6

              

 

 
                
      
6 6
  
6 6

169 6 6

                         
6 6

                 
       
     
 
6 6
 
6 6
171
         
              
 
  6   6   
6   6
        
   
6

      
6 6

      
173
    
    
    
   6
6
6
poco decresc. 6 6
 Guitar 9

   
6 6 6

     
175 6 6 6 6

   

 

 

 


  
  



6

 
6 6 6
  
6
 
177 espressivo e sostenuto
6 6

                       

      
6 6

mf f

6  6  
   
179 6
    
6
     
      
mf
   

       
181


f        

         
183

    
     
               

 
6 6 6
  
6

185 6 6

                          

6 6

   
6 6

 
187 6
6 6
 
                      
6 6

6
accel.
   
6 6 6 6 6 6
     
189 6 6

           

f f

 
6 6 6
  
191 6


             
10 q. = 66 Guitar
         

192

 
   
  

 
ff
sempre cresc. a fine
193
          
         


           
 
194

      

 

195

      



              
196

  



 
 




                
197

   
 
 
 
  
  
 
               
     
              
198

                          
  
fff
  
       
             
200 ad libitum

       
       
   

 3           9:8
          3 
3

202

 
ff

203
       3 3 3
 
          
3
         
sffz    
sffz sffz sffz
revised 11/11/2008