Vous êtes sur la page 1sur 169
Magic and Showmanship A handbook for conjurers Henning Nelms ae, Chapter 1 THE TWO MAGICS ‘The art of conjuring consists in creating illusions of the im- possible. In 1856, French North Africa was as disturbed as itis today. However, the agitators were not Communists but marabouts— Mohammedan fanatics who worked the Arabian mobs into superstitious frenzy by pretending to possess magical powers, ‘The French Government displayed imagination almost unique in official circles and sent a conjurer, Robert-Houdin, to discredit the marabouts by outdoing their magic. (One of Robert-Houdin’s feats is probably the most perfect example of ‘conjuring ever performed. The marabouts had a trick which apparently proved that no pistol aimed at them would fire. The French conjurer ‘Countered by letting a marabout shoot st him and catching the bullet an apple stuck on the point of a knife. However, Robert-Houdin had sn- nounced publicly that his “magic” consisted entirely of tricks, and the shrewder marabouts guessed that his bullet-catching feat could be per~ formed only with his own gun. ‘Some time later, while the Frenchman was stopping in a native village, ‘a marabout drew two pistols from his bumoose and challenged Robert- ‘Houdin to a duel in which the marabout claimed the right to the first shot Rober Hondin prot but aly sores Sah he dul under the marabout’s conditions at eight o'clock the following mot

Vous aimerez peut-être aussi