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kpkuzmanov@yahoo.com

ABSTRACT. - ,
(Intermediality in Macedonian theatre). Poznaskie Studia Slawistyczne 2.
Pozna 2012. Adam Mickiewicz Uniwersity Press, pp. 251260. ISBN 978-83-232-2409-9.
ISSN 2084-3011.
In the text Intermediality in Macedonian theatre, which uses the play Macedonian bloody
wedding by Vojdan Chernodrinski, directed by Ljupco Gorgievski, as an example, an
attempt is made at representing intermediality in theatrical performance. It is achieved
through a ready-made technique in which a significant role is played by the music group
Foltin and their performance. They use various props, which they turn into their instruments.
This leads to their actualization through dedication to their essence. In this way, the old
forms and elements of the traditional folk culture cross the bounds of time, reading the
folklore signs in the style of the postmodern scene expressions.
Keywords: intermediality, performance, postmodern, ready-made, theatre, drama, folklore

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P. Pavlii, Intertekstualnost i intermedijalnost. Tipoloki ogled, : Intertekstualnost
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., - , . VI, . 30,
2003 <www.blesok.com.mk> [: 10.05.2008].
- ., , :
, 2010, . 461467.
Lehmann H.-T., Postdramsko gledali, . K.J. Kozak, Ljubljana 2003.
., , 2000.
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Smirnov I., Umjetnika intertekstualnost, : Intertekstualnost & intermedijalnost,
. Z. Makovi, M. Medari, D. Orai, P. Pavlii, Zagreb 1988, . 209229.
., , 2006.
Orai Toli D., Teorija citantnosti, Zagreb 1990.
Topori T., Reteatralizacija i dekonstrukcija dramske forme, Scena . XLIII,
. 1/2, 2007 <www.pozorje.org.yu/scena/> [: 1.12.2010].