Académique Documents
Professionnel Documents
Culture Documents
Roll No.
(In figures as per admission card)
1. (Signature)
(Name)
Roll No.
2. (Signature)
(Name)
D1 6 0 7
Time : 2 hours]
(In words)
PAPERIII
MUSIC
U U
1. U DU U S U UU U U
2. U U U,
U S U U
U U
3. U U U, -S U
U U -S
U U
(i) -S U U U U U
U U SUU-U S
SU U
(ii) U DU U U U -S DU
U U U U U U
S DU / U
UU U U
S SU U UUU
S U U -S U
U
-S U UQ
4. U U
6. U-S U
, U
U U U
7. U # U U-S U
UU U U #
U U U U
8. / U ZU S U
9. U (UU) U U
10. U U
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P.T.O.
MUSIC
PAPERIII
-III
NOTE :
This paper is of two hundred (200) marks containing four (4) sections.
Candidates are required to attempt the questions contained in these sections
according to the detailed instructions given therein.
(200) (4)
S
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SECTION - I
UI
Note :
( 5)
(30)
( 5)
(5x5=25 )
The folk songs of people are an invaluable and ever memorable chapter in
their history. Like the ancient manuscripts, specimens of pottery and other
archaeological relics of an ancient civilization preserved intact in their correct
form, go a long way in representing before us the religious, social, economic and
cultural life, the customs and manners, the thoughts and emotions, may, the very
basic principles which protected, preserved and maintained the worldly existence,
of people. The study of the folklore of people is therefore important enough for
all students of History, but it is all the more important for a student of Music. All
Music, may it be religious, classical, popular, theatrical or festive, owes its origin
to the folklore. ... The points that go to make folk music so interesting are (i) its
simplicity of form, (ii) its reference to the every day life of the country-man,
(iii) its poetic content and (iv) its regular and simple rhythm.
- USU U
U SM UU ^ U
U U , , S
U , U-U U U h
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P.T.O.
S U, UU U l
- , U l
U
U , , S, ,
h , ...
U (i) SM U, (ii) -
, (iii) (iv) U
1.
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2.
3.
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P.T.O.
4.
5.
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SECTION - II
UII
Note :
(15) (30)
(5)
(5x15=75 )
6.
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P.T.O.
7.
8.
Describe MARGI-TAALAS.
- U
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9.
10.
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P.T.O.
11.
12.
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10
13.
14.
Name any five authentic writers (music) of modern period with a brief description of
their books.
U m () mU S
U
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11
P.T.O.
15.
16.
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12
17.
18.
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13
P.T.O.
19.
20.
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14
SECTION - III
UIII
Note :
This section contains five (5) questions from each of the electives /
specialisations. The candidate has to choose only one elective /
specialisation and answer all the five questions from it. Each question
carries twelve (12) marks and is to be answered in about two hundred
(200) words.
(12x5=60 marks)
/ (5)
/
(12) (200)
(12x5=60 )
Elective - I
UI
S -
21.
What are the new areas of research in Indian music ? Discuss them.
U - ?
22.
23.
Give your aesthetic appreciation about the synthesis of lyrics and melody in musical
composition.
U SU ? U
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15
P.T.O.
24.
Discuss the factors involved in the formation of Gharana and write the specialities of
Gwalior Gharana.
U U U U
25.
What do you understand by appreciation and criticism in Fine Art ? Explain how this
is done in Hindustani music ?
U ? S S U
?
Elective - II
II
21.
22.
23.
24.
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16
25.
OR /
Elective - III
III
RABINDRA SANGEET
21.
How much inspiration Tagore got from his family environment related to music ?
UU U UU U # ?
22.
Do you believe that Tagore has added a third dimension in Indian music - Comment.
, UU U U U U
23.
24.
25.
Do you believe Tagores music is most liked by common people because of its exceptional
lyrics. Give your own comment.
, UU U U
U
OR /
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P.T.O.
Elective - IV
IV
PERCUSSION INSTRUMENT
h l
21.
22.
23.
24.
Explaining the difference between Tihai and Chakradar, compose a Farmaishi and
a Kamali in Jhaptal.
RU UU SC U U U h
25.
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18
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19
P.T.O.
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20
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21
P.T.O.
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22
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23
P.T.O.
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24
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25
P.T.O.
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26
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P.T.O.
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28
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29
P.T.O.
SECTION - IV
IV
Note :
This section consists of one essay type question of forty (40) marks to
be answered in about one thousand (1000) words on any of the
following topics. This question carries 40 marks.
(40x1=40 marks)
(40)
, (1000)
(40x1=40 )
26.
Importance of textual evidence and oral tradition in Music and their interrelationship.
S UU U
OR /
Relevance of electronic music instruments.
U l Q
OR /
Ways and means for making Indian Classical Music more popular.
U S U
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30
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31
P.T.O.
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32
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33
P.T.O.
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34
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P.T.O.
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P.T.O.
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P.T.O.
26
51
76
27
52
77
28
53
78
29
54
79
30
55
80
31
56
81
32
57
82
33
58
83
34
59
84
10
35
60
85
11
36
61
86
12
37
62
87
13
38
63
88
14
39
64
89
15
40
65
90
16
41
66
91
17
42
67
92
18
43
68
93
19
44
69
94
20
45
70
95
21
46
71
96
22
47
72
97
23
48
73
98
24
49
74
99
25
50
75
100
Marks
Obtained
Question
Number
Marks
Obtained
Question
Number
Marks
Obtained
Question
Number
Marks
Obtained
Question
Number
Marks Obtained
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Date .............................
40