to remain in top condition. Even high-quality instruments deteriorate over time if their owners do not treat them with care. While only qualified repair profes- sionals should handle difficult procedures, such as removing dents, chemical and ultra- sonic cleaning, and adjusting and repairing rotary valves, educators and horn students can save both time and money by following correct horn maintenance techniques. This guide includes step-by-step des- criptions for a variety of fundamental main- tenance techniques along with photographs for the more complicated procedures. Easier techniques are presented first followed by more difficult ones. Type of Maintenance Oil Valves Frequency Every 1 'to 3 days Equipment For optimal performance on horn, I sug- gest using a thin, light oil, which should be applied directly on the valves, and a medi- um-weight oil for the bearings. As a rule you should avoid mixing synthetic and petrole- um-based oils, unless the products' labels state in writing that they are compatible with each other. Description There are two types of techniques for oil- ing rotary valves, and they differ simply because of the variations in size and shape of valve oil bottles. Some bottles come equipped with a needle while others have a less-precise dropper or spout. Inexpensive refillable plastic bottles with needles can also be purchased on the internet, giving players the freedom to use the oil they prefer regardless of the original container. Oil Bottles With a Needle 1. Remove the first valve slide and empty any condensation. Next rotate the horn so the bell and the slide tube point directly up. 2. Insert the needle into the slide tube and squeeze a few drops of light-weight oil directly 32 THE INSTRUMENTALIST / SEPTEMBER 2009 By James Boldin onto the valve. Avoid letting the needle come in contact with the sides of the tube or the valve face. Repeat this step for the other side of the tube if desired. 3. Replace the slide and push it in com- pletely. Finally, rotate the horn and depress the valve so that the oil is distributed even- ly inside the valve casing. 4. Repeat steps 1-3 for each valve. An alternate way to use a bottle with a needle is to remove all of the slides and add oil to all the valves simultaneously. Once the horn is oiled, return the slides to their or- iginal positions. 5. Lay the horn flat and unscrew the first valve cap. Apply a few drops of the medi- um-weight oil to the center of the bearing plate and a drop onto the threads. Keeping the threads lightly oiled will pre- vent the caps from becoming stuck if you store the horn for a long period of time. James Boldin, pictured on facing page, is an assistant professor in the School of Visual and Performing Arts at the University of Louisiana Monroe where he teaches applied horn and music history. He received degrees from Appalachian State University and the University of Wisconsin-Madison. Photos in this article by Kristen Boldin. 6. Screw the cap back on and flip the horn over. Using the needle, apply a few drops of oil where the rotor shaft comes out of the valve casing. On most horns there is a small gap between the stop arm and the rotor shaft. 7. Repeat steps 5-6 for each valve. Oil Bottles Without a Needle 1. Remove the first valve slide and empty any condensation. Next squeeze a few drops of the lightweight oil into the slide itself. 2. Rotate the horn so that the bell and slide tube are facing directly down. 3. Replace the slide and push it in com- pletely. (See following page.) SEPTEMBER 2009 / THE INSTRUMENTALIST 33 Travel with the country's top student travel planner. ^ i erformance Tours Festivals Parades Cruises -Bowl Games Clinics International Disney BOB ROGERS TRAVEL GroupTravel Specialist HTA email: info@bobrogerstravel.com www. bobrogerstravel.com (800) 373-1423 34 THE INSTRUMENTALIST / SEPTEMBER 2009 Boldin says that good horn maintenance starts with keeping the mouthpiece and lead pipe clean. down the lead pipe and through the horn at theend of each playing day. The idea is to create a thin coating of oil inside the horn, protecting it from cor- rosion. Medium or even a heavier- weight oil can also be used on valve springsaswell asmechanical levers. Whetherusing abottlewith orwith- out aneedle, both methods prevent the oil from carrying slide grease and any other material into the valve. Many players experience sluggish valves after applying oil becauseof slidegreasegum- ming upthevalveaction. If applied regularly and correctly, valveoil will prolong the life of ahorn and keepit in good working condition for long periods of time. However, if regular oiling does not result in improved valveoperation, it isprobably timeforathorough cleaning and possi- bly repair of the valvesthemselves. Type of Maintenance Cleaning theLead Pipe Frequency Every 1 to3 weeks Equipment I recommend using aplastic coated snake with brushes on either end to keepthe insideof the horn from being scratched. Description This simple procedure is vital for keeping a horn in good condition. If left alone, debris will accumulate in the lead pipe only to be blown into more difficult-to-clean places in the 4. Rotate the horn and depress the valve so that the oil is distributed evenly inside the valve casing. 5. Repeat steps 1-4 for each valve. 6. Next follow steps 5-7 from the method forusing abottlewith aneedle. Additional Tips Many repairprofessionalsrecommend blowing afew drops of light- weight oil horn, such as the valves, causing even more problems. Hornists should com- bine this step with good dental habits, such as brushing the teeth after meals. Type of Maintenance Clean and Grease Slides Frequency Every 1 to 3 weeks Recommended Equipment 1 like Schilke, Hetman, or Roche- Thomas slide grease. For loose slides look for a slide grease with a thicker consistency. Description 1. Remove all slides, then wipe them clean and dry with a paper towel or soft cloth. 2. Apply a small amount of grease to the end of the slide using a finger or the corner of a cloth. You can always add more if necessary. 3. Replace the slide and push it in completely. As you replace the slide, the grease will be evenly distributed. 4. Wipe away excess grease. 5. Repeat steps 1-4 for each slide. Additional I suggest periodically removing the excess corrosion that accumulates on slides using a mild metal polish. You should consult the manuf acturer' s instructions for using the polish. After removing the corrosion, clean the slide thoroughly with warm water and mild dish soap to remove all traces of the polish. Don't be this Guy! For the sore, tired lips all wind musicians deal with, nothing works like ChopSaver! The lip balm invented by a musician for musicians! For Musicians with Lipsl , www.chopsaver.com ^ChopSaven Feel Better, Play Better, Sound Better! ORCHESTRA BRS MUSIC STRINGS Fanfare and Remembrance Stephen Main Orc#307, S95.00 Grade 5, time 3'40". Epic score with a blazing fanfare. Beauty Creek Andrew Higgle Orc#311, $110.00, Grade 4, time 7'00". Premiered by Northern Indiana Youth Orch. Lyric Essay Donald Coaklcy Ost#312, S60.00. grade 4, time 3'27". Explores the rich sound of the string orchestra. Carol of the Bells _ KE Peace Ost#309. S55.00, grade 4, time 3'16". Performed at The Midwest Clinic 2008. Promenade R. Christopher Teichler Orc#316, S55.00, Grade 3 1/2, time 2'54". 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Nemzetkozi Zenei Fesztival juNE2 f I The Budapest International Music Festival boasts' I the Bartok National Concert Hal] at the Palace of Arts and! Bert Aakfera (former WASBE president}as Artistic Director. Chicago Jnternat APRIL 9-13, 2010 Featuring the Chicago Symphony Center, this festival will beinibinauguralyearin2 010.Pararipatingen&ernhlesrnay I chooeetocontmieonKiNt-ft YorkorancxhiTttM-desdiiitfcni I PERFORM AT THE WORLD YOUTH CARNIVAL - EXPO 2 010 i WORLD Perform in Shanghai at the World Youth Carnival as part of the World Expo in 2 010. This amazing event is hosted by Shanghai, China between June 2 5 and July 31, 2 010. The New York International Music Festival welcomes Bands, Orchestras and Choirs to participate in this Spring session - April 17-2 1,2 010 at Carnegie Hall. International Musk Productions World Projects International Music Productions has been producing music festivals & tours since 1984. Contact us for more information on our festivals, tours or any destination which you wish to plan a tour with your ensemble in the coming f uture. Contact us toll free on: l -( 80 0 ) -92 2 -3976 www.wor l d-pr oj ect s .com Follow steps 2 -5 to c'omplete this procedure. Always grease horn slides and push them in completely during the summer months or for long periods when you are away f rom the instru- ment to prevent them f rom f reezing. Type of Maintenance Restringing Valves Frequency Yearly Recommended Equipment Numerous brands of string are avail- able f rom music supply warehouses and sporting goods stores for restringing valves. Although most professionals have their own preferences, I recom- mend choosing a braided dacron f ish- ing line of not less than 50-pound test. This type of line can be purchased in spools of several hundred yards, giving players indeed, entire sections - string for many years. It's best to avoid overly thick string because using it can result in sluggish valves, and string that is too thin may wear out prematurely. Advanced play- ers should experiment with strings of dif f erent weights and thicknesses to find the optimum choice for a particu- lar horn. The only other necessary equipment for restringing valves is a good set of flathead screwdrivers in varying sizes. time so that the other valves can be used as a guide. Description Along with oiling the horn correct- ly, regularly restringing rotary valves will keep the instrument in excellent playing condition. I suggest replacing strings every year, regardless of their condition, because you will avoid the frustration of breaking a string just before a big performance. Serious horn students should learn this procedure and practice it several times to become comf ortable with it. 1. Loosen the screws on both the stop arm and valve lever with the cor- rect size screwdrivers. It is unnecessary to remove them completely, just enough to remove the old or broken string. I recommend that beginners remove the string only f rom one valve at a 2 . Cut a 6-to-8 inch length of re- placement string from the spool, and tie a f irm knot approximately 2 inches f rom one end. You may need to tie sev- eral knots on top of each other because it is important for this knot to be large enough to not pull through the hole in the middle of the valve lever. Pull the knots tight, so they do not slip. 3. If the string tends to fray, use a lighter or lit candle to slightly melt the end opposite of the knot. Wipe off the melted end with a paper towel or cloth to create a pointed tip that will thread easily through the holes in the valve lever. Manufacturers are constructing some of the newer types of string f rom material that resists f raying, so this step may not be necessary. 4. Thread. the string through the hole in the middle of the valve lever, making sure the knot is large enough to stay in place. 5. Following the diagram, wrap the string around the stop arm on the side f urthest f rom the middle valve lever hole, and make a f igure eight around the stop arm screw. Tighten the stop arm screw, but only enough to keep the string f rom slipping. 36 THE INSTRUMENTALIST / SEPTEMBER 2 009 6. Bring the string around the other side of the stop arm and under itself. Thread the end through the hole in the end of the valve lever. 7. Keeping the string snug, loop the end around the screw in the end of the valve lever. Pass the end of the string underneath itself, as if tying another knot. Tighten the screw in the end of the valve lever and cut off the excess string. Leave at least an inch or so at the end to use in adjusting the string tension later. www.jimmahaffey.com www.jimmahaffey.com www.jimmahaffey.com www.jimmahaffey.com o | H S Now Available For Purchase Directly From The Author's Website!! f 3 n tu E g" I A Practical Approach To Band Arranging I | Created by: i Jim Mahaffey f 1 I A Textbook-Workbook and CD Designed For I ndividual Or Classroom I nstruction Complete With Recorded Examples | 0 I Eighty pages of valuable knowledge in a logical and sequencial order takes students from basics to a full advanced arrangement. Twenty-six assignments test student's comprehension of text material. 4 I About Jim Mahaffey, a.s.c.a.p. I ^Assistant Professor of Music. Ret.. Troy Sate University. AL. * Arranger for "The Sound of the South" and Auburn University Bands j + Composer and arranger of over 100 Published Works for 4= : * Marching Band. 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PERCUSSION MUSIC RHYTHMSCAPE for your free twenty track sample CD visit www.rhythmscape.com.au percussion publica tions. f irst ensemble to a rtist Go Online with The Instrumenta list Check out New Music Reviews - including past months Online Extras - including additional material from authors You have to register to login FREE to Ins tr umentalis t Subscribers www.t/ie/nstrumenta//st.com 38 THE INSTRUMENTALIST/SEPTEMBER 200" To read James Boldin's suggestions for bathing the horn and his ideas on professional cleaning visit us on the web: theinstrumentalist.com 8. Repeat steps 1-7 for additional valves. 9. Loosen the stop arm screw and adjust the valve lever to the height you desire. Retighten the stop arm screw to keep the lever in place. All of the levers can be set at the same height by using the edge of a table to keep the levers in place while loosening and retightening the stop arm screws. 10. Check the tension on each string. The strings should move easily, but not be so loose that they fall slack against the stop arm when the valve is depressed. Adjust the tension by loos- ening the valve lever screw and pulling the string tighter or allowing it to loosen as needed. Additional Tips Every horn player should keep an emergency repair kit handy that has a selection of small screwdrivers and replacement strings, precut and tied. Should a quick string change be neces- sary, having the materials at hand will make the process easy. Horn maintenance can be viewed on the internet at www.youtube.com/watch?v=h x3-zNotyTo&feature=channel. James Boldin is an assistant professor at the University of Louisiana Monroe, where he teaches applied horn and music history courses. He received degrees from Appalachian State University and the University of Wisconsin-Madison.