A protg of the legendary jazz master Dizzy Gillespie,
Sandoval was born in Artemisa, a small town in the outskirts of Havana, Cuba, on November 6, 1949, just two years after Gillespie became the rst musician to bring Latin inuences into American Jazz. Sandoval began studying classical trumpet at the age of twelve, but it didnt take him long to catch the excitement of the jazz world. He has since evolved into one of the worlds most acknowledged guardians of jazz trumpet and ugel horn, as well as a renowned classical artist, pianist and composer. He is one of the most dynamic and vivacious live performers of our time, and has been seen by millions at the Oscars performing with Celine Dion, at the Grammy Awards with Justin Timberlake and in his own right as a leader. He also performed at the Billboard Awards with Alicia Keys. Sandoval has been awarded 10 Grammy Awards, and nominated 19 times; he has also received 6 Billboard Awards and an Emmy Award. The latter for his composing work on the entire underscore of the HBO movie based on his life, For Love or Country starring Andy Garcia. His two latest Grammy award winning albums, Dear Diz Everyday I think of you and Tango Como Yo Te Siento are now available worldwide. Recently released, is a new book chronicling his relationship with Dizzy Gillespie entitled The Man Who Changed My Life. Arturo is also the 2013 recipient of the Presidential Medal of Freedom. Sandoval was a founding member of the Grammy Award-winning group Irakere, whose explosive mixture of jazz, classical, rock and traditional Cuban music caused a sensation throughout the entertainment world. In 1981, he left Irakere to form his own band, which garnered enthusiastic praise from critics and audiences all over the world, and continues to do so. Sandoval is also a renowned classical musician, performing regularly with the leading symphony orchestras from around the world. Arturo has composed his own Concerto for Trumpet & Orchestra, which can be heard on Arturo Sandoval: The Classical Album. Arturo has performed with the foremost orchestras in the country as well as abroad and recorded John Williams Trumpet Concerto with the London Symphony Orchestra. His classical artistry has earned him the respect and admiration from the most prestigious conductors, composers and symphony orchestras worldwide. Arturo Sandovals versatility can be heard on recordings with everyone from Dizzy Gillespie, Woody Herman, Woody Shaw, Michel Legrand, Bill Conti, and Stan Getz to Johnny Mathis, Frank Sinatra, Paul Anka, Rod Stewart, Josh Groban and Alicia Keys amongst many others. He has performed with John Williams with the Boston Pops, and in the Super bowl with Tony Bennett and Patti LaBelle. His compositions can also be heard on Dave Grusins soundtrack for Havana and Random Heart, in the Mambo Kings soundtrack with his Grammy nominated composition Mambo Caliente, in the soundtrack of The Perez Family, 61, Mr. Wrong, the documentary Oscar, and The Family Fuentes among of others. He also was commissioned by the Kennedy Center to compose the music for the ballet Pepitos Story, Soul Possessed, as well as Oman O Men, and The Chocolate Hot Nutcracker, choreographed by Debbie Allen. And as mentioned above, he was awarded an Emmy for his composing work on the entire underscore of the HBO movie based on his life, For Love or Country starring Andy Garcia.Arturo Sandoval reaches beyond the scope of mere effort. His struggles while in Cuba and since his defection have given him more energy and strength, urging him to accomplish and surpass his childhood dreams. Filled with a virtuoso capability, he desires nothing more than to share his gift with others who feel the same intense adoration for music as he does. One frequently speaks of Arturo Sandovals virtuoso technical ability or his specialty in high notes, but he who has seen him on the piano, lyrically improvising a ballad, or has had the opportunity to enjoy the diversity of his music, through his compositions from the most straight ahead jazz, Latin jazz or classical, knows that Arturo Sandoval is a prominent musician, and one recognizes that Arturo is one of the most brilliant, multifaceted and renowned musicians of our time. Rick Holland: Arturo: Thank-you for graciously accepting my invite for an interview. My first question, Ill bet you have been asked this a lot, but what was it like in 1977 when you first got to play with one of your idols Dizzy Gillespie? What most impressed you about his playing? AS: "I met Dizzy in Havana Cuba May/ 1977 He was doing a Caribbean jazz/cruise tour. They stopped there for 48 hours. I knew about Him through His records,and I learned many of His licks. Dizzy was a genius, very intelligent person,He created a brand new style of improvisation Be-Bop!!! I always admire His way of playing the trumpet,for me, Dizzy was the most musical of all jazz trumpeters ever When I met Him it was like a gift from God,because He changed my life with His friendship and support He encouraged me always to keep trying,practicing and learning all the time" Rick Holland: How did he shape you as a person? I know you did several concerts with him, and even toured with the United Nations Orchestra with Diz? AS: "I owe my career to him, my life, he saved me,he gave me the opportunity to perform and tour with him which lead to my immigration to the USA. He set me free, from the oppression of a dictatorship where you could be sent to jail for listening to jazz on the radio Dizzy was a genius of music, my hero, he created bebop, besides being an incredible trumpet player, he created a musical style in an era when people were playing something else. He came out with a new way of musical improvisation. I miss him very much" Rick Holland: You are a versatile musician. Can you tell me why you wanted to compose a Classical piece and perform it? The piece Concerto for Trumpet & Orchestra comes to mind. Amazing performance and a well written concerto. AS: Composing is part of the musical photograph of my life. Rick Holland: Im always going to associate you with the Clifford Brown recording you made, where you recorded all 4 parts. Your be-bop is really good. Can you tell us how this developed? I know you play a lot of piano. Did the piano shape your musical language? AS: Dizzy was the one who encouraged me to learn piano. Piano lets you hear the harmonies. Rick Holland: You write and compose a lot. Do you feel this is a necessary vehicle for musicians? How do you feel this completed you and made you the musician you are today? AS: For me, it is important. What works for me doesnt work for all musicians. For myself, composition is a big part of my musical life. Rick Holland: Tell me a little bit about the process of writing for a ballet? Like the one you did for Debbie Allen, Pepitos Story? How much of this was visualized? How did the story affect your writing? AS: It is absolutely a visual collaboration, because its visual to dance.
Rick Holland: I saw those practice valves, and buzzing device. Did you develop this? Is it something that derived from doing so many road gigs? AS: It is something that I use constantly. We call it Sandovalves (www.sandovalves.com). I came up with the product and developed it with my manager, trumpeter Frank Vardaros. It helps so much when I am in places that I can not use my horn. It helps me warmup when I am traveling on the way to a performance. Rick Holland: Im a trumpet player myself. And very routined. How do you feel this is a positive and a negative? AS: Obviously I love the trumpet, but I also have a great passion for the piano. When I am home from tour I play the piano every day. I also enjoy playing percussion and the French horn. Rick Holland: Changing the subject a bit. I happened to see the the Orange Bowl, and you were invited to play the National Anthem. It was an astonishing performance. It was like, everyone was waiting for something spectacular to happen. And of course, something spectacular did. Do you feel this is important when entertaining crowds? You are a very energized performer. I remember seeing you at the Trumpet conference in Akron, Ohio. Your performance on Giant Steps lit it up. AS: I always give 100% effort when I perform for people. I want to make them happy. Rick Holland: I really value speaking with you. You have always shown great courage to go and meet famous people and mix it up with the great people of our time. (Just recently with President Obama.) What was it like to receive the Presidential Medal of Freedom? How important is freedom to you? Do you feel this in undervalued in this country? AS: It was a great honor. The name of the award is something that I like very much. It represents Freedom, because without freedom, there is no life. Thank-you Arturo for taking the time to communicate with me.