WthedFE vee te DILA Dharma Dram Institute of Liberal Arts MAR ( Ajanta Caves) SHH BR/RX + The Ajanta caves: ancient paintings of Buddhist India, Benoy K, Behl, London: Thames and Hudson, 1998, + The Ajanta caves: ancient paintings of Buddhist India, Benoy K, Behl, New York Harry N. Abrams, 1998, + The Ajanta caves: early Buddhist paintings from India, introd, by Benjamin Rowland, New York: New American Libr World Literature, 1963, + John Griffiths, Paintings in the Buddhist Cave Temples of Ajanta, 2 vols. London: 1896- 1897, + John Griffiths, The paintings in the Buddhist cave-temples of Ajanta, Khandesh, India, Delhi: Caxton Publications, 1983, + Debala Mitra, Ajanta, Delhi: Archaeological Survey of india, 1980. + Ratan Parimoo, et al. The Art of Ajanta: New Perspectives, 2 vols. New Delhi: Books & Books, 1991, + India: paintings from Ajanta Caves, introduction by Madanjeet Singh, New York: The New York Graphic Society, 1954. + Ajanta frescoes being reproductions in colour and monochrome of frescoes in some of the caves at Ajanta after copies taken in the years 1909-1911, London; New York: H. Milford, Oxford university press, 2915, + Ajanta murals: an album of eighty-five reproductions in colour, Ghosh, Amalananda, ed, New Delhi: Archaeological Survey of india, 1967, ‘+ Ajanta: the colour and monochrome reproductions of the Ajanta frescoes based on photography, Yazdani, Ghulam, London: Oxford University Press, H. Milford, 2930-1950. + Ajanta: monachrome reproductions of the Ajanta frescoes based on photography, with an explanatory text by G Yazdani, Delhi: Swati Publications, 1983. + Ajanta: Monumental Legacy Series, Arvind P. Jamkhedkar, New York: Oxford University Press, 2009, + The cave paintings of Ajanta, Madanjeet Singh, London: Thames and Hudson, c1965. + Ajanta:its place in Buddhist ar, Sheila L, Weiner, Berkeley: Univerty of California Press, ¢1977, + Mypilgrimages to Ajanta & Bagh, Sti Mukul Chandra Dey, London: Thornton Butterworth, 1925, + Studies in the Ajanta paintings: identifications and interpretations, Dieter Schlingloff, Delhi: Ajanta Publications: Distributers, Ajanta Books International, 1987, + Vakataka inscription in cave XVI at Ajanta, edited by V. V. Mirashi, Calcutta: Baptist mission Press for the Archaeological Department of His Highness the Nizam’ s Dominions.1941 + Ajanta: History and Development, volume 1 the End of Golden Age, by Walter M, Spink, Leiden: Brill 2008, + Ajanta: History and Development, volume 2 Arguments about Ajanta, by Walter M, Spink, Leiden: Bril, 2006, + Ajanta: History and Development, volume 3 The Arrival of the Uninvited, by Walter M, Spink, Leiden: Bil, 2008, + Ajanta: History and Development, volume 4 Painting, sculpture, architecture year by year, by Walter M. Spink, Leiden: Brill, 2009, + Ajanta: History and Development, volume 5 Cave by Cave, by Walter M. Spink, Leiden: Brill, 2007. + Notes on the Bauddha Rock Temples of Ajanta, Their Paintings and Sculptures, Burgess, James, Bombay: Government Central Press, 1879, vot+ Parimoo, Ratan; et al. The Art of Ajanta: New Perspectives, 2 vols. New Delhi: Books & Books, 1991 + Schlgloff Dieter. Studies in the Ajanta Paintings: Identifications and Interpretations, New Delhi: 1987. + Schiigloff, Dieter. Guide to the Ajanta Paintings, vol. 1 Narrative Wall Paintings, Delhi: Munshiram Manoharlal Publishers Pvt Ltd, 1999, + Zin, Monika, Guide to the Ajanta Paintings, vol.2 Devotional and Ornamental Paintings, Delhi: Munshiram Manoharlal Publishers Pvt.Ltd, 2003. + AjantaCaves: Artistic Wonder of Ancient Buddhist India, Benoy K Behl, New york: Harry N. Abrams, 1998, + Ajanta: Painting of the Sacred and the Secular, Edita S. A. Lausanne, Switzland: Madanjeet Singh, 1965, + The artof Ajanta and Sopoéani: a comparative study, an enquiry in Prina aesthetics, Om D. Upadhya, Delhi: Motilal Banarsidass Publishers, c1994, ‘+ Ajanta, by Mulk Raj Anand, Bombay Marg Publicat + Ajanta, Debala Mitra, New Delhi: The Director General, Archaeological Survey of India, 2003, + Ajanta, Debala Mitra, New Delhi: The Director General, Archaeological Survey of India, 2004, + Ajanta&&Ellora, by Rajaram Panda, New Delhi: Mittal publications + AjantagiEllora, ed. by P,S. Deshpande, Aurangabad: Samarth Udyog, 2006, + Rajendra Bajpai, The Eye in art with special reference to the Ajanta, Rajput & Pahari paintings, New Delhi: Publication Division, Ministry of Information and Broadcasting, Govt. of India, 1991 + Atlanta, by Kanaiyalal H. Vakil Bombay: D. B, Taraporevala Sons, 1929, + Guide to Ajanta frescoes, Yazdani, Ghulam, Hyderabad, Decan: Archaeological Department, HEH. the Nizam’'s, Government, 1930. + Ajanta and Ellora: cave temples of ancient India, by Pushpesh Pant, New Delhi: Lustre Press, 1998. + Ajanta frescoes, by Lady Herringham, New Delhi: Aryan Books International, 1998. + Immortal Ajanta, Narayan Sanyal, Calcutta, India: Bharati 800k Stall, 1984 + Ajantaand its origins (microform, Sheila L. Weiner, 1970, + India; paintings from Ajanta caves, by Madanjeet Singh, New York: Graphic Society, 1954, + From Ajanta to Ellora: travel guide, ed. by Swati Mitra, New Delhi Eicher Goodearth Ltd, 2005. ‘+ Ajanta: cultural study, by M. K, Dhavalikar, Poona: University of Poona, 1973 ie. 1974. + Ajanta; portfolio, Hermann Goetz, New Delhi: National Book Trust, 1964. + Ajanta, photographs by Jean-Louis Nou, New Delhi: Brijbasi Printers Private Ltd, 1996, c1995. + Ajanta, Debala Mitra, New Delhi: Director General of Archaeology in india, 1959, ‘+ Ajanta, Debala Mitra, New Delhi: Archaeological Survey of India, 1968 ns in collaboration with Tata McGraw-Hill Pub. Co, 1971, BE/ex + Ajanta: Handbuch der Malereien, Dieter Schlingloff, Wiesbaden: Harrassowitz, 2000 + Devotionale und ornamentale Malereien, Monika Zin, Wiesbaden: Harrassowitz, 2003. + Adschanta: die geheiligten Hoehlen Buddhas, Simon P. M. Mackenzie, Basel: Herder Freiburg, 1983 + Indische Felsentempel und Hohlenkloster: Ajaniaund Elara, Herbert und Ingeborg Plaeschke, Wein: H. Bohlaus Nacht, 983. + The artof Ajanta and Sopo¢ani: a comparative study: an enquiry in priva aesthetics, Om D. Upadhya, Delhi: M Banarsidass Publishers, 1994, + Ajanta: brief history and guide, Walter M. Spink, Asian Art Archives of the University of Michigan, 199-7, BEAK ‘+ Rapport préliminaire sur hinterprétation des peintures et sculptures d'Ajanta, A Foucher, Bombay: the Times Press, 1920. + Documents pour servira l'étude d'Ajanta: les peintures dela premire grot Vanoest, 1927. + Ajanta Ellora and Aurangabad caves, Ramesh Shankar Gupte & 8. D. Mahajan, Bombay: D. 8. Tgaraporeval, 1962 + Colonnes indiennes d’Ajantd et Ellora: évolution et répercussions: styles gupta et post-gupta, par Philippe Stern, Paris: Presses Universitaires de France, 1972. par Victor Goloubew, Pariset Bruxelles: 6. + Moines et ascates indiens: essai surles caves d'Ajanta et les couvents buddhistes des Indes, La Mazeliéve, Paris: Plon, 1898, + Myppilgrimages to Ajanta & Bagh, by Mukul Chandra Dey, New York, George H, Doma company, 1925,BR/BARK + Le grotte di Ajanta, di Mario Bussagli, Firenze: Sadea/Sansoni Editori,c1965, Be/eX + STAR (COMMA RINE) «sha: ARONA 195% - + PIAGRASE - (DLORRAR—FASHCMM) «OR: PRE IAM- 1955% + BB/AX + REE. (79D EMSREE) «sea EMAL ITI 2 SENS. (79 yD SEED. SemAT: FNAL - 2000% + | PRE BRR (Tey SRT). SORA: WRAL 198 + ERORWM. (YF SERBY: PIP YE OS AV ASR BHD eA NH aL. 19820 + + ERHRE (TI eye RRORR) RE: HRAMILIAR - 209% - + TBP | WRARER (FI yS—BRSI) «ORM MERIAL. 1987 - + RAEME (MROSRRERS) RTH: TrmMULAAT - 19408 + + BRS (SMOLLM: PY yy SE TO—3) RR: AB 1994 - | WIR. (Po eyeeTO-9 7 y RFT RRORASRE OM UREN (759 FORA) ob SATA): WasteRR - 1958K - + Ajanta; sekkutsu jin to hekiga, Osamu Takata, 1971, DY) RE: SOR seat 2000 + SA + Setting the Three Jewels: The Complex Culture of Buddhism at the Ajanta Caves,Cohen, Richard Scott, APh. D. dissertation, Asian Languages and Cultures: Buddhist Studies, University of Michigan, 1995, ‘+ More and more on and less of Mahajanaka: a study of a painted jataka in Ajanta’s cave 1: master's essay, Leela Aditi Wood, Thesis. Universityof Michigan, 1993. ‘+ stylistic analysis of paintings in Ajanta Cave One: submitted in partial fulfilment... History of Art, Asian Art, Mary Cummings, Thesis. Universityof Michigan, 1976 + The Chronology of Mahayana Buddhist Architecture and Painting at Ajanta, Wayne Edison, Dissertation. University of PennsylvaniaBegley, 1967 ‘+ Style and Workshop in Ajanta Painting, Susanne Francoeur, Department: Art History and Archaeology. Thesis(PhD) Columbia University, 1998 + SAM (ORME ROR @RREMR THR : DAL. 2. 16 ITHERRE) URABRA TRNAS LIN 20008 + + Ajanta: some kind of miracle, produced and directed by Laurence Castle, Port Macquarie, NSW: Laurence Castle Productions, 2002,