Académique Documents
Professionnel Documents
Culture Documents
Research Design //
Popular culture changes constantly and occurs uniquely in place and
time. It forms currents and eddies, and represents a complex of mutually
interdependent perspectives and values that influence society and its
institutions in various ways. For example, certain currents of pop culture
may originate from, (or diverge into) a subculture, representing perspectives
with which the mainstream popular culture has only limited familiarity. Items
of popular culture most typically appeal to a broad spectrum of the public.
In order to truly understand how such trends are upcoming in design today,
it is important to explore the history of not only design, but all cultural art
forms.
Essentially, trends exist - through the growth of time.
This research concept (trends in art and culture through time) was
translated into a book of a series of fold out posters, called Movements .
Each poster covers a decade, dissecting the trends and themes that exist in
that period. Fashion, music, art, film, and major events are explored through
a timeline within the first and second fold. The final fold-out poster is a
visual representation of all the themes and trends discussed.
L ADY CODE
Book Design //
The Lady Code was derived from the original concept of The Bro Code from
a character named Barney Stinson on the show How I Met Your Mother.
When researching the range of woman codes that existed online, it became
apparent that they all lacked a sense of strong, independent, female
empowerment. This was an opportunity to add a sense of flare to my
portfolio and really exhibit self expression.
All the elements of this project were experimental, and pushed the
boundaries of what classic book design meant and represented. The physical
elements of the book combat traditional standards. For example, the book
is eleven by seventeen in size, the end-pages are fluorescent orange, it is
single page bounded with thick blue string, the hard cover is wrapped with a
film of gold fabric, and the pages are a tint of light blue.
The content is a range of quotes, song lyrics, images, articles, and cultural
references from the opinion of a modern day, independent young woman.
O R I E N TAT I O N T O O N TA R I O
Book Design, Catalyst Workshop //
Catalyst Workshop was contracted to create much of the new brand materials
for Orientation to Ontario, an organization meant to provide settlement
plans for newcomers in Ontario.
This handbook focussed on providing clear and accessible information to
direct the readers to resources for settlement. Catalyst Workshop developed
a fresh, illustrative design strategy for the new O2O brand.
Sample Spreads:
HARBOURFRONT CENTRE
Summer Design Contract//
My experience at Harbourfront Centre was a compelling way to give back to
the creative and diverse culture here in Toronto. Working with the Integrated
Communications department taught me the value of problem-solving in a
team with a unified cause. During my time there, I created much of the
summer signage, Donor Newsletter, staff badges, advertisements and
promotional material.
-The BIG Idea: Terrain
Terrain represents the integration of natural spaces to the waterfront this
summer, such as Ontario Square and Canada Square. With this in mind, the
merging shapes of natural colours are meant to represent the organic appeal
of these new spaces.
Harbourfront: Information Desk Signage
This signage was a chance to create something bright and colourful to
attract local visitors to receive information about the centre.
LEGEND:
INFO TOWERS
ROTATING VERTIGOS
DIRECTIONAL
HISTORICAL
VERTIGOS
BACKLITS
OBELISK
TITLE
UNION STATION
REES ST.
62B 62A
10
64A
63B 63A
WAVEDECK
48B
6
5
48A
57B
RADISSON HOTEL
61B
61A
68A
57A
49H 49G
43 5
G
MARINA FOUR
50
THE CENTRE
SHOP
2
1
ONTARIO
SQUARE
13
70A
69A
POLICE BASIN
65B
66A
65A
36B
AMSTERDAM
RESTAURANT
25A
THE
16A
67B
60A
60B
LAKESIDE
LOCAL
PATIO
28B
4
71B 26
YOR K
12B
13
6 11
ROSEMARY
FLECK DANCE
THEATRE
3RD FLOOR
16
CANADA
SQUARE
POND
17
2
24A
24B
56A
56B
4
23B
23A
18B
18
18A
LAKE ONTARIO
OBSESSION
KAJAMA
SHOWBOAT
ORIOLE
CHALLENGE
EUREKA T.O.
EAS T PIER
E
S
STE. MARIE
HARBOUR STAR
WEST PIER
MARIPOSA
BELLE
17B
17A
THE
POWER PLANT
10
EXHIBTION
COMMON
28A
27
25C
16B
67A
14
12A
5B
72A
25B
35A
15
72B
36A
35B
5A
69B
TORONTO
POLICE
MARINE UNIT
66B
SLIP
SIMCO E ST.
75A
QUEENS QUAY
TERMINAL
BITIO
PHY EXHI
75B
LAKESIDE LOCAL
BAR+GRILL
WORLD
CAF
74A
PHOTOGRA
14 70B
37A
74B
73A
MUV
BOXES
LAVAZZA
44A
37B
10
73B
11
YORK QUAY
CENTRE
15
12
53
54
44B
1
TRAFFIC ONLY
QUEENS QUAY WEST - WESTBOUND
49E 49F
49A 49B 49C 49D
49 I
49K 49 J
OUTDOOR
68B
ROERTSO N CR.
64B
TRAFFIC ONLY
QUEENS QUAY WEST - WESTBOUND
ST.
OE
LOWE R SIMC
ST.
LAKESHOR E BLVD.
SSWAY
GARDI NER EXPRE
NORTHERN SPIRIT I
KLANCY II
CAPT.
MATTHEW
FLINDERS
ST ART HERE
I
eat
MARGARINE BAGEL
went
to
bagel
with
JAM BAGEL
B r e a k f a s t : Va r i a t i o n
B r e a k f a s t : Va r i a t i o n
TOOLS:
TOOLS:
mommy.
Pl ate
Cu tting
Knif e
Bu tte r
Knif e
Plac e mat
Plate
We
in
made
Bagel
then
cleaned
up!
Bu tte r
Knif e
Plac e mat
it
the
kitchen
Cu tting
Knif e
INGREDIENTS:
INGREDIENTS:
2 Table s poons
Margarine
COOKING:
1.
Bage l
2 Table s poons
Jam
COOKING:
2.
3.
4.
1.
2.
3.
4.
Slice b a ge l.
Sp re a d .
Pu t on t op .
5.
Cu t i n h a l f.
Sl i c e b a g e l .
Sp re a d .
Cu t i n h a l f.
Pu t o n p l a c e ma t .
5.
BREAKFAST
2 Ta b l e s p o o n s C r e a m C h e e s e
Pu t on p la ce m a t .
2 Servings Grain
Fat
25
32
Pu t o n p l a c e ma t .
BREAKFAST
33
Brand Guidelines:
PHOTOGRAPHY GUIDELINES
2GE THE R
TYPOGRAPHY GUIDELINES
Ac t io n Sh o t s
Fo nt St y l e s & Ru l e s
Wh it e Sp a c e A bo v e Ac t i o n
all typography
c:
0
m: 0
y: 0
k : 70
DE L I C I OUS , S I M P L E S E R V I N G S
r:
109
g : 110
b : 112
#: 6 d 6 e 70
Fu l l h a n d, v i s i bl e .
Pl a t e /t o o l s h o u l d c o nt r a s t t h e f o o d be in g s h o t . Ex : g r e e n v e g. /o r a n ge p l a t e
Wh a t 2 Co o k & Ho w 2 Co o k It
u s ing t h e
Pi c t u re 2 L e a r n Me t h o d
breakfast section
c:
0
m: 1
y: 5
k: 0
lunch
r:
255
g : 253
b : 241
#: 6 d 6 e 70
dessert section
c:
3
m: 3
y: 0
k: 0
0
0
y: 6
k: 1
m:
In g r e di e nt s s h o u l d n o t b e b l u r r y i n
a ny o f t h e a c t i o n s h o t s . Ma ke s u r e t o
c h e c k a l l a r e a s o f t h e i n gr e di e nt .
dinner section
c:
4
m: 0
y: 0
k: 0
r:
241
g : 250
b : 254
#: 6 d 6 e 70
243
g : 243
b : 249
#: 6 d 6 e 70
c:
0
m: 3
y: 0
k: 0
241
246
b : 236
#: 6 d 6 e 70
g:
c:
0
2
y: 2
k: 0
m:
D O N OT !
r:
254
g : 247
b : 250
#: 6 d 6 e 70
- Cr o p i m a ge o u t o f b a c kg r o u n d .
- Ta m p e r w i t h c o nt r a s t / b r i g ht n e s s
t o o m u c h . Th e i m a ge s h o u l d s t i l l l o o k
natural.
- A l l i m a ge s s h o u l d h a v e t h e s a m e
l e v e l o f b i r g ht n e s s .
Ph o t o s h o u l d f it int o a s q u a r e s iz e ,
276
c r o p oCarlaw
n c e p h o tAvenue,
o h a s b e e nsuite
c a p t u200
red.
Ke e p a c t io n in g r e d ie nt s a n d h a n d s
c l o s e t o g e t h e r, s o e v e r yt h in g f it s
w it h in t h e b o u n d a r ie s e q u a l l y.
snack section
r:
Sh a d ow s a r e go o d, b u t m u s t be s u b t l e .
Th is a l l o w s f o r l i ght e r o b j e c t s t o b e
v is ib l e .
NI NA JAI N
drinks section
r:
salad section
c:
&
r:
255
248
b : 245
#: 6 d 6 e 70
g:
2GE T HE R
*
type size:
54 pt.
leading: 15 pt.
t r a c k i n g : 1 00
type size:
leading:
type size:
leading:
16 pt.
15 pt.
1 00
(front
cover).
BAGEL &
CREAM CHEESE
tracking:
24 p t .
27 pt.
70
Slic e Ba g el.
*
or
type size:
14 pt. / 12
leading: 15 pt.
t r a c k i n g : 1 00
pt.
Sl i c e Ba g e l .
1 2 /1 4
to space avail.
tracking:
www.abl e2 lpharetra
ear n.com
dapibus porta. Donec tempus massa ac gravida
F O R E WARD /
*
* KE E P C O N S I S T E N C Y
o n ly m e a n t f o r t h e c o v e r t i t l e .
type size:
leading:
13 pt.
15 pt.
160
type size:
leading:
tracking:
10 pt.
14 pt.
50
tracking:
B y D r. J a m e s Pa r t i n g t o n
*
type size:
leading:
12 pt.
15 pt.
1 10
tracking:
NINA JAIN
F O R E WA R D B Y D R . J A M E S PA R T I N G T O N
BREAKFAST
BREAKFAST
NINA JAI N
MBA MSC ECON
W E E K LY M E N U P L A N N E R
BAG LUNCH
M O N D AY
T U E S D AY
W E D N E S D AY
T H U R S D AY
F R I D AY
NI NA JAI N
MBA MSC ECON
SN ACK
LU N C H
DRIN K
NINA JAI N
MBA MSC ECON
SN ACK
20
21
CONTACT
MOSAIC MAGAZINE
Editorial Design //
Mosaic Magazine, is an upbeat and informative editorial that focuses on
the beauty of diversity in fashion. Exploring trends from all around the
world, this magazine cuts deep into styles and explores the history of these
repeating fads. The word mosaic itself was taken from the idea of a cultural
mosaic within a community. This symbolizes the merging of cultures from
around the world, to make the fashion industry what it is today. The visual
style is positive, with large photographic layouts, and four column spreads.
This is a fusion magazine, a blend of trends in reoccurring fashion.
THE DRAKE
Corporate Identity //
The redesign for the corporate identity of The Drake Hotel (student project)
had been created to better reflect the bright and colourful personality
of both the institution, and their already existing diverse clientele. The
constant involvement the hotel has with the local community in activities and
events, builds a strong trust between both sides. A new corporate identity
opens the doors to new and exciting ways to relate to the personality that
already exists within Toronto. Settling for the dull and mundane would not
cut it.
Speaking to a range of audiences from different target backgrounds made
individuality a big theme in this branding. Especially for the younger
trendy audiences of the Queen street area. The unique and ranging
architectural design of the restaurants, lounges, and rooms of the hotel also
reflect the importance of their be yourself code. For example, an older lady
or gentleman coming to the hotel for a corporate function has the option of
staying in a simple vs. extravagant suite. Their philosophy is clientele first.
KAGAN L AW FIRM
Brand Design //
This branding project was an opporuntity to reevaluate the world of personal
injury law, and the way it is communicated in modern day advertising. The
idea of hope and trust were the key points Daria Kagan wanted to focus
on. The strategy was to keep a simple, and clear brand. This allowed for her
customers to reference key information without any hassle.
Daria Kagan is the founding and principal lawyer at Kagan Law Firm. She has
spent her career representing injured and disabled people and their family
members. Darias practice is dedicated solely to protecting the rights of
injured and disabled people and their families.