Aili Hardner

- Portfolio 2014

Landscape architect 3rd student at QUT

Background ecology mapping collaborative drawn
with E.Young and S.Fisher

Content page
1_About Me
2_Project 1
3_Project 2
4_Project 3
5_Project 4
6_project 5
7_project 6
8_Architecture
9_GIS Documents
10_Visual Commuication
11_Visual Commuication

(illustration)
(Photography)

About me
PHOTO

Name

Residence

Aili Hardner

91 Park Road Yeronga

Brisbane

Status

Contact Details

Student : Majoring in
Landscape Architecture,
minor in Town Planning
and Architecture

Mobile Phone
0412768944

Seeking internship.

Email
aili.hardner@gmail.com

Awards

2010: Winner of the

year 12 IB Visual Arts
Subject Prize,
2013 : Winner of The
Critic's Choice Award
(Re-imagine Brisbane
Design Competition)
2014: Winner of PLACE
Design Group Prize
(Best Overall Work in
Third Year)

Education

Bio

Skills & Capabilities

Current:
3rd Year QUT Landscape
Architecture

Inspired partly by the TV show "Grand Designs"

and Peter Cundall from gardening Australia. I
have developed an interest in design and nature - resulting in an enthusiastic passion for
Landscape Architecture.

Skillful in:
Rendering
Model making
People Management
Organisation
Management of Tasks
Ability to work as a team

Previous:
One Semester Exchange
Edinburgh University
Landscape Architecture
High School Indooroopilly
state High

International Baccalaureate

(IB),

Hobbies and Interest

Travelling
Photography
Bush walking
Contemporary Art
Concrete Modelling

References

Harvest Fruit and Veg Mark Talyor:

0403123886
UQ Greenhousesprovided on request
Perisher Blue Pty Ltd:provided on request

As young as 12
things (like my
over the years
and questioning

i remember starting to design

local Anzac memorial plaque).
i have never stopped learning
on how design can help to improve our lives.

Personal Interests in Design

- Urban plaza and open space design

- Masterplanning for ecological regeneration
- Building a framework for nature tourism
- Temporary architectural instillations

Proficient in:
Adobe Illustrator
Adobe Indesign
Adobe Photoshop
Microsoft Office
Sketch up
ArcGIS
hand drawing renders

Work Experience

Languages

Through the past couple of years of working in

different customer service roles i have developed skills of people management, dealing with
customer requests and time management. all of
which i think can be easily transfered to Landscape Architecture.

Fluent in:
English and Swedish

I am also involved with Brisbane's Swedish

community where i have helped with event
management, food serves and set up market
stalls, selling my own artisan crafts (postcards
and felt
orniments.)

Basic Conversation:
Spanish and Korean

Other Information
Online Portfolio:
http://ailihardnerportfolio.weebly.com/
Travel Blog:
thewandrian.tumblr.com

project 1.

LABresearch center
3rd year work at swanbank mining site while at Queensland
university of technology.

LAB Research centre proposes a new framework for the Ipswich

post-mining site which focuses on the idea of Green Economics. This
idea is inspired by the idea of recreating value that the mining once
gave this region but proving a more sustainable approach. Green
Economy is defined as an economy that results in reducing environmental risks and ecological scarcities, and that aims for sustainable
development (investment) without degrading the environment. Also
promotes the idea of natural capital and sustainable ecology having
economic value1.
The LAB project focuses on creating a central hub for biofuel production, with a focus on research and development of new sustainable
Biomass (to create biofuel) that can cope with dryer environments
such as Ipswich. The Research hub will become the main catalyst for
the development of this area as it will become the Leading Australian
Biofuel (LAB) centre.
The concept retains a focus on sustainability as it provides a new industry that strives to produce and protect. Green corridors throughout the site as well as just outside, provides permanent habitat for
fauna. While in harvesting areas soil and habitat damage is lessoned
by employing new sustainable harvesting techniques.
The infrastructure of the project is all about improving the vegetation, both productive ecology and protective ecology. To maintain the integral infrastructure
the project focuses on three main principles:
1. Treatment of Geology: creation of new topography and management of

project 1.

LABresearch center
N

Research center

Biofeul Plots

Management center

Bio-retention basin

project 1.

LABresearch center

sectional diagram of Concept elements

project 1.

LABresearch center

project 1.

LABresearch center

Passive Management corridor-bioretention

Bio-Retention basin

project 1.

LABresearch center

Phasing program for rehabilitation

Recreation Activites

Protection and wetland zones created

Production of biofuel

Recreation Activites

43

Harvesting Biomass

Protection and wetland zones created

Algae Trials for Biofuel production

Growth of GMO developed biofuel plants

Production of biofuel
Trial and reserach of GMO plants

3 2

Harvesting Biomass
Irrigation Installed
Development of edge buffer zones for wildlife protection
Elephant Grass established on disturbed grounds removes toxins

1 2

Major water bodies (Sinks) created Algae Trials for Biofuel production

Growth of GMO developed biofuel plants

Cut and Fill development on site recreating contours

Trial and reserach of GMO plants

Reserch Center and LAB built

Irrigation Installed

Phase

on site recreating contours

2016 Cut and Fill development
2017

2019

2020

2025

2030

2040

2025

2030

2040

Major water bodies (Sinks) created

2050

Development of edge buffer zones for wildlife protection

Reserch Center and LAB built

Elephant Grass established on disturbed grounds removes toxins

Phasing Structure
Structure

Phase

2016

2017

2019

2020

2050

project 1.

LABresearch center

LABreserach center
Landscape Architect Documents :

location plan:

construction
details

Aili Hardner N8572429

QUT Landscape Architecture
DLH600.YR3.Sem2.2014

Page: 2.001



Title: Detail works, Dimenstions
and set out plan
Legend:

Schedual :
Extent of works
Extent of contouring
Section extent of works
Detail works setout plan
Detail works contouring
Detail works, section
Detail section, Main road
Detail section, P.M.C
Detail section, Plantation road
Detail section, fire break
Planting Plan
Planting Palette
Detail, Bioretention basin
Detail, Planting

1.001
1.002
1.003
2.001
2.002
2.003
3.001
3.002
3.003
3.004
4.001
4.002
4.003
5.001
5.002

scale @ A3 1:1000
50m

20m

10m

Notes:
all angles are taken from due
east

CURRENT AS OF 25.10.2014 EDIT BY

A.H.H

LABresearch center

LABreserach center
Landscape Architect Documents :

Aili Hardner N8572429

QUT Landscape Architecture
DLH600.YR3.Sem2.2014
location plan:

project 1.

Page: 2.002

Title: Detail works, Dimenstions
and set out plan
Legend:

Schedual :
Extent of works
Extent of contouring
Section extent of works
Detail works setout plan
Detail works contouring
Detail works, section
Detail section, Main road
Detail section, P.M.C
Detail section, Plantation road
Detail section, fire break
Planting Plan
Planting Palette
Detail, Bioretention basin
Detail, Planting

1.001
1.002
1.003
2.001
2.002
2.003
3.001
3.002
3.003
3.004
4.001
4.002
4.003
5.001
5.002

scale @ A3 1:1000
50m

20m

10m

Notes:
all angles are taken from due
east

CURRENT AS OF 25.10.2014 EDIT BY

A.H.H

Project 2. London royal Docks Urbanregeneration

3rd year Design work while on exchange at the College of Art Edinburgh, Scotland UK.

The design of our urban water park

was based from desire lines that run
through the docklands between important nodes. This gave us base geometry to begin designing with. As we
added more layers on top, such as the
airport public safety zone the structure
for our park became realised. The desire lines also dictated how we would
break up the park into different spaces. These spaces became the green
infrastructure providing opportunities
for exciting new activities.
collaborative group work with S.Vankan, P.Hamill, P.Kennedy, Gavin Perry and J.Morrison

Project 2. London royal Docks Urbanregeneration

Entertainment cultural
hub
(1)main cafe, retail location / beach
watersports hub
Buisness district

(2)boating station - green

spine.

Thames barrier park

Project 2. London royal Docks Urbanregeneration

Project 2. London royal Docks Urbanregeneration

(3) Grove of trees: transfer zone, creates a hindge

zone

Water features/marsh land

allude to historical
structure of the portland
Kayak park, less intense
water sports area and club
house

(4) main path bridging

stuctures cuts through terrain to create one even

light rail transport line

detail plan

project 3. LANDSCAPE PLANNING AND ASSESSMENT Stirling

Collabrative project with Fraser Orr, Sophie Fisher and Emma Young. Students at Edinburgh Collage of Arts.

3rd year Planning work while on exchange at the

College of Art Edinburgh, Scotland UK.
Concept:
Our analysis influenced the basic concept development. The
strategy refocuses on the River Forth and works to tie together
the landscapes
along its course. Centering around enhancing ecological systems, we aim to achieve a self sufficient, sustainable landscape that connects
people with nature. Encouraging people to take an active role
in their environment through art and architectural interventions, education
and recreational activities we will aim to increase the productivity of the landscape whilst providing a unique identity and
atmosphere. The
experience of landscape will further be enhanced by connecting people at all levels: micro, medium and macro.
Stradgey:
Our concept, enhancing the social and environmental ecologies, led us to develop a scheme for four different landscape
systems. These would
then be united using the river as the fundamental corridor and
architectural interventions operating on a social level. This will
help to secure a
common narrative and identity for the landscape.

project 3. LANDSCAPE PLANNING AND ASSESSMENT Stirling

Integrated Proposal
The four ecological enhancement strategies, forestry, peat bogs,
agricultural biomass and self-sufficiency, are brought together on
a social level through architectural interventions along the course
of the river.
This aims to involve people on a micro to macro scale. Viewing
platforms incorporate the wider landscape and context, bridges
enable connection on a medium scale, whilst boardwalk brings us
directly to the textures and detail of the landscape character.
All these interventions are composed of locally sourced materials,
using the existing platform at Flanders Moss as a precedent.
Visuals express seasonality and how people can engage with each
identified crossing point.

project 4.

reimagining the entrance to brisbane city

2ND year work regernation of brisbane square at Queensland
university of technology.
Reddacliff wharf precinct invites exploration and discovery by allowing users to
play with topography to find vistas around the site. Brisbanes unique social,
cultural and environmental elements are conserved and celebrated to allow
users to find resolution in sense of place. The public realm has become pedestrian orientated by providing an inviting, dynamic and flexible space for all user
groups. By embracing the rich connections between surrounding cultural and
entertainment precincts the site acts as a gateway into and out from the city.
Aim: Establish the site as a dynamic entrance into the city and enhance the
connections between
surrounding precincts and within the site to allow for easy way finding and universal usability.
Aim: Create an inviting, flexible and dynamic destination that promotes pedestrian usability and
engagement
Aim: Create an inviting and exciting place that celebrates the distinctive social,
subtropical environmental and cultural elements that are iconic of Brisbanes

project 4. reimagining the entrance to brisbane city

project 4. reimagining the entrance to brisbane cit

outdoor seating area

Urban Forest

Discovery Deck
Crossing point
Grass Mounds raising out
of the ground
Discovery Deck extended
path/look out

new Library

pedestrian crossing
meandering skywalk down
to the river edge
brisbane native subtropical planting
historic cafe
discovery deck ferry
terminal

Circl

Af

Concept Diagrams

Major and mionr Vegetation Planting:

Subtropical Planting.

Discovery:
path to
river under motorway

Resolution
Areas
ar-

eas where
a vista
Resolu- is
tion: users meet
established,
the river,
provides
allowing
an element to
that
users
punctures
through
understand
where they
are and
also directs
users to
important
elements
of the site.

After: meandering gateway and

dynamic brisbane viewing node.

Social Elements
Cultural/Historical elements

that provides a comfortable access

way throughout site.

Meandering path: seating and are-

as of rest and reflection found along

path

Bike and Runners Path: quick easy

movement paths

River activity: provides an area that

allows user to engage the river, both

temporary (water play) and permeate

(flexible space for events like markets and shows)

toric Floods

the Motorway: Reddacliff Place is unique in that is one of the only places in th CBD that allows users to go down
is desitgn propses to redevelop this forgotten area. The boardwalk allows user to come and interact with the rivers
onflict between Pedestrians and Cyclist the path has been separated. This new boardwalk will have points along the
out from the M1 these points are called resolution points. These areas also allow users to physically touch the rivplay devices will be present only here. Motorway pillars are decorated with Historic images of Brisbane's floods. Each
od marker, as images wrap around the pole at different heights. Allowing Users to explore the history of the river.

er

Environemtal elements

Universal Access: ramped sections

Concept - Explore

e: grided
ghway

Discover: from
Queen
street,
transition
through
trees with
limited
view

Concept Sections

Concept Resolution

covery:
eway
h along
VictoBridge
ering

Concept - Legend

Resolution High point

looking over
Brisbane
river and
Skyline

Explore zones:
activites in place aims to
conserving cultural, social
and environmental elements.
while allowing users to interact and play with these
elements.

Concept Resolution

Le

universal access

Be
Landf

staired
D section

project 4. reimagining the entrance to brisbane city

R
A

e
a
e
a
u
u
w
a
a
u
i
e
o

project 4. reimagining the entrance to brisbane city

Under the Motorway

proposal

project 5. NerveArts

on little street

2ND year work regernation of little street at Queensland

university of technology.

This concept explores the idea that laneways are the nervous systems
of the city, both as a network and energy givers. This concept uses
the metaphor of a nerve impulse to explain how the laneway functions
and provides energy to its users. In addition the concept explores the
ways in which people can be energised by the arts.
The Arts, give people energy in the way that they have shown to
change peoples moods, help with cognitive processing and new ideas
can be experience visually. The site is a nerve, which feeds the system, energising peoples minds with art.
The laneway has two states resting potential or active potential. Resting potential is the inactive stage when an stimulus (activity) is not
happening. However when a stimulus does act on the site it becomes
active potential, causing people to enter and engage with the site.
The act of people interacting with the site creates energy thus ultimately energising and vitalises the city. Energy can be created by organised events or spontaneously when passer-byes decide to start a
stimulus. As the stimuluses are only temporary the foundation design
of the laneway had to be flexible and accommodate a varied amount
of activity. The foundation is structured to represent a nerve network
and directs people around the site to important nodes. Another important aspect of art is that people gain more energy while physically
participating with art. This notion has driven the structure of the concept. Where the heart of the laneway id the most high intensive energy experience, with stimulants allowing you to physically create or
alter the artwork. While as you spread out to the corners of the site
the art activates become more passive. Food will be another stimulus
to used to active the site. This activity will encourage different users
at different times to stay in the site.

project 5. NerveArts on little street

project 5. NerveArts on little street

The main building in the site provides

a free space for emerging arts to practise and share their talents with the
rest of the community. The laneway
is very family orientated as the workshops held during the day will provide
education in the arts to younger users. In relation to landscape theories
the concept has provided seating
areas, with the idea of prospect and
refuge and allows for both Sociopetal
and sociofugal arrangements. The site
is also very open allowing for natural
surveillance by people passing by and
residences in the apartments in front.
The site also encourages the local users to take control of the site as activities allow they to impact and change
the site to their liking, for example the
graffiti wall and art displays.

project 5. NerveArts on little street

Plan of fountations for NerveArts

project 6.

extended backyard - raymond park

!st year work regernation of raymond

park at Queensland
university of technology.

project 6. extended backyard - raymond park

Currently, Raymond Park is hidden and separated from the wider community, acting more
as a throughway than a destination. The project, Extended Backyard, is inspired by Brisbanes outdoor lifestyle and the need for a
natural space for adjoining houses and the
78% of local residences living in apartments.
The aim of this project is to reconnect the

park with its residents by creating inviting

and fun activities that may potentially draw
more than the immediate community. Extended Backyard creates links between private and
public spaces, creating a multipurpose realm.
it incorporates motifs of a backyard and introduces them into a new public realm, thus

providing familiar and inviting spaces for

users. This project uses vegetation, formal and informal path systems to direct users
into different activity hubs. Each activity
hub us set us to encourage interaction and
collaboration between user-groups which promotes community development.

The Hall of Harmony sits

separate to the main museum, as a limited access
only for people who want to
retreat from the sound museum. inside it still explores the idea of creating
silence so that the internal sounds of the human
body can be heard, the outside of the hall of harmony
are explored as the curves
expand into the chamber of
echoes, contrasting to the
geometric form of the chamber,

p
h is
ing
r
ht
hile

Architecture. Music museum

Context Map

by

rom
eh

t an
ke
the

Entrance
Tourist
Heritage

Site

Railway station

Major bus station

Music ventues :
1: River stage
2: Jazz Club
3: Irish pub

The overarching concept is about creating a museum for the sounds of our human body and explores the sounds that are expressed by our body, both internal and external. The Chamber of echoes explores the external sounds created
from our body, in particular the sound of our voice and kinetic sounds such as
footsteps. This idea is realised through the design by a series of changing material which effect amplification of sound. For example the start of the space is
covered in wood, a highly absorbent material so voice sounds are dim. HowevCreates a focal point
er as
thepAssers
user reaches
the end of the space the materials are hard stone, glass
for
by passive
and inward
concrete,
which
highly reflective sound materials therefore creating
views
fromare
traffic.
more
echoes within the space. The end space is the heroic, grand space that
entrances made with
creates
a wow factor. The users footsteps echo within the space, this is created
rammed earth wall.
by a metal path increases in surface area as it gets closer to the amphitheatre.

Heroic: Hard material, wood and stone. Humble : Soft material, Cloth and cork
The throat is evoked by creating a journey, along a linear room (which represents a sound wave), which builds up sound as the user passes through the
space until the main vocal point, the voice box. The voice box is symbolised by
the amphitheatre, the wow moment of the design. This wow moment is creatAili Hardner n8572429
design 2
edArchitecture
and emphasised
by merging the humble space above the heroic space. This
placement of the humble space almost above the main walking area just before
Spaces within Spaces,reaching the amphitheatre,
The overarching concept is about creating a museum for the sounds of our human body and explores the sounds
that are expressed by our body, both internal and external.
The Chamber of echoes explores the external sounds created from our body, in particular the sound of our voice
and kinetic sounds such as footsteps. This idea is realised through the design by a series of changing material
which effect amplification of sound. For example the start of the space is covered in wood, a highly absorbent
material so voice sounds are dim. However as the user reaches the end of the space the materials are hard
stone, glass and concrete, which are highly reflective sound materials therefore creating more echoes within the
space. This end space is the heroic, grand space that creates a wow factor. The users footsteps echo within the
space, this is created by a metal path increases in surface area as it gets closer to the amphitheatre.
The Hall of Harmony explores the internal sounds created by our body, in particular tries to focus the users
experience of the human heart. The humble space is enclosed and intimate; the materials are cloth and cork,
thus being highly absorbent. The aim of the humble space is to create a space so quite so that users can hear
their own heart beat and hear their internal sounds.
The two spaces are contrasted from each other as illustrated in the table below:
Heroic

Humble

Aili Hardner n8572429 Architecture design 2

Architecture. Music museum

PROGRAM DIAGRAMS
Floor 1

the heart beat a humble space

covered
cafe

A1

b1

wood sections, made

out of sustainably
harvested bamboo.

light fixtures inbetween wood Lift

sections,
give ambient feel to
space.

side gallery space with light spard

space.

outdoor

c1
closable door allowing bar to reGreen
wall
main
open when muD2G
seum is closed
covered outdoor
cafe
N
Night Bar.

D1

D1

D2

A2

Steel path to echo sound

of footsteps

b2

c2

closable door allowing bar to reOutdoor

main
openseating
when museum is closed
N
Night Bar.

Outdoor seating

Lift
A1

A2

Floor 2

Our bodies sounds :

B1

b2

c2

Floor 2
B2

the heart beat a humble space

In between Wood
embedded in the
Section of wall 1:50 A2
sections, norwall is speakers
A2
mal create
plaster wall
light fixtures inbeWood sections
which drum a heart
void space
Light
filtering
down,
painted
black
tween
wood
sections,
an
undulating
space,
Low undulating structure helps to
beat, only realdownfeel
light.
to the
emphasis
give ambient
to
which minics
form the
create small spaces emphasing the
ly heard when very
wood sections, made
wood.
space.
of a heat beat.
space as an intimate and cozy space.
close to the wall
out of sustainably
harvested bamboo.

A1

Outdoor covering trellis al-

Floor 2

Floor 3

Glass/Window
facade

Concrete floor

windows

Floor 3

void space

Corten steel pathway, when people step

on the metal the sound of their heels/
step can be heard echoing through ou
tthe space. As you get closer to the
climax heroic space the surface area
of the steel is increased therefore
potenitally can pick up more sounds of
people walking past.

Floor 3
full concrete walls helps to create amplification
B1 Concrete roof amplification structures,
helps to amplify the echoes

A1

Wood sections create

an undulating space,
which minics the form
of a heat beat.

The Hall of
Harmony

explores the internal

sounds created by
our body, in particular tries to focus the
users experience of
the human heart.
The humble space is
enclosed and intimate; the materials
are cloth and cork,
thus being highly
absorbent. The aim
of the humble space
is to create a space
so quite so that
users can hear their
own heart beat and
hear their internal
sounds.

Floor 2
Outdoor covering trellis al-

S
hanging chimes Sound
in-

CLIMAX SPACE -Amphitheater with massive glass windows to look out on, and
used to bring a flood of light into the
space, which contrasts to the rest of
the spaces in this project, (e.g gallery space and humble space). This is
an open soace for large grouds and
functions.

Model

Exploration of light entering the heroic space, pulls users to the climax space

Floor 1

Wood covering to reduce

sound of footsteps
Steel
path
to echo sound
rammed
earth
entrance
of footsteps
percing
through front.

Chamber of Echoes

In between Wood
sections, normal plaster wall
painted black
to emphasis the
wood.

Light spard space.

Light filtering into the space creating mystery

Wood covering to reduce

sound of footsteps
rammed earth entrance
percing through front.

Stairs- ( emergency
ncy exit)
fire retardent walls

Our bodies sounds :

embedded in the
wall is speakers
which drum a heart
beat, only really heard when very
close to the wall

G
Green wall

fire retardent walls

A corridor to lead into the main clistillation , which move

max hall, from the door you can not
see into
the senors
space, mystery
created,
when
pickis up
peotherefore the wow factor is also enple movement. (tempory
hanced.
light instillation)
is also used in thisBridge
space to lead
the users along the space, as it draws
structure also creates
and pushes people to different areas
as people
cross
aroundsound
the museum.
at different
parts of
the day different areas will be highlighted or darkened, creating different
void space
experiences each time the visitor come
S
hanging
into the spacechimes Sound

Hall of Harmony
windows

Floor 3

stillation , which move

when
up peosit
Sectionsenors
of wallinner
1:50pick
B2walls
Section
of wall 1:50 (tempory
A2
ple
movement.
separated from herinstillation)
Bridge
itage
wall
Lightalso
filtering
down,
creates
Low undulating structure helps to structure
light. cross
as people
create small spaces emphasing the sound down
hanging
chimes
Sound
inspace as an intimate and cozy space.
stillation , which move
void up
space
when senors pick
people
movement. (tempory instilWood fading to concrete structure
lation)to Bridge structure
symbolies and emphasis the change in
inner walls
sound sit
as peobody sounds heard in thisalso
space. creates
separated from herple cross
itage wall

hanging chimes Sound instillation , which move

when senors pick up people
movement. (tempory instillation) Bridge structure
also creates sound as people cross
C1
B1

A1

Floor 4

B1

Section of wall 1:50

C3

Section of wall 1:50

B2

Floor 4

A2

B2

Section B 1:50

B2

Floor 4

B1

Floor 4
Up stairs
space,
s loft space
night use/
C2 event use
only. tempory bar facilities. movable stage and
sound equiptment

C1

Section
of wall space
1:50 1:50
C3
Plan of humble

C1

A1

B1

undulating structure creates cavities

and rooms where people can crawl into
and relax in, listening to music and
the heart beat.

Inner
void WA
WALLS
I
W
ALLS
ARE CONSTRUCTED BY
A METHOD OF RAMMED
EARTH
TO Harmony
MINIC
Hall of
SANDSTOND AND A
NATURAL LOOK WHICH
CONTRASTS TO THE
OTHER RUSTIC BRICK
ROOMS.
WHILE
SEEMINGLY
Inner
void
WALLS
I
W
WA
ALLS
material
AREForeign
CONSTRUCTED
BY
connects
to
the
A METHOD OF RAMMED
idea
of
brisbane
EARTH TO MINIC
materialAND
sense.
SANDSTOND
A
NATURAL LOOK WHICH
CONTRASTS TO THE
OTHER RUSTIC BRICK
ROOMS.
WHILE SEEMINGLY
Foreign material
connects to the
idea of brisbane
material sense.

s loft space,
space
Up stairs

zig zag movement pattern ensures

nightthat
use/ event use
people slow down in the
only. tempory bar facilA2

ities. movable stage and

sound equiptment

B2

gap in floor connects to the void

through out the
center, also ALLOWS sound to
filter around
downstairs.
gap in floor connects to the void
through out the
center, also ALLOWS sound to
filter around
downstairs.

Queens Wharf

Construction works

Path Construction of a compliant/ universal access structure

connecting the edge of the river to Brisbane Square.

Construction works

Construction works

Visual Communication - illustrating

Visual Communication - photography

Iceland

UK

Sweden

Tokyo

Australia