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  • A Comparison of Transcriptions of Bizet's Carmen For Solo Violin and Orchestra

    Transféré par

    Michael Crawford
    112 vues1 page
    This document summarizes three sources for analyzing transcriptions of Bizet's Carmen for solo violin and orchestra: a thesis comparing the Sarasate and Waxman versions provides background; the Sarasate score includes the violin part with piano accompaniment to reference in analysis; and the Hubay score also includes the violin part and piano accompaniment to compare against the Sarasate work.

    Description originale:

    Analyzes and compares the transcriptions of Carmen by Pablo de Sarasate and Jeno Hubay.

    Titre original

    A Comparison of Transcriptions of Bizet's Carmen for Solo Violin and Orchestra

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    This document summarizes three sources for analyzing transcriptions of Bizet's Carmen for solo violin and orchestra: a thesis comparing the Sarasate and Waxman versions provides background; the Sarasate score includes the violin part with piano accompaniment to reference in analysis; and the Hubay score also includes the violin part and piano accompaniment to compare against the Sarasate work.

    Droits d'auteur :

    © All Rights Reserved
    Téléchargez comme DOCX, PDF, TXT ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    112 vues1 page

    A Comparison of Transcriptions of Bizet's Carmen For Solo Violin and Orchestra

    Transféré par

    Michael Crawford
    This document summarizes three sources for analyzing transcriptions of Bizet's Carmen for solo violin and orchestra: a thesis comparing the Sarasate and Waxman versions provides background; the Sarasate score includes the violin part with piano accompaniment to reference in analysis; and the Hubay score also includes the violin part and piano accompaniment to compare against the Sarasate work.

    Droits d'auteur :

    © All Rights Reserved
    Téléchargez comme DOCX, PDF, TXT ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    sur 1

    A Comparison of Transcriptions of Bizets Carmen for Solo Violin and Orchestra

    Park, Sue-Jean. The Concept of Fantasie in Two Versions of the Carmen Fantasie; Sarasate and
    Waxman. The University of Texas at Austin: 2006. Print.

    This source will serve as a guide in my own analysis of the scores of Carmen
    transcriptions. It provides a wealth of information and a comparison between the
    Waxman and Sarasate arrangements as well as extensive background on virtuosic writing
    for violin.

    Sarasate, Pablo de. Carmen: Fantaisie pour Violon avec Accompagnement de Piano. Paris:
    Choudens, n.d.

    This score includes the violin part with piano accompaniment. I will reference it when
    reading Parks analysis and draw my own conclusions in comparison to Hubays
    arrangement.

    Hubay, Jeno. Carmen: Fantaisie brillante pour Violin avec acc. de Piano. Paris: Choudens, n.d.

    This score includes the violin part with piano accompaniment and will be one of the
    subjects of my analysis, serving as a comparison against Sarasates work.

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