in compound mcr aed jiy wih he ame vss of se me nied wo se Enoggera ondesanding oh at amon Retin te enor ce eyed wa el alco dee che jp of cs soso “ieee, sce he wt fates Oe aan of cen sgheanging. 24 BERN ad chnd oer, oe, ey igure een ee Goon sod eenenay oem hrf mb, Seats coded a See aig of eis be pa a SEE SSSR GETTRS tothe il nd sare meen Cope ®t tee ree cod in sna smnser Sopensg one ger ieee be ean ergy fc ssn CHAPTER i Rbyeom i tic cen of ns sind ie, Te dns wed ‘ride pero design or ing do cose i. The ax {Enis togng on rum ort al of ae no mse, Toes and ie when ged pero Gere the mater of ree {irc of whet the pret ae ovis ul conestionl move ‘lganel tne bcenes sym nd preredtnsin yt Beene treldy and hmony Rinton a wor sive rr the Greek, meaning the ow of eae red ua ope s eodse he ow oveen ine frp of hein aps nthe proven of eden rma, ot ESS ates mt wore whi par ach ne ‘ace race of bance oh overall parm, Dy etn the com Tips ey applet se eng of ovenent space, We spn of te "aytin a the Puhenon's porsen, mening Se iprsion re ‘vedo eg con he ey i sweeping plan sch ‘eeu ces Paces ne ae elor a pat ‘Sindy ings Gog of yen ‘On 2 dee and more angie ee he ce sythn dies pated paters of py movenet. ti nciog and py aber Dincng aching and werk mon, both regula sade, 0 ‘htc the tie semen or sy, of mie. Convey he ‘yt in ane and arching mes ave the poe tne pil ‘renee ine rh he ane We end 8 ove yo tpond Shr mersmicle tion aad laenion when wating people Tage in rhythmic acon adhe Bening to mee Wak 00g ‘pine conte Such repr endo four mode ‘Slee yim rah of de ror re ong in be wand nl even ote sym sand of machinery Ia modo. Ot expose {phys and mao sth aadonbtely eles awe of fon oe yn foc bong estar eon ed elation Seating. unig, rehng Oe bering ofthe eat ad ahee involnny or civ cine non Tels ewig proves oe eye of cyt. Seg p ene duce o ork motion which are opened op diese 7p Teach, Teel pares ave ek Couerprin sal mual fine ptems ced ncn ures. A shy Bgure eay Be coeel ie rn yin gle es in Mace The iStyles ppad ot tine elem of woo tees Spuretcee sles Alt thee spore yt ae pere [ea won lke enone pace one feo ge ogy "Bai isa aso expen eg Jet fut sw side, cop rege nin may tec at of nd sd fing, = troponin meyer enoton fone nd oan ipso arts surce nts bara deste co do cre de esd i ou srvionnear—maatnd ned we ey, daly, ‘niece eryngnclong ne er rsey de wih eon tine apn tase, A lack sme dae eigen eae eric ncn ‘Ggee rs ct eve pned wok ofthe bs deme Ss pand Suh egatficed sco eee bo oe ‘ren coms wich ete eeu of Sed pt, Cec cond ru tensed ws ny fe crower ete The eof th at's ate op The topo of ‘het in Fig 1b baer hans (a Be omgorn Pptewoover dante Fer tater of clock in, the ow tet in Fig. te may be sounded = facasstcond api thovin Fy, Ibeay come rapidly seqoaner second ines Fst wenposn mac nay ie ico felings af sxeienen, vincty, or eanene; sow spor are olen seociel with psc, ‘lm, miorecson, ecnes o gi "You ry ave ved hn + frm payer alemus «heyy dowenoke wit ighter ype He mayest slesmaees, Tn dang 2 hee flowing x natal emleny t group bens by tw, “This tendency ahi nlf even whch no epuar sre preset Tae sound of x cc ticking become TICKCrck TICK ek ut ite fn even acca sep bosoms LEFT sight, LEFT ighe. Growing tra by Soci every other or every thd bee ex sca way of ving sear of beats shown in i. acon es of ‘vost or deca groupe ig 24 sod Tb show fw is done thesge > meats cso cuaeren one ‘ Fp B donee ew eee Meier The pacens ino which a sueam of beats maybe divided xe called ime fiom te Grech mero, 0 snr: Each beat prop ee oh ‘he oonally ceed bac iinkcned ip wrizen metey ken {eric in cae the or lie—and ens wih theme be br The bar lines dvd th stream of bea ino mexaret; ech of haces sana adore seb Then athe {ieee from one mary ase the ser oo sone a 2e-and 2, Mascans wy sterner to gee mene he it be “Te st ar nein «compos is wren with ight ods henry lo, nd called double br: one how in Fg 20 The sap Bee berlin, tec ove of mesure om ond, When x scnaice i vided inc tro or mae sctony, a ight dbl beep te ‘To bts inanetoure—oneucted ad one uncer cll ‘ar de mt thee Gn wee et meted ferbao—is ald spl we meer. Spl ape sod {pete are the bu ways cp ba “Toe composes indies the mae the being of a Gmpson by 4 Int che meter signee (esl teed ms oe fir). Th aera of ths stones te munber af basse sec llred in Fg. 2 300 1k moet camps one ‘cid tom beginning to ed, bough hanger mee sae ‘some typeof folk mae andi coneenponry mee oe ie ah Daple ter is fequeady ed for rigors mics ws weeks tile ee ion employed for tele or prea ae ae wa Book march ad duce aie, with fe eceptiony sx ee ‘eed by song mack fie bes Compost whch eee +‘ cnixrren ow Wi enempatve mond do che sgl accented is bet eae commun and yin pero my eq te stpcesion Pike mete scene, oi np pl dpe mee, el Senay an have hare feces “pu cs af daple mse fol form spl qudaple meter, a= stow a Fig. 3 herb acecalowel y ger a5! ot ‘ear. Fg Carl and ocho! conlctrs te primary conned with re desing emptionseordng othe compose’ sens. They mi, nog oft ings sx he ep, sere whenoecesicy 208 Beate Fe iene of «work fom site Bish. Digs strange can Tees bee snp eter ae dawn in nbn fie in ig “The teste ndings ae he same movemen implied. The dee tim ofthe bos age Fig andar, bough vain on thee beemocons are ated by diferent confoctor Noe tha the Aaplemese brat reembes he sok of te as drummer. Practice tein spl meer ing ce ons of Fi. ‘Dune me wi marc oe rege = sly tengo from sar 19 faut (Page). A rove pale be geocally cesar in mie src expesne ening. Teno ry be Ved by gral hastening The exes the dco ca do hit & given By the oor cclrmd ‘eicen deo wahin theese (Fg. ). The bea maybe slowed Upwey, which winared by he oe iron (Ff). One afin b hd back, nd en che spo esined by qi caching ponte nen beth dena do the word rab (i. 3) citapren ove s (Oca bast may be a fo double oe moze dan double its oer gt, the ese cob held «format, > wt ove ie Se). The tude soa fer othe Glamary 6, for ee reining 9 ep nd expen tem ad in ee mse hi ool Fig. 5 Accelero ia conjuneinn wich gradually rng and lover sands crate mounting encterene nd nto Convey arando stom: fied by gealy filing snd daninihing tunds posuce te rea onauntg fom eon or clin tos paca of eeoluion Rube fal robs bev by giving moe dec the preceding et tray be cmpacd wo people walling i sep together, One fle (ehlad foc a ep and then exch ep. baton se Seldom inbested Jn mse, bt ar itr he cae ao dgmene ofthe pefore. The fers fegenly fund sete end of» compotion at etd ‘fmt longi eso ed wiki musi inde a ne pastor og shod be el ‘The Best Unit and the Metric Signarare Weingied single bestia Fig 13 by asec of dos. a msi bess ane repremnted by noe symoly anyon of which nay dot feb “Thee smesymtleay a ave oreo ks than the drain ra of aod ©‘ curren one ‘sing be uc or he pees we al only eagaze he ay one af ‘fetay be wed to eprseors ange bee They ae ne sya aad ooops any parca sand, igh ol una hy ar placed eames "Tne tay ae aoe mote lf oe gut mote, ih not, sent ot, Oe ta al ao hehe ‘re on wih trea ie The sem of sand aces ne nay Sedo dows: in which en the em place once side OF ‘Beso The Qoaer sote lok like ae al wih tbe ached dy hgh ace oa ice jane wich a hot fla he ‘dof rasan When tvo or ace eich now are aed a seein, hur coanecting the ese forte gs: TT) «lg ce ‘ued in worl is when spss ate eqs for sepsste Split ofthe ee Secth one oli ei wi dle Bags habe beams 7%, [7 saeent-ote bes ae un we: eighth rot den acon th at ie secre Bena wh Prac ing thr oer ‘Wher ty of tha ater wed ocopesee single ent, ha symbol inaed he eae Ths eb (= Beat / one be Dione bas f= one bene Te coporet may ae an of tae SY ‘nen repeazae one ba. The ess fr fis choice of one oF other ‘acu explained re “Te spe meters shawn show ia Pigs 2e aad 2d, and Fg. 3, ay staat wen ony athe allowing ways (Eig seep Fes +. Sipe Duple Mate Figudissiid flitiiissiit pmininint FAIAIAIAL 1 Simple Tepe Meee Pidgldds ssid dl pe IMM | AAA caxavren ONE , «. Senple Quadple Meter f AJJlJdd1Jd2d1 Jd ; PJs Juss asd 4 20 TUTATN 4 FRVFANTATA “The combined mete an bex-anie saosin Fig. 6 ae wet 0 inert diy the essng of eter igoatre Composers wise 2/4 BUD ads B/h Hit m7 apd #72 478. The puesto of hese seco nos under of bean cach mess; the deorinaoe newer which nop fo be med the sgl eat ui Rests Asleace may occur an ay bv and indie bya syne aed auroe The retin se a he sme funciona psi in pes, We LEE eth ae heed of phrwe aad te goad in lence x the dof asemene, We rors tne 0 So, clipe speech, we pase Stucally for elfese. tas os spare Seger of + lod Gr pes of twos Ore f tor ppd ans pte by aoe TAStony be wed Tong eee may precede the dei ensues of Tole pucsthe snes of» group of etunent te Beginning of 4 few secon, tse theme ors diferent mod in + work ath ofthe following ex aybole ay stand for sence on 2 gle ene The whole oe ya cectgl hanging fom 1 be (Os sa Srranly sued a4 dopletae 10; the half eax, = 2 eagle Teng baling a gant cox mde co dhe lene = weit bask ‘Santen cit ese wck ole vmewhar eth amber 7 and The since reso which fie he igth tes, bor fas 90 Hooks. ‘Pace wring ie ee symbole ta soe forage elon he ehh fo tured bucevard, © eves + quater ig 7 shows singl-bea ein he sip meer.” Fig. 7 # Singlet Resin Siple Duple Meter g.-1.- 0 fiehol8 ceatgoren ot 1 Saglebeat Resin Sle Tepe Meer Peewlee-Edrehool Brorlersl Bee elerel «. Single bat Ress in Spe Quadruple Mee Pees (io00 deyuol brea Ex te, Theewri ia Fig. on see of sgl beat aces and rs Tee tbe paced ie thir Clap one prebmiary mei in sow, fre bens va lap fo dple me, ee for ple mee, fone fe (nope Hold your hands apare on any bt wit a es Fig ABDI ISS td eed ddd ot AVUUEW UW aw AWW UIE U JL) ddl eM MT MTD ITI eRe sede e AU eee e PSSM ddd dela dd did ol 2 ATI To MT 0 conavrnn . s SFR A Alara FA lavdlde Composite Meter Ie sone compotions he meter aero fo example, 12123 | 12/1 Team he seoal ovement of Tehakavly's Symphony Niet ac sige fort prise setnason 7% Any Cebnon of aeaing Sing sft o compte ee ‘Compote mets re tne ccd to he pember of bas whch Sor may one ese, Tht yt one and vo OW SSpple mete ie te i in qvnepe cer. Quiewple ster MSY ‘erie up of «group of 2 ars pl» group of 2 ae 2 be pt Sum: sepople tet ay Be male ap as grup 93 eps + eoup of trol & pos os combina of groupe of? eas nd 2 Fekete bess 2 pas 2 pr; ploe? pn fo pls} plo 2. Ex 1, Clap ys aig 10, Fig. 10 Ma Jesil da dededegda Madders rd OI dd GG) Dynamic Accent In Fig. 2 he ascend ber, or ec aceane, was nthe by oe symbol © Accented for expecive peor maybe placed on 0 irae cas we sal entero ny parc bese peeve aces att ‘alle dyna scene, Dye teen serve to inare the noreally ‘Eeenl fetes marie scene in much aad ance moses Dye {csas whic ear erly on unceeneed or ofex twp a hye tlie symcopaions® “The diphced scemsof syncoptoncolice withthe normal metic ox pt pd tin mi et a sh -a@o¢ ecrc at ds coe yh tesion and encment. The eect is righ when cos all om he ei ase, aia 274 2 3] se stlarhaaied Ee te, la ig, tape bens sexy with your fooe whe eapiag ‘e iytn wih's song cla onthe marked zen fe PTV T es GAPS Ted PITTI Ma SGD QITLULIU WADA dave Ee 1d Sing Bt, and hy gh ol Tempo and the Best Unie Turn bck co Es, I Ca he be ia ie 3 (4/2) fa emp, shen chain barn ine 807) ses deep, The pit of don ‘tau weer tar haeane bee nis ae nc seca Aw bet ot ie cghvnone bet snc fs Be i nds there ae {S onts whith ae grey Tong oe tare A oti ong or shore {Sino oop sin eon oer nares Wrewoy ae prewnr sun op te lane falls: A noting ities tec ins apn eile Des oni ins fe epee ‘heer log flnger durin anche bens vaue, soe Tse dann hn th ent oneal. We wil on see tha aoe {Su be bl or longer han one Bee and al tht a number of cs SRE pg ona sale bse The camper cboee of bet unit 3 Shen deeined by thse he wil toe ta bx unit which makes {EG cond any nes on one bt Sear in eb, whole ball, gc, eighth and cet ates lowe brand orgie ae ui Tower may be poteged cst fer oe more bat by ng Seglrat sO thee oe ‘wa coved incl te sgle ben, 2/4) woe alae ais Sager 92), eeoko an 7444 fesse Het In yoeat sc the second of the ed notes i or sng with» eet the coe ir seselyconaued wit bre for che add Tee Ga wind isramenc ce ee played witoue ing anew brah In pine pforance the Ginger lds the Key down forthe added baton ee iin th ed dee played wih iting the bow fom ‘Seeing. Tying api oly ca he cnensince of he same pitch. Two {erences cage be te Ee. 2. Uhing «posite c-See ses ico Fig. 8 Do a ind ‘ac sc tegen, Now chp ue ered ys, Boding your les oper for estes nace. Sng ths execs wath syle Fitts emertecing thar the ond ofthese noe, he ed 80 Snr sung wih ew breath ‘Aca in oe sere of omy ed ining lay. called su; the du coop she fos wich compe 2 sal Sloe eae sch ars pst al pie oF x wate, Notes covered sitar souls be sag ssi, a legto Drs over auc inate (Geshe ome shoul be ore ad deaced; ts Kid of eo fled ace. : ‘Nocera auvaon sybuls have propertonl values co ech ahr Forimence, Jo.) = 22 hand 22 2, Toes la te rales ply co cane yA a TT dad vey Felctolewhen se tessa J and we wht wt a oe aoe ‘Neiman of J). Other elton ony be ote dhs Besant Twodeatvabe __ Two-besrer 7 a ae 3 4 = + 4 7 2 r + Rhyne igues Ke 416 FAME A. A/4 J Le sad 2» 4 et peoprtnsey the te. The wus ace wiicen Gifs in Te meen Compare 38 12,3/4 Jean 72d Ex. 5a Tap evn tents with your fot then clap che sya in Tig. 2 Koep rely eat and hep pour ey om te meee send {CE ce ier pnp he tytn of ui of mee OF ‘ve mane orl bee: foe messrer—than the me was of Saat te ew dees orf yon ae forced rsp before sheod oh, you have een £0 fi campo you he failed Steal BS oor arch he rere ou oe loge un ie es. Fie 2 4) JM) UW) WW. Wd. td dd WN) Wd ddd. Suk, Ud dtd a JJ MM oe MIMD Mere lst. (dle tedledl. Wal » Wel Waldald.l7 bt Singh in wih Moma moe ip Mh nie onal, | Ceay Suc Ajin at Te | Gt ‘Onken Bucket. This preliminary best called an upbes | ou lan te dag Fg yi, You wile ete ope Inne toe splint apes sving fre te em comes oem i er ut aeny edhe det oe Thine ‘eo tne wie fo eS mere of pce of ‘ma lod in 1/0 wiht eet ope wil hare on Cwoterain is rn ¢ x Toh se hychsin Fig, th ingewi Nae tr wher bem ne Sel hey flow thes dn in Spt V0 Dyan 4T- A ea oe aet lar 0 SS ye 0) bree mits Bus? Y i i an ete mh cea onaerEn ox 8 $ NADU Die WL ba MS JUDD WSUS delay ddr dled bd QW) Wi Weeds Jude JUS Ieee oh AFRICA FAD be Al ALTA ATRIA | Bb ALTA lt Blo dle AW JdIe leeds. JI. Nddddale SAD dd sal Hil Pil Weide JU Wolsest id aie 4e dle ddldde le ~ Lede lado Idole ll Je Wdo Wdadalado Wddaldddlddel of Ex, Je, Tap even bens with yous fog, hen clap four menses ofthe Finlnel ig 12 Look say fom he page a wie hese =n fn foe amory. Do ot semis single aura. Tey feat ‘Arsh of the less + wn Do noe get dacouraged by is- takes your sly will derdap wih prcsee. Now memuie cick afi of Es a0 3 2a04CHAPTER 2 2 Characteristic of « Tone Tat ule of mane te i nan Masia seand—dee ene cols nk saying vibe bes tu ‘he iis be dues, ste or pl af wd or met 6 our rca cords, Tse ribs coming ough se ae eve brite an anal he wa ih ts he ‘lars in secon wih opener dsc ge tte a ie whic pou ee wed i yt pets Es ‘oor iporaae charac duran, ample, se, nd eh Darton of one of cou he aga ct eco odacd o une. Ample ot vole of 1 cone ay Oe Tod Gane in mae by he wor fre abba), (ee strove po be anywhere Serwicn Toa vase maybe ‘eels (ated by encode, =) or creed rally (dobnde, = may be waenly decreed (ee by force pin, bere fp) oc sadly nce (ol ‘Stel byecen sforana, oe foray, evel fe fo) ‘en ane bs dsr ay, the carter ta ake youl nnd deen fan thee fe lye ont oboe. Die fore in mie red 0 ifecrces ine pron of seer {rms Overtones nly beard ents whch sod wh he Sto beng pode, he fadement tne, A ing et eis ‘rich esa whale und fendarenal os boa the se inet the whole ng ing seg of eg se Sd pose sss fhe nde oe che ven ily woe fn pc which ay be dined a sey lee of sou The ph of toe depend othe sues af tine per cod the median producing the sind weg the higher the ner oF vaio yr sco, igher the pit ofthe one pads. A ‘ich aed when the sumbe of wfrios pe eco fan com am, The low gow! of feccnine seen ting co 3 i es ‘Sete phe hn ne el Sad ply Intervals end Seales the par, pay ay C and he sexe C above i ogee, They ens peti ar hey sod ike one toe ‘The sean forte os curren two 5 is chat the sing which poface the ypper C vibes evie 6 oe ‘the scng which prods the loves C. Thi 2 lasnahip bees feaee scaled pret oct, “Whenever cv rnc are sanded hey produce an ee cle an inert Two toes sed gees fh baer ate. The ‘te nr me nce aed ela er Tei tore ponte ote singe numberof ferent pitches between sone std is active However, che muse of the Were Sold & based on fly sul ivion of che ave ato teelve Fiche eacuive och oper tone of the octave. This Sn hee Tusk n Fi. 1. In Wate mo he irra oy ay pc ‘Reo higher ac lower pie is ced a eto Fig Any sie of pts singe in one of ces igh ower cose sd ast The Ser iscsi. STUSLE Ser sects uring ves one wefan pees + SG wit tech tne clad he brome ele St Sacene Siku westlife ce om ‘tsi Thx mye y Gk ea mtd tf ves Lys weve dead ch eee nee the sing and sect or pod fem was presi ed he Sobel ly, Sch heyboed ionomers company tS 3 ‘Sata eventual ier ange fn vled ie se cisihord Shp, pedsono ofthe moder pat“6 cxarren 10) ig. 15 ows the tangas of he pa keyboard. Thee ae v0 tinbafuoys ek sal wake Sarin fom he ky leeeed Cn Fig. Bt bck eae prope in er of rw ad ac of three. Spl Tee aes fen Ae oe ed fre hie ay the las ey (Esta independence names bls ky dened with eer (hese te whitey sac igh and che ef af These ovo pss eluent gi each Ds Key ew pc ans i shown in P16. Fes Fa 6 “The tack ey she sigh of Ce igh ith han Cand alle Cary, desges CE The er sharp mee tine ihe pith thn he whe ey wih he sume lane an This se lc My is {Se seenitone bow D in pth Ie thee aed DBs (D3) = ‘rel herr fr inning ie 2 tle tower in itch chan D. ‘Tereiron ack ny berweet End For Band Cross Ft ani Bt ‘She hes ofeach fhe pio ena ale Bigher hat the ng Fc be called Ex and C, BE. Under cecansaoes co be ‘pine, yo wil Sh sac esing of hse Myson esac Ale af coors, going Joa hee an be elle Fla, ed B,C fae. The eenstneee whch eo tha any lack Key be ‘ile harp ete ts a ce ver, oil be expline le. hay he tne en Cea C om the whe yy shown in ig. 16 “That of tone the C myo ee, eile te chroma ale in evo ropes (I) the mae see ht sven tone, the chronic Gale wsie (bth cc of the octave on} ad (2) the C aor al a aly cw Bal eps, EP and By che est of the tones ct 2 ‘onaPren wo ” -aolestp (cosines) spare crore cle i compe “cel of somites Fig 17 pure he Cea see ones co ake thee aap cee. UNDNgL A.csjc scale ny sar ay tone Lem confor 10 the pans of els sod ul pe given in Fig 17 ae Fg? es ee ent re ete ‘abel tote half sole” able able bal veep ep ep ep ep ep “the se ems fay Key a ed allows: toi er se) oblong ing ‘one Spat wed ete ony ee 1 Soe Seo la Toa 8 [es 42 Py Se € myjor see ox the pian. Stare wid he ves [oS ge fam whieh you can comfy sig” Ayo py nh Stcssnelion te jr say ang te ae i yang [Sieh yor oo cy mh ee ang one Pas ereen Ses elec youself ems tron Now sng pe le ‘Shcning eeepc fore lie {ext Sar ftom de sere md ng down these, ong | lathes saleop sania, 5,cx When yon ae ean it | hath ance tos pert. play cing Dy pe D, | Eogeoy tee chelng your ena er chee wi he Fem - Toney ay theegining of My Coon "Tot The on a pf he sane! CODD (etlw ©) CD, EERED-C DCBC mene ethene Cua oreo hanya, abe gene St ly sar en 98h C Pay ese es op tot lh The endeney f his owt move ono er © wei seceable, Ths carters me the tone G the ctrl ad sie Salto af le roe of rnc. he C major sae Whan a ee icon nphaze caer oun, or ask one petilar fone a ‘nisin cncion, tay a tnaly sr opr meaning end (hoe ile be oa nar eed 9 arin any. The C moe ‘ee the nly of Carly compas ofthe fos of that ele iin she tonlty oe of (We have hata ede tern ey te ms one of the keyboard levers Hencloct he cn wil iniy fe en applied in pura) taney fs in ein to sng 4 meoly fom ehe pene ape (1) knowing teeter sue of he eter the ped ag [BY ecg ee veep of ech nody aoe 0) bang ale ing Fam ny sc ap to acter pa dove (4) being ab (0 Sing theaner in een hyn ‘Sten who ar mauBcely acguined withthe ote on che ined page should dy Fig. 19 and raietoreceaing by reading {ie mos by Iver sume. Poe in sealing oie Wy fale-ep bes erin acedig execs. On Riot olor tog lo an se sep rahe sae ep ‘Sethe it seep or ons tone the Sent one of ay le sg oer os he ey bythe elon o, and ee Feng of sree fo, tt fone Beg ale tension By et nds page he manner called ing eae ich Seale Tone Bxercses Inche following cece oveca abe 3) mss hat ele scp the ya ln te ner (23) me bt oe ov the crave nie oes ia th an siceding eres fal Bele your vod mage, i wits higher tonic tne Ex. fe_Using the Casjocl or any jr see given inthis haper ‘ntichis coset nous roc cage ae he os oe andthe Pvt singing the following sae per 122} 123-24 ELST, Ibs tz 15 (dll the 3a isl 1s 2S; 23-45; HEVREEE, toa, roo, Os, M42, Eas 13 Goll he # and ink 1) L254 235 145 Eby Leb Lbs, MIS, Laas 1425, OF (Galle Saed hit) tS LEA LSI 2 IE N54, 1S Ca LEDS carrer two 9 Ex. low the dissin of Ex wit here see eps: 17-15 Lad U2 1 5, To 1 SATA, FANT, LP, ERD CAAT TA, Lhd, Leet beady beat, baer Le Fo PSL, WIT, VLBA, 15 159-4 F (hold he 3 and Ex te ollow she dcttons of Ex. de wih chee sale sop: LEAF, PIF Lad b2atd, hae PEI, LE pba Me A] Meda bed bd arr, 19s Leads Mobs, Matas, Lites, Aas, PET, ssa, WIS, WITS, FB, WS2TFI, WePAT Ey, bSAITSA, ST. Fa, FPP ISS2AH ITT LEAT ES x. tf Follow the dscton of x. fe wth shee le ep: 125 455 (hold he 5; 1IAS65, 13565; 1565, 123465; Hits, Phe obs, LE4SS, PIGS P85 bes, Mas he heb de Lol, Cb LOLI 63; EIT haha, beget, Lesh Leda, Ese fe cogh f must be paced us dey ca be sug with Notation Mave nsaron spring tones on he pio i wien on ewe oti es cle the great a Fig. 1h A see Tie een ee ‘shown Fig abode hn ew lose tone Cae the de of he keyourd called mae C. Mile x ween on 8 al pat of chat ine. The hes ne ng 199 designe so ote Fre fone above nde Con he scod ie of te upper eeble {fafa Flay mille Con the fourth ine of the lowe or Br a. “The ayol in Fig. US, pil onthe ete ma wih Fig 8ce ortg aon the sain i te el. The sy Sa, wh ng oe foe nwo ef wal in Pac Sate te bop, Bin wg he ee Heo he speed ed igh phd inte inate fu and nw wren on ele ea Mae fo baer ‘nocd cpt mes eth dole bs, cl, a ‘aso kien on he bs si Mee or eno weit on he a whence pe ie ou pu chp mse eo ‘rbonoo he eh rf wits dale G cet gf mening "Rend ‘Roemer wn be tn ace “Stn wo st sno thers dhe ees ld dy stewie sl ppm nwo Fg 19. The to how dt SSUACCisiote leaf sr sng ever high sea “Sporn ower neal ine ste, Mile C3 po ‘ny me mild of parang Py the oer onthe wie Lye rom CoG (ae Fig. 18). Observe te one sound ke + sar ele rape fr the ex as to, ‘hick ns whale step fom G.Sutminting Fe fr F pres wthe Gor Sele The oes designated Ph aber ian Gp, bens ins mje sele ‘oluer nay beamed (E-Gy eis Fao any speed (Gp 2G). UNS (YALE Bas Fig. 200 ee (WET, = HEATEEL SS = SSS = NE eral EEO =e Be “ = # qe = gE Pay eos om the whic ey fm FoF (se Fig 208). eee rene By (all op 1-4) tc be sbeead FoeB,c0 ge the Foe {Sale The mck key in ge lad show de ele tone of he G titjor Emap, D mor, and Bb mje sles Ee tg, Woke ott Ee in he kay of G, FD, and By, in ble Sol bus Bo mo copy the monbers wed inthe exec wer th ig. 205 Agawis, Wing ele pin ass inalable i ering to ecogize Iny sale sep in any hey es aeclcotes the proces of being ble (lacs ou Sing eh ate you hae ten Key Signature ‘The Bee for she see of G ajc is placed afer the G cle conte fh lea aa the F fon ote fourth ine Tae compocer Stag» pein he kay of Gehan evi che access of wang 9 The aga tte exch , because then uadesond ta each vl hon ang se Ft. Shacp te regi fo other sels are i taf faced afer vach ce and ac cl ey ngntrer (oe Fig. ed). More the key sgnuurer of G, , D ad Bs aoe. 78 x ie Weie he major sles on che ble and bus saves of che Toloving ey: A, Eb, & Ay B, Dh Fh, Gh Gk, Ce Write out che {ey agua for ach ey. The ode in which sags ar aed ley apneic it FE, Ch GE, DS, Ad. Eb, Bt, The oder in which fis aed to key signers: Bb, Eb, Ab, Db, Gh Co Interoal Practice A colady cn be sng we eestep mbes (by rie pic) wha al off tones aren sgl ley oe when sore a in nen ‘Msc! key (p i, Peace aad ual Key changer ou i ome ‘pcos igi Unt Seniy the Kaya ee absnce of he rpanimene, Sng chlor by sesltep mabe lesly impraielta conta sndody ei of key fen see. Bath type af lay ae be apgroted wich sre sn of need — (Bess zogice sd ang teal of any se wp 0 down wih (Minor and Major Seconds “Themsjr see a weave se compote of whole dal es, shar toes sd emtoner Fg a data al eps o sete ‘Whe semitone scoped oft toes with comecutve eter, docks Gor CED, the veiled nr second. (The teres ins and nor when applet vo terns singly tes lege ‘llc) The mae senod upward sounds Ue sale ss 7-8 edo “The minor seand de sound ie sae eps B47, down, SALE aS ons radon the pitt, eg ech sen sing ‘he ioc second up a8 Ue Fig 2a 0 ge Repeat i, singing oon wih Bay the os ofthe chromate el cling eck pisses ton then ning 8, Db (7-8), CFD (78), te ex. 50. Sig minor seconds dows, sain siting 00s 2 aadom on “he pun. Cesk your singing with ig. 21s Use loo both ener Shag noe seconde dawn seems 1A ole ap compel of (wo tone wih conscuive Leer, at CD orE-Fs um ara of amr tcond Fig. 2b otetes whole sepa Scie wpe Ie, dor, foo 3 ajo sco Ex 50S one and on ce piso cling ec then ‘Us Fg. coches your ssuney Sing bah ots wrk a Sieg op ty Snseeuive mor weonde CD, DE, Eh FLGR GEA, AB (C) MALBs, fd Sing jor stands down fom ents teas a andon (2-1) then ng tae tne wit rie ging rier of major sande ‘dwn, Ch Bab, Ab-Gb, PLE, ED. DC x Se. Name by lever 2 mien ecad up fom dhe flowing now ‘AV Fa.D,G, CHE, C, G4, B, DKF. AB £2, BY alo Bs, Es, Gb Ab inh her, doa thc nek cera x. 5. Nameby lewers mine second dwa from ech erin Exe Es, fg Nuney leer msc sesand up Fram ca teria Ex Se? Ex. th, Namely leer amjorsecond down ro each erin Ee. Ex. sk Sig seraey jor, thn minor second wp, major and Fg i Woo i in Ex 4 we wooed toes low iil Conte i af. Tones dow mil C may be writen in the ble wa by borowing nes fom he bes sal, ore a Fg. 12. Caetsel, toes wove ney be rten heb ei by borrowing ines foe the ble sa, ee Fig Tab. Thee oorwed,a8disonal ner above ot Tow ter ast eal oer BeFe? Be de Memorize he lege ein Fig, 2 eh Weie othe ates in Ai the ey of Bb and D, wing ‘age line Below ee ble al. Tee de Woke oath ores in Ex. in he hye of Ab nd, ing Tegerinersbove debs sa ‘Seale Tone Eseries In x, ech eres of one stared rr the ae cone. Melos afta ga’ onthe hid oe Hib sale step. To flowing execs ‘Srp fy in earn em che seep Ee Play C (ale sep 1) 09 he ists sings 2-5, F214 Saha, 2238, BEER, 655, 163, 15, SS $4.7 34s May Con he ps Fest ses, 645,565 53551 eb. Wee orth see roner ie Ee Tain he ey of Cig fom hens you be wee ee te Regex Ex hn th fllowing keys Gy BA, DB, BF The Tonic Triad chord iscomporedat thee ot moceenesoande ogee. Ade sonschr sales Sse tne 5 fom the tome ero Tilo Toe Sol tne of ths ind ae eles 1, rat 3, chord eit, ogee The tne ofthe Leto any oer chord be ‘engl ht any of he ons eles oe a aay ay 5 1 1 (ee) 5 cic) ce) “The foe arangeren «the fundamen! ade. The second is ale eh fore nron eis aie che vend iverson. The ‘bel foe «ss ve elas rice by she ecnd ive on ini by The i © ns thar ee foe sie one tp om the bas ot het nats cae he coo md hich ae (Spec fou ada eer ees up ron he ts ae. [Be 74. Wri he ni sind in Fandamenl one, et inversion and Seco ienion fm ech aoe ie in Fig. 3. “The tone of «chord sng ia scceon form a Broken chord. Com pes feet prot melody which ae the spate one Pte aa one chondt: Recognang ries of tones in 2 oy a Soni os single chard mas sigh snging ese, Ex 7e. Sng she beoken-chond nts of the U toed ia © given in Trg. Bok wi salecp number, then with de Write ou ig 26 Inthe bio a he ing Wt6 comeren 180 x. ,_Wrie ove ch coed of Ex. 7 in che pater gen in ig ening the sane wise ‘The Dominant Triad These oo 572i combination fom rd onthe ft le zp which soled the diane at oY cord Tha ad aoa fs, ors on eo se I chor. Some mls Bin Wich fone ofthe V ad Ex 1g. Camierng ech ge of Fig. 23a oie wone, wie ove he ea nec ey io fandom, 29d second, 7h. Wetec V chants of Ex 1g following ee panes sten ‘Fig Ex 1 The flowing ce sup combine or ofthe Land V. Wee them oe eC ad sever er je ej sg the oes fart your amc 15, FF, Uy 1 295, M5, PL, Ie LFA, ERG TR, 15 IS, $15, ‘The Mejor Thind; The Perfect Fife ‘The trl fo ono hd ofthe Land i major sir. The seme of erty aur Cinder wile sep ape: Major sale ps Tbe 6%, and Fae ign of majo hid. On the se sr spel thed's from sn eo cet line abore o below, oF from ape the next sc store oc el Moths be ‘oleic and encom eer, for eagle, CDE Ex Sk Nane by leae (clog any scrsay saps of Bs) ‘mje hd ep fom each seein Fig 1. Sng 4 jo ac wp ee Sito checking your scusy 0b Nameby letra major dhrd doa from ach ste Fig. ‘Sg the sl eps, 21,1 Sig a mje thd dowe from ih we ia Fig 2. “Reiner frm sat if ofthe ad V cond ia poet th “The toes of he pve ih re ee-ad-al ss apr, ade coups five leers Wt he exception of ele ee -4 ad 7, ve ise apo down fe say major sae tne apse ith, Oo the safe ote ion # Bie eet ith bs wo lies ove oF Bel he pec fies rw acer stove o bbws noe 2 pe Majo tine ce cmp of» we aj ted od» geste th Ex. te. Name by leer «pfs th op from each ate in Fig. 2, Singtel ones 1-51-72, 1-6 1, 243.24 Sing pce. ih wp fcaencheoe in iy 23 wi Bx, 8d, Nowe by lauersprfer h dowm fom ech asia Fig. 2, Singhs eons $1, 25-84, 76-23 3 Sings pre ith down for euch ain ig. (ne imgorane abject of er cing i 0 develop the sity 0 ilkoufy hors by A Se map tore abiring hie learn how co Menfy ier by ar, Thi eral eing bh one of a inecal ant en odgng the Has of te iacees Eros ode price anny te oon toe of rer Ex 9. Phy cash neva n Fig. 2500s pisbo with eq ste on tech ena sing se Botan tone of exch atrra If fou Fd Aelise the top tone o¢ lower che boom toe By a eave, ‘Hens eh nigel toner agin, Nontarmonic Tones; The Passing Tome Play se fair figen of mle it acerpaimere gen in Fg. Ton Fig. 2, i —— ar ——8 couarren 10 ig 2h, =. shee “Teck oes in ig. ccd te has ay alee dial nota econpnnese The he ons Anchor geome tae, Noe ft onc ie Fig 2u or Fig te wal Teeiuemont fk ef then ons hanonaed wih dieen chord Se aeon of roaarmons oe a enacompaned ely ‘Biel sje ounce. Nooharoni ones ected 2 (Sedge wy ty eet ination to chor 0 “Insel cnc fig trod 10 tel to pw seit oe raed et anc oe th eft ae ll trie ist one Distie once tt hse ones eer the le aa ey be Ly gare 2 opposed cbrom et which Brin he sar of ges Pasting tones wich ll 2 cme bee or en he lf fst of es, 8 ich ecerwed panty tor The Soblested tone a Bg, 268 Seed gong one. Aa see ones mays foson 3 posing tring the gop Beween cord ns Ex 1, Fin th ones which appear tbe psig toes in the lo “iia Sena yp. heya ssly res of shor urson Ausilary Tones ‘Agog of eee fonts ny cons of + chad ane 2 tone wich nono ae dove by bop from the shard coe and et 10 he Migafehor one Tesi nein soca group cll sn eiory cr aptbonng tve, When the tone ores up fem the oil chord fine 2 led snapper suing, abbreviated UA, when the tone (Boson elle rss, abrevaed LA. Upper sod ‘les lanes re asec Pig 27 ceaaoren wo 5 Fig. 27 “The symbol ovr # notice epi acy gre wich an spp any ym es Sa gr wih ee say Ex 18, Sing he following sary toes ofthe 1, xarig on any onenine fie ores 2 oy sss, 3 Ey, Ihe Sing the nes ofthe V with passing toe 1, 327, 1, 5, 31; 5,785, ty ad with aan: 1.5.33, 5, B21, $55, BBA TIN, He 784, S45, 22, 3 Melodie and Rhythmic Dictation “The diy which sues ay experience in wing owe el ody ta btn To eno a pry see Se Fay potter The allawing mpgeots wil be bp 1D nor sre king tbe tones eit; ou ay town 4 (ov toes eo forge th ee. You car woke eorechy wh yo Csnnat seen e wi fas been faely memotrd, Met the ‘ed ron of ly 8 gg nyo ys a Sie des nd memoceon lia, This an be ingrorl wi pesman sod real practice, Py swoomessre ns ror ellen Fecsigh seging Look away Kom he bok ad ng hem, hen check for mewacy: When you cn do the wel ake fourecmre ois Sl ek winder kg gr a tg, "Demin beter the andy begs 00 1,3, 8 by gigs the cha nef eel te ee es Ble Ding wh the wrong toe lak he flowing cone 0g Sf edbwa he ect Lyssa ten writ chest un bes fo the td ody you se protest enogh woke the tone (oident he yeh) dey. Nowe he ps wich move ene co caterer 10 2 separ dw. Note skp whic lg ronecon oe SAOEUETOR a ort oe ne we a tlw a of See ee fr eral, 13, 6, TL T-sE- a 29, Sng | ci de ow Sing one aor Bow? Sig a ny check agua: ve Dre 1 x Ay cick ae ning fore ong bn conc hears Seen ee pce bat ine bor vey foe on 28 Acesed dea eye be of fnew ch es Meat Ts ws Zoe tone comes on ba of Wher ks Ups oe ee ene the cht in eich eee AS RORY cin ray a Be mpm the anion fb 0 8 fet Fg i wiry Asn | i ws he sytnfroes with single dros of og bet CF Fe re et ran over ator wc ea et 2 el sae any dcaion ack Elementary Form nly neigeigh ing suis wore dm are ee i cgi oy om ra ced ele cord Sean mh eS gn pace heed or ih a mn ey ne hee ong a mes ny et ne pce, he nei crs oe Ee ce pes Nei coming oc dora ener ating eli ie oy Word al Te Fert Sy ong lat, bores okt Neen oY ei ms ely ny co of a ea May des sae wa kp te =o “Te hlotive and Motive Repetition “heuer the Be eon Fg. 2 pened he et oe re ee Pes whch eve the essing or of & es Fe tes hse if eed mn crow wom eno ie os gh cuunpren Two 3 The compose who sats with a moive may erate the mo in oad of sa ape He sny (1) cope exact (2) epee it and Rigo eyesore now or vo, hic sealed model rept a fe oe vo a histo twee eel (8 Fig. 260), tee aed sequence, (8) employ che soon wid yi ol changes eld + oid requenc. era cee vive ody 0 fol che Gt mine (vith or iE eS ts one ore deren ones. Repesians of cee tie peor uney, some ofr variety, New modes provide onus x, ta Look sheogh se melas in Secon 2.6, fd am Siena he spys of moive repeon and expraon deed inthe x, ib, Analyze he fie evo semsues of loi in Section 2, Teoking for sonesing ives Ex 1c Seay the melas in Sesion 2 ind examples fips in and V Phe Cadence; The Phrase; The Period “Themed ine, comtqued Seyond she ial mnie by epson, or DU utc ay bree then conn 00 way, Th break cae ee ld fr more sn on et ale ebb at FR ad ah cadences may appear 40 of oe mens Fre etary codecs fll ihe second, four, andor sigh oe arth 9a tae whick governed pay by tengo sad oe ic unt fom the Gow tone up to aed inciding che i Tec prs se Fg ab. Se rss hur ght Fare a re, tho rake gure cadence andthe 2 a be phase ae af pleas Cig 2 end a eae ele neha he, Bs to 7D an ey erat phewes ace comcerporry eek aad Seep of fle nse ee ahem on aoe of he V chord ale lf dense, or en Tse which end on stone of he 1 are eae See companied ody, caeness on 0), with th wie Freed eetel by Wa clk mperee bene elence aa ee Eh exdenes ts the oi tone nthe ody and she Tin faaneaa order t the as TEx 1. ent cadences in he melo in Seton 2» cumarran 10 Phrare Formations Acworphes write ero, Jur ers ative may be epee esse wih some tiloacon,m may the phe be epee The ‘aly acne noe repeian ny bet the eadnces othe second ele maybe ec Ie te Ba, a oid versa, or a sequence ie Looking hea fd mone you ze ging wl pps You of fri pec xe, Examine the msds in Sesion? for eypes of pre reps new moive my follow «fe motive an sina, 2 zw phase snp tei pe, Sore fol er oe coral hs ele Faves: pe (A), pie? (B). Te pare inpeBry form TAUB One or buch paver ay be repels A-A-B, ABE, Ake By Aba, ecu chon iar i imple rary form, ABA, which aly bunches th fine A epee ACAB-A, Varants of fing eray fom are ADB-A, ABA. Any reece plist [Bike fon my be modifed. A second ora third new pir may Blow A or By wich at AADC ABBC, ABCG ADAG ABER ABCD, Be ING Aaja he mre ofthe nls in Secon 2 Phrate, Period, and Sections! Repetition Signs When apse,» psn ora ence section’ een the excl, wich change he beng 0 with changes in the denny he ‘por pact haslf he cole of wring ost che repented pats iremployig rar epecon sg, dbl bar wih two dats ‘lend of phase or prod eas, "Go bck the being” Fi. sepia ie dese whoa he Set one or vo menses, of more oto, without she opbent ote or aot be pace 9 which the ‘erm tae mae bythe sae sgn fag eee Way enaeren Two 33 ig 30 ‘When the melody sas with one or more upbeat ote che phrase or pead afer he fepeion gency ao baie wh pb ots 1 Bebo oke ee chdence nee lew hana mest long. de repeat ‘Sof within the cadence snare, andthe est of tae mete ha pte cus forthe nex paseo etn Fig tn some pees the mil opr, pido ecto i pst: AADB ADD, ADMB-C, ABCC the sept sigs ae pbced Sontag Fe 2 Arete sion of mse may heey eee endings peeps tule forte ng nds pret xdnes forthe sod LESSORS etna may be me the ral ey nda sand SRIBEOS he hp fe ean For edig dling in hs wy, Fees ated Seeogmencbgeme ene gy up toT hsp tr ening nd es ening Fetes Moe mld he ese conenest fom the cra ‘dng, iste Fe ‘When a rein is ae 0 cb beganingphne a pases afer kferet mide pat ABA oe AB-C-A.A, the comporer 0 sece c“ curren two si wing on he epetons by wing the word, De Cap (abe GAUD.G) al fine mening “Feo the head (gig) othe en Fee he be Insome ima th epeion the eprom of a given pre, ein or eso cee. The estan, Dal Sogo (aboeevated [B55 ln enna othe sgn $a Sg othe clove” When {spent of ng the rea to sgn eliminate epeion Fike po needunions Fig 35 “The an sign i id when che ret pao «phasor pind i e- pestle promi ad he mic ips che ee ges. The ‘Semcon gens Sepro (5) de: "From sign tee lose. Fig 16 The sign @ i ueecomonly wok: (1) when acter cadence T foc perder specter cadence he original ey thas egg hed std al ening, (2) when sa acne elles eens the pice; (3) when th sign bs book Spt er mp To en re of ew (9 Fig 7 4u—i— Swe CHAPTER 3 Tuosbest Syncopation ‘Aor coe which i ng in dain ha te ones before and fee Sos yrhely proninen Sach onesies drones. EUR te de Obmeve thatthe ewobeat aos in TRS mae mrt onthe Br bx a singe gual meee Bee aP Sider onthe pimry sever ext Loven she codery ae Then ey scp longs aig ne mee ae ey ace bene fe rae nce eter conor Suseht teen ont mem die fe em “ES anges onan nacre bait apo dol sca ned ence withthe coral wei =e ti 2 {tl Poo —— o ‘hj wth placed ewo-bea values anne for of 760p- sim" Ty following ae cme of worbeatsyeoptons Storelougshors #4) S12 4N6ITY ceiagony ee)ie atlas earns Reclongitore = 21D ¥TD Revelang 1b vis ate Shoring: 3/415 HUI) BR ILE Reclorg, US EJ|) ME 80a) Ress which at onan enaceted brat so are snl prooaged compel ut tcet tea bo inva aswell ee fet tne Fotwing ee ~ weir sedlitis Ex tte Ere che peoied es in Fg 8 wee in syncope es ius anaes 356 couapren THe vi ex acron he tins, aor, chip he syns, hen sig wala ah. The shh in Fig. 8 ac tise moe dione Tale + st pet er ete ging seni yo cp atl sng SYTHE Nowe tach eth 77, 717 1d Js and do yh me Im eer ees (The ign C which Spaeth 1b woftened eo indine 4 mee) Tus imt tine of Ex Fig 38 odd Jey py WIA dd 1a Jd Wut ed Wd Jil PITY OU MIN bod ob l Vdid PAL aid Poe PU Vivi wedi Pepiuluiueriia 4) DIM Med SL IM OLN QU NM AL dy PA ede) I al JWI WidWedbd bo Wd Wl Jee Poe ee dd SAPUTUCTID OMT) 1 LTA FU PUT ed od omapren THREE ” TEx 126, Clap four meni ofeach wi in Ex 129 en, wring fvtar you ve eapped ron meer. x, thd, Rend each ine of Ex 12 sen “Tevo-beat Values in Composite Meters x tte Cp the yc of Fig. 39 wih a song fisher scene ‘ep che bes wes, sg wit Fig i J Ju Wied uy Jad Je Lyd da Bl Dd Wein UTA Me) MMM ed bel Mized Meters Some caoenponsy cpa ptr et where dane wens cetera na eve eben hich eed aed me ee oe baaprayr aa aq? wa [an] ae aan A mente sgntuce of 1/844 meine thar che mus has eae of hee and fe beats which do nae akemate sia 7/6 When ins chao ‘ho tient mr aed ina male, che merc changes x ‘Sedat Fag 10, Since people end t fed comfortable in metric ‘Spur, an evaon He hove in Fig 4, whee we find ther, ‘Bhmceing o somelting,ite ou aren Ex 12 Clap the pts of Fig. 4 in mited mes withou change Tag he ye ofthe bse, then ng with oace CFy conarren nee Fi 0 QJ Jee ei ed) APPT dd Ded a ‘The Subdominent or 1V Triad “The sale cones 4-68 in combi For the IV" cbord or sb omen rad Tel. Vand TV chords ae bs cad nthe by, ‘Nnong thm hyo he one ofthe ee Al are majorsounding ‘hocks the Comideiag each nonin Fig. 2 a eon nore wate ove te TV chor in fanhnental rer, Set aetson and second inven, saalioe bese [Ex 10h. The following combinaons inclade cones ofthe LAV, IV “SITV.¥ chords Wate them oven Cand seer cher mst keys, ‘Benson fom your torn 35, 146, 5) Fel, by Dy PS Eos, E13, BI, 3 164, 15, ASS ats (Wa) +68, 25a 64,2 xe, The following toes combine TV chord cones wi usin, Follow te dircionese Ex Db: 11-1, I+ 6 EPS ATL de, 6143. Ex. thd The following ross combine IV chocd cones wih psig Tones Fallow the dateons of Ex. (3b) UbI-6, 55 1371, 5 Tree a Febe hSe The Perfect Fourth See tones 1-4 fom an icervl of perfect four, The pect foarhna hi ep ages chan the ajo did and encompass Four tener, CDEP, Four sale uep up fom any cone exepe 4 ad Foxe Slee down fom soy tone eee 7, il bea slp of pce, Fear hens notes 08+ bn» four wl be wo space above of Tew is whe aoe in pace 4 fourd wil be eva ines bore of vel. Ex a Name by Ite 4 perfect fouth yp fom each nt Fig Spe hen ing perfect fourth p fom ea ace ith Ka Ac the sat cuarren THREE 39 You ay finde necanry 0 Cha 1-4 6 Fl Sing 4256.5. Fb, $8 Ex. 140, Name by Inter «pater fourth dowe fom each noe ia ig 2) chen sing pete ou ou from each oe with a. Ath ese yen de neoany 0 hile 1. Tir eae han Sing BSP HEL, The Tiree Value edhe ev ak | bet pn) ins/Aand ar J) ininantvt JP iver “Tes we nly wed when to of he be um her se ofthe at ne Tn 22 2 2741 one el sean ba Une. ‘The tree bee ace sthin toe erie, bowever, writen ssa dol fine for eumpla The narre of the symbol ay be undeotoot SDasinpSeaoin of aie hee ben aoe 3/401 = Jim J. The Sotisapplad slo wate — == tL ts Tt sty “The de dan peng the duction of the ate valve by oneSal “ale. spl re seers noes BL he seamen undp Ines ey fl ceo of the moire Ex, Un Clp the hy in Fig 1 oliing he pls ogee for Thee beng ba thereat ty tes ng ith Le Fig al WIND Wile Jud WU Lesa bd ee SDD Mews We MM WL JON A DPD° coapren tae Be Me JIU dle Wide ol le te Ji eid uevee Je Te tee ed PAVINIW Wed o Ex. 19. Cp four metres af he Bt ine of Fig, chen wc Teeny. Dots with che cond ead wi ech Ee he Fae Ex, Me, Read Fig 4 sendy The sys ca be fl phys ke ele phil in ou heaton th bool mss. Sexe cyt tang + Fetrin ting 9 rads page of mi and hese etl [Noth yeh ike 4/8 J 2.4/4 J JA/2 Jad 9/06 9 ae propertly te sie in ene te crapran THREE fa Three-boot Values with Upbext Ex Lid, Cap the eying. $2 hen sing with Ex. te. Wee fose mene ois of he esi 3/8, 49, 408/06 in ig. 4 fom memory Ex, 156 Rend the tychine of Fg 42 sendy, Fg BM LM ae LUT Me DID A TL broth Ved BdILdE do. dle adly Jdledadlo Jdle dle-ll di dle ddlaw Wdo doe Wo Wddddle.ll PM Lydd ed Pld dd Md Md Sd Weed Ue dd ll db ut Vie WLdb Weld SNAP lavald ALG MITVIDy Bed FT) LAD Ud he an a ine te care feTiree-beat Values in Syncopation x tig. Chp the yt Fig 9, hen sng with, Wee fou “screws tom secon, ra se sys ley res $i. Ws Wed Wi) ed SI Ue UU = Pad BL MDT bror de Dderted 1 Daya Wa aU Le ACAI ALT UCIT) 12d FAS AY FLA AAA Wd “The Three-best Value in Composite Meters [Ex ih, Chap he hyn ig. ewpng steady Be the ing “sla, Rend he tyne ety, wks ve Kine om sry Fig TL Pid Weds Hd Jit Md WL JUId ddd Weed, edt BIN DLL rd Deed NM 1 MARL MOM dL UA * Sing the le wats F-, 19 ‘cHarreR THREE Ay ‘The Three-best Value in Mixed Meters Ex. Asi Clap eh shy in Fig. 5, Keping a xy be he sing “with le Fig 5 PLWILR JL SU TUL MDL TUNES PO The Major Sst “The ship 59 8 a icra of = ajith ajo eappeneiathe 533 the TY 14 inthe VPs Td eth (oe below, p. 93). The dance between es Thea spetet fore plat dj rd o 4 perfece fh la 2 SMe ney The oe seth enampases i eres, CDEEG:A, Wek bar mte ofa ship won ting seth wil be ere spaces Teer oe bdo yen ie aap, sith wil be ee Ins shove x én, Nap by leer jor se wp fom eich note in Fig 23 Sing 7, 1-2 8 Sing # jor Sk up for from cack oti Fig 23 n sa, 1 Sig 2 mesh tho fom ech roe ini fx Ge, Review Exec 5, 8, at 16 Exc tsk Weite out Ex 4 ia she keys of Ep jor and A. jr, ‘Th Fowrsbeat Value Tnsinpl quudrple ets, Four bet vale ithe ls the meuse ‘cin Ged ove then len spe dope and erp mere, mt be nlovecie aie TEx Ui Cap dhe shyt in Fig. 46 the sng with Note che Svholemesre rt (e ig 8) ese in )/% he whole ces used Fovolesnessre ress in ll ete.re SCALAR ALLA 0 1 UA ALAR en Cee (eve ve ee WWIII t-t-uiue PMN A WL PMD MLL et Peet ie sO o Weld Wd Dl HUI. IIIS WLU) Id LU. Jb MUL Wedd 2Ld Wd ddd NJISlo Ile. bode | JIS 1.8 oe dlddld ele Wsded dell AMADA. dil Dd PLT dll MWY de ted it AWE Ly Wee capren THREE a Be 7h. Cap che chy of Ex, 17 chen ce eck Kin Foon meer Tie eta Brees In 3b 1b, 12515 184, 156, hy and 7a, byt ace preeoed pirof liner within enc purialar meses "Th ethyl of bh Une sinleoeosy on te desk oe able, shoppe line with he igh pal, the lowe ne wih the lefpal Do alae ere ‘The Dominant Seventh Chord, ¥" Tx 18 Consieing ech nt in Fig, 2) 2 tonic tne, wie on the V chord andi sven in cach ey Sing 4 inane sere ‘hd up fen ach tne ig. Wele oth Ee 85, The V ised wih trate he out in C525, FH, 1, 885, bb, 7 x, 18, The Vio with psig tones inthe Flowing combina Ba Jen T8S x, tte Sing the one you ave writen, Wee ot all of Ee 18 in ‘he kaye fF, G,D, 20D Torcoere“6 curren Tense ‘The Minor Seventh The ship 34 ian intel of minor toe. This 2 half ep lagers jar sich, Te ine seventh encompass en Ker, GRB-CDEF ad ound in maorMeys bmn 4 15, 25,28, 2 When ste st net seteeh ll be thee line above Oe bow i when 9a pce vet wie ve pices bere or lw 7 Ex, 18, Nameby leer ior sree up om ach atin i 23, “hn ing in sees up fom ck ne St by preg pat Ex Ie. Name by Ite» minor sec dora fom exch ote in hg oo vec dow ro ech oe Seay ee: Soy eh Ledger Lines, Continued “Teas higher has the above the ice af ate astied on eee ee ner ore ht sal ous lower han he F below che ‘orf re wien ono Decwera ager nes tlow ha So. Learn the leason of the nary which ae own in Fi #80 These tones Te ewe the anal ical ngs fet nema f cow then for ‘omen playing wel foc bang rant se el Fig Ee ‘The ymbol 4~—~1 sometimes wed over notes which ae 0 be soul ave igri wige 00 he ees The sya ae! ed Below oe inthe bt hh be Sounded a2 (Calne hn wean Se Fg 8h Fig. x 8G Read the ae of the mor af Sectin ty sale ep umber with singing then. Tey > devdop fang reg ‘he gly hen ang the mloder Develop be abit of naiing lay sad mete nga Sine eles Eng Ban Vl Ope aa 3eceCHAPTER 4 Durations of Fraction of a Best “Two or more tones may ose 4 sgl ext, When tne eal inal the place of x saglebeae vate, de second Ia es Tully Soumred San in cde co avoid setching ow he curbed ‘Setdaginto "wal one aboot, fl-our Is being ov these Sone dacs lop i ier ac sok cus ining the bea flowing heer ow alent rales fr the mst como srstas 2G 3/16 and 476, ryncond coe are se See Toa te saeenh ote exept du hey have see beans, Detche (eieyascond ots have ence Sas and thy aeons have hee els. Ros 1 a a warts MP beet bo Hactoe nhs 2 coeand coand Wh talbtecces Ton ce _Hilébest vale for | Wich ees | bes) | 2 acter nies oe | xeon croad \ Web tattencom Wg PE x 198 Cap the sth a Fig, shen sng wit, To ine s6 ‘uapren Four ring fall lve co wheat aod cwotet aoe, coun a che Rita fig a1 m2 | PNININAAW DMD dO I A AUT RGD ATU PNod Ddeded edo dlodd tl ELIMI Psel, Wedd boll PIU DATA JDL DN DI (IAA AA SUATRIR ARIA A GR 198. Using the fist frie of Ex 1 write ures nite from menry Ex, ie. Sly forest wis ofthe x fou ne of Ee. 198. ‘We hem om ssl memory. Duvations of a Best-and-a-Hlalf [Noe wt he dation value of a beten--hal ae wren in wy (0 Te hale vase may bet othe whale bes mint and 2and Joand cutee Fou 57 Co) Thesmny nso 4 [een ta and which ieee vor He) ai Atexnic daced ins beeankasl long: 38 1 J0CE 92 J th re nig hen ig i No hh Thythng 3 Jy oe os nd 29 ae propria he sve in irene mete Fa 50 BADD le aU JJ) WJ a)aANJ 1d JISILII lool ALM DIL Ue PANT AL BIST Ar aL — ANIM IIIS UWS. sdde Ol CBRN AB Bar. ot PDILIIS J ALD DLS A x1, Read four-nese ats fom cc Ho of Fig. 50 sey, ‘hen we them fom erry. Half-bae Values in Syncopation Asynopaed shyt incline valor i ore when (1) thetate othe cond bal of bene il 9 one 00 the ft al of the following bre 2/4 2.7, (2) wien ss 074 TI 2, () ced 10 ‘he nea fall bene 29-201 1, (0) aid eo ore tan ul Bese renal le Syacoped acens ae emphasized i he aomal mene scene is wel in semper x. 19. Chip shyt in Fig. 1, concn the beae-nmbes and aery cameron voor the “and” of he tal. bats De nor drag the Beacon the eyes Sone Sg the syns wi Pus su els Web di dd te PN MILA dD PIII (Rao PINUPS BTA SSBLN STD QML Wedded sem FAA AAPA Pa Mee MIN Bc 195. Woke fourm ais from esh ine of Fg, 5 from meer. Holf-beue Values in Maced Meters Uk vie pid asthe a2 ee gl startet a sein! oul aot! The sae elimi old for 2 sot? ela me 2a eo a 1 may mel ph” th, Cp he sittin gw couarren roun 0 Fie AL BTN ded ET QJM Lea § TTA FT bh TB lb Be Bld Mec change in some mei have deren bea ont, indoned J =f che eat aie of $/4 eqs tac of 3/8 ecclly x hp he ye oF Fig ae in one Fp 93 by FADD dR eed Dd 4 QDI AT ded ee ede Es, 1), Read che ates ofthe melodies of Section 2 by ake ep ‘umber whoa singing them Try ro develop fig vesding the qui cen sg the oie,sacrion eigen ol aol eescron » % a : ae Pere i i is= aesSES pS ee wee as eer eee sees SS = foe nage ee 7 7 Se ees SSS eeeereieel 7—— + + totes sone = — —, & Hy 5 PRES) Sarr SPEER _ - _ 2 on a = aS Sapa sie Beal 2H OE ©CHAPTER J The Alto Clef “Tx main purr ofthe greta ie accommodate che grat of Layband treme. Use aigl,ce Gand F ses, wih acon ledger, ssommodire he range of a oie para and mas for tals iecrmnens, To rece che aber of ledger Une routed, how {rer compos nthe ped the device af hide the Cele. ‘The pr of Ca oes on hcheer Lie of the al was se onan fo noting mi the ronal anges of bailon, ar so, azun opiate, and speao vis o iseunens Only the a0 San eo C lf ate ll bing ud he eee ole. The 20 GL ised in mus forse mat ee enor cle 8 wed osc for ‘ela beso, and tenor eoebooe- A reaing Enoulege ofthese ro ‘fsrsecoiry 9 aera! ad ply care ond orca aie He (ne pesene concen is wit hale ef, shown ia Fg 54 Mile © ‘one cen line The reo lower lines of the tele and he m8 pps sof debs aves ne upte e of he ds Ex 204 Mori the ean spaces of the alo aa Ex 20h, Rend the ler name of the noes writen on the ala edt in ein 3 Alto Clef Transposition “The alo clef can be sed co ampere (Bie) melody fom ie vial yi the Ky with he set igh leer by sein he Sick for dhe G elt For expe, lady ia C or Ch cam Berea in, Ds, or Ey (08) Proce fll Writs aur + umber of ak clef signers in cotaoren eve ” cach ey ollawing ig $5 4 ly i in G or Gi, ak she ao tigre fr A oe Ab snd cover te origina Key gate. esd ‘he onesie new Ey. Fig 55 Ex, 106, Tnspore dais a he ble clef in Secon 3 a che mame dearied, renting de oes by leer nae Metin he lef may be enone nthe ame manner from she silky to kaye the see wer La forex fon orem Borde x 2b, Trampoline es lel in Seen 3 in the mane Quartr-best Values in Simple Meter A beac uic my be divided is querer vale: Seseanit /2: Quarerdxe ves ETT: qoaree-eet ss 7 1% Qos bat vale PPPS, qeanee bent re FEY 18: Queer bet vals APPL qosneebent ss Fy Quarto vale re combine in vain wy, Us te guar oe as bean, bet ae the cabanas. EFPD = TE FP = FDI 8D =. = 3 Ex. Tla, Wie te sme combos using Sal cig and see teat soe as bese Ex 20h Practice clapping thee combinations One way it count the divine ache tein 4 ere in 14, 0 at nous Foe quick sabes, Anne exh of coating isAes you tare gucen che Fel of the Gime clationshipa,deop the splcbe cueing. a x. 21e. Clap the folowing ehh eng your es evel sea ‘Don genre yim, Yon mu now wre ec et bg sd Now iee died Fy. RTA AA PAA FAD - 1 VITUS dle VS TBUB I AD TA BAG ‘ATA A IR TARA) VARVARA UGA A BRST 8 Ex 21d Read fourmence wi in each tie of x, 216 sem, ‘den write then down from meson Ee 21e Combine waren unin 4/160 Ex 3, 2b, 154 15, ‘nd aco ke Sle meses ia 2/4. Cap aed cous in Ee 218 Querter-best Values in Syncopation BI Gp he hy hn ig 57. ch ig wt i, wo ing he ely of uarren ewve a Fg. 7 44 ODD MUTT OL DLL DUT GN LAAT AAR FRA (UT URSA ARUN {SL BA LAIN TALL PM DADO) ld bd DIALS at Ex, ig. Real ewo-menire ont of Fig. $7, tan wre sac ie dows Goo memory. The Donble-Dotted Note os Quarterof-a-beat Value “The ychm vale often in back qoter-ofe va: wn tel Ieiserpecencl sh (yet a doable doed ate. The Bese Ace al he ae oh thee ic ae rao pee hee de. Sealy, 2612 SE fad 2 Bx, 1h, Clap eh yes in Fig. 58, he sig wit ig. 58 AIT MOTT MeL MD VATA. MAA. WW WH. Ex 21h Read the noes ofthe melas of Section 5. by sel ep embers witost sging than Tiy 10 develop fli in reading, She gully hen ng the ode. "aao¢{ink Mew he ite Que a — SSeS} 7carescene . a4 snow 1 peseasees see gee aa 44Dose dud Note Vibes ir 7 jay === ; oo tars ns RLS eS = “argCHAPTER 6 The Atcending Melodic Minor Seale Puay Fig. #9. Ther sige meses of the melody (2) ae cel in foe hey Bf A.rnoe Theses foe meses (9) ae sec abe se epee C3 bed ised of Ch. (The sign (9) a menue 9 aed Teele sign leis usd to cance a harp o tne hey snare ‘Gel speevimaly shure oft stein he mesrre Sharps Thrice nthe ey sgraire, aed ater hich ancl fy sigace aso hap, ze called evens) es une = = ee. AEDEPLGEA, fr the scening moe minor Sele. “The pater of i cl, ring For A is given in Fig ts, The piano bys are epee in Big a 9 show se half whale ep eter bee ce hele the sme a he joe see excepe For feaesep Tajo and nor sale He the ew ses used in Fig. 5, which ae he nn onic ste, aves ane eli. A mje he oe ”G couaeren 0 Fg oo pret) major sl of «minor, ns mins isthe conic a pra tines of Ajo, erate, capia Ices wil be se © dene (jor es adsl lees o denote ioe keys x te Price ging dhe sending loci minor sale ia sng Toy acav conveiettf your Ye Ech Wee the ceding lotic za sale ia the following Toye dev ge bw fh feck bh gh ch and dt allow he presen in ig. 0; gating sup or Ae belore soy tone whieh cece: it Late keys of ga ew be esa se a double sharp, Indeaced b % or the seventh ee ep folowing the le ta ese ay Fe sited oe any wed ew, for ample, FXG, ote Gor Exe. Praise sngng Ex. en the sanding lode minor sae "Wate hse oes oo he bay of ad In ome melas the conse 5.678 of he scending soe ioe The Minor Third “These ane 1 in ino Forman irl fined Mins hed ones ae hes hl pe spars encompass Fears ABC x mL Name by keer + ina hi op rom exch nae in Fig. 2, ‘hen ag suo hes yp fom eu ne. Sart practice Dy sing coxavree six ” 1.3 ia ir, Compare che tide wih the majo: Sag & nao then 4 ir eid fom enc oe, Ex, 122 Naty ler ioe hed down rom ec nee ia Fig 23 then sing minor tsk dow from exch one, Sarees by singing Siri Hl in rigor yo experience dioley ih this sng 4 minor cod, 2, tea ajo sean. Sng eae, ten eno, thd dwn rately from ech noe in Fig. 3 The i, V, and V" Chords in Minor “The tonic choc ia mao fers from he msjo conic bec ofthe rio hid se ep, A-[C]-E i # le Mino wads have #20¢ ‘hi ram oe eed Ex 23m, Wei she minor {choot fa ech hey Hed in Es, 29 in ‘he ree by apd slo saves Be. 230, Change every Eto Eb in Ex. 7, the pote singing tht “The cones of V and V" ae che amen ve and ia. Bx, te. Price Bs. 7 in ian. Do te se with Ex. 186 Ex, 2M Weis out Ex 232 in «ad g Minor Triads im Major Keys In nj tice Forma on ale ep 2 (246), 00 6 (13), and on 3) GLI) ee msoesnondng eid ich ae sed i cOMESE OF As cra aa fo, he sje ead, 1V, 20d ¥. Ex, a Considrng each ate in Fig. 23a tani, wre ou the I trad of each mje ny, Ex, Mb, Sing se flosring cone in aj in he progeesion TV Ben GI, beh 642, 5,5 by 2h 5) 6 ELT inthe popetsion I-V and V5, 462, $72, 8,5, 624, 275, ty SSG EIT Uy P48 SAT, 18 DP 3 [Ex Me, Condring ech oc of Fg, 23a ons wee out te VE Tend in ch mje fay x, 24. Sg the fllowing cones in the peogresioe VI: 32-3, B55 LEH AI FB, Tyan VLLV: 6, $68 Th -aa0¢ -* cupren ste B88 864 555, 6h $13, Thin VEV and VE 386, 1.52 8 FSR TES, 8H CBI AIT x,t Conideriag ach note of Fig. 2 asi, we out che Ih ‘hor in each majo Ky. x ME Sing the following sje cle ones in the progeesin, Ill WATE S68 FI os TOTEM, e.g. Weie out Em 295, d and fn Cand oer sores sing ‘he noes, The Descending Melodie Minor Sele Sig th on, $4.12 in mine auroral ses ae ead serach Repent er ver eg To al hese twos 81-45 Toe morse oe 443.4 sind hte SPT fhe Seng mae mer rei. St. Tes fee tons ofthe eli ior ale cng sl ening atte ne tae Sec cer ee ol re rs ep emf lal a wolf the cnn mo nots retin yh. Comput rah ga Fe Fig. canter ste 9s Ex. 25a. Practice sngog the decening medic minor wale in ‘hing ny arate cone ro your acl rage x, 235, Wie the metic anor descending in the eye lite in "2b uring the accident seed forte tones of ech se x. 56, Practice singing theese sp in the descending edie rinoe 4785; 8810.65, 87-53-65, BESTE. Ex 25d, Price singing up sd down she eloie minor sale in Sng sd desing ce The Acoli Mode “Tey sagiog wp slong the deeding form afc aac nase sale! RECDE EGA. The ms of cone uigly comand to {Sod ccs see caled tu dsl ode, omens aed the Eypodoan mse, a sale eigaly deed fom ance Greck tsi" Weaerm Eacopean nse the Sse heame town st he Ft oc sural nr se Many fe media Sse he nes fa mar “The tm made ily refered to the syle or manner i which ceclseral ides wet singe ncn vonage tt of Tet ‘ich cemered eo 2 depee anand cain “nl pte Te sm (rade sed dash ve majo nina pat ig espe of te jr mtb of ol th nia ode of “Tar ick o Fg 9, ou wil obser tat he melody wonently shi rote toes of at oer of Ce (6) snd (8). Th nny feeb edly spero Soce che snr of str ior oe inet ee of The ior difeence tthe tone Ab the {Sel coe as nor wd ce fo Cte tl centro sj Relative Keys Paired major and minae Leys sich Cand 2 lle Yolo keys “Turley of the elie no of Cy eantenely Ci the rate or of. Relive keys sce the se ey signe, Cj ad a minor therefor fave the same agate. Nowe ee the cone Ai the ich sae sep of The sch le aap of any rar boy che ne tone fis relive igor the ih sel sep a0 shee eps down eon the aortic tone. This a0 easy ay to Toe the tone of the laste ino. Et, 26, Find the cone tone of de relive ioe foreach of dhe Tolloving major keys: GF, D, Bb A, E, Ab B, Dy FC, Ch, Ch96 curren sx “The sind sl ep of ay ior key re ron one fie elie oe [Ex 105 Find he toni toe ofthe ceive mje the mins kay ied in Ex 225. Compete C major sae wih he ceaing moc ioe sale fini. by Theaters FE aod G5 ele eps and sve, Shce smn ha he same agiasice Cj, hte eo ars mse ‘een in for ach Fao Gy when wring the Seaing ee sng se x, 266. Write ay sigur ofeach no ey Ue jo 2, followed by she upp tahoe (-61-8) of the omading mele tno ein ei Key. Remeber ora te eh and seven Sales When be key spur as a efor ep a ade ep zp fom each of Fy ccuapten sx 7 seven, we «natural sign cae the ae (or no); tne 6 ad 7, ‘Shih see cel io he gnu, become shapes lading ones ‘wich ace dared become double sharp. Bek Wee the derxaing wpe ezacord (91-65) af eat “scloie minor see: The ne of ie desending teachord 1-65 orn the key sats, When aed ins Same mee wick ing erie, cance the aba or at the ae ac ‘eed ele sjorsior ys are diagramed in Fig. 2 Keys whic Tonk hese on be plano ey ourd tue which re ween diferenhy— (eekipte Ck an Dor aaad braced enbernante Aye, These flo ae idee a Pig. [Be 24 Memorize he ested keys shown in Fig, Recognizing the Minor in Melody Salers frequent sone tit x given ey Suara somal sant faut key, Thi roe can be orvcome by making » Bie of eles te metal. Look wth at lod eon. ei alo ire Spr tone the major or tase tgor rich Looks se ‘eglanang onc. Melodie st tao ely begin onsale =p and Hee ening inca the ion, Lab for eed ale foe, Are (Boy the bed Scand sen ofthe meld rioe? Look for coud ‘Ih Do you fod hp ang and/or V (V") ofthe major? TC these matte CES, GBD), a minor, ACE, EGE), Tony sre melon wich warn major conan 0 deen he sane ey, Ors eas in aj, ale he seat mio, wit 4 ce ye te key sgectue nd den cesen to coin the og key. Sakis toot elodc sie rte slave major and thes recur SEE the orl ino ey The sient lear 0 cage ch ey change. ‘Cour the mince mde in thi nd of ey change for che ike of rey A thane ign ansounced in ior Say pear ‘neil es non ar Fig 9, vai proved By the MG ode, oad way by he remblance of he jr an tino San, fa an ASL Toon he coment betwern the A and B Teilow belted if they ate Se diferent toes. The enotons Tipced bythe minor ote se iespeton, sane, mochl fel cpa, and ged Tx st Read dhe ote of the malades of Sern # by scale sep Saunas wiooe saga dem. Tey © develop fang in eg then uly te sng the melodie. oece coia Se a—atiem= Tre Sa The Meo Nin, Single Matosa0a¢