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The document summarizes a recording session from October 28, 1947 featuring the Charlie Parker Quintet with Miles Davis. The session included 14 songs recorded, including takes of "Dexterity", "Bongo Bop", "Dewey Square", "The Hymn", "Bird of Paradise", and "Embraceable You". The recording was significant as it captured the ballad playing of an experienced group during a period of increased recording activity before a musicians' union ban took effect in early 1948.
The document summarizes a recording session from October 28, 1947 featuring the Charlie Parker Quintet with Miles Davis. The session included 14 songs recorded, including takes of "Dexterity", "Bongo Bop", "Dewey Square", "The Hymn", "Bird of Paradise", and "Embraceable You". The recording was significant as it captured the ballad playing of an experienced group during a period of increased recording activity before a musicians' union ban took effect in early 1948.
The document summarizes a recording session from October 28, 1947 featuring the Charlie Parker Quintet with Miles Davis. The session included 14 songs recorded, including takes of "Dexterity", "Bongo Bop", "Dewey Square", "The Hymn", "Bird of Paradise", and "Embraceable You". The recording was significant as it captured the ballad playing of an experienced group during a period of increased recording activity before a musicians' union ban took effect in early 1948.
WOR Studio, New York NY Commercial for Dial Charlie Parker Quintet Charlie Parker (as); Miles Davis (tpt); Irving "Duke" Jordan (p); Tommy Potter ( b); Max Roach (d) 1 2 3 4 5
Listed as "Superman" by the "Miles Davis Quintet" on some pressings of 1
056 and on LP 212 10 Bird of Paradise (take 1) [All the Things You Are] (C. Parker) 3:07 Dial 1032 was pressed in two different versions, one with take 1 on the A side, the other with take 3 11 Bird of Paradise (take 2) [All the Things You Are] (C. Parker) 3:09 12 Bird of Paradise (take 3 (master)) [All the Things You Are] (C. Parker) 3:06 Dial 1032 was pressed in two different versions, one with take 1 on the A side, the other with take 3 13 Embraceable You (take 1) (G. Gershwin-I. Gershwin) 3:46 14 Embraceable You (take 2 (master)) (G. Gershwin-I. Gershwin) 3:22 1 Dexterity (take 1) 10" LP: Dial LP 203 12" LP: Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 2 Dexterity (take 2 (master)) 78 rpm: Dial 1032 10" LP: Jazztone 1004 12" LP: Dial LP 905, Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 3 Bongo Bop (take 1 (master)) 78 rpm: Dial 1024 12" LP: Dial LP 901, Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 4 Bongo Bop (take 2) 12" LP: Dial LP 901, Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 5 Dewey Square (take 1) 78 rpm: Dial 1056 10" LP: Dial LP 210
12" LP: Spotlite SPJ 104
CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 6 Dewey Square (take 2) 10" LP: Dial LP 203 12" LP: Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 7 Dewey Square (take 3 (master)) 78 rpm: Dial 1019 12" LP: Dial LP 905, Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 8 The Hymn (take 1 (master)) 78 rpm: Dial 1056 12" LP: Dial LP 904, Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 9 The Hymn (take 2) 78 rpm: Dial 1056 10" LP: Dial LP 212 12" LP: Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 10 Bird of Paradise (take 1) 78 rpm: Dial 1032 12" LP: Dial LP 904, Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 11 Bird of Paradise (take 2) 10" LP: Dial LP 203 12" LP: Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 12 Bird of Paradise (take 3 (master)) 78 rpm: Dial 1032 12" LP: Dial LP 904, Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 13 Embraceable You (take 1) 78 rpm: Dial 1024 10" LP: Dial LP 203 12" LP: Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 14 Embraceable You (take 2 (master)) 78 rpm: Dial 1024 10" LP: Jazztone 1017 12" LP: Dial LP 904, Spotlite SPJ 104 CD: Toshiba/EMI CJ25 5043/6, Definitive DRCD 11152 This is a significant session featuring ballad playing by a seasoned working gro up. In early October the American Federation of Musicians announced that a second re cording ban would begin on January 1, 1948. This accounts for the frequency of c ommercial recording sessions in the closing months of 1947.