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Students will sight read a piece from the Standard of Excellence: First Performance series. They will sing and finger ("singer") through chunks of music. Students will aim to play all together after hearing each section's part.
Students will sight read a piece from the Standard of Excellence: First Performance series. They will sing and finger ("singer") through chunks of music. Students will aim to play all together after hearing each section's part.
Students will sight read a piece from the Standard of Excellence: First Performance series. They will sing and finger ("singer") through chunks of music. Students will aim to play all together after hearing each section's part.
Objectives: I can warm up on #86 and #87 at varying tempos, and choose different dynamics and styles each time, defining them before performing them. I can assess whether or not I am playing in time with the metronome when I warm up and when I practice my concert music. I can adjust this by tapping my foot, singing or clapping the rhythm, or slowing the rhythm down. I can play lip slurs starting on concert B-flat in half and whole notes. I can sight read my spring concert piece, Big Rock Candy Mountain to gain a basic understanding of the notes, rhythm, and musicality of the piece. Opening set: Students begin each lesson with warm up on #86 and #87 in the Essential Elements book one. Since this group is all brass and percussion, brass includes lip slurs in their warm up (for embouchure building) and percussion warm up on mallets (for note reading, rolling, etc). In order to include review in each warm up, we add a dynamic and a style (chosen by the students) each time we play the exercises, reviewing the definitions of terms such as piano, staccato, forte, mezzo forte, accented, legato, etc. Body of Lesson:
Students will have a pseudo-sight reading session with Big
Rock Candy Mountain. They have never played it before but are currently working on another piece from the Standard of Excellence: First Performance series. Students will look at key signature, notes (checking if there are any notes they do not know), fingerings, slide positions, and rhythms. We will sing and finger (singer) through chunks of music, and will aim to play all together after hearing each sections part in order to put the different parts together (the biggest challenge about this music is that they are not all on the same part, so we listen to each sections part while singing and fingering, and then play together in order to reduce confusion from not understanding what we are hearing). Closing Set: A run-through of everything we have gotten through so far in Big Rock Candy Mountain, aiming to play correct notes and rhythms and gain a basic understanding of the piece and what needs to be focused on in practice time.